NYS Music 20​17

Category: Funk/Soul/R&B

  • They Fought the Law and the Funk Won: After Funk Debuts Latest Video “Freak”

    After Funk has released the video for “Freak,” the first single off their album set to be released in Spring 2018. Shot in Toronto, Ontario, Canada and Tampa, Florida over last New Years, the video follows two criminals, Donnie and Lou, who flee with their winnings to South Florida, and the detectives who track them down.

    After Funk is currently wrapping up their Fall Tour with shows in Hamilton, Ontario on Saturday 10/28, Boston on Wednesday 11/1, Providence on Thursday 11/2, Bridgeport on Friday 11/3 and wrap things up on Thursday, November 30 at Java Barn in Canton, NY.

  • Hearing Aide: Strange Machines ‘Voice of Color’

    On the week of their seventh year anniversary, New England quartet Strange Machines released their first ever full length album, Voice of Color. While some of these tracks can be found on the previously released live compilation, Cause and Effect, the crowd funded sessions created the safe space for the band to hone in on the production value at 9B Studio. Voice of Color is an album with an identity crisis, fusing together a plethora of genres and switching focus during each song in an almost schizophrenic manner. Longtime producer and sound engineer, Toft Willingham, utilized every square inch of the disc capacity, capping the album at a whopping 77 minutes and providing space for the extended jams the die-hard fans have come to appreciate.

    “Motion Picture” kicks off the album with the original progressive rock/reggae sound that revved up Strange Machines back in 2011.  Veteran keyboardist, Christian Perron, provides a mellow and jazzy foundation throughout the track that blends well with the 311-esque chorus sung by founding member Mike MacDonald.  Where tracks like “Motion Picture” and “Little Monster” will bring fans back to the band’s youth in terms of influence, “Golden Rule” displays the evolution of their sound and brings the listener to a whole different place.  The intro of the second track sounds like the outro of a Dr. Dre produced beat which dives into a catchy electronic composition highlighted by Craig Holland on bass and drummer Issac Civtello.  “Golden Rule” has been used as an improvisational launch pad at live shows for years, and at the 7-minute mark of the studio release, the band showcases some of that on-stage energy by giving MacDonald room to spread his wings on lead guitar.

    Perron wastes no time jumping into a gritty funk groove during the title track, “Voice of Color.”  As the second of three songs in a row that clock in over nine minutes, Strange Machines have already produced a longer album than most bands and we still have a long way to go.  The wordy first half of the track is overshadowed by the prog-rock breakdown in the second half, returning once again to the sound that described the band during their conception.  “Enter the Interceptor” has a Primus-like value and while it is the shortest track on the album, it has the heaviest feel.  The chilling rocker is reminiscent of the type of music Rob Zombie may add to one of his demented movies during the bloody peak of a chainsaw massacre.  Acting as the halfway point on the album, “Enter the Inceptor” is one more example of a band that is traveling many sonic dimensions at the same time.

    “Squid” is another recognizable staple that has legs, or tentacles, when seeing the band in a live setting.  Certain species of squid have the ability to fly out of the water for short distances and Strange Machines have found a way to express this phenomenon in the studio.  The approachable lyrics and hints of tribal percussion creates a smooth island sound that finishes with an unexpected tidal wave guitar solo by MacDonald.  “Armorphous” serves as the final track of the uber-eclectic Voice of Color and begins with a tight and haunting graveyard vibe before transforming into a powerhouse of danceable energy.  Stacked with trippy effects in all the right places, this soaring jamtronic piece finds the foursome momentarily channeling Pink Floyd before blasting off into the exclamation point of the 77-minute debut.

    So welcome to the Machines!  In their rookie album, Strange Machines packed six years of concepts into one piece of art.  While the track placement and flow have some maturing to do, there is no doubt that this multitalented quartet has endless room to grow.

    Key Tracks: Voice of Color, Squid, Amorphous

  • JJ Grey and Mofro: Greetings from the Sunshine State

    Jacksonville Florida’s own JJ Grey and Mofro played to an enthusiastic crowd at Clifton Park’s Upstate Concert Hall on Thursday October 19. These seasoned veterans of the road have been playing since the 1990’s and are currently five weeks into their tour spreading the gospel of the electric blues and soul to audiences around the nation. The band has deep roots in the south which is apparent in the nine studio albums that they have created since their inception.

    JJ Grey and Mofro
    JJ Grey & Mofro getting “Janky” at the Upstate Concert Hall 10/19/17

    The current lineup of the band consists of JJ Grey on vocals, harmonica, and electric guitar, Dennis Marion and Marcus Parsley on trumpets, Todd Smallie on bass guitar, Craig Barnetter on drums, Zac gilbert on guitar, and Eric Brigmond on keyboards.

    JJ Grey and Mofro

    The night kicked off with Pittsburgh PA’s 10 piece soul powerhouse The Commonheart. Led by front-man Clinton Clegg, the energy was palpable with high energy renditions of The Commonheart originals “I Am A Ram “ and “Aloysius” off of their 2016 LP Grown. The Commonheart were a tight knit unit that was exceptionally good at getting the Upstate crowd grooving by offering them up a heaping helping of Electric Soul and RB. The highlight of the opening set was a gritty version of Randy Newman’s soul classic of “You Can Leave Your Hat On” that would have made the Commitments jealous.

    JJ Grey and MofroGrey thanked the crowd for singing and began reminiscing about his days working at a lumberyard in Jacksonville, Florida adjacent to a tiny church located in a nearby strip mall. He recounted days drinking iced tea and listening to the church’s preacher singing and playing spiritual hymns on guitar, while the ladies in the choir sang along. He went on to say that was one of his inspirations for what he calls his band’s “Rock and Roll Revival Show.”JJ Grey and Mofro

    Grey then switched out guitars and got comfortable sitting down playing electric slide guitar on John Anderson’s Blue Grass classic “Seminole Wind.”  The song was a unique and “Janky” interpretation of the song, which was dedicated by Grey to his grandmother.  Grey said that she lived in the “good old bad days,” being born in a tent on a tobacco farm in Georgia.  It was apparent that her strength in overcoming such a tough and hard scrabble life was a great inspiration to Grey.

    The evening ended on a high note with an encore comprised of a rousing rendition of the Beatles classic “Hey Jude”  with the audience singing the chorus until the very last note. JJ Grey & Mofro will continue touring the U.S. with dates scheduled into the Spring.

    Setlists:

    The Commonheart:  Show Me The Light, Questions, Cannonball, You Can Leave Your Hat On, Do Right, Save Me, Aloysius

    JJ Grey & Mofro:  How Junior Got His Head Put In, Light A Candle, Every Minute, Brighter Days, 99 Shades, Gal’ Young’en, Seminole Wind, Lochloosa, Orange Blossoms, Lazy Fo Acre, Ol’ Glory, Shining Down, Hey Jude

  • The Floozies Electrify Boston

    The Paradise Rock Club in Boston, MA hosted a night of Colorado all-stars on Friday October 13 featuring The Floozies. Late Night Radio and the Funk Hunters opened the evening, both bringing high energy. The room was surging from the beginning, cheers and roars coming during every drop.

    The Floozies came out to a sold-out crowd and did not slow down all night long. Playing favorites like “Sunroof Cadillac,” “Cheese,” and “Love, Sex, and Fancy Things,” they mixed in hits off their new album, Funk Jesus. The duo heads west across the country, playing halloween night in Utah, playing a long west-coast run before ending in their home-state of Colorado. Check out the photos from Boston by Zatchmo Lives Media.

  • Disc Jam Presents: Halloween Horror Camp 3

    On October 28, Disc Jam is presenting Halloween Horror Camp 3! Celebrate Halloween weekend listening to lespecial, Strange Machines, Formula 5 and more as they pay tribute to some of their favorite artists like Primus, Rage Against the Machine, The Doors, Phish, Daft Punk and more. Concert-goers should be prepared to be in Western Massachusetts’ 413 area code, but the catch is that the exact location for the event won’t be released to ticket holders until 2 days before the show.

    Show gates will open at 10:00 am, and music will go from 1:00 pm to 3:00 am. There are two camping options: on-site cabins and car side camping. Guests 21+ can enjoy complimentary beer from the Lagunitas beer garden. Tickets are $60 and can be purchased here.

    Warm up for the show with these previews!

    Strange Machines (The Doors)

    Mammal Dap (Daft Punk)

    Formula 5 (Phish)

    Cosmic Dust Bunnies (The 80s)

    Kerry Quirk (Madonna)

  • New Music Series Debuts in Troy with Performance by Sax Prodigy Henry James Fernandez

    FAIRE Productions is partnering with The Shop in Troy to present a series which showcases east coast musicians. FAIRE-IT kicks off this Thursday, Oct. 19 with a free performance by Henry James Fernandez and his jazz/funk trio.

    The saxophonist from Niskayuna, NY currently attends the Oberlin Conservatory of Music and plays original compositions as well as beloved classics. For more information, visit FAIRE Productions.

    https://youtu.be/q0-Ns_kBy0M

  • Hearing Aide: Lettuce ‘Witches Stew’

    In the shadows beyond darkness and light, the ghost of Miles Davis begins to take flight. Swirling and blaring a trumpeter we know. A new face in the cauldron begins to show. With funk and synth and guitar riffs anew, out of the fire comes Lettuce’s Witches Stew.

    lettuce witches stew

    On October 13, just in time for Halloween, funk powerhouse Lettuce will release a new live album that pays tribute to the late Miles Davis, one of the band’s biggest and most beloved influences.

    Witches Stew is Lettuce’s eerie and psychedelic take on seven of Davis’ songs. As did the breakthrough 1970 album, Bitches Brew, Lettuce pairs their own funky guitar riffs and electronic keyboard with improvisational trumpet and saxophone.

    Recorded at the 2016 Catskill Chill Music Festival in Lakewood, PA, the album is a haunting mix of both jazz and funk that breathes new life into Davis’ tracks. “Shhh/Peaceful” was released as a single on September 29 marking the 26th anniversary of his death.

    A ghostly presence is felt throughout the album allowing the listener to lose themselves in the hypnotic and haunting grooves. A far cry from the days of Rage! and Fly, this album is more exploratory in nature with similarities to their most recent EP Mt. Crushmore.

    Witches Stew is the perfect soundtrack to a crisp fall night, sure to cast a spell on listeners old and young.

    Key tracks: Shhh/Peaceful, Sivad, Black Satin

  • Hearing Aide: Pigeons Playing Ping Pong ‘PIZAZZ’

    Once you fall down the rabbit hole and begin obsessively following the “Jam Scene” you quickly take note of which bands are the real deal and which ones will soon become another fourth-tier festival causality. Since their birth in 2009, Baltimore natives Pigeons Playing Ping Pong have quickly pulled themselves up the ropes and show no signs of slowing down. Progressing from simply a name you saw on the line-up of nearly a dozen festivals and hearing about them for Phish after-shows to headlining their own two-set shows and establishing an obsessive fan-base of their own (often referred to as “The Flock”), PPPP has secured a spot in the rank of bands you absolutely must see if they are within driving distance (eight hours is driving distance… right?). With the release of their new album PIZAZZ on October 20, the band solidifies that they are here to stay and only getting better with age.

    PIZAZZIf you’ve ever been fortunate enough to catch a show, then you already know how much energy this band has at all times. For the right person, a PPPP show is the equivalent of running a 5K on acid. Prior to your first show I would recommend going to the gym three times that week to prepare for the number of funk-driven convulsions your body will encounter. While it is often difficult to translate what a band can achieve in a live setting to a studio album, PIZAZZ is about as close as it gets. This is the essential “dancing your ass off in the kitchen while cooking dinner and you’re so into it you don’t even notice your roast has burnt” kind of album. It is genuinely fun, with each track offering a different form of exhilaration to keep the listener engaged. It is often difficult to choose music that satisfies every guest’s tastes when throwing a party, but with PIZAZZ you are guaranteed a bridge that will keep everyone satisfied and may even inspire a few hallway dance circles.

    The album starts off hot with its first single “Fun in Funk” which epitomizes what the band and album is all about. The lyrics are playful and self-aware, but musically it is clear that they are not messing around. While “Fun in Funk” has already debuted live, like many other tracks from the album, the studio version is cleaned up and polished, while not at all overproduced. The second single “Something for Ya” follows keeping the energy going, but after listening through the album a couple of times you realize that they could have release almost any other song as their second single and it would fit. The album flows like a well-thought out 11-song set. As you reach the end of the final track, the mystical “Poseidon,” you have the urge to let out a little yell and clap for a couple of minutes until they come out for an encore. While we will have to wait a bit for the encore, this album is certainly one you will listen to over and over until it comes.

    Key Tracks: Fun in Funk, Something for Ya, Poseidon

  • JJ Grey and Mofro: Tasty Soul from the Sunshine State

    Since the 1990s, JJ Grey and Mofro have been dishing out hearty helpings of southern soulful blues rock. Based out of Gainesville, Florida, these seasoned road veterans have played around the globe spreading their brand of musical expertise that hearkens to the likes of Otis Redding, Jerry Reid, and The Allman Brothers Band. Lead singer and soul-bent swamp rocker John Higginbotham aka “JJ Grey” infuses his music with a definitive southern flavor, transporting all who listen to the landscape of his youth. If you have a hankering for upbeat feel good music and you love to, as lead singer Grey states, get “Janky” this is the band for you.

    The current lineup of JJ Grey & Mofro includes JJ Grey on vocals and electric guitar, Dennis Marion and Marcus Parsley on trumpets, Todd Smallie on Bass guitar, Craig Barnette on drums, Zac Gilbert on guitar, and Eric Brigmond on keyboards.

    Live Nation Promotions will be presenting JJ Grey & Mofro along with special guests The Commonheart at Upstate Concert Hall in Clifton Park NY on Thursday October 19. Get tickets here.

  • STS9 Blew The Roof Off The Worcester Palladium

    The Worcester Palladium will play host to a huge array of incredible musical acts in the coming years. September 28 was a night of livetronic legends at Worcester Palladium with STS9 and Denver-based Sunsquabi who opened the night with deep bass lines and a lot of heavy guitar shredding. The trio only played for a half hour, but the room was electrified quickly. Opiou had an incredible set, with Kevin Donohue from Sunsquabi sitting in on a couple tracks.

    The “Enceladus tour” brought Sound Tribe Sector 9 to a packed and jam-hungry crowd. The quintet played two incredible sets that never seemed to slow down. With favorites like “Metameme” and “Shock Doctrine,” the fans were given a night of true Tribe greatness.

    Set 1: Common Descent > Enceladus, Frequency > Out Of This World > Kamuy, Ad Explorata > Shock Doctrine, Surreality > EB

    Set 2: Abcees 1, Rise Above Get Loud > Metameme > Aimlessly, F-Word > Modular, Click Land Echo > Inspire

    Encore: You Don’t Say

    Their tour continues south before they end in St. Augustine, FL. After Dominican Holidaze they have a three-night New Years Eve run at The Warfield in San Francisco, CA. Check out photos from this past Thursday night, courtesy of Zatchmo Lives Media.