Cal Kehoe one of the newest guitarists in the jam/rock scene, employs looping or a full band to bring together elements of Phish, My Morning Jacket, Pearl Jam and Red Hot Chili Peppers, to name a few. His sound draws comparisons to Andrew Bird, and most notably, Keller Williams. With a distinct unique style that makes looping look easy, Kehoe employs rock and soul influences into his music and recently collaborated with Phish lyricist Tom Marshall to produce “Limbo,” recently released on Spotify and iTunes. The song was produced, mixed and engineered by Greg Giorgio (The National, Kurt Vile, Local Natives) at Tarquin Studios in Bridgeport, CT. Nick Burns, an Emerson film graduate edited and directed the video below.
Kehoe said of the collaboration, “It was an honor to work and write with Tom. I’ve been listening to his podcast “Under The Scales” religiously every Monday since the day it came out and I have learned so much more about the Phish community and the heart and soul of the Phans involved. I’m looking forward to playing with Tom, Anthony Krizan and the members of the Amfibian All-Stars at the Iridium on July 25th for our Phish Baker’s Dozen after show.”
After a 30 minute set at Summer Stage, Buffalo’s Aqueous headed to Chelsea for a post-Umphrey’s show at The Highline Ballroom. Aqueous was joined tonight by Jake Cinninger and Joel Cummins, who joined the band for a majority of their set. After “Uncle Phil’s Parachute,” Jake and Joel hit the stage during “Don’t Do It,” and joined on a debut of Umphrey’s “Booth Love,” Radiohead’s “National Anthem,” and Steely Dan’s “Kid Charlemagne.” To close the night, Aqueous performed ‘just one more song’ with a 40+ minute “Random Company” > “Numbers and Facts” > “Random Company” and an encore of “Origami.” Umphrey’s and Aqueous seem like a natural pairing, one that we hope to see again later this fall.
Set: Skyway, Uncle Phil’s Parachute¹ > Don’t Do It¹ ² > Highline Jam², Booth Love² ³, National Anthem², Strange Times², Kid Charlemagne², Random Company > Numbers and Facts > Random Company
Encore: Origami
¹ Unfinished
² Ft. Jake Cinninger and Joel Cummins of Umphrey’s McGee
³ Aqueous debut, Umphrey’s McGee cover
Central Park’s Summer Stage has quite the lineup this summer, with the centerpiece being a double bill of prog/jam goodness in Aqueous and Umphrey’s McGee on July 7.
Aqueous performed just two songs, “Second Sight” and “Kitty Chaser,” in their 30 minute, all-too-short set to start the night, but that would be remedied by their post-show later this evening. Umphrey’s opened up their set with some technical issues, doing a double take on “Bridgeless” as a result. After the second attempt, the band played “Miss Tinkle’s Overture,” hinting they were slightly pissed off but pressed on with “2×2” and “Dump City” which highlighted the rest of the set, and the final segment of “Bridgeless” finishing the first set.
Much like their Midwest counterparts playing in the Bronx this evening, Umphrey’s began to heat up when the rain cleared. Jams blossomed through the encore with two huge sandwiches in their second set. “Plunger” opened, as did the skies during “Utopian Fir” which had a “Whole Lotta Love” tease, as well as “Driven 2 Tears” which segued back into “Fir.” If the crowd wasn’t already wet, “Mantis” > “The Triple Wide” > “Mantis” took care of that. An encore of “Rocker Part 2” capped the night and sent the fans streamed out of a moist Central Park and headed to the Highline Ballroom where Aqueous and Umphrey’s would join forces for the after show.
One of New York State Music’s 87/90 bands, Intrepid Travelers, is set to release their EP Everyday Is Your Birthday on Thursday June 29th. The CD release event will be in their hometown of Buffalo at Buffalo Iron Works.
Birthdays: those special “holidays” that allow individuals to celebrate another year of existence with family and friends. Birthdays carry a different connotation depending on which birthday it is, and perhaps when you reach a certain age, you start to dread that once ever so special day. But overall, birthdays are meant to be positive and enjoyed, and this collection of songs through artistic composition and improvisation shows that each day must be celebrated like a birthday.
The band, who only formed in 2013, has had their fair share of touring experience, and this EP features “studio cut versions that have been in live rotation for over a year, [that] have been rearranged…to fit a studio sound.” Each of the recordings “were done live, except for vocals which were overdubbed.”
The first track “Destinesia” has a great groove that sits right in the pocket with almost a bossa nova bass line from David Neimanis throughout the song’s A section. The keyboard/organ sound is dense and adds a richness to the track. “Dark Disease” intersperses a beautiful instrumental ballad that works to elicit a state of peace by the listener. The melodic to and fro of the guitar is well-written and well-textured. The changes in this song are made known by a unison set of eighth notes that up the tempo and bring in the vocals. The last few minutes of the track features Brian Calisto on guitar with some tasteful improvisation, strongly supported by the keyboard. Everything comes full circle with a recapitulation of the ballad theme.
“On Inside” has rhythmically unison instrumental lines that are quirky and pleasantly dissonant. The best part of the song is when the last quarter where it morphs into a full swing groove with a solid walking bass line. In “Funnel,” the song begins with a nice build up, starting with just piano on the off beats, layering drums, guitar, then bass. Drummer John Fohl does a great job setting up the hits in this song. There’s a wide gap here between the vocal harmonies featuring as much as an octave between parts. This could be a little tighter intonation wise, but overall it’s a good way to create a fuller sound. “Maddy & Anna” is the funkiest track on the EP, where you can hear the inspiration for the EP’s title with the line: “cuz every day is your birthday.”
The writing throughout is quite impressive properly balancing the main themes and progressions with sections devoted to improvisation. The song sections are quite diverse within each track, but it’s easy to follow the musical layout with their repetition of certain sections. The band self-identifies their writing genres as funk, jazz, rock, and psychedelic which are all evident in this EP. The guitar and keys are really given a chance to show off their written and improvised material with full support from the bass and drums.
Intrepid Travelers wrote the music and lyrics for Everyday is Your Birthday, and also created the album artwork- both front and back. The back of the album features bright colors, sprinkles, a slice of Birthday cake, and the track names in bubble letters. This perky design screams “joy” and “celebration” in terms of a birthday. The album’s front cover is a chocolate chip cookie cake, arguably one of the best kinds of cakes. The lighthearted artwork reinforces the EP’s title and brings some visual continuity to the aural contents inside.
The EP was produced and engineered by Ryan Press and Packy Lunn in Buffalo, NY, and it was artistically mastered by John Arbuckle at Room 7 in Sea Cliff, NY.
This past Thursday, July 6, The Tea Party made an appearance in Buffalo as part of their Summer 2017 Tour. The Canadian hard-rockers brought out an older crowd for this week’s Canalside Live concert. Based on their performance, it was apparent that this wasn’t their first rodeo. The Tea Party came together in the early nineties, and the same three members stuck together ever since (with the exception of their 2005-2011 hiatus).
The Tea Party’s sound features a blend of hard rock with all sorts of other genres, including Middle Eastern, Celtic, and Mediterranean music. Their songs feature a wide range of unique instruments, including the mandolin, sitar, hurdy-gurdy, and the list goes on. At one point during the show, front man Jeff Martin swiped his hand around what looked like an old theremin.
Third Eye Blind’s twentieth anniversary of their debut self-titled album tour came through Saratoga on a rainy Saturday evening on July 1.
Setlist: Weightless, Company of Strangers, Horror Show, Wounded, Queen of Daydreams, Shipboard Cook, Losing a Whole Year, Narcolepsy, Semi-Charmed Life, Jumper, Graduate, How’s It Going to Be, Thanks a Lot, Burning Man, Good for You, London, I Want You, The Background, Motorcycle Drive By
Brooklyn-based band Escaper recently released their debut album, Skeleton Key. Escaper consists of Will Hanza on guitar and vocals, Johnny Butler on saxophone, Adam Ahuja on keys, Jay Giacomazzo on bass and Andrew Nesbitt on drums. This seven track album takes listeners on an unpredictable stroll through exploratory tones, multicolored rhythms and colorful melodies full of airy notes that leave songs wide open for improvised jams to be interjected during live performances. A unique element to this record is that the band laid down all the tracks in one day, with one take each, at The Bunker Studio in Brooklyn, NY. Each musician simultaneously played in separate rooms, beautifully capturing the raw essence of a live performance.
The first track, “Skeleton Key, Pt. 1,” eases listeners into the album by playfully winding back and forth between light, jazzy beats and kaleidoscopic intonations. Picking up the energy, “Mutiny” lays out the vibes with heavy drums, deep bass and extended guitar notes that wrap around jazz infused keys and saxophone tones that linger on the edges of euphoric spaces, creating a relaxed mood for the listener.
“Lighthouse” throws out crunchier funkadelic rhythms, begging the listener to sway back and forth to the beat. Punchy keys start out this refreshing track before flowing into a combination of jazzed out saxophone and trippy guitar. Once again, deep bass and tight drums keep the musicians in line throughout the melody. The fusion of so many genres puts Escaper into a unique category, blurring the lines between the jazz and jam scenes.
A slow building “Night Crawler” is fully stocked with short bursts of brisk notes that tap dance their way through the tune, picking up varying musical elements that effortlessly move around the sweet-sounding melody. “Narwhal” glides around smooth jazz beats that flow on the edge of picturesque tones merged by the guitar, sax, and keyboard.
The album wraps up with “Skeleton Key, Pt. 2” in a way that highlights breathy sax and a splashy guitar/key combo before an energetic “Castles” brings the music to a close. Overall, this debut album is filled with fluid compositions that will come alive during live performances due to the spacious range left open for improvisational play. A solid package of laid back, uncomplicated tunes that seamlessly run the gamut from jazz to jam with touches of psychedelic grooves that will ease any listener into a relaxed mood.
For more information regarding Escaper and their new album, along with tour dates, please visit their official web site.
Tedeschi Trucks Band‘s Wheels of Soul tour rolled into Saratoga Springs on July 3 with rock legends of new and old, The Wood Brothers and Hot Tuna. Hot Tuna performed with their electric trio, featuring Justin Guip of Levon Helm Band on drums and two energized 70+ year old rock legends, Jorma Kaukonen and Jack Casady, strutting through classics and bouncing around the stage. The Wood Brothers brought a stripped down sound that was full of gusto, including spirited renditions of “Luckiest Man” and a set closing “Ophelia.”
Tedeschi Trucks Band stole the show and brought the audience to their feet numerous times throughout the show, sparking the crowd on this 4th of July weekend as though they had bought tickets for spiritual renewal. In many ways, that is what the night provided. TTB opened the night with a cover of Derek and the Dominoes’ “Anyday” with Mike Mattison providing ample vocal support to Susan Tedeschi. (Coincidentally, on June 16, Bobby Whitlock of Derek and the Dominoes opened his show at The Egg with the same track off Layla and Assorted Love Songs.)
“Don’t Know What It Means” was one of the numerous times Susan showed off her powerful vocals, as well as Kebbi Williams’ jazz chops, during a breakdown at the end with drummers Tyler Greenwell and J.J. Johnson. Susan didn’t let up by then belting out “Anyhow,” supercharging the venue with three big band numbers to kick the set off. Carey Frank, filling in for the recovering Kofi Burbridge, made his presence known on “Let Me Get By” and “Save Me,” adding to the big band sound as the show wound down. Rock goddess Susan and husband Derek put on a clinic of blues guitar, pounding out powerful chords and engaging the audience, eliciting cheers as peaks were reached, only to then be taken higher and higher. The final songs of the set bookended a monster rock ‘n’ roll show that had hardly a mellow moment.
For the encore, a perfect tribute to the late Gregg Allman in “Ain’t Wastin’ Time No More” preceded Susan’s calm rendition of “Will the Circle Be Unbroken?,” one that made it feel like we were at a revival and ready to head out and preach her good word. To close the night, “Made Up Mind” allowed all vocalists, including Mattison, Mark Rivers and Alecia Chakour, to show off their vocal chops. Susan then asked the audience to offer birthday wishes to a member of the TTB crew, Bobby, by singing “Happy Birthday” to him, an exclamation point on a night of pure rock ‘n’ roll.
Welcome back campers! The Disco Biscuits are bringing Camp Bisco XV back to Montage Mountain again this year for the third time on July 13, 14 and 15. The line-up is shared by both jambands and EDM acts along with a few other genres thrown in.
The headliners feature some usual suspects and past Camp Bisco alumni. The beats will be thumping to start things up on Thursday with Griz and Gramatik along with the Disco Biscuits playing a set to give everyone a taste of that thing they call Bisco. On the more ethereal side, Emancipator and Nightmares on Wax are not to be missed.
Things get a little more jammy on Saturday with two more sets of Biscuits, Lotus, Twiddle and Sphongle live. If you are at Camp to wait for the next drop, you can get your fill at Bassnectar. For more sexy beats, make sure to check out Classixx. The Disco Biscuits end things off on Saturday with 3 sets, the last of which will almost certainly feature a Basis. Pretty Lights live band and Action Bronson round out the headliners for the final night. Want to party like you’re at Studio 54? Check out Escort! For that Union Station feel, check out Too Many Zoos.
If you want to keep the party going into the night than the Renegade stage is for you. Located in the RV lot, this stage will start up after midnight, featuring a takeover by a different label each night. On Thursday will be Sermon, Friday Mr. Bugsly, and Saturday Good Looks.
Then of course, there is the ultimate Camp event, Color War! Returning for year 12, Color War features friendly yet competitive team events (this year it’s Biscuits fans vs Bassnectar fans for the ultimate bragging rights) including Capture the Rage Stick, SpacebirdVolleyball, Disco Biscuits Trivia and so much more! Read our profile on Color War from last year’s Camp and sign up on Friday to join the teams for one of the best Camp traditions going 12 years strong!
Tickets for Camp Bisco are on sale on here. There you can find 3 Day, Camping, Saturday, Box Seat and VIP passes. See you on the mountain!
Sterling Stage Ameribeat will send off on Thursday, July 13 and patrons will return home the morning of Monday, July 18. For anyone with their calendars out, Sterling Stage Last Daze 2017 will take place August 31 through September 3.
Take a peek below and click the play button. You’ll find a Rochester Groovecast podcast episode. This episode is a preview of the upcoming Sterling Stage Ameribeat Festival. During the episode, you’ll listen to Baked Potatoes, Barroom Philosophers, Boogie Low, Chris James and Mama G, GPGDS, New Daze, Personal Blend, Sophistafunk, Space Carnival, Subsoil and The Medicinals. All of these bands will (of course) be at this year’s Sterling Stage Ameribeat. Get your tickets here!
If you peek even farther below, you’ll find an episode timestamp, full artist lineup, and full schedule. Enjoy!
Friday July 14
2pm – Baked Potatoes – Main Stage
3:10pm – Johnny Richards – Sinatra Lounge
4pm – Space Carnival – Main Stage
5:10pm – Missing Keys – Sinatra Lounge
6pm – Funknut – Main Stage
7:10pm – Subsoil – Sinatra Lounge
8pm – Kung Fu – Main Stage
9:10pm – Subsoil – Sinatra Lounge
10pm – Kung Fu – Main Stage
11:30pm – Campfire Session w/Annie In The Water – Sinatra Lounge
Saturday July 15
12pm – Jack & The Jukebox – Main Stage
1:10pm – Boogie Low – Sinatra Lounge
2pm – Barroom Philosophers – Main Stage
3:10pm – Boogie Low – Sinatra Lounge
4pm – The Buddhahood – Main Stage
5:10pm – Personal Blend – Sinatra Lounge
6pm – Sophistafunk – Main Stage
7:10pm – Personal Blend – Sinatra Lounge
8pm – Giant Panda Guerilla Dub Squad – Main Stage
9:10pm – Ameribeat Parade w/ The Buddhahood – Infield
10pm – Giant Panda Guerilla Dub Squad – Main Stage
11:30pm – Campfire Session w/Sophistafunk – Sinatra Lounge
Sunday July 16
12pm – Wheelwright – Main Stage
1:10pm – Paul LeClair – Sinatra Lounge
2pm – Old Deer Ensemble – Main Stage
3:10pm – Chris Eves – Sinatra Lounge
4pm – Natty Meds – Main Stage
5:10pm – Chris Eves – Sinatra Lounge
6pm – The Medicinals – Main Stage
7:10pm – The New Daze – Sinatra Lounge
8pm – Skunk City Collective – Main Stage
9:10pm – The New Daze – Sinatra Lounge
10pm – Skunk City Collective – Main Stage
11:30pm – Campfire Session w/ Chris James & Mama G – Sinatra Lounge