Pat DiNizio, founding member of New Jersey’s Smithereens, died Tuesday Dec. 12 according to a statement from his bandmates. He was 62. The cause of death was not disclosed.
Formed in 1980 in Carteret, New Jersey, DiNizio, Jim Babjak, Dennis Diken and Mike Mesaros strung together a series of popular alternative songs in the late ’80s and early ’90s that included “A Girl Like You,” “Only a Memory,” “Behind the Wall of Sleep” and “Blood and Roses.” The band’s charged power pop sound was informed by the early British Invasion bands and the early rock of Buddy Holly. DiNizio’s smooth baritone vocals provided the signature sound of the band while his beatnik-style goatee and flipped up cap, a signature look.
In addition to his work with the Smithereens, Pat DiNizio released several solo albums, produced an independent film, King Leisure and dabbled in politics, running for a U.S. Senate seat from New Jersey on the Reform Party ticket in 2000. He finished fourth in that race.
DiNizio had recently suffered health issues from a series of falls that injured his back and neck. The most recent fall in September prompted the singer to reassure fans he was on the mend in a post to the band’s Facebook page,
REPORTS OF MY DEMISE HAVE BEEN GREATLY EXAGGERATED! I SUFFERED A BAD FALL IN THE HOME THE OTHER DAY AND INJURED MYSELF, BUT TRUST ME, I’M NOT ON MY DEATHBED OR ANYWHERE NEAR IT:-I AM HURT, HOWEVER, RECEIVING GREAT MEDICAL CARE, BUT HAVE BEEN ORDERED BY MY PHYSICIANS TO TAKE SOME TIME OFF TO INSURE A COMPLETE AND HEALTHY RECOVERY, SO,,WE’VE GOT TO TAKE SOME TIM E OFF FROM THE ROAD SO THAT I CAN GET BETTER, WE’LL BE RESCHEDULING A FEW DATES SO THAT I CAN HEAL PROPERLY.
The band mourned the loss of their bandmate Tuesday night, “Our journey with Pat was long, storied and a hell of a lot of fun. We grew up together. Little did we know that we wouldn’t grow old together.
Goodbye Pat. Seems like yesterday.”
Progressive string band, Floodwood, will celebrate the release of its third album at Central New York’s Kirkland Art Center with a pair of shows. The two day celebration, to be held Friday and Saturday Dec. 8 and 9 will feature four sets from the headliners along with guest appearances from Nigel Felony on Friday and the Old Main on Saturday. Tickets are $25 each night or $40 for both nights. Members of the Kirkland Art Center can purchase tickets for $23 each night or $36 for both nights. Tickets are available through Eventbrite.
Floodwood is Jason Barady and Nick Piccininni of Woodenspoon, Vinnie Amico of moe., Tony Markellis of the Trey Anastasio Band and Chris Eves of Chris Eves and the New Normal, Castle Creek and Skunk City. Combined, they bring a menagerie of influences to their unique brand of bluegrass.
The band’s third album (second studio album),‘Til I Die was released on Dec. 1. It was recorded over the past year at RDRAUDIO Studios in Amsterdam and was produced and mixed by the band’s engineer Mark Cochi with additional recording by Casey Latter. The new album is available digitally on Amazon, CD Baby, iTunes and Bandcamp and physical copies will be available at all shows.
Floodwood’s lineage reads like a history of Upstate New York music. From their bio:
Vinnie Amico has been playing drums professionally for nearly 30 years, 20 with jamband mainstays moe. Vinnie has been with Floodwood since it’s inception 5 years ago. Vinnie is influenced by many musical styles including rock, jazz, bluegrass, reggae, country, and world music. Those influences shine bright in Floodwood…
Tony Markellis is a bassist and record producer from Helena, Montana, now residing in Saratoga Springs, NY. His career spans over forty years, playing blues, folk, jazz, rock and country music with musicians such as Trey Anastasio, Paul Butterfield, The Mamas & the Papas, Johnny Shines, David Bromberg and many, many more. Markellis was a founding member of the groundbreaking Vermont-based jazz fusion group Kilimanjaro, as well as the Unknown Blues Band featuring Big Joe Burrell.
Jason Barady spent over 10 years recording & touring with the Bluegrass group Wooden Spoon from Taos, until returning to his hometown in central, NY. An influential part of his local music scene, Jason plays with an unyielding energy and creativity on both local and national stages. Fans have been known to refer to him as “the Hendrix of Mandolin”.
Nick Piccininni is a self taught banjoist/fiddler who learned his bluegrass chops the old fashioned way – in picking circles at his favorite bluegrass festivals. He has been involved in many projects including touring for two years with CMA recording artists, The Abrams Brothers. Nick arguably smiles the most of anyone in the band.
Chris Eves, from the band Castle Creek, is an accomplished guitarist and multi-instrumentalist. He has shared the stage with The Zac Brown Band, Jon Fishman of Phish, Johnny Lang, John Popper and many others. He also played guitar for American Idol and is featured in the film Star Trek Nemesis.
The Kirkland Art Center is a regional multi-arts center located in an old church in the heart of historic Clinton, New York facing the Village Green. The center has been integral in maintaining cultural endeavors in Central New York for over 50 years.
Floodwood always puts on an engaging show, filled with humor and brotherly competition. Check out some fan shot video of Floodwood’s newest member, Eves, kickin’ it at Funk ‘n Waffles in Syracuse last year below.
Dead & Company’s scheduled show tonight at the Smoothie King Center in New Orleans has been postponed due to John Mayer being hospitalized.
Mayer was hospitalized early Tuesday for an emergency appendectomy. No make up date was given for the show but tickets for tonight’s show will be honored at the rescheduled date. Refunds will be offered at point of purchase.
Dead & Company are in the tail end of their fall tour with stops in Orlando and Sunrise, FL scheduled later this week. Those shows are still on schedule as of press time.
The Recording Academy has released its list of nominees for the 2018 GRAMMY Awards, taking place in Madison Square Garden in New York on Jan. 28. This year’s list of nominees will be the most diverse in the history of the Recording Academy. The academy has, for the first time, allowed online GRAMMY nominations from its 1,300 members which has helped increase participation in the voting process.
Album of the Year nods went to Awaken, My Love! by Childish Gambino, 4:44 by Jay-Z, DAMN. by Kendrick Lamar, Melodrama by Lorde and 24K Magic by Bruno Mars. This marks the most minority nominees in the Album of the Year category since 2005. Jay-Z is nominated for a total of eight Grammys. Lamar is next with seven, followed by Mars with six Grammy nods.
A noticeable snub in the album category this year is perennial nominee, Ed Sheeran. Sheeran was nominated in the categories of Best Pop Vocal Album and Best Pop Solo Performance.
Nominees in other categories include Gregg Allman’s posthumous release, Southern Blood, for Best Americana Album. Allman’s album is nominated alongside Jason Isbell & the 400 Unit’s The Nashville Sound, Iron & Wine’s Beast Epic, the Mavericks’ Brand New Day and Brent Cobb’s Shine on Rainy Day.
The Infamous Stringdusters received their second ever Grammy nomination, this time in the Best Bluegrass Album category for Laws of Gravity. Other nominees in that category are Noam Pikelny, Michael Cleveland, Bobby Osborne and Rhonda Vincent and the Rage.
The Best Contemporary Blues Category nominees include Robert Cray & Hi Rhythm, Taj Mahal & Keb’ Mo’ Tedeschi Trucks Band, Robert Randolph & the Family Band and Sonny Landreth.
Leonard Cohen, who died late last year, is nominated in two categories. Cohen’s nods include one for Best American Roots Performance and, curiously, for Best Rock Performance. Bob Dylan also garnered a nomination for Best Traditional Pop Vocal Album for his album Triplicate, his third consecutive album to mine the Great American Songbook. The Rolling Stones tribute to the blues, Blue and Lonesome is nominated in the Best Traditional Blues Album category.
The 60th Annual Grammy Awards, hosted by James Corden, will be broadcast on CBS Jan. 28. For the complete list of nominees, visit the Grammy Awards website here.
When Doyle Bramhall II comes to town, you make a point to attend the show. Bramhall, who has collaborated with such prominent musicians as Eric Clapton, Sheryl Crow, Tedeschi Trucks Band and Roger Waters, put on a scorching show at the Westcott Theater in Syracuse on Wednesday. For someone of such prominence in the music world, it’s a shame the house wasn’t full. Those who were in attendance, however, were appreciative of what they were about to witness. Many of those present represented a who’s-who of the Central New York music scene.
Doyle Bramhall II is touring in support of his 2016 Concord Records release, Rich Man, his first solo album in 15 years, along with his superb band (Anthony Cole on drums and sax, Adam Minkoff on keys and guitar and Ted Pecchio on bass.). Bramhall’s style takes its influence from the blues and jazz as well as world music.
The opening number, a cover of the Serge Gainsbourg and Jean-Claude Vannier title track from the 1969 film Les Chemins de Katmandou, set the tone of the evening early. The chattiness of the crowd was self-policed, putting the focus entirely on the magic that was happening on stage.
Doyle is a left-handed guitarist who plays with right-handed stringing on a guitar flipped upside-down. This unique style of play makes for some interesting sounds.
While Bramhall let his influences fly with some select covers, including George Harrison’s “Let Me Down,” Johnny “Guitar” Watson’s “I Get a Feeling” and the Isaac Hayes instrumental “Hung Up on My Baby,” his unique style and interaction with his band mates showed that this is a band in a groove and ready for bigger things.
Bramhall’s originals framed the set. “My People,” from his latest, revealed Bramhall’s Middle Eastern influences and served as a great transition from “Les Chemines de Katmandou.” After the intro, the song moved into a more typical blues style, reminiscent of Bramhall’s friend Joe Bonnamassa.
Speaking of Bonnamassa, rumors circulated throughout the night that the blues legend may be in the house, as he and his band were performing in nearby Ithaca the following night. While Smokin’ Joe didn’t appear at the Westcott on this evening, his band was in attendance to take in the show.
Bramhall and his band worked the crowd musically and sarcastically. When enthusiastic fans began shouting out requests, particularly songs from his tenure with Arc Angels, a band that included Charlie Sexton and the members of Stevie Ray Vaughan’s Double Trouble. Bramhall responded with a spectacularly sarcastic, “That’s right, just shout out anything. We’ll play it,” only to tease a few notes of one particular blues song until abruptly stopping, saying, “Sorry, we don’t really know that one.”
As the night wore on, Bramhall worked in more originals from his latest, revealing his guitar prowess as well as the expertise of his band. While most blues based electric guitarists can claim Jimi Hendrix as an influence, Bramhall revealed that Hendrix is not only an influence but a kindred spirit. Bramhall’s left-handed style emulated Hendrix and at times, he used feedback as a voice in his songs. This was explicitly realized in his set closer “The Samanas.”
The band closed out the night with a joyful , psychedelic rendition of the Beatles’ “She Said, She Said” that had the crowd singing and dancing along to it.
Bramhall is a musician with superior skills and a lineage to be envied. His solo work is on par with the best in the game and deserves to be more widely heard. It is highly recommended to check him and his superior band out in a live setting.
Opening act, Althea Grace, an artist produced by Bramhall and part of the Concord Records stable of musicians, performed a solid acoustic set inspired by artists as varied as Led Zeppelin and Brandi Carlisle.
Check out Bramhall’s fan-shot set closer, “The Samanas” below:
Doyle Bramhall II Setlist:
Les Chemins De Katmandou (Jean-Claude Vannier & Serge Gainsbourg cover), My People, The Veil, Keep You Dreamin’, Hands Up, I Get a Feeling (Johnny “Guitar” Watson cover), Mama Can’t Help You, Let It Down (George Harrison cover), Rich Man, Hung Up on My Baby (Isaac Hayes cover), New Faith, The Samanas
Hot on the heels of moe.’s recently announced, and now sold out, shows at the Capitol Theatre in Port Chester Feb. 2 and 3, moe. bassist/vocalist Rob Derhak and his son put together a video to announce the 2018 Summer Camp in Chillicothe, IL.
Summer Camp, now in it’s 18th year, will be held Memorial Day weekend (May 25-27) at Three Sisters Park with its traditional hosts, moe. and Umphrey’s McGee, co-headlining the event. Additional acts are yet to be announced. The 2017 edition of Summer Camp featured Primus, the Trey Anastasio Band, Gov’t Mule, Run the Jewels and the Disco Biscuits.
Three-day general admission and Thursday pre-party tickets go on sale Wednesday, Nov. 22 at 12:00 p.m. Central Time (1:00 p.m. in the east). Also available will be specially discounted Loyal Summer Camper passes. Details are available at the Summer Camp website.
The announcement alleviated concerns that the festival may be in jeopardy due to Derhak’s cancer diagnosis in July of this year. Speaking to that, Derhak took to social media Thursday to discuss his progress. He expressed appreciation for the support given him and his family since his diagnosis of oropharyngeal cancer and throughout his subsequent treatments that put moe. on indefinite hiatus. He particularly addressed the comments from fans and well-wishers claiming he had beaten cancer or is now cancer free. In his statement, Derhak said, “I’m still in recovery, and I’m doing well, but I’m also waiting to hear from my doctors on the state of my diagnosis. I’m cleared to play our upcoming shows, and my doctors feel confident, but I️ still do not know if my cancer has been fully cured.” Read the full statement below:
moe. went on indefinite hiatus in July of this year following bassist Rob Derhak’s cancer diagnosis. Derhak underwent treatments for nasopharyngeal cancer throughout the summer and is now fit to take the stage again. moe announced Tuesday that it will return to perform two dates at Port Chester’s Capitol Theatre Feb. 2 and 3.
moe. was forced to cancel the remainder of their scheduled dates following Derhak’s diagnosis. His most recent performance with the band was at the Huckleberry Jam in Idaho on July 28. They will perform two sets each of the two nights at the Capitol. For the Feb. 2 show, they will be joined by Kung Fu. Feb. 3 will be “An Evening With moe.”
A limited amount of pre-sale tickets will be available through Ticketfly beginning at 10:00 a.m. on Wednesday, Nov. 15. General on-sale begins Friday, Nov. 17 at 10:00 a.m., again through Ticketfly.
No other dates were announced by the band. Derhak issued a statement with the announcement:
It’s been a tough few months, and I couldn’t have done it without the overwhelming support of my family, and my famoe.ly. And although it’s still not clear what the future brings, the positivity and love that I’m feeling for moe.’s and my next chapter is beyond exciting. I feel like a kid counting down the days until Christmas, and our energy as a band, is like nothing I’ve experienced before. Thank you all for the well wishes, prayers, and healing vibes.
Syracuse’s Jess Novak Band will release its new album, Fireworks & Fairytales, Friday November 10 and to celebrate, the band is throwing a CD release party at Turning Stone Casino Resort’s Turquoise Tiger Lounge in Verona Friday beginning at 9:30 p.m.
The free show will feature the four-piece Jess Novak Band that includes Novak (violin, vocals, guitar, percussion), Mark Nanni (keyboards, accordion, vocals), Anthony Saturno (guitar) and William Harrison (drums, bass). The band will be joined by the horn section that contributed to the new CD – Melissa Gardiner on trombone and Nick Fields on trumpet. Several special guests who contributed to the making of the album may also appear alongside the band.
JNB blends pop, soul, blues and rock, leading the audience on a voyage through the Stax vaults and down through the juke joints of the south. Terry Roland of No Depression magazine said of the band:
There are those rare moments in music when the dynamics of sight and sound converge into a near-perfect storm. Then it rains down talent and a connection of musical and personal chemistry create something that is irresistible….Their music is a blissful shot of Americana blues-based soul music.
The album is the Jess Novak Band’s third and the sixth overall for Novak. The first video from the album, “Do to You,” was released Nov. 5 and has received an Akademia Music Award for Best Pop/Rock. You can see the video below.
The band plans to begin a cross-country tour in early 2018 in support of the new album. In the meantime, you can catch them gigging throughout Central New York. In addition to being available at JNB shows, Fireworks & Fairytales will be available for streaming and download through iTunes, Spotify and Amazon.
A Prohibition Era law designed to put the clamps on NYC nightlife has support for a repeal, according to Brooklyn councilman Rafael Espinal. Espinal introduced a bill that will be taken under consideration Tuesday to repeal the near century-old Cabaret Law that makes it illegal to host “musical entertainment, singing, dancing or other form of amusement” without a proper cabaret license.
The law kept such music luminaries as Billie Holiday and Ray Charles from performing in the “City That Never Sleeps” for decades before being amended to lessen restrictions on performers. The dancing provision of the law, however, has remained in tact, resorting to clubs using speakeasy tactics to warn of crackdowns. The selective enforcement by the Multi-Agency Response to Community Hotspots, otherwise known as MARCH, has led to many establishments being shut down and underground dance clubs taking their place.
The New York Times reports that Mayor Bill de Blasio supports a repeal, provided the security camera and certified security guard requirements added to the law during the Rudy Guiliani administration, remain in place.
When the Cabaret Law was enacted in 1926, the expense and restrictions placed on establishments wishing to provide nightlife entertainment made acquiring a license difficult. Many of the night spots that were targeted early on included the jazz clubs of Harlem. During the 1990s, Mayor Guiliani ramped up enforcement of the law as the EDM movement began to take hold. The current administration has issued few citations and with possible repeal on tap for Tuesday, New York will once again be free to dance.
The Mohawk Valley Blues Society has teamed up with the Kirkland Art Center in Clinton to present the return of the Jeremy Wallace Trio Saturday, Oct. 28 at 6:30 p.m.
Wallace’s sound has been described as edgy and uses his own life experiences as the backdrop for his lyrics. He incorporates elements of folk, rock, country and blues to forge a sound akin to a young Bruce Springsteen or Tom Waits.
In his formative years, Wallace came under the tutelage of folk legend Dave Van Ronk, the inspiration for the 2013 Coen Brothers film “Inside Llewyn Davis.” Van Ronk exposed the young artist to the music of Leadbelly, Kokomo Arnold and Charlie Patton, sending him away after 18 months with the words, “You got it in you to be a musician, but it doesn’t mean anything. If there’s anything else you can do besides this, do it. The business will break your heart.” Van Ronk once said of Wallace, “He’s one of the most arresting new talents I’ve ever heard. When I hear him I get the same feeling I got the first time I heard Bob Dylan and Arlo Guthrie.”
Wallace obviously didn’t take his mentor’s advice, putting out three albums, My Lucky Day, She Used to Call Me Honey and his most current release, Suicide Suitcase,mix of original arrangements of traditional songs and new material.
Wallace’s dark humor and his rock solid band, Matt Gruenberg on bass and Tom Costagliola on drums, will weave tales of woe as well as wistfulness in the intimate setting of the Kirkland Art Center.
General admission tickets for the 6:30 show are available through Eventbrite or at the door. Tickets are $18 for the general public and $15 for Kirkland Art Center members.