NYS Music 20​17

Category: Reviews

  • JRAD Performs Full Terrapin Suite at Fall Ball, Welcomes Stuart Bogie

    Capping off the third show of their first weekend at Brooklyn Bowl this October, Joe Russo’s Almost Dead (JRAD) dialed into their interpretation of the music of the Grateful Dead, with a full “Terrapin Station” suite, and welcomed multi-instrumentalist Stuart Bogie to the stage for a good chunk of the show.

    JRAD terrapinA first set that started out with an “I Need a Miracle” > “New Speedway Boogie” > “Playin’ in the Band” sequence that took the band on a 45 minute rockin’ ride, with a spacey jazz odyssey inside PITB. “Eyes of the World” featured Stuart Bogie on saxophone, aptly filling the role of Branford Marsalis on the live version found on Without a Net. Marco Benevento, Dave Dreiwitz, Tom Hamilton and Scott Metzger all took a turn at the helm, everyone steering the ship in their own way, before settling back into safe harbor. “Dancing in the Street” and “Brown Eyed Woman” closed out the set, the latter with a brief “Eyes of the World” reprise and a “Stella Blue” tease/jam at the end.

    “Uncle John’s Band” kicked off a 4-song second set with Bogie on flute, later switching to sax for “The Other One” which included jams on “Cryptical Envelopment,” “Roadhouse Blues” and “How Many More Times” before a long segue into the full Terrapin Station suite which found Bogie on clarinet for the lengthy composition. An encore of “Samson and Delilah” with Bogie once again closed out a warm, full night and enticed fans heading to this weekend’s 3-night run at Brooklyn Bowl.

    Setlist compiled by Peter Costello
    Set One: Jam -> I Need A Miracle -> New Speedway Boogie -> Playing In The Band @ > Eyes Of The World @ % -> Dancing In The Streets @ ^ -> Brown Eyed Women & -> Stella Blue Jam

    Set Two: Uncle John’s Band @#$ + The Other One @ ++ > Cryptical Envelopment Jam @@ > Terrapin Station Suite @#$ ##

    Encore: Samson & Delilah @ *

    @ – With Stuart Bogie on Tenor Sax # – With Stuart Bogie on Flute $ – With Stuart Bogie on Clarinet % – With a Marco Solo that evolved into a Marco/Tommy Duet, a DD Bass Solo & the circa 1973 ending in 7, not played since (I think) 2013-01-26 at Brooklyn Bowl, a gap of 122 shows. ^ – With “Shortnin’ Bread” (James Whitcomb Riley), “Hoedown” (Aaron Copeland) Teases (MB) and an “Inspector Gadget” Theme (Shuki Levy and Haïm Saban) Tease (Band) & – With Throwing Stones and Eyes of the World Jams / Teases (Band) + – Proceeded by a “Some Like It Hot” (The Power Station) Tease / Jam. That tune was continually referenced throughout the set. Also included a Duo Jam, and a “Becky” (Benevento Russo Duo) Jam ++ – With a “Roadhouse Blues” (The Doors) Jam, A “How Many More Times” (Led Zeppelin) Jam, a “Money” (Pink Floyd) Jam @@ – First Time Played by Almost Dead as an Instrumental, with a St. Stephen Tease (SM) and an Uncle John’s Band Tease (DD) ## – With a The Wheel Jam, a Swingtown Jam (led by MB) & a “Some Like It Hot” (Power Station) Tease * – With a “Battle Hymn of the Republic” (Julia Ward Howe) Tease (Stuart Bogie)

  • Spafford Rocks Lucky Strike Social Club

    The mall was the place to be on Sunday October 8 as Spafford returned to Albany for their second performance of the year. After making plenty of new fans opening for Umphrey’s McGee at the Palace Theatre back in January, Lucky Strike Social in the Crossgates Mall earned a spot on their massive 34-show Fall Tour. This time around, the enthusiastic crowd was treated to two full sets that went until midnight, the longest Sunday show to ever have taken place at the newer venue. Lord Electro started the night, their first time performing at Jupiter Hall, and opened the night with an EDM power trio sound, highlighted by songs like “Home” (The New Deal), “So-Laflay” and “Business,” which closed their enthusiastic set.

    Lucky Strike Social ClubThe Arizona quartet opened the show with “Simon and Lily” and “Galisteo Way” before treating us to “Mind’s Unchained” and “People.” The highlight of the first set was their bluegrass’esque cover of the Red Hot Chili Peppers’ “Soul to Squeeze” before going into their original, “Windmill,” which had the fans clapping for more as they wandered off stage. They came back from the break with a cover of Johnny Russel’s “Catfish John” before the band soared through a jaw-dropping combination of “Dream Jam” > “All My Friends” > “Bee Jam” > “Alternate Ending” and finally “Ain’t That Wrong” to end the set. Never one to disappoint, they came out once more for a bluesy-pop encore with one of their own, “Shake You Loose.”

    Setlist
    Set 1: Simon and Lily, Galisteo Way, Minds Unchained, People, Soul to Squeeze, Windmill
    Set 2    : Catfish John, Dream Jam > All my Friends > Bee Jam > Alternate Ending > Ain’t That Wrong
    Encore: Shake You Loose

  • Amy Helm Pays Tribute to Petty in Rochester

    Friday October 6 at Funk n Waffles Music Hall in Rochester started with one voice and one guitar, as Woodstock’s Connor Kennedy took the stage to warm up the stage for Amy Helm. He would end the night, as part of Helm’s band, on a two-neck guitar. Three and four-part harmonies would be the centerpiece of Helm’s set, which culminated with five songs by Tom Petty songs as a part of a six-song encore. One two three four five six… though Amy Helm and band put on a show that was anything but paint-by-numbers.

    Amy Helm PettyKennedy highlighted his emotive country-ready voice in a short set of fresh original folk tunes. He was appropriately decked out in denim head to toe, though he admitted a “clerical error” in not wearing his Nick Tahoe’s tee. During “Down by the Water” a voice emerged from the audience, in perfect harmony. Amy Helm, enjoying the set from the crowd, decided to sing along, beautifully “sitting in” without taking the stage. His set ended with him seated at the Rhodes, to play the title track off of his excellent just-released album, Somewhere.

    Helm’s set started with a small hiccup, as Kennedy had some guitar amplification issues. The rest of the band soldiered on, extending the beginning of “Didn’t It Rain” into a funky little jam, complete with improvised vocals. They funked, but didn’t waffle. As soon as the guitar was ready, the band immediately clicked into the song proper, as if it was part of the plan all along. The rest of the set went on without a hitch, mixing and matching genres like soul, R&B, roots, country, funk and blues. “Rescue Me” took on a southern rock feel and “Cotton and the Cane,” a new song co-written with Mary Gauthier,  showed more twang, but the band’s incredible harmonies were present throughout. They mixed in two great ones from the late great Alan Toussaint, “Yes We Can Can” and “Freedom for the Stallion,” both times Helm remarked how relevant the lyrics still were in our current time. The set closed with a searing rendition of Bob Dylan’s “Meet Me in the Morning,” which opened with some thumping bass from Ted Pecchio, closed with a rollicking solo from Sean Dickson on drums, and was pure fire in between.

    The encore opened with another cover, one of more recent significance, a near a capella rendition of Tom Petty’s “Wildflowers” with only the Rhodes and some very subtle bass and drums as accompaniment. A beautiful tribute, but wait, there’s more. Helm said they knew in the lead up to this gig, a part of a quick three-show stint, they would need to play a Petty song. But once the time grew closer, they realized they couldn’t just play one, they needed to play five. So the encore became a mini Tom Petty tribute set. They continued on, with “You Don’t Know How It Feels,” an acoustic one-mic bluegrass version of the deep cut “No Second Thoughts” and “Waiting is the Hardest Part.” Helm then held back tears as the band beautifully dedicated the hymn “Gloryland” to Petty. This immediately led into an explosive finish, with Kennedy strapping on the aforementioned double-neck guitar for a perfect “American Girl.” We give it a ten!

  • Collar City Faves Blue Machine Rock the Dino

    If you were in the mood to rock out to Classic Rock and British Invasion tunes from The Beatles, Rolling Stones and Led Zeppelin, the Dinosaur Bar-B-Que in Troy was the place to be this past Friday, Sept. 22 as Blue Machine made their return back to the venue.

    Blue MachineThis was the first public appearance for the band since last December. The band’s return not only brought in a packed house, the performance was also entertaining, fun and it was a great night for their fans as they rock and rolled in the City of Troy.

    Blue Machine, featuring Kenny Hohman (guitar/vocals), Joe Daley (drums), and Lori Friday (bass/vocals) and front man Tommy Love (vocals/harmonica), have been bringing their own take on many popular Classic Rock and British Invasion tunes for over 10 years throughout the Capital District and New England. For over 21 years, Hohman, Daley and Friday perform as an international and local power trio called Super 400. Love, who at times can sing and sound like various performers such as Robert Plant, Mick Jagger and Jim Morrison, is also a lead vocalist in another local group, Blue Hand Luke.

    Blue Machine performed hit songs throughout the evening, starting with “Come Together” (The Beatles), followed by “Heart Full of Soul” (The Yardbirds), “Set Me Free” (The Kinks), “Badge” (Cream), “Tell Her No” (The Zombies), “Jumping Jack Flash” (The Rolling Stones), “Strange Brew” (Cream), “Born Under A Bad Sign” (Cream), “Can’t You Hear Me Knocking” (The Rolling Stones) and “Happy” (The Rolling Stones), among other tunes.

    “We’re going to give you some trippy music,” Love called out to the fans after the band had finished performing “Happy.” Love was making a reference to their next song, “Riders of the Storm” (The Doors) as Hohman began to play the memorable chords of the tune on the guitar. The Doors’ other hit, “Roadhouse Blues,” followed suit. From The Doors came The Allman Brothers Band. The band dedicated “One Way Out” and “Whipping Post” to the late Gregg Allman.

    Watching the band sing and jam out to these two tunes from The Allman Brothers was captivating, magical and entertaining. As Love sang his verses to these songs, the instrumental jam session began in full force. One moment, Hohman would play a soaring guitar solo, Daley would begin soloing on the drums, then Friday would begin her solo routine to Daley’s toned down drum taps for a given moment. As her solo ended, Hohman and Love reunited with the group to continue to perform their song(s) until it ended. The band, being as connected and passionate to these songs as they are, helped make these classic songs come to life.

    Closing out the first set, and then with a following encore performance, was the anticipated Led Zeppelin tribute. The tribute started out with a cover of “What Is and What Should Never Be” (Led Zeppelin II) followed by “Black Dog” (Mothership), “I Can’t Quit You Baby” (Led Zeppelin) and “Thank You” (Led Zeppelin II). Closing out their encore performance with Love on lead harmonica and vocals, Love belted out the lyrics to “Bring It on Home” (Led Zeppelin II). The end of the encore left Blue Machine fans happy and satisfied to know that rock and roll is here to stay in the Capital District.

    Like Blue Machine on Facebook to stay updated on where the band will perform next. Also, check out Dinosaur BBQ’s website to stay informed on the local acts that will be performing in the area.

    Setlist: “Come Together” (The Beatles), “Heart Full Of Soul” (The Yardbirds), “Set Me Free” (The Kinks), “Badge” (Cream), “Tell Her No” (The Zombies), “Jumpin’ Jack Flash” (The Rolling Stones), “All My Loving” (The Beatles), “Strange Brew” (Cream), “Born Under A Bad Sign” (Cream), “Can’t You Hear Me Knocking” (The Rolling Stones), “Happy” (The Rolling Stones), “Riders of the Storm” (The Doors), “Roadhouse Blues” (The Doors), “One Way Out” (The Allman Brothers), “Whipping Post” (The Allman Brothers), “What Is And What Should Never Be” (Led Zeppelin), “Black Dog” (Led Zeppelin), “I Can’t Quit You Baby” (Led Zeppelin), “Whole Lotta Love” (Led Zeppelin), “Thank You” (Led Zeppelin),
    Encore: “Bring It On Home” (Led Zeppelin)

    This article was originally published by The Spot 518.

  • Farm Aid Brings Music For A Mission Back To Burgettstown, PA

    My husband and I were fortunate enough to be in attendance the last time the Farm Aid lineup rocked Burgettstown in 2002.

    This time was extra special as it was the first time our six-year-old son was able to attend a Farm Aid event with us. The life experience he has gained from attending the press conference, being up close to music greats like Farm Aid board members, Willie Nelson, Neil Young, John Mellencamp and Dave Matthews, learning about vermicomposting in the HOMEGROWN Village and eating all the amazing food the local farmers and food vendors cooked up for the show; I can’t even begin to imagine the lasting impact that will have on him. Did I mention that all of the concessions sold at the show were sustainably produced by family farmers using ecological practices and any waste produced was recyclable or compostable?  Awesome!

    Although the day in many ways is about the music, I want to take a moment to focus on the heart of the cause…the family farmers. Farm Aid has raised more than $50 million to support family owned farms. The press conference held prior to the day long concert, focused on four stories of local farms. They varied from a produce farm that sold to local schools, a dairy farm that was able to stick it out and make things work even in tough times, one of the pioneers of organic farming in the region and an inner city urban farm that invites the community to have a safe haven to commune, work and get a bite to eat if they’re hungry. Pennsylvania was selected to play host to the 2017 Farm Aid concert because it is home to over 58,000 farms. However, those farms are declining at a growing rate. For more information about Pennsylvania farms please visit here.

    It is no surprise that the 2017 Farm Aid concert sold out the first day tickets went on sale. The lineup was incredible and featured some of the music industry’s best. Farm Aid 2017 featured Willie Nelson, Neil Young with the Promise of the Real, John Mellencamp, Dave Matthews and Tim Reynolds, Sheryl Crow, Jack Johnson, The Avett Brothers, Nathaniel Rateliff &The Night Sweats, Blackberry Smoke, Margo Price, Lukas Nelson & Promise of the Real, Valerie June, Insects vs Robots and Blackwood Quartet. We met people who had traveled from Alaska and even Australia to see the show.

    The day opened with the smooth sounds of the Blackwood Quartet; followed by the experimental psych-rock band Insects vs Robots featuring Micah Nelson, son of Willie. Valerie June brought her beauty and talent to the stage. How many instruments can she play?

    Lukas Nelson & Promise of the Real were on fire. It has been a few years since I have seen them and they have certainly progressed as a band. Lukas has a genuine, likeable stage presence and proved that he has natural talent like his father. In fact, this band is so amazing that they have the distinct honor of being the backing band for Neil Young.

    Jam-rock band Blackberry Smoke played a set reminiscent of the sound of the Allman Brothers.  Farm Aid veteran Jamey Johnson took the stage next. The crowd was starting to fill in as he performed country favorites, “Up on Cripple Creek” and Woodie Guthrie’s “This Land is Your Land.”

    I had heard great things about Margo Price, a newcomer to the alternative country music scene. She did not disappoint. She has a voice that will take her places and a personal reason for championing the Farm Aid cause; her family lost their farm in 1985.

    Things really started to heat up when Nathaniel Rateliff & the Nightsweats took the stage. It was my first time seeing the band and now I completely understand what my friends have been raving about. What an awesome sound that culminated with their performance of “S.O.B.”

    The Avett Brothers kept the momentum going. I am unsure of how to describe their sound. You really just need to check it out for yourself. They rocked “Laundry Room,” “True Sadness” and “Slight Figure of Speech.”

    Jack Johnson is one of the most laid back performers I have ever seen. He opened his set with a highly entertaining parody song aptly titled, “Willie Got Me High and Stole All My Money.” Jack invited Jamey Johnson, Sheryl Crow and Nathaniel Rateliff & the Nightsweats to join him onstage to cover Bob Dylan’s “I Shall Be Released.” To keep the party going, Jack called for someone to find Lukas Nelson so that he could come up and perform with him. Lukas was located and joined him for “Breakdown” which included a snippet from Steve Miller Band’s “The Joker.” Jack Johnson was clearly in the mood to share the stage and the Avett Brothers joined him for the final two songs of his set, “Mudfootball” and “Better Together.”

    The sun was finally starting to go down and Sheryl Crow was up next. She took the stage and immediately lead with hit song “Every Day Is a Winding Road.” She followed Jack Johnson’s lead by inviting Margo Price to join her for “Strong Enough” and ended her set with The Allman Brothers Band cover “Midnight Rider” with Margo Price, Willie and Lukas Nelson and Jack Johnson onstage to help.

    The first of the Farm Aid board members, Dave Matthews along with his partner in crime, Tim Reynolds performed next. Matthews and Reynolds laid down some mean guitar tracks during set opener “Don’t Drink the Water.” They pleased their diehard followers by debuting a new song that may appear on an upcoming album release that fans have dubbed “Odds Are Against Us.” Their set felt short. Of course I am accustomed to their nearly three hour long performances.

    John Mellencamp always puts on a good show. I am convinced he can pull off anything from country, blues, jazz-funk to good ol’ rock n roll. He can sing it all and his band is on point. He played fan favorites “Small Town,” “Check it Out,” an acoustic version of “Jack and Diane” to which Mellencamp said, “I don’t know why I play this song anymore. I guess it’s cause I know you all want to hear it.” “Rain on the Scarecrow” was very moving given it summarizes the heart of the devastation of the loss of a family farm.

    I have seen Neil Young perform at Farm Aid several times but this year, he stole the show. Young along with Promise of the Real took the stage by storm with a thundering version of “F*ckin’ Up.” Young was ready to rock and ripped through stunning versions of “Cortez the Killer,” “Cinnamon Girl,” “Heart of Gold” and the crowd went crazy when the opening chords of “Rockin’ in the Free World” hit the air. He summed up the day by stating “Farmers are the American heroes today. They are living a real life.”

    It was time for the heart and soul of Farm Aid to take the stage… Mr. Willie Nelson. My son was overjoyed that he opened with his favorite Willie song, “Whiskey River.” Willie performed a Toby Keith cover “Beer for My Horses,” “Roll Me Up and Smoke Me When I Die,” “On the Road Again” and ended the night with some humor or perhaps satire with “It’s All Going to Pot.”

     

    What can you do to help?

    • Shop at your local farmer’s market
    • Join a CSA
    • Grow your own garden or participate in a community garden
    • Talk to local farmers and learn about what they do and their farming practices
    • Contribute to Farm Aid 
    • Write to congress and tell them they need to support family farms not factory farms

  • Giant Panda Guerilla Dub Squad Links Kingston to Buffalo

    With the bustling, vibrant music scene which Buffalo has remarkably fostered, there are often many places a music lover can find solace on an active Saturday night. Despite the many options, it seems many WNY music lovers knew the place to be on Saturday, September 30 was in Buffalo at The Tralf Music Hall to catch a nearly sold out performance by Rochester’s own reggae powerhouse Giant Panda Guerilla Dub Squad (GPGDS).

    Attendants were in great spirits as they frolicked through the doors and found a place to put their recently located jackets and sweatshirts on Buffalo’s first truly chilly Autumn night. The festivities began right on time with Hip-Hop Duo Level 7 Experience acting as the night’s MC and performing on the floor in front of the stage to better engage with the audience while the bands set up.

    The crowd was loose and ready to dance once Level 7 Experience finished their first set and the opening band, Thunder Body, took the stage. The multi-instrumental, Rochester-local Dub group took no time to get started as they performed a bouncing set, spanning multiple genres. Jumping from reggae to ska to outward psychedelia, the well-rehearsed band did an excellent job using their horn section, percussionists, and theremin to create a very distinct sound of their own. It seemed as though they could play all night and everyone would have been okay with it, but unfortunately time was not on their side and they had to leave room for the main course.

    After a well-earned standing ovation, Level 7 Experience took to the floor once again to entertain the crowd while the stage was set for GPGDS. Now that people were a bit more liquored up and frisky, the duo played to the room and performed more call and response songs than their first set. By the time they finished their last number and thanked the crowd, GPGDS took the stage leaving almost no time between performances.

    As the band took the stage, the screen behind them featured a homage to the city by displaying the Bill’s logo with the buffalo replaced by a panda. It quickly became clear that this was a reoccurring symbol as many people in the crowd wore shirts with the logo, indicating how invested and committed the reggae band’s fanbase was in the area.

    A long, slow drum segment started out the set, leading to an explosion of funk and reggae with bass player James Searl and drummer Chris O’Brian holding down the low end while guitarist Dylan Savage played a scratchy rhythm to get the crowd grooving. After the long intro, O’Brian mixed things up by playing a Latino-inspired beat prompting Searl to holler a Marley-inspired rap with quick, impressive alliteration. Following a breakdown and nailed composed ending, the band slowed things down and segued perfectly into a slower reggae number.

    The light, minimalist reggae tune transformed the Tralf from a dark, oddly shaped room to a refreshing summer day just relaxing by the pond. Reggae fans experienced exactly what they came for as keyboardist Tony Gallicchio sprinkled light-hearted fills throughout the tune while the rest of the band kept things easy. From there they shifted the tempo once again to a faster reggae number which allowed guitarist Dan Keller to showcase his musical expertise by taking the quick reggae tune to space, infusing his love of reggae with that of psychedelia.

    One of the most impressive aspects of GPGDS is their ability to jump from song to song without any stopping and constructing their setlist to feel seamless. They controlled the energy in the room throughout the night with few breaks in the music and making the show feel like a sound wave; going up and down as they played songs with varying tempos one after another.

    Each member of the band was proficient at what they played and took turns on lead vocals. Throughout the night the band excelled at giving the crowd a genuine reggae performance while at the same time incorporating different genres to establish a sound of their own. By welcoming guest spots from the previous acts, there was never a dull moment throughout the show as you could not predict what was coming next.

    Had you told me I would be walking out of this show and entering the humid streets of Kingston, I might have believed you after that performance. It is clear why GPGDS has such a strong following among reggae fans, and they can truly do justice to a genre of music that so many bands tend to butcher.

    giant panda buffalo

  • The North Country Welcomes The Summit

    The Summit, a first time concert series presented by Wild Adriatic and Mean Max Brew Works made it’s way into The Queensbury Hotel in Glens Falls, N.Y. for a two night engagement on Friday, September 29 and 30.

    Night one featured, Sun Satellites, Sad,  The Lateshift, Girl Blue, Madaila, event hosts and organizers, Wild Adriatic and headliner, Aqueous. Night two brought on a full evening of music with Last Daze, Chestnut Grove, Paradox Saints, Ramblers Home, Angels On The Fourth, Let’s Be Leonard and Wild Adriatic to close out the event.

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  • Young Dubliners Bring the Party to the Wescott

    As the Young Dubliners made their way through New York on their East Coast Tour, they certainly liven up Hump Day for those brave enough to venture out to The Westcott this past week.

    Those in attendance for this mid-week concert were there to dance and have a good time as they had an inside track to what they were in store for. Immediately apologizing for not keeping his word to play on a Friday night, you wouldn’t know it wasn’t a Friday as they brought the party with them for their captivated audience.

    Opening for the band were New York locals Waydown Wailers. Although a great band in their own right, I don’t think those in attendance were able to appreciate their unique sound.  More of a southern rock band, these talented locals from Canton played to a group of Celtic loving souls, and left them scratching their heads and feeling a bit quizzical in what they just heard. With more than enough local Celtic performers to choose from as openers, I believe when booking opening bands for shows, the Westcott needs to start pairing bands together that play to the same crowd.  Not only will it appease the crowds, those bands that are opening, will begin to reach more of the audience they wish to reach.

    As the L.A. lads took the stage, they jumped feet first into a fully charged setlist that included many favorites from their large catalog of music. With Keith Roberts on lead vocals and guitar, he quickly engaged the crowd with his edgy vocals and charismatic personality, not to mention the stage full of talent that accompanied Keith with David Ingraham on percussion, Brendan Holmes on bass, Bob Boulding on lead guitar, and Chas Waltz on fiddle, mandolin, and harmonica.  Each musician was as impressive as the next as they melodically mesmerized their audience leaving them wanting more.

    For those that made their way to the Westcott to see the talented Young Dubliners, they were treated to an awesome performance and enough energy to last them till the next time they can make their way back east.

    Setlist: Paddy’s, Adhainn Mor, Fall, Say Anything, Brown Dog, Howaya Girls, Come Back Home, Bodhran, Apart, Liverpool, Seeds of Sorrow, Tell Me Ma, Foggy Dew, Ashley Falls, Waxies, Pari of Brown Eyes, Chas Solo, We The Mighty, Carlow, Fall from Grace, Rosie, and Rocky Road

  • STS9 Blew The Roof Off The Worcester Palladium

    The Worcester Palladium will play host to a huge array of incredible musical acts in the coming years. September 28 was a night of livetronic legends at Worcester Palladium with STS9 and Denver-based Sunsquabi who opened the night with deep bass lines and a lot of heavy guitar shredding. The trio only played for a half hour, but the room was electrified quickly. Opiou had an incredible set, with Kevin Donohue from Sunsquabi sitting in on a couple tracks.

    The “Enceladus tour” brought Sound Tribe Sector 9 to a packed and jam-hungry crowd. The quintet played two incredible sets that never seemed to slow down. With favorites like “Metameme” and “Shock Doctrine,” the fans were given a night of true Tribe greatness.

    Set 1: Common Descent > Enceladus, Frequency > Out Of This World > Kamuy, Ad Explorata > Shock Doctrine, Surreality > EB

    Set 2: Abcees 1, Rise Above Get Loud > Metameme > Aimlessly, F-Word > Modular, Click Land Echo > Inspire

    Encore: You Don’t Say

    Their tour continues south before they end in St. Augustine, FL. After Dominican Holidaze they have a three-night New Years Eve run at The Warfield in San Francisco, CA. Check out photos from this past Thursday night, courtesy of Zatchmo Lives Media.

  • Watch “Will It Go Round in Circles” from NYS Music Funk Night

    NYS Music presented Funk Night at Albany’s The Hollow Bar and Kitchen on September 21, which featured a great collaborative cover of Billy Preston’s “Will It Go Round in Circles.”

    Starbird was joined by Joe Davis of Formula 5 on vocals and guitar, Scott Hannay of Mister F on keys, and Connor Dunn of Let’s Be Leonard on tenor saxophone. Check out this funky rendition of the 1973 tune.