Little Feat played to a sold out crowd at The Egg on Sunday, September 10 in Albany, NY. Wasting no time, the group opened up with “Spanish Moon” and throughout their two hour set, Little Feat gave the fans what they wanted with tunes such as “Oh Atlanta” and “Time Loves A Hero.” For more information on Little Feat’s upcoming tour dates, visit littlefeat.net
When we hear the name Berklee College of Music, it’s natural to think of the great musicians who attended this institution such as John Mayer, Donald Fagen (Steely Dan) and Annie Clark (St. Vincent) to name a few. This impressive school has fostered the talent of a countless number of artists and bands and continues to do so with the members of the up-and-coming New England band, The Penthouse with their new album Overnight.
This indie rock group consists of Eric Derwall on the drums, Kyle Raney on the bass, Jacob Arias on guitar and Patrick James as the front man. Although their band is based in Boston, they are making a name for themselves through live music performances in major cities such as New York and Boston.
The band’s latest releases “City Lights” and “Another Day” perfectly embody what it means to be ‘indie rock.’ Every track makes you both want to move but also listen closely to the story being told through the lyrics. “Best Friend” for example is a relatable track about falling in love with your best friend that also makes you want to dance to its fast-paced and foot-tapping beat.
The band member’s varying musical backgrounds make the instrumental portions of their music even richer in songs like “Everytime” and “Clear As Day (feat. Noah Jackson)” as each instrumental solo is just as strong as the next. This new rising band welcomes you to The Penthouse as stated on their SoundCloud page so don’t miss a chance to listen to their new music!
Key Tracks: Everytime, City Lights, Another Day
Much like fashion, music trends tend to circle their way back around. We knew we would see 90s grunge rock make a return, and that day has arrived. So wrap that flannel around the waste of your favorite ripped jeans and get ready for The Backseat Bullets.
Despite having been born well after the untimely death of grunge icon Kurt Cobain, the Albany based band aids in the nostalgia for those of us in their 30s and 40s. This foursome has done a great job encapsulating the Seattle influence while offering their own take on a familiar genre.
Their five-track, self-recorded EP, Give You the Moon, has a bit of a garage band feel with overpowering symbols and under emphasized vocals throughout. However, part of what we love about grunge is the grit, right?
The first track, “Danger,” is aggressive with consistently smooth bass lines. While the guys say they try to avoid being political or vulgar, this would be the perfect track in which to riot. Similarly, “Don’t Shut Me Out” is fast, upbeat and reminiscent of early Offspring.
The title track, “Give You the Moon,” however, is somehow darker and encouraging of thrash. Where “Suede” is beautifully simplistic; a love song about heartbreak that bursts with passion in the latter half.
We get to hear a little more of the guitar riffs in the final track, “The Smell of Rain.” No doubt that with a professional studio recording, we’d hear more of this.
Close your eyes and kick back to Give You the Moon and tell me you aren’t reminded of Nirvana. Is it rain you smell? I think it’s really teen spirit.
Key Tracks: Give You the Moon, Danger
It doesn’t seem like the easiest feat to get a small music festival up, running and successful, but that’s just what the organizers of the Adirondack Independence Music Festival did this past weekend, September 2-3.
In its second year and hosted in Lake George at the Charles R. Wood Commons, the two-day festival brought a stacked lineup to eager fans, and may have solidified itself moving forward as an Upstate New York gem. Ticket prices were beyond reasonable, the atmosphere was relaxed and omnipotent and every person who graced the stage brought something unique and memorable.
With metal reigning from all across New York, our humble home has some great names under the NY banner when it comes to the death metal genre. From NYC and Yonkers, we have Immolation, Mortician, and Suffocation. In the bustling and rampaging gore infested Buffalo area the legendary Cannibal Corpse started to take shape. Yes, these bands are the best of the best when it comes to pure disemboweling death metal in our own backyard! With the torch still burning bright, another great band accepts the challenge to keep the nightmare alive. The band is known as After The Storm and they just released their latest EP, Into A New Era, and it’s time to once again show our local bands the support they need in this album review!
After The Storm is a studio project shaped by the hands of Matt Swistak and Pat McFeely. Both are very talented guitar players in their own right. Seeing how two great minds can create such a monstrous beast of a sonic attack, you will get lost in the music as much as I did! The album has such powerful influences drawn from many melodic death metal acts like Soilwork and Solution .45, to name a few inspiring groups. The track “The Awakening” goes for the kill right out of the gate. The finger work of both guitar players are displayed with such beauty and malice. It has the right amount of melody and sheer relentlessness power. For me it is hard to get into modern melodic death metal bands because they focus mostly on either more of the harmony driven riffs and forget about the more destructive fueled constructs. The boys although, have done a wonderful job balancing the two sides that make melodic death metal amazing. You see this in other tracks on the EP like “Rise as They Fall” and “Stand Unified.” These guys really know how to produce a great sound with perfect form!
My personal favorite track on this piece would be “A Great Sacrifice.” The overall tone of the track carries the overall vibe and atmosphere the album generates. Deep down I think the reason this track is my personal favorite is because of the call to arms and giving it up to achieve the goals in life we want to grasp in our hands. Such powerful lyricism and eagle-like soaring riffs, this cocktail of pure ingenious creativity cannot be denied by anyone who listens to this EP!
After The Storm has done us New Yorkers and metalheads proud with this amazing and perfectly executed piece of music that is Into A New Era. It gets a solid 5 out of 5 pentagrams from this metalhead! Go check the band’s Facebook now to follow their journey.
Key Tracks: A Great Sacrifice, The Awakening, Rise As They Fall
There are many people out there who would argue that rock is losing its edge. Countless old folks continue to make the bold statement that “rock n roll is dead.” Anyone who believes this laughable claim has yet to listen to The Rifts’ debut EP, Off the Rails.
Although they are based out of Buffalo, The Rifts originally came together in Fredonia, NY. The band consists of Cory Clancy (lead guitar), Brendan Hoare (vocals/rhythm guitar), Dylan MacDonell (drums), and Ryan Donohue (bass). Their self-proclaimed influences consist of classic acts Led Zeppelin and The Doors, as well as modern day alt rockers The Black Keys and The Strokes.
The Rifts recorded the EP with Alex Maiola and Nathan Chordas-Ewell (Chordola Audio) in their home studio. It was released on SoundCloud June 11, 2017, and became available on streaming platforms June 16, 2017.
The EP title Off the Rails says a lot more than the train crash shown on the album artwork. With this release, The Rifts break away from the monotonous track that too many popular bands seem to follow nowadays. The EP is firmly built around Cory’s electrifying guitar riffs, and each track is a portal that sends listeners back to “the good old days of rock n roll.”
If you’re still unconvinced after reading this review, take a listen for yourself. Off the Rails is available on Spotify, iTunes/Apple Music, and SoundCloud.
Key Tracks: Twelve, Head on a Swivel, Burn Out
As the weather turned fall-like on Day 9 of the Great NY State Fair on Thursday, August 31, country music’s Leann Rimes took to the stage and welcomed both the cooler weather and the crowd that braved the elements as they sat huddled in hoodies, sweaters, and blankets. Beginning her set with a bluesy tune called “Love Line,” it was apparent her powerful vocals could make every genre of music sound amazing.
Leann Rimes is a multiple award winning musician, collecting awards from the Academy of Country Music, American Music Awards, Country Music Association, and Country Music Television, to name a few, however she’s probably best known as the youngest to win a Grammy with her rendition of Bill Mack’s song, “Blue.” Although the song was to be recorded by Patsy Cline, it never was to be and although it did go on to be recorded by others, it would be Leann Rimes to make the song a top ten hit for Bill Mack. Rimes is often compared to Patsy Cline as they both share a similar soprano vocal style. She was asked to honor Patsy Cline a few years ago with a melody of Patsy’s hits, which she once again performed for fair goers last evening to their happy approval.
With an eclectic mix of both old and new tunes performed throughout the evening, Leann wowed the crowd and warmed them up one-by-one with her most amazing vocals all night long, ending the evening with a tribute to those victims in Texas singing Leonard Cohen’s “Hallelujah.” Although Leann Rimes is best known for her number “Blue,” I can guarantee you that not one fan left last night in that state of mind.
Setlist: Love Line, Nothin Better To Do, One Way Ticket/Fast Car, Blue, Patsy Cline Medley, I Need You, Love Is Love, How Do I Live?, Commitment, Long Live Love, Bottle Let Me Down, What I Cannot Change, Life Goes On, Can’t Fight the Moonlight, Summertime
Encore: I’m Every Woman/ Waterfalls/ Respect (mashup), Hallelujah (Leonard Cohen cover)
Opening the evening at Darien Lake Amphitheater for the Grammy award winning Green Day, was the British punk rockers Catfish and the Bottlemen. New to some, however highly popular with the younger crowd in attendance, these four young musicians filled the amphitheater with smoke and energy setting the scene for the crowd, who already was primed, to see their favorites, Green Day.
Oakland based punk and Rock and Roll Hall of Famers, Green Day, graced western New York’s Darien Lake Amphitheater, Saturday, August 20 with the summer stretch of the Rev-Rad Tour.
Band members Billie Joe Armstrong (lead vocals and guitar), Mike Dirnt (bassist), and Tre’ Cool (drummer) were joined by Jason White (guitar) and Jason Freese (keyboards, accordion, and saxophone). While Queen’s “Bohemian Rhapsody” played, the audience sang along in unison; you could feel the excitement and energy through the venue.
Green Day immediately had fans screaming and to their feet as they took the stage with “Know Your Enemy” and “Bang Bang” leading straight into “Holiday” and his decree about Nazis, racism, and sexism and his dislike of Donald Trump. He was then quoted as saying “This night isn’t going to be about politics, just fun,” and it was clear to all present that he got the message across that maybe the best medicine against hatred is joy and unity.
Armstrong is indeed quite the showman, to him there was no barrier between the rock legends and the simple fan. He invited one teenage girl on stage to sing “Know Your Enemy” sending her back to her spot with a swan dive into the crowd. He soon thereafter invited an 11 year old boy on stage to sing the lyrics to “Longview,” and immediately followed that performance with a 15-year-old girl as she played guitar on Operation Ivy’s “Knowledge,” giving her the instrument to keep as she exited.
Green Day did not disappoint fans reaching far back into their catalog with Kerplunk, playing “2000 Light Years Away,” right up to ending the two and half hour setlist with songs from their newest album Revolution Radio, playing “Still Breathing” and “Forever Now.” The group then returned on stage for an encore of “American Idiot,” and “Jesus of Suburbia” off their concept album and highly acclaimed “Punk Rock Opera” American Idiot.
Ending this incredible evening Armstrong played an acoustic version of “21 Guns” then right into “Good Riddance (Time of Your Life)” and yes Billie Joe this audience indeed had the time of their lives.
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At the famed Red Rocks Amphitheatre on Thursday, August 31, Joe Russo’s Almost Dead performed to a sold out crowd for their first ever show. The performance was an exclamation point on the talent and meteoric growth and appreciation for the super group’s knowledge of the Grateful Dead’s catalog.
The setlist below speaks for itself: JRAD took every twist and turn in the first set, weaving “New Speedway Boogie” throughout the set, a roaring “Dancin in the Streets” and emotional “Box of Rain” sung by guest bassist Oteil Burbridge.
The crowd exploded with joy at every twist and turn of the night, hanging on each note as they battled on and off rain all night.
The second set featured a jam on “Harry Hood,” the debut of Donovan “There is a Mountain,” and an explosive “I Know You Rider.” JRAD will perform next at Brooklyn Bowl October 5-7 and 12-14.
In anticipation for her upcoming album release, Albany-based singer-songwriter Sydney Worthley has dropped the title track of her new album exclusively this week, entitled “Strong.”
For anyone who has ever seen the decline of a loved one, through various hospital visits and treatments, this song hits right at home. Despite the morbid picture the lyrics paint for us, Worthley reminds us to hold on to our loved ones and keep going.
This title track will be one of the many pop-infused trials Sydney brings us on Strong, which will be released on September 9. This album features 14 tracks, each song with its own unique style and intent. She has a creative mind for vocalization and harmonizing, which renders her identity to fit a folk or Americana sphere. Her ease of shifting in and out of her head voice could be comparable to Joni Mitchell, with a songwriting technique similar to that of early Taylor Swift. Despite the multiple genres Sydney toys with in Strong, it’s in this soft, vulnerable space where we hope to see future works of Sydney Worthley, which will allow her vocal technique, and her story, to shine through.
In anticipation for the upcoming album release, head over to her Twitter and Facebook for updates on releases and performances, and check out Sydney’s newly-released title track below.