Sitting down to drink a beer with a band is an experience for which every journalist yearns. I had the pleasant opportunity to sit down with Guitar/Vocalist Jeffery Kueber and Keyboard/Saxophone/Vocalist Mathew Lester of Buffalo’s Funktional Flow for an interview
The meet-up took place at Three Heads Brewery in Rochester, NY. Over a heady Three Heads Brewery beer, we discussed Flowfest, Night Lights Music Festival, The Great Blue Heron Music Festival and Cobblestone live. We also discussed the birth of the band, their long-term growth and a few of their influences. In reality, we just sat down and chatted. It was a ton of fun!
The conversation was recorded in full and used as a “Rochester Groovecast” podcast episode. The episode also contains two Funktional Flow tracks, “Back Door” and “Time Will Tell.”
TreadWater is an integral part of Rochester’s thriving underground music scene. As well as their own musical contribution, a member of the band is actively involved in fostering the growth of the DIY community by arranging shows for local and traveling up-and-coming indie artists.
NYS Music met up with TreadWater members Steve Haramis, Caleb Barefoot, and Adam Kramer at Vineyard Community Space. This foursquare house owned by Monroe Park Vineyard Church sits beside a former church converted into an arcade. Like the place where they practice and perform, TreadWater is a study in contrast – their music is hardcore at heart, but full of surprising elements such as classic rock beats, crisp guitar riffs, tempo changes, and melodic segments.
Photo by Corinne Cummings
Paula Cummings: Tell me about the formation of the band. You guys got together last year, right?
Steve Haramas: We were all in bands previously together. Adam and Caleb were in Rhema most recently, and before that Adam and I were in a band called Endangered Youth. I said “We should be in a hardcore band.” So that was it. It was that easy. I think when you’ve been friends for years, you don’t have to talk about it, you just do it. We practiced for a couple months, tried to find what kind of sound we wanted.
Adam Kramer: I feel like things came together pretty quickly because we have a chemistry because we’ve all played together.
Caleb Barefoot: My band before played with Endangered Youth quite a few times, so we knew each other from playing shows together since 2013.
PC: How did you decide on a band name?
AK: It was a long process.
SH: It’s never been that hard to name a band. Every other band I’ve been in was it was like “That’s the band name, there it is.” (snaps fingers)
CB: You usually have an idea of what the band’s going to sound like and you pick a name to fit the style. That’s easy. But with this, we talk about influences and what we’re good at playing. We went into it not knowing what to expect or what would come of it. We had been writing a lot. We had the EP written before we came up with a name. Once you have so much written it’s hard to come up with what the band means. It’s like working backwards, I guess. Trying to get the name to fit the band rather than the band fitting into the name.
SH: I think that’s good because when you try to follow the footsteps of the name or a certain sound you’re restricted to that thing. We just let it go where it went and named it based on that.
CB: We had a couple stand-in names, but then one practice Steve said, “I have a name, how about Treading Water.” And I said, “What about TreadWater, because Zao, a band we like, has an album called Treadwater. It fits our style.
PC: You guys have a really interesting sound. Who are some of the bands who have influenced you?
CB: Other than Rhianna?
SH: Some are unconscious. You start playing, then you go back and you hear things. But nothing is consciously in my head like, “I want this to sound like that.” The influence is unconscious.
CB: We listen to a lot of the same bands: Solid State, Tooth and Nail Records, mid-2000’s.
AK: Early metalcore.
CB: Early hardcore crossover into metalcore.
SH: Zao, obviously.
CB: Norma Jean, Chariot.
AK: Early Underoath.
SH: I listen to a lot of 90’s screamo, too.
PC: So how do you get your sound? What gear are you using?
CB: You push it as loud as it can go.
SH: You can make something sound clean and distort it at the same time. I want something that still has some character to it. It’s dirty and has some grunge to it, but it’s not indiscernible. You can still pick apart the different tones in there. It’s the reason why I use a Stratacaster to play is because I feel it’s a guitar not used for metal, so it’s interesting to try to use it to make that sound. It still has a lot of character to it.
CB: I guess Nirvana and The Melvins are a couple more influences, my big influences as far as drums. My mindset in recording was more classic rock. I use a vintage 1970’s drum set.
AK: I’ve been playing though a Thunderbird bass. I’m not much of a gear-head, but the Thunderbird sounds great.
CB: Just loud and open is what our band tries to achieve.
SH: It’s loud and you can feel it when you listen to it. You let it break apart and lose it’s intricacy when you play live, but it’s more about the feel of the set. You push the volume and feeling.
Photo by Corinne Cummings
PC: You recently put out your first release, Arrows In The Sun. Tell me about the songs on it.
AK: As far as the lyrics for the songs, the lyrics were put together at the last minute. We didn’t intend on Steve and I being the main vocalists. We had other people who had come to practice, but it didn’t work out.
SH: A few weeks before our first show, we still didn’t have anyone, so we sat here in this room and wrote the lyrics and rehearsed it quick.
AK: That’s why this first stuff is minimalist as far as lyrics. It’s more about the music. We were going for catchiness.
SH: It’s not about how much you say. You can say a couple lines and you can make it punchy and have an impact.
CB: I think the band in general is continuing that with the new songs to be more minimalist with vocals and lyrics, and focusing more on making decent songs musically.
SH: I wrote three songs and Caleb wrote two. “Burning Bark” is about family, distance from family, and the process of going through that. “Backwards” is about frustrations with your own limitations and behavior. Hence, “Backwards,” not wanting to regress and wanting to move forward. “Speak” is about life and death and what’s important, which is love.
CB: I wrote “Shattered” and “Pretender.” Well, “Pretender” Steve and I co-wrote the lyrics. They’re more about frustration with hypocrisy and the judgmental.
SH: It’s funny because when we were in Endangered Youth, generally we were angsty about something all the time. And now it was like, “I don’t know what to write about.” I had to actually think about what I wanted to write about that means something. We’re not as angsty as we used to be.
CB: I think that’s a good thing. It’s about love and death.
SH: And “Signals” is just a transition track. It was one of the original names of the band that we threw out. So we threw it on there as a recognition of that name.
Photo by Corinne Cummings
PC: We’re here at Vineyard Community Space, where you rehearse and play sometimes. Who are some of the bands you’ve met through being here?
AK: Mostly it’s people we’ve known since before being in this band. This next weekend we’re going to do two shows with this band called Condition Oakland from Pennsylvania. And Tyler, the main songwriter in that band, he and I have been friends since we were 17. And we’ve always played different music genre-wise. When he plays solo it’s folk punk, and sometimes he plays with a full band and it’s hot water music, that style of punk rock. And we are what we are. But they’re some of our best friends.
SH: And California Cousins.
AK: We play with them at The Bug Jar. I appreciate those guys so much. They are the backbone of the DIY scene in Rochester. Almost every show that happens in this space, there’s a member of California Cousins here. So it’s been cool to get to know those guys and work together with them. And the guys from Druse, they’ve been really cool as well.
SH: Tim Avery is always part of the shows, too.
CB: We played with a band called Mother Moon from Baltimore. It was one of the only bands we’ve played with so far that we’ve sounded similar to. We didn’t feel like the odd band out on the show.
PC: Does having such an eclectic sound make you more versatile and able to jump onto shows with different sounds?
SH: The bands we’re playing with tonight, I imagine it would be hard for them to jump on certain shows because it’s straight death metal. It wouldn’t work. But if you’re more punk rock you can slip onto other shows. Our set has a lot of diversity, too. We have different songs – new and the EP. Tonight, we’ll play more of the heavy stuff but next week, we’ll play more of the melodic stuff. We tailor to the show we’re playing and morph a bit.
AK: Steve and I come from a scene that’s really small in central Pennsylvania. The first shows I played, I was in this really crappy emo band. We were playing shows with death metal bands. That’s what I grew up around, this diverse scene, because there’s not enough people in each individual subgenre. It’s part of where I come from, so I like to continue that in the booking and the shows we play.
SH: And those people who come will stay throughout the shows from across genres. They don’t just see one thing and leave. They participate in anything.
CB: We haven’t played with any hip hop bands yet. I wish we would. That would be awesome.
PC: So Adam, you book some of the shows here.
AK: Myself and Tim Avery book the shows here.
PC: Do you have a philosophy behind who you look for?
AK: If a band asks me for help – I get a lot of messages just because of the network of DIY booking and touring – I try to help them out. If it’s a young band, even if I don’t think they’re that good, but they’re touring and putting themselves out there, I want this to be a place where we’re supportive of young artists.
SH: It’s not about the musicality, it’s about the attitude. You have to be supportive, open-minded and laid back.
AK: Generally, good attitudes. Most people play in bad bands before they play in bands that are less bad. So hopefully this can be that for locals and for bands coming through on their first tours. That’s it – just foster a community, more than just a spot to put on shows.
Dead and Company’s third tour made its way to Citi Field on June 24 while the Mets were away in San Fransisco, defeating the Giants by a score of 5 – 2. The summer evening weather made for a spectacular night of music with a packed stadium.
The long-standing game of guessing the show opener was on the tongues of many before the 7:30 downbeat and, regardless of incorrect guesses, “Dancing In The Streets” (which debuted earlier this tour) got the Queens crowd moving to the pace of the night. The relaxed but fun set continued on with the likes of “Jack Straw,” Tennesse Jed” and “Cold Rain and Snow” among others. Dead and Company jumped the gun by capping off the set with the party-rousing “One More Saturday Night,” more often seen in the second set of a Dead show.
As the second set rolled onward from the beautiful “Scarlet Begonias” opener, they let Oteil sing, as some t-shirts have said. Burbridge has been making more of a vocal appearance on this tour and took the lead on singing “Comes a Time,” making for a spectacular performance of the song coupled with Mayer’s atmospheric noodling on Dead and Company’s debut of that song. Mickey Hart and Bill Kreutzman put on a unique rhythmic soundscape for the drums/space break which was integrative of acoustic and electronic sounds and instruments including Hart’s multi-string, one-note Beam.
The encore was truly something special for the New York crowd. The familiar opening riff of “Touch of Grey” rang through the crowd noise as the projection faded to the b-roll live footage of the synchronized light show atop the Empire State Building across the East River in Manhattan. Without much of a skip the happy feels were capped off in a rock-and-roll fashion with “Johnny B. Goode.”
Dead and Company’s two night run at Citi Field last June was a good showcase of the chops of a Grateful Dead family lineup who had only been on tour for about one and a half years at that point. In this year’s single show at Citi Field, Dead and Company showed an ever-flourishing presence of musicianship on stage miles ahead of the band’s debut shows in Albany and NYC in the fall of 2015, which even then were noteworthy.
Setlist:
Set 1: Dancing In The Streets > Jack Straw, Here Comes Sunshine, Tennessee Jed, Cold Rain and Snow, Bird Song > One More Saturday Night
Set 2: Scarlet Begonias > Viola Lee Blues, Estimated Prophet > Comes A Time > Eyes Of The World > Drums/Space > The Other One > Morning Dew
Thursday June 29 was a busy night across Buffalo, musically speaking. The real celebration went down that night at Buffalo Iron Works. Intrepid Travelers released their latest EP Everyday Is Your Birthday to a packed crowd. Witty Tarbox opened up the festivities. They describe themselves as indie riffs over a rhythmic funk foundation fond of improvisation. Being relatively new to the scene as a band they lit up the stage setting the tone for the evening. They ended their set with Vulfpeck cover “Cory Wong” with help from Donny Frauenhofer from Intrepid Travelers. Almost hard to believe they have been playing together for under six months. Be sure to check these guys out during their set at Cobblestone Live on Saturday July 15.
With their tour speeding up, Intrepid Travelers had enough time to release their latest EP to a delighted hometown crowd in the 716. They hit the stage close to 10:30 and it was ON from there. The first four songs of their set were off of their latest EP Everyday Is Your Birthday. From there they traveled to a funky but unfinished “Electric Avenue.” A few more covers as well as a few more off their latest release were sprinkled in throughout the rest of the set. Ellen Pieroni was featured on alto sax for the Lettuce cover of “Madison Square.”
There aint no rest for the wicked. Intrepid Travelers are already back on the road with five shows in the first week of July spread across the Midwest. Halfway through July they will be traveling home with shows on July 15 at Three Heads Brewing in Rochester and July 16 in Buffalo at Cobblestone Live.
Intrepid Travelers Setlist:
Soundcheck: Get IT to you
Set 1: On Inside > Destinesia, Dark Disease > Funnel > Jam > Electric Avenue(1) > Jam > Maddy & Anna, Captain Jon > Final Voyage, Madison Square(2)$, 1999(3), Stand The Heat > Get IT To You
(1)Eddy Grant cover
(2)Lettuce Cover
(3)Prince Cover
$ Featured Ellen Pieroni (Folkfaces) on alto saxophone
Witty Tarbox SetList:
Pyramid, Pabst Blue Rhythm, Surfslut, Trevor, Bitch Has Got An Attitude, Scmitty n Bags, Prepare To Launch ^, Moving Pictures, Cory Wong*#
*Vulfpeck Cover
# w/ Donny Frauenhofer (Intrepid Travelers) on Keys
Summer Camp 2017 was another fantastic year in the Midwest festival’s history. Amid powerhouse sets from hosts Umphrey’s McGee and moe., and alongside memorable performances from Trey Anastasio Band, Pretty Lights Live, Gov’t Mule, Turkuaz, TAUK, The Disco Biscuits and dozens more artists from across the country.
Tributes to Gregg Allman, who passed away on the third day of the festival, poured out almost immediately, with Eric Krasno Band, Flaccid and Gov’t Mule all covering “Whipping Post” within hours of his death. Trey Anastasio Band followed suit the next day by covering “Midnight Rider,” just a small sampling of the immense influence and praise Greg Allman earned from nearly 50 years of performing. Watch Gov’t Mule’s star-studded tribute:
https://www.youtube.com/watch?v=TVt8ni18N50
Buffalo’s Aqueous played three sets over the weekend, each one drawing a larger crowd than the last as they finally moved from the Camping Stage to the Starshine Stage. The following Aqueous has developed over the past decade is a testament to the band’s work ethic and connection with fans as far back as performances at Nietzsche’s. They welcomed moe.’s Vinnie Amico and Joel Cummins of Umphrey’s McGee to the stage for a cover of Steely Dan’s “Kid Charlemagne,” putting an exclamation point on their breakout weekend.
Lettuce alums Break Science and Eric Krasno Band stepped out on their own for well received performances, as did Brooklyn’s Turkuaz, who blew the crowd away at the Campfire Stage late Saturday night with a powerhouse set, putting them head and shoulders above others in the funk world. Wild Adriatic and Intrepid Travelers performed at the Camping Stage, a stepping stone for the many rising bands that Upstate New York produces. Both bands dropped spirited covers to the Camping audience, with Wild Adriatic covering Black Sabbath’s “War Pigs” and Intrepid Travelers paying homage to Prince with “Electric Avenue.”
Of course moe. performed five sets throughout the weekend, with one set being rained out on Friday afternoon. Their late night performance in the Red Barn with Everyone Orchestra was full improv, and a treat for all ticket holders. moe. later brought up Turkuaz horns for “Ophelia” and “Happy Hour Hero” and bringing a jaw-dropping opener “Battle Without Honor Or Humanity” from Quentin Tarantino’s Kill Bill and was part of moe.’s Halloween performance last year. Turkuaz later came out in full for “Life During Wartime” in a show that featured a giant “Meat” sandwich of the entire second set on Saturday. Sunday’s performance closed out with pure moe. start to finish, including a “Chromatic Nightmare” sandwich of the second set and “Opium” featuring Allie Kral of Yonder Mountain String Band on fiddle.
Mountain Jam Music Festival in Hunter, NY celebrated their 13th anniversary with a tremendous lineup of legendary, famous and diverse musicians. Passes to Mountain Jam were an unforgettable gift for Fathers Day!
You know you’re on a ski resort when you see ski lifts overhead and snow machines beside you. RV’s and tents were discretely and comfortably located making for exceptional accommodations. Only a bit of cool light rain cast a shadow, but it’s cooling was welcome.
The Thursday night pre-party crowd packed The Healy Brothers Automotive stage in Hunter Lodge for Marco Bennevento Band, who warmed up the audience with their rendition of Sunday’s Headliner Steve Miller Band’s “Fly Like an Eagle.” Most of the hits they played were from their newly released album Live from Woodstock. Closing out the pre-party and reappearing on Friday night was adopted Brooklyn son Sinkane. He’s an English man via Sudan who blends kraut-rock, progressive-rock, electronica, free rock, funk and Sudanese pop, creating one big late night dance party.
The endurance award goes to the energetic Andy Frasco and the UN. The joyous smiling Frasco with his giant wavy afro played five different times during Mountain Jam. Twice he performed impromptu because he’s so much fun to dance to. Andy’s energy is so contagious the audience just needs to let loose.
The star of Friday and perennial crowd favorite was Colorado’s own The String Cheese Incident. For their debut to Mountain Jam the band played a distinct blend of rock and jam grass for about three hours. They played twenty songs spanning their 23-year career. They encored with their song “Nothing but Flowers.”
Seattle’s own The Head and The Heart also performed earlier on Friday playing energetic folk rock blended with beautiful harmonies. Their catchy tunes made for a fun sing-along. Also from Colorado was Elephant Revival who delighted Hunter Mountain with a mix of folk and bluegrass exporting the Rockies to create a Colorado high that was thoroughly delightful
Toronto’s own highly anticipated Glassnote recording artists The Strumbellas brought an exciting mix of pop folk rock. Their performance of “Spirit” lived up to The Mountain Jam video preview with the whole crowd singing along almost knowing all the words.
Warner Brothers recording artist Gary Clark Jr, a recent guest on the CBS show NCIS New Orleans brought soulful blues which rocked the mountain. He sure did not disappoint the ladies. His shredding on the guitar echoed legendary blues musicians in a Louisiana blues tradition. He’s scheduled to open for Eric Clapton in Los Angeles in September. (Did I tell you the line up was fabulous? Let me say it again).
Shovels and Rope project a big booming sound for a Southern rock duo. Hailing from South Carolina the couple delighted the crowd featured their 2013 song of the year “Birmingham.”
Saturday’s headliner Tom Petty and the Heartbreakers would have been great alone but bringing out Marty Stuart was a bonus guest playing on a classic hit. He also played plenty of hits including “Mary Jane’s Last Dance,” “I Won’t Back Down,” “Free Falling” and “Refugee” which turned Mountain Jam into one big sing-along. The crowd knew every word of all his songs including songs from the 90’s album Wildflower.
The handsome 6’4″ Matisyahu, a Jewish American reggae vocalist and beat boxer played hits like “King without a Crown” and “One Day.” Best of all Matisyahu introduced his new album Undercurrent. Performing with his band, we were truly wowed by his control of the audience
Michael Franti, a Bay area native led the crowd in the Sunday morning yoga session. Later he and his band Spearhead played a really fun afternoon love-dance set. Encouraging the crowd to dance together and mingle was just more joy to compliment the beautiful sun shining day. His special guests were Lucas Nelson and his percussionist to magnify his great party atmosphere on this beautiful bright sun shining day, playing his hits “Say Hey” and “Sound of Sunshine.” His spouse, an ER nurse inspired their foundation Do it for the Love, supporting the terminally ill. Please go to their website and nominate a deserving hero today. It’s free for all to do.
Nashville and Hollywood Walk of fame recipient Peter Frampton sparkled as ever with phenomenal musical energy playing all his hits including “Show Me the Way” and “Do You Feel Like I Do.” He played “Black Hole Sun,” a tribute to acknowledge the recent loss of former tour mate Chris Cornell. His use of the talk box made it one of the coolest cover renditions I have ever heard.
Top headliner Steve Miller Band closed out the fabulous Jam. Recent Rock and Roll Hall of Fame inductee The Steve Miller Band played an energetic sing along set including their most popular hits “Abracadabra,” “The Joker” and “Fly Like an Eagle.” The hi-light of the set was when he brought out Peter Frampton to play a rocking blues hit that awed the audience with all their skills.
With so many great bands playing with such beautiful weather, Mountain Jam 2017 was one great festival, so if there are some bands on the lineup you love, buy some early bird tickets and go jam on the mountain because you will have a blast!!!
Voices of Angels was a fitting title for the Celtic Woman tour that recently stopped in Syracuse at the Oncenter on June 21.
The three angelic vocalists on the tour were Susan McFadden, Mairéad Carlin, and Eabha McMahon, and together with the multi talented newcomer Tara McNeill on violin and harp, they melodically painted a picture of their homeland. This production once again outdid themselves putting together a show that highlighted the amazing harmonies of Celtic Woman and the phenomenal musicianship of the band and choir. Playing many crowd favorites, their mix of traditional and popular music brought the crowd to their feet.
They now are winding down and heading home from their North American tour which included 90 cities and 94 performances. I would like to leave you with one of my favorite numbers from the show, a sean dos song, “Sadhbh ní Bhruinneallaigh.” Eabha McMahon’s performance of the this traditional tune brings you to the musical experience of the Irish culture in its truest form, the trad session.
Setlist: Mo Ghile Mear, My Heart Will Go On, Dúlman, Isle of Hope, Amazing Grace, Across the World, As She Moved Through the Fair, The Kesh Inn, Danny Boy, Nil Sén La, Téir Abhaile Riú, Orinoco Flow, For the Love of a Princess, Ave Maria, Walk Beside Me, Óro Sé Do Bheatha ‘Bhaile, Percussion Solo, The Voice, Sean Nos Song, Westering Home, Time to Say Goodbye, You Raise me Up and Parting Glass
Returning to Croton Point Park after taking last year off, the Clearwater Great Hudson River Revival (Clearwater Festival), the country’s oldest music and environmental festival started by none other than folk legend Pete Seeger, came back full force in 2017. Taking place during its usual Father’s Day Weekend, Clearwater continued its tradition of being one of the most family-friendly festivals out there, making it the ideal location to take dad on his special day.
From the kid-oriented Story Grove and Family Stage, providing entertainment and education to people of all ages, to the Dance Stage and Circle of Song, giving folks the opportunity to actively participate in the music, to the “new this year” Workshop Stage, giving audience members the chance to see artists in a more intimate setting and learn more about their backgrounds and how they got into music, not to mention the main Rainbow and Hudson Stages, featuring some of this event’s biggest named artists to date, Clearwater has something for everyone.
Saturday’s line-up featured Clearwater favorites Toshi Reagon, Holly Near and The Kennedys to ring in this year’s festival, helping to bring everyone back into the spirit of this folk gathering. Day One also included Woodstock locals Larry Campbell & Teresa Williams, a Hudson Valley Song Swap, indie/folk singer Josh Ritter, NYC’s dance brass band Lucky Chops, the soulful and sultry Joan Osborne and bluegrass-influenced Lake Street Dive. And this is all on top of the lovely and varied crafts, jewelry, and clothing to be found in Handcrafters’ Village, the Artisanal Food & Farm Market, where everything from tempeh reubens and kombucha to shiitake mushroom starter kits could be purchased and, perhaps most excitingly, the sending off of the Sloop Clearwater on a historic sail to Washington, D.C. to demonstrate to our country’s officials that clean water is a right for all.
Sunday, the hotter but drier day of the two, saw its own share of big names mixed with festival faves like David Amram and Jay Ungar & Molly Mason (based out of Ashokan, from right here in our backyard). A day of commemorations unfolded, including Story Songs of Harry Chapin, featuring Harry’s equally talented brother Tom Chapin, Songs of Leonard Cohen, which climaxed with an emotional sing-along of “Hallelujah” and a 50th anniversary celebration of the Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band given a New Orleans twist by Brother Joscephus and the Love Revolution. Acts on the main Rainbow Stage included the Dolly Parton-meets-Beyonce, Valerie June, ‘60s British folk rocker Richard Thompson and folk trio Cry Cry Cry, consisting of folk legends Dar Williams, Lucy Kaplansky and Richard Shindell, performing together for the first time in 18 years. To top it all off, with a beautiful sunset as the backdrop on the Hudson River Stage, jamband The Barr Brothers flawlessly meshed guitar, bass, percussion and harp in a bluesy-folky blend. And perhaps the most fitting way to end the festival on the Rainbow Stage was Arlo Guthrie with his signature political folk stylings.
Clearwater provides a plethora of musical entertainment, tasty food choices and unique shopping options, and plenty of opportunities to learn more about environmental issues and ways to help make this world a better place. You can feel good about buying your ticket to this festival as all proceeds go directly to support Clearwater’s environmental research, education and advocacy efforts to help protect the Hudson River. For those who haven’t been able to make it to a Clearwater Festival yet, this is definitely one you’ll want to be sure to add to your calendars for next year’s Father’s Day Weekend.
Upon arrival, you’d think there wasn’t much going on at Darien Lake Amphitheater, but once you entered the venue, it was a whole different story. It was pretty packed inside and fans were scrambling around to get to their seats before O.A.R came on. You could see the dividing wall between casual concert goers and ones who were die hard based on the shirts or what they sang, for every song that both bands played that night. Whichever side you fell on, you were not to be disappointed by the upcoming performances.
Train is led by singer/guitarist Pat Monahan and the stage made it clear who was in charge. Except for a couple of occasions, everybody stayed on their designated risers, leaving the front of the stage to Monahan. He’s full of stage tricks, seeing which side of the crowd can sing louder or turning a video camera onto the audience. During the song “If It’s Love,” Pat grabbed cell phones from the audience and would take a selfie while flawlessly singing the song. He also brought out Natasha Bedingfield to sing the song “Bruises” and it was a perfect duet to say the least.
O.A.R.’s music is a genial blend of straightforward rock and light reggae. They are a six-piece band from Rockville, Maryland and a mighty band indeed. From start to finish, their presence was strong and most members had quite the facial expressions and charisma. Guitarist Richard On was engaging with the crowd and even at one point tossed a pick to a little girl in the front row. Vocalist Marc Roberge was all smiles during the show and had the fans singing along with him swaying to and fro. The night went without a hitch and not one individual seemed to leave displeased by the night’s performances.
On Friday, June 23, 2017 the American chart topping Southern rock/Country rock group Blackberry Smoke rolled into Wilkes-Barre, PA to perform in front of a stoked up crowd at the F.M. Kirby Center in the heart of downtown Wilkes-Barre. Having toured extensively most of last summer on tour with Gov’t Mule, they released their fifth studio album Like an Arrow on October 14, 2016.
With five studio albums under their belt, including Bad Luck Ain’t No Crime (2004), Little Piece of Dixie (2009), The Whippoorwill (2012), Holding All the Roses (2015) and most current Like an Arrow, Blackberry Smoke has an enormous catalog of songs to choose from. Hailing from Atlanta, Georgia, these Southern boys are no stranger to the road, touring and performing throughout the United States. Formed in 2001, Blackberry Smoke have headlined as well as opened for major artists such as Zac Brown Band, ZZ Top, Lynyrd Skynyrd, Eric Church and more. For the past sixteen years they continue to tear up the charts and road with mega hits and touring, playing on average, 250 shows a year. They have developed quite the eclectic fan base as well ranging from the classic Southern rock, country, rock and roll, grassroots and jam band fans. They have been know to frequently break into long jams, throwing covers into the mix of their music and play all night long.
Guitarist and lead singer Charlie Starr shares, “There’s so many elements to what people call rock. There’s gospel and country and swing and blues. We’re just trying to write songs that include all those different types of elements. It keeps it interesting for musicians and songwriters.” And what great musicians and songwriters these guys are. If most of the sold out crowd at the Kirby Center didn’t appreciate the classic and vintage gear these guys used live which lended to their unmistakable sound, they certainly appreciated and knew the music as they sung along, clapped and foot stomped from the beginning to the end of their epic twenty-song set. Some songs on the set were definitely epic jams such as “Sleeping Dogs” which featured a very cool rendition of the Beatles “Come Together” tossed in the mix.
Blackberry Smoke’s original lineup of Charlie Starr (lead vocals, guitar), Richard Turner (bass, vocals), Brit Turner (drums), Paul Jackson (guitar, vocals), and Brandon Still (keyboards) have been together since the beginning and are as tight knit and in the groove as any band could be. Yet they don’t stand still and settle in the pocket, musically that is. They always seem to be pushing the boundaries and digging into new territory with their music. Their diversity and growth can definitely be heard throughout their albums and setlist. Their set at the Kirby Center had a multitude and mix of great songs from their recordings.
At 8 p.m. Brooklyn, NY based Indie/Alt-country blues band The National Reserve got things started with a forty-minute set that surely set the tone for the headliners. The National Reserve were a fun, musically diverse quintet. A fun and talented bunch of guys who could be your friend, hanging out, drinking whiskey in any local pub or starting up an impromptu jam in your mom’s living room. A great group of talented musicians led by guitarist/frontman Sean Walsh.
Blackberry Smoke hit the stage at 9:15 pm and played a twenty-song set which lasted til after 11 p.m. The crowd was on their feet for the entire two hours, some even waiting for the after show VIP meet and greet. Blackberry Smoke started off the set with “Let Me Help You (Find The Door)” from 2015 Holding All the Roses, followed by “Testify” from their 2003 album Bad Luck Ain’t No Crime, and “Six Ways To Sunday” from the 2012 release The Whippoorwill. Blackberry Smoke continued throughout the night playing many hits, foot stomping tunes, acoustic tunes, jam tunes, along with a few covers including “Hey, Hey, What Can I Do” by Led Zeppelin as their first of three encores. Blackberry Smoke hit Wilkes-Barre, PA like “a freight train runnin’” and had their fans captivated “starin’ at them like a deer in the headlights” like they didn’t see this one coming. They put on a hell of a show for their fans and I am certain they made many more fans that night as well that just went along for the ride and left amazed.
Blackberry Smoke Setlist: Let Me Help You (Find The Door), Testify, Six Ways To Sunday, Good One Comin’ On, Wish In One Hand, Waiting For The Thunder, Rock And Roll Again, Let It Burn, Sleeping Dogs/Come Together, Shakin’ Hands With The, Holy Ghost, Whippoorwill, Up In Smoke, Lay It All On Me, Ain’t Got The Blues, Running Through Time, One Horse Town, Like An Arrow
Encore: Hey, Hey, What Can I do, Who Invented The Wheel, Ain’t Much Left Of Me
Tributes to Gregg Allman, who passed away on the third day of the festival, poured out almost immediately, with Eric Krasno Band, Flaccid and Gov’t Mule all covering “Whipping Post” within hours of his death. Trey Anastasio Band followed suit the next day by covering “Midnight Rider,” just a small sampling of the immense influence and praise Greg Allman earned from nearly 50 years of performing. Watch Gov’t Mule’s star-studded tribute:
