NYS Music 20​17

Category: Reviews

  • Hearing Aide: Five Finger Death Punch ‘Decade of Destruction’

    The fact that Five Finger Death Punch falls under the groove metal sub-genre is either fitting or ironic for their latest album Decade of Destruction because I can’t tell if they’ve found their groove (metal) and are sticking to it or have been stuck in a decade long creative rut. For diehard fans of 5FDP the two never before released songs on this compilation album are able to justify picking this album up even if you have all their other albums, but for casual fans such as I who find most songs interchangeable, it gets really difficult to recommend. So to help here are two semi quick reviews of the new songs on the album.

    The first track, “Trouble,” opens with lyrics that I hate to say feel like the band is satirizing themselves:

    “I don’t look for trouble, trouble looks for me/That’s how it’s always been, that’s how it’s gonna be.”

    The song is full of what fans love about 5FDP including aggressive vocals interrupted with anthemic chants, but there’s not much to say about it. If you love 5FDP’s emotional lyrics then this is another song to add to your collection when feeling down or angry at the world, otherwise it’s completely forgettable/replaceable. There’s nothing necessarily bad about the song it’s just another 5FDP song for better or for worse.

    5FDP is known for covering songs, some from fellow metal bands, some from completely different music genres. Their track record is without a doubt a mixed track record. “House of the Rising Sun” and “Bad Company” are well praised and favorites among fans but then there’s songs like “Mama Said Knock You Out” originally by LL Cool J which is best not mentioned. Unfortunately the latest song to be covered by 5FDP, “Gone Away,” originally by The Offspring is most likely to end up sharing company with the likes of “Mama Said Knock You Out” instead of “Bad Company.” There’s just nothing about this cover that warrants its place on a greatest hits album and was also a wasted opportunity of a library such as The Offspring’s which is chock full of songs that fit 5FDP’s usual subject matter. Songs like “You’re Gonna Go Far, Kid” and “The Kids Aren’t Alright” would have been perfect songs to be covered by 5FDP, so to find out that “Gone Away” was the song 5FDP decided on is just truly disappointing.

    Overall this is a mixed and confusing album and not just because it’s a “greatest hits” album with new material. While bands like Cannibal Corpse have also stuck to one sound, refusing to experiment, they have worked to improve that sound so that anyone can hear the difference between Vile (1996) and Red Before Black (2017) but 5FDP has relatively stayed the same for over a decade without improving their sound. In conclusion if you like 5FDP you’ll like ‘Decade of Destruction’ because it’s full of “greatest hits” and two new songs but if you don’t like 5FDP then you should be used to this by now considering they’re for better or for worse the closest thing metal can get to mainstream music.

    Key Tracks:  Lift Me Up (feat. Rob Halford), Jekyll and Hyde, Remember Everything

  • Hearing Aide: Sun Parade’s ‘Shuggy Mtn Breakdown’

    Relinquishing their debut full-length album to the world, Sun Parade successfully tugs at familiar emotions to send listeners on a 12-track sensory highway. Shuggy Mtn Breakdown boasts airy pop-rock blended with vibrant psychedelia that comes crashing down in waves. The 5-piece Northampton, MA outfit take you on a journey through self discovery with thematic commonalities all humans endure–love, life, questioning happiness and how to pursue it.

    With infectious melodies and light-hearted vocals,  Chris Marlon Jennings (vocals, guitar), Jeff Lewis (vocals, guitar), Max Wareham (bass, vocals), Karl Helander (drums, vocals), and Eli Salus-Kleiner (keyboard) are able to instantly grab a listening ear through their radio-ready sound while remaining comfortably candid. Reminiscent of elements of the White Stripes’ prominent and punchy vocals, Tame Impala’s airy singing and the Black Keys‘ american rock tone, the indie, power-pop album was recorded in a one-room studio on the 4th floor of an old industrial Brooklyn building. It’s no surprise that Rubblebucket’s own Ian Hersey sat in the producer’s chair to extend a helping hand and trained ear.

    The whimsical opening track of “Sleep Alone” warmly welcomes listeners into a dream-pop state of mind before launching into the cheeky “Cheer Up,” which does just as its title implies with both tempo and mood simultaneously picking up. Distorted noise and spoken word vocals shine on “Steal My Thunder” while “Game Boy” brings forth an extremely relatable message, embracing hooks and easy-to follow lyrics.

    A relaxed and slowed down “Braindrain” flips a genre switch as it walks away from the bubblegum sound and introduces a more delicate, soul-leaning attitude, complete with mesmerizing synth sounds and whistle-along tangents. The hard hitting and emotional rock track “Psycho” follows with wailing vocals and gritty grunge guitar breakdowns you didn’t see coming but can’t imagine the album without. “Shuggy Mtn” holds its own as the album’s party anthem. The namesake song dives into sonic exploration and punk tendencies by blending psychedelic rock elements with wailing vocals and hard hitting on the drum kit.

    The second to last track on the album, “Echoes of My Heart,” softens the tone and slows the release’s pulse with a quick, dreamy interlude before “Tear (Can’t Stop Believing),” wraps Sun Parade‘s initial release and circles back to the album’s blunt storytelling and hopeful tone.

    Through airy vocals and melodic exploration, the quintet proved they aren’t afraid to have fun and dip their toes in a pool of myriad genres while getting emotionally raw with their audience. Shuggy Mtn Breakdown aims to be timeless, allowing their hopeful and tender lyrics to appropriately contrast and offset its darker rock and roll musical elements.

    Touring in support of their release, Sun Parade will storm through Rochester’s Bug Jar on Dec. 10 just ahead of Swordpaw on Dec. 15. Listen to Shuggy Mtn Breakdown in it’s entirety below:

    Key Tracks:  “Steal My Thunder,” “Braindrain,” “Psycho”

  • Kerfuffle Before Christmas Night Two

    Buffalo had its first snowfall of the year this past Wednesday, but that didn’t stop flocks of people from coming out to Buffalo Riverworks to see the second night of The Kerfuffle Before Christmas.  Upon arrival, people were lined up in thirty two degree weather almost forty five minutes before the doors opened. People were in their holiday gear and it was great to see the Christmas spirit alive and well.

    Saint Motel took the stage first and brought the charisma that night as they kept fans on their feet with all the antics they did during their set. Front man A/J Jackson sang and played keyboard while using his charming personality to sway the audience, girls and guys alike. Guitarist Dak Lerdamornpong mastered the stage while Jackson was working his way up the scaffolds, pulling a Barns Courtney from TKBC night 1, but upped him by climbing all the way to the top instead of only halfway. Then, towards the end of his set, he decided to run into the crowd and up the balcony, dancing with patrons,  only to run back down the stairs and stand on one of the bar tops reminding patrons to tip the bartenders that evening.

    Børns was second to hit the stage. He was teamed with all female musicians that died down the audience in comparison to Saint Motel’s performance. His music is what you would call ‘hypnotizing.’ It`s not necessarily a loud vocal dynamic, but more within a range that you could relax to, but also dance with your friends.

    The band most people were waiting for was Jimmy Eat World. It’s a lot of pressure being the headliner and they delivered in all aspects that night. Bringing the most energy and also a certain nostalgic factor, playing an assortment of their newer stuff such as “You With Me” and longtime classics like “The Middle” and “Sweetness.” The band set the stage with a minimal appearance but it was adorned with 3 street lights that were placed above the drummer, guitarist and bassist. The lights flashed in sync with the music and it was the perfect addition to the stage without overdoing it. Doing several encores really pleased the audience and you can see it from the expressions and overhearing what fans were saying as they left.

    The Kerfuffle Before Christmas was a success and there is one night left of this magnificent concert series. The last one will be held on Sunday, December 17. Performing are Cold War Kids, lovely the band and AJR. Tickets are still available for purchase and can be found at any FYE store and Alternativebuffalo.com

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  • Keller Williams and Danton Boller Perform Intimate Show at The Egg’s Swyer Theater

    Guitar virtuoso Keller Williams returned to The Egg Performing Arts Center on Thursday, December 7, and performed two intimate one hour sets in the Swyer Theater, alongside stand up bassist Danton Boller, the first of three shows together.  Keller recalled his previous shows in the Hart Theater (which he referred to as the “Red Room”), and how years ago before going on stage, he stuck his head into the Swyer Theater and professed a desire to play the room.

    Keller Williams Danton BollerKeller started the first of two acoustic sets with the Grateful Dead’s “Bird Song” and Phish’s “Birds of a Feather,” all while wearing a guitar strap featuring Angry Birds. Williams showed some more love for Jerry Garcia in the form of the Peter Rowan tune “Mississippi Moon,” and after the classic “Freeker by the Speaker,” wrapped up the first set with a 78 RPM version of “Samson and Delilah.”  Set 2 kicked off with the audience contributing to “Off Time” and “Breathe,” with one of Keller’s best hits, “Best Feeling,” emerging from an open call to the audience for suggestions. A little more Dead followed in the form of a tease-happy “Scarlet Begonias” wrapped up the show with an encore of “I Feel High” off the appropriate album, Vape. Keller Williams and Danton Boller will wrapped up their three show run on Saturday night at Stage One at FTC in Fairfield, CT.

  • Hearing Aide: Jorian Holka ‘Loser With Ambition’

    Buffalo rocker Jorian Holka is at it again. Not long after the release of his debut EP, EP1, he went right back at it to bring us his new single, “Loser With Ambition.” The track starts off with a pounding drum intro that immediately gets the blood flowing, and leads into a melodic swirl of fast paced, hard rock riffs from what feels like a small orchestra of distorted guitars. The lyrics are a raw reflection of what it feels like growing up differently than everyone else, and what it is like breaking away from the status quo as a youth by rejecting what is forced down your throat by society.

    Jorian Holka Holka reminds listeners that it is okay to think differently, and that doing so is often a good thing, even if others believe you are weird for it. The incredibly catchy chorus makes a statement that even if other people might not see the world the same way as us, it doesn’t matter. What matters is that you are comfortable with who you are and doing the best you can, so you should not care what other people think.

    While the song may provide a very positive message, that does not mean it does not rock. It does, hard. The guitar solo following the second chorus highlights Holka’s technical knowledge on guitar, reminding listeners that although he may be playing every instrument on the track, the guitar is where his true talent lies. As he creates more music, it is very clear that Holka is becoming a more proficient songwriter, instrumentalist, and producer.

    https://www.youtube.com/watch?v=fpCsV9XOYHM

  • Hearing Aide: Tart Vandelay ‘Flow’

    In nature, flow is associated with movement, like water rippling down a current. In psychology, finding flow is associated with engaging in an activity which brings on a feeling of being energized, focused, fully aware and conscious. Rochester indie pop artists Tart Vandelay have linked these concepts in their new release, aptly entitled Flow.

    tart vandelay flowThe jazzy four-track-long collection paints a landscape filled with images of whipping whirlpool winds, relentlessly echoing rays of sunshine, midnight moonlight, and misty rain clouds. The elements of the cosmos become metaphors for emotional states, as a story unfolds about facing fear and uncertainty. Tart Vandelay isn’t just stopping to smell the roses; they’re making a mindful exploration into the cyclical rhythms in the universe and tendency for tumult to succumb to order. Songstress Katie Halligan draws from her own experiences when writing, however her words strike a chord deep within. She taps into her uncanny ability to connect what’s personal to what’s common to the human experience. “Sun, melt away by fright, tell me it’s alright,” she pleads in the song “Cloudy Doubts.”

    Book ended with birdsong, the instrumentation on the album mirrors the sentiment of the songs and compliments Halligan’s crisp, sparkling vocals. Marty LoFaso’s jazzy guitar work serves as a vibrant accompaniment. The bass line provided by Pete Zamniak and percussive stylings of Christopher Dubuc-Penney intersect to form in an undulating groove that adds dimension to the soundscape. The music demonstrates restraint during the apprehensive disquietude of the first two songs “High Noon Haze” and “Lonely Girl.” Then it swells during “Cloudy Doubts,” before reaching a magnificent crest in “Drifting.”

    As the sequel to last year’s debut EP Frontier Pioneer, Flow offers further proof of Tart Vandelay and their endearing ability to uplift and inspire through music. Recorded at Wicked Squid Studios in Rochester, and produced by Josh Pettinger, Flow is available on Bandcamp. You can follow Tart Vandelay on Facebook, Twitter, and Instagram.

    Key tracks: High Noon Haze, Cloudy Doubts

    https://soundcloud.com/tartvandelay/sets/janus?si=5c79b8de02a34701b7369c0c7641603e

  • Dana Fuchs Perseveres Because Love Lives On

    Dana Fuchs has built a loyal following in central New York, based on her energetic performances at the New York State Blues Festival and Dinosaur Bar-B-Que over the past half decade. That made her a popular choice for a NYS Blues Festival fundraiser appearance Friday, December 1 at Funk N Waffles in downtown Syracuse.

    Her most loyal fans are familiar with Fuchs’ songbook and a few of their requests were granted during the evening. This included a rarely played tune as a tribute to an unnamed member of the Syracuse music community unable to attend due to serious illness. The notion of overcoming hardship or loss is a common theme in Fuchs’ songs as well as in the title of her upcoming release, Love Lives On. Throughout the set, she revealed details about herself and her family’s lives. While doing so in the club setting, it felt as though she was connecting to both old and new fans in a manner that other performers don’t often achieve. During one intro, she spoke of her own astonishing personal loss of both parents and three siblings over a short span, and how that loss was a basis for the captivating “Calling Angels.” This song featured Craig Dreyer on saxophone, in addition to his usual keyboard duties, and was one of the highlights of a memorable night of music.

    Brian Cornish - Dana Fuchs 07

    While Fuchs displayed elements of many different styles, from blues to soul to gospel and even R&B at times, she is most decidedly known for her powerful voice and commanding stage presence during dynamic rock songs. Still, perhaps her best moments this particular evening were during the somewhat quieter pieces, including a poignant duet with her longtime songwriting collaborator Jon Diamond on guitar, “Keep On Rollin,” and the heartfelt “Faithful Sinner.” She and Diamond also displayed resilience in working around some technical difficulties in order to deliver the country blues tune “Nothing On My Mind.” Fuchs will return to touring next year in support of her pending 2018 release, Love Lives On, which can be pre-ordered here.

    Fuchs mentioned that the drummer, Santo Rizzolo, was playing his very first show with the band and that the bass player, Brian Gearty, was fairly new to the ensemble as well. She made a point to thank them for stepping in and stepping up in order to help keep things rolling for her and the rest of the band. And roll they did, as Fuchs closed the show with some thunderous vocals on her own “Keep On Walking” and a blistering version of The Beatles’ “Helter Skelter,” much to the appreciation of an attentive and enthusiastic crowd.

    Fuchs will return to Syracuse next summer when she and her band perform at the New York State Blues Festival, held in Syracuse’s Clinton Square July 12-14, 2018. You’d be wise to make plans to see Dana Fuchs and her band, whether it be again or for the very first time.

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  • Refusing the Rules of the Game, Grace VanderWaal Steals the Show

    Refusing the Rules of the Game, VanderWaal Steals the Show: How a 13-year old’s authentic sound reminds us to be ourselves

    Tucked in between artists still struggling to find their voices, Grace VanderWaal let her light shine brightly at the Palace Theatre Tuesday night hosted by local radio station FLY 92. Skipping on the stage wearing a feline headband, worn jeans, a modest knit top and raspberry socks tucked in loafers, 13-year-old VanderWaal charmed the audience immediately with her authentic smile and honest voice.

    Strumming her ukulele and stretching her ethereal voice with “Moonlight” and “Florets,” VanderWaal smiled, jumped, danced, and even sang with her hands at times betraying some nervousness normal for 8th graders. This New York State kid from Suffern’s talent is far beyond normal though; she writes her own songs, and her performances offer a fresh and vulnerable persona rarely seen in pop music these days.

    She was incredibly earnest when she asked the audience to sing along to “I Don’t Know My Name,” perhaps her most widely recognizable hit from TV show America’s Got Talent. She added that it makes her happy to hear people sing her words, and the audience eagerly obliged.

    Songs like “So Much More Than This” and “Scars To Your Beautiful” speak with authority about being young and not wanting to fit in, and accepting imperfections with pure joy rather than compromise. Who better to peddle hope to teenagers that a thirteen-year-old who titled her first short release “Perfectly Imperfect?” VanderWaal offers hope from a place of reality: she isn’t just writing about being awkward and inexperienced, but from living and embracing being awkward and fresh on the scene. In fact, she’s holding on tightly to who she really is, and is reminding us that we should, too. Her promise was that by being oneself, one can actually be happy.

    VanderWaal covered “Home,” and the intensity of her plucky, hopeful spirit couldn’t be contained. Accompanied by a keyboard, guitar, and drummer, VanderWaals’s contagious smile and energy helped to forgive some pitches she reached for a just slightly fell flat. Because of her joyfulness, the message of authentic courage, and marching dance style across the stage, it was easy to forgive the few notes that didn’t quite meet their mark. She hopped like a small finch across the stage, singing her lyrics and owning the Palace.

    By the end of the short set, she had inspired singing, dancing, and even crowd participation with cell phone lights. VanderWaal certainly doesn’t play by the rules, as she wrote in her song. She left us with goosebumps and this startling realization: we were in the presence of a real musician, an authentic teenager, and a genuine hope monger for her generation.

    Keep your eyes and ears open for Grace VanderWaal. Her joy won’t, and shouldn’t, be contained. If you get the chance, go catch some of it. You will leave uplifted and be believing not just in music, but even a bit in your imperfect self again, courtesy of VanderWaal’s youthful wisdom.

  • The Kerfuffle Before Christmas Night One

    Christmas is almost upon us and what better a way to spend leading up to it than at a concert with three great acts.  Alternative Buffalo 107.7 hosts The Kerfuffle Before Christmas (TKBC) every year. This year was different; they split it into 3 separate concerts. The last Thursday of November was the night one of three, hosted at Buffalo Riverworks. The venue itself isn’t too new, but they are new to putting on large concerts.

    Upon entry, you could see some people were in the Christmas spirit and were dressed to accompany it. Barns Courtney kicked things off for the night and got the crowd on their feet. At one point, he climbed the scaffolds that were part of the stage, singing to the fans as he went higher and higher. His voice, practically faultless throughout the pop rock morsels he delivered, and the adoring audience singing most of the words back to him only cemented his newfound rock star status.

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    In her first appearance in Buffalo, NY, Bishop Briggs, legally known as Sarah McLaughlin, then walked onto the stage. You could sense a little nervousness in her just based on her mannerisms, but soon enough those were shaken off and she ran the stage effortlessly. Her stage name stems from her family’s hometown of Bishopbriggs in Scotland. Sarah is most famously known for her hit “River” that she sang second song in and that really sparked energy in the crowd. A good portion of female singers portray themselves in a seductive manner when they are singing – not Bishop. She was wearing a track suit and was running back and forth on the stage as her long black pig tails followed right behind her. She didn’t stop smiling the whole time as if the whole thing was surreal. She is new to the music world and soon enough I think she will be dubbed queen of dark pop.DSC_6039

    Headlining the night was the ever so popular New Politics who have created such a cult following over the last several years. Buffalo is their second home base, they come here several times a year. They make it well known that they are very humbled to be here, met with such open arms. They sang classics such as “Harlem” and their newest hit, “One of Us.” They also debuted a new song called “Color Green” which is about David Boyd’s new daughter, Wolfgang, whom he recently had with girlfriend Christian Marie Serratos who is famously known for being Rosita on The Walking Dead.  These guys never disappoint when it comes to a performance, from crazy antics like break dancing moves that you’d find at the NYC subway stations to flawless solos from guitarist Søren Hansen.DSC_6131

    Night one of Kerfuffle was a success. If this is any indication as to how the other two shows will be, we are in for quite the treat. Tickets are still available for both shows. You can find them on www.alternativebuffalo.com or at local FYE stores.

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  • Pigeons Playing Ping Pong Play Packed Paradise

    Friday, December 1st, the Paradise Rock Club in Boston, MA hosted a sold out Pigeons Playing Ping Pong show. “One of the fastest sellouts we’ve ever had,” exclaimed Greg Ormont, rhythm guitarist and front man of Pigeons Playing Ping Pong. The crowd was surging for both sets in the packed club, the band feeding off their energy. You could see it in their eyes as they belted out heavy jams.

    pigeons playing paradiseTheir cover of Stevie Wonder’s “Signed, Sealed, Delivered, I’m Yours” was met with a very positive scream from funk-hungry fans. Their set list was a “flocker’s” wet dream, keeping them in motion for the whole night. Even during the set break, it seemed like the dance floor was still in rhythm. After two incredible sets, the quartet ended with a long, dark and heavy “Live It Up” encore.

    Pigeons is closing their “Pizazz” tour this weekend in Philly at the TLA and Pittsburgh at Mr. Smalls Theater on December 8 and 9. They close the year on a high note with two shows in Cleveland at Beachland Ballroom December 29 and 30, and end with a bang at Madison Theater in Covington, Kentucky on New Year’s Eve.