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  • Boy and Bear to Make a Pit Stop in Albany

    Australian five-piece indie-folk band Boy and Bear will make a pit stop at the Hollow in downtown Albany on Wed., June 8. Venturing from Toronto to Albany and then to Buffalo and New York City, the group will give the Capital District a rare treat to see a band currently on the rise and promoting their third release, Limit of Love.

    The band formed in 2009 in Sydney by singer-songwriter Dave Hosking, who quickly teamed up with Killian Gavin (vocals, guitar), Timothy Hart (drums, vocals), Jonathan Hart (vocals, mandolin, keyboards) and David Symes (bass) to release their debut album Moonfire in 2011. The critically acclaimed Moonfire, which was recorded in Nashville, won numerous Australian Recording Industry Association music awards, while Limit of Love was formed at Peter Gabriel‘s Real World Studio in England. Limit of Love remains the band’s greatest attempt at honesty and good old-fashioned recording with zero automation and minimal takes, which is frequently matched and backed up in their live performances.

    Sandwiched in between Moonfire and Limit of Love was the band’s grandest release, Harlequin Dream, featuring the hit song “Southern Sun” that prominently featured slide guitar and was noted to be an homage to Australian artist and guitarist Richard Clapton. It was also the tenth most played track on the triple-A radio format in the United States in 2014. Smooth singing Hosking cuts through his lyrics like room temperature butter, making each song seem more heartfelt and emotional. While Limit of Love differs quite a bit from Harlequin Dream, both offer a shining glimpse into the guts and heads that make up Boy and Bear.

    WEQX welcomes Boy and Bear to the Hollow in Albany on June 8;  doors open at 8 p.m.

  • Hearing Aide: The Broadcast ‘From the Horizon’

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    Within a flashy realm of brass interludes, conventional chord structures and foot-tapping rhythmic changes, the Broadcast will soon release their third studio album, entitled From the Horizon.

    As every grassroots band from Asheville, North Carolina, faces in their early stages, the eagerness to record, sell and play often sidetracks the artist from the bigger picture: the feeling of  security in their sound. And after three initial releases of Days Like Dreams (2010), Live (2012) and Dodge the Arrow (2013), the Broadcast’s upcoming record From the Horizon is a sonic gearshift from classic funk-rock to Americana roots-rock that offers listeners a soulful soundscape of influences. As the band’s sound continues to mature, so does their self-confidence, and it is here that we learn what defines the Broadcast musically, at least for now.

    From the Horizon is declarative in its intentions, and has enough variety to please all ears. Frequent festival-goers who prefer a more summer-in-your-backyard tune will most likely gravitate toward “Double Down” and “Eyes of A Woman,” embodying illustrious riffs from guitarist Aaron Austin and a Grace Potter-like writing style delivered by powerhouse vocalist Caitlin Krisko. For others who thrive in the stomping and hollering kind of rush, jump right to “Every Step” and “Bring It On Home” with the on-target rhythm section featuring bassist E’Lon Jordan-Dunlap and percussionists Jaze Uries and Tyler Housholder. The most contrasting part of the album sits on the slide of Austin’s guitar in the bluesy twang of “Battle Cry,” which boasts an equally rebellious lyrical message to match.

    There’s no doubt that the Broadcast has finally found their sound in From the Horizon, being that they were able to land Grammy Award-winning producer Jim Scott (Wilco, Tedeschi Trucks Band, Sting) in their control room and have already secured several festival dates sure to draw in new crowds this summer. With a variety of folk-timbred instrumentation, aux percussion and soulful growls, this is a band that has potential for great success in the live music sphere. However, their musical vision quest is hardly over, and they’ll need a little more development before taking on the world of recorded rock and Americana, but we’re happy to follow along.

    From the Horizon officially drops on June 17, but a selection of the album’s tracks can be sampled on soundcloud. Keep up-to-date with the Broadcast on their website and Facebook page.

    Key Tracks: Every Step, Bring It On Home, Battle Cry

    https://www.youtube.com/watch?v=p3tqkBoQ35c&feature=youtu.be

  • Songs at Mirror Lake Music Lineup Features Anders Osborn, Elephant Revival

    Songs at Mirror Lake returns this summer to Mid’s Park in Lake Placid for its 11th season of free music, featuring a lineup of national acts like Anders Osborn and Elephant Revival.Songs at Mirror Lake Lineup

    Songs at Mirror Lakeis sponsored by The Pines Inn and presented by Adirondack “By Owner.” The free music series has been bringing nationally known acts to Lake Placid for 11 years to Mid’s Park on Main Street, right on the shore of Mirror Lake. As in the past, each of the seven nights of music have a different theme. The concerts are held at the new band shell rain or shine. Attendees are encouraged to bring a blanket and enjoy the music in the park.

    The Pines Inn is a local historic hotel within walking distance of all Main Street in Lake Placid has to offer. Adirondack “By Owner” is a website featuring over 1,000 listings of vacation rentals, properties for sale and timeshares available all by owner.

    Songs at Mirror Lake runs for seven consecutive Tuesdays June 28 through August 9. All concerts start at 7 p.m.

    Songs at Mirror Lake Summer 2016 Lineup

    June 28: Blues Night with Popa Chubby
    July 5: The Band Night with The Weight
    July 12: Local Jam Night with Annie in the Water
    July 19: Americana Night with Elephant Revival
    July 26: Reggae Night with Junior Marvin’s Wailers
    August 2: New Orleans Boogie Night with Marcia Ball
    August 9: Rock Night with Anders Osborne

  • Mountain Jam 2016: Day 1

    On the first day of the 2016 Mountain Jam at Hunter Mountain, there was a much expected buzz throughout the festival grounds. Thursdays of a four-day festival can be one of the greatest days; it’s the kick-off to the annual celebration of music and arts. Attendees, staff and volunteers are just gaining their bearings for the weekend to come, but most notably, Thursdays tend to be a bit more exclusive. Not everyone has a schedule that allows for them to arrive so early, making attendance on the first day much lighter than the rest. This was the case in Hunter on June 2.

    Mountain Jam 2016 kicked off on the Valley Stage with a quartet of consecutive acts who were not only the musical welcoming committee as the first wave of fans poured in, but they were the catalyst for a day and evening of incredible music. Jane Lee Hooker, a New York City-based blues quintet, were first to play. The all-female blues band brought fervor and soul to the stage, which proved their respect to the blues craft and their namesake, John Lee Hooker. Next up was the Capital Region’s own Wild Adriatic; they lived up to expectation and performed an amazing set, which only substantiated the next act, Cabinet, a Pennsylvania bluegrass band that always makes the crowd shake and stomp.

    The fourth band of the initial quartet was Donna the Buffalo, a Central New York-based band riddled with Americana influence from old-time Appalachian music to modern rock and country; this was the group’s first Mountain Jam billing. NYS Music sat down with Tara Nevins and Jeb Puryear, who founded the band in 1989. When asked how they came to be, Jeb said, “We’re both old-time fiddle players, and in that form of music, a lot of people jam with each other.  All you have is acoustic instruments, so you can just meet easily.” He added that Tara was the first person he’d met that wrote songs like the ones heard on the radio.  A smile instantly hit her face when he paid her that compliment.

    Over the course of time, Donna the Buffalo, comprised of these old-time players Tara and Jeb, met back in the ’80s and evolved from acoustic fiddle and banjo music to a more modernized, electric bluegrass. “The music [Appalachian music] kind of predates bluegrass; the kind that bluegrass grew out of,” Tara added.  “I started writing songs that were more pop-oriented and then Jeb started writing songs. Then we [started to] transfer to electric instruments, and thus, was the formation of Donna the Buffalo.”  Although they evolved into a more modern sound, they still stick close to their roots, continuing to play bluegrass festivals around the country, including their own called the Finger Lakes Grassroots Festival of Music and Dance in their hometown of Trumansburg.

    As the evening progressed, the heavy hitters started to come out. The first Mountain Stage act was Train Play Led Zeppelin II. Festival-goers throughout the grounds were hypothesizing how the performance would go. Only those who had heard Train play Zeppelin tunes on Howard Stern’s Sirius/XM radio show knew just how amazing it was going to be. The band’s frontman, Pat Monahan, was a true embodiment of a young Robert Plant. The band masterfully moved through the entirety of Led Zeppelin II and finished off their set with a crowd-pleasing reprise of  “Stairway to Heaven.”

    After Train finished their jaw-dropping performance, an amazing duel between Marco Benevento and Superhuman Happiness on the Valley Stage and Umphrey’s McGee on the Mountain Stage commenced.  Marco and his collaboration of astounding musicians and singers paid homage to the late David Bowie by covering a vast amount of his catalog, including legendary hits like “Oh You Pretty Things,” “Let’s Dance” and “Life on Mars.” Chills were brought to many spines in the audience as this well-orchestrated performance not only gave everyone a live listen of Bowie tunes, but paid breathtaking amounts of respect to Ziggy Stardust—a face, voice and mind that the music world and its fans miss very much.

    The echos of Bowie off of Hunter Mountain were responded to by a true fan favorite, Umphrey’s McGee.  Although the Thursday crowd was light, it seemed every soul in Hunter was on the concert field. The boys from Chicago started their set off with “Similar Skin,” after which Brendan Bayliss delivered the message that instead of everyone pacing themselves for the weekend to come, a full-on party should take place since they were only around for the one night. After that public service announcement, Umphrey’s kicked into “Rocker (Part II),” and it didn’t slow down much from there. As is often a staple at Mountain Jam, Warren Haynes came out to jam during the first set, helping to breakup “Higgins” with a mid-song jam of southern rock and blues.

    Another guest hit the Mountain Stage to make an appearance. Dressed in his eye-grabbing garb for the Bowie tribute set, Marco Benevento sat with Joel Cummins during the adapted and absolute monster cover of Pink Floyd’s “Breath.” After the first set was over, the crowd was filled with electricity. Marco played his second set of Bowie music, which made way for the second set of Umphrey’s; this second set seemed to step-up from the groundwork laid out in the first. Starting off with “40’s Theme,” the band moved through their second set making head-banging and fist-throwing and, of course, the Ryan Stasik-patented style of rock horns, explode throughout the crowd.

    The boys finished their set with a line of “Educated Guess, “Conduit” and “Relax, Have a Thunderkiss.” Surprisingly, the crowd didn’t chant out the so-often-heard “We want the Umph!” chant, but they came back onstage with a certain vengeance, encoring with “Hajimemeshite” into “Bridgeless” to end the night; the perfect bookend to a perfect first night of Mountain Jam 2016.

    Today’s lineup has some much anticipated acts throughout the day. Jay Blakesberg is personally looking forward to Courtney Barnett and Jason Isbell, both hitting the Mountain Stage in the late afternoon. Also playing today are favorites Chris Robinson Brotherhood, Wilco and Warren Haynes’ own Gov’t Mule. Be sure to log into the live stream, so you don’t miss any part of the Mountain Jam 2016 weekend.

  • Fridays in June at Funk n Waffles Downtown, Presented by NYS Music

    NYS Music is once again proud to host Friday nights at Funk n Waffles in June. A stellar lineup of music is on tap all month long, with local and regional bands highlighting the month.

    June 3 – Formula 5 with Michael Mwenso & The Shakes

    June Funk n Waffles Whether you enjoy jam, jazz, funk, reggae, or electro beats… the Capital District’s Formula 5 will satisfy your musical needs. Inspired by their jam band idols, the band creates original funk-filled tunes with stimulating and expressive lyrics, soaring melodies and an emphasis on solid instrumentation and improvisation. The group’s fan base continues to grow as they’ve opened for such headliners as Twiddle, Dopapod, Spiritual Rez, and the Heavy Pets; and took over stages at Catskill Chill, Disc Jam, The Big Up, Strange Creek, and Buffalove.

    Michael Mwenso and the Shakes present an improvisational execution of a powerful, soulful eclectic mix of soul/jazz/blues derived from  jazz legends such as Miles Davis and Lionel Hampton. The Harlem “mood” captivates audiences and reinforces the classic, historic feel one could relate to the late night NYC jazz scene. Soulfully driven vocals are backed up by the funky ensemble of horn-powered, bass-layered body of the Shakes.

    June 10 – Candid with Castle Creek

    The acclaimed hometown rockers, Candid, bring the people of Syracuse a familiar spark their growing, loyal fan base appreciates them for. The heavy-hitting rock band Candid has been on the scene since late 1998, playing alongside international renowned bands such as Fountains of Wayne, Tonic, Vertical Horizon, Andrew W.K. and Strangefolk.

    Local barnyard burners Kim Monroe and Chris Eves are a powerful duo out of Syracuse. Using lyrically powerful ballads and a blues/jam influenced musicianship to captivate audiences throughout upstate New York all while maintaining their roots of familiar classic rock artists such as Led Zeppelin, the Grateful Dead, and Pink Floyd. Castle Creek  leaves their own lasting mark on fans at each venue they perform.

    June 17 – William Thompson Funk Experiment with Binger and Ampevene

    Uplifting, interactive , and talented, the William Thompson Funk Experiment is sure to leave crowds jubilant and moving through the late night hours. Hailing from Worcester, Massachusetts, the William Thompson Funk Experiment can be compared to the party of Dopapod, Mister F, and Formula 5, and are sure to provide a powerful performance.

    Based out of Burlington, Vermont, Binger creates a unique sound, using the diverse musical soundscape of their collective influences. Elusively shedding any genre they manage to employ (often within the same song), Binger combines elements of progressive psychedelia, deep grooves of hip-hop, and improvisational jazz to create a style that gracefully skirts the line between delightful and perplexing; inventing a sound that reels you in and keeps you there with a cohesive, yet eclectic energy. 

    Ampevene delivers a highly energetic, atmospheric environment, tearing the borders between every genre at their disposal. Ampevene continues to set the bar high for progressive rock throughout New York, keeping spectators on their heels from their improvisational clash of metal and jazz.

    June 24- The New Daze with Space Bacon

    Since 2011, the atmospheric jam quartet, The New Daze, have been using their improvisational prowess to transcend jam rock as we know it, displaying an inter-dimensional  clash of musicianship . The New Daze are no strangers to Funk n Waffles, having graced the downtown stage many times. They are also scheduled to perform at historic venues such as Nectar’s in Burlington, Vermont and Garcia’s in Port Chester. With all four of it’s members contributing vocals as well as wielding their instruments, each member has a crucial role in the direction of a performance. The New Daze, playing a unique set each night, creates its own sound of “electric boogified-rage-reggae-funk-crunch-goop”.

    If you like the concept of space, and a delicious side of breakfast meat, there is really no going wrong with Space Bacon. This jamtronica quartet based out of Brooklyn is sure to leave audiences dancing and uplifted as it creates an intense, immersive fusion of electronica and funk. Space Bacon is soon to play Disc Jam in Stephantown (June 9-12), along with artists such as Dopapod, Electron, Tauk, and many others. The quartet’s love for intergalactic pork and space-seasoned fresh cuts of funky-electronic trance is a spectacle one should not miss.

  • Hollywood Vampires Kick off Historic Night of Rock & Roll

    Ever since their debut concert at The Roxy last September in LA, and their subsequent follow up performance at the 2015 Grammy Awards,  fans have been impatiently awaiting the return of the star studded Hollywood Vampires.

    Hollywood Vampires The Hollywood Vampires kicked off their 2016 world wide tour with opening night being held at the Turning Stone Event Center in Verona, New York.  The event sold out in record time, bringing fans across the country just to be part of this night of history in the making.  For those just waking up from their Rip VanWinkle nap,  this star studded group is lead by Alice Cooper, aka Hollywood Vampires Lair President, and together with the legendary Joe Perry  on guitar, Johnny Depp on guitar, Matt Sorum on drums, Robert DeLeo on bass, Tommy Henrickson on guitar, and Bruce Witkin on keyboards and guitar, these superstars  and virtual list of who’s who in the rock world took to the stage and raised the crowd to their feet and blew the roof off it’s frame.  Okay, perhaps I exaggerate a wee bit.  The audience sat down occasionally.

    Hollywood Vampires Starting out the evening with a glimpse of who inspired them musically, it was a foreshadowing to an evening of honoring some of their favorite musical inspirations throughout the years, with some new music sprinkled within.   Finding their footing on stage with the crowd, they began to meld together seamlessly after a song or two. It was apparent as they played on with each song, they began to relax and feel the music and feed off the crowd.

    No matter what song Alice Cooper was singing, he owned it.  His cover of the Beatles, “Come Together”, was epic, while Joe Perry’s bluesy rendition of Fleetwood Mac’s, “Stop Messin Around”, showcased every skill set on that stage from Cooper’s harmonica, to Witkin’s keyboard solo, to Perry’s growling vocals. On Bowie’s Rebel Rebel cover, it was Sorum’s drum solo that dominated this tune, while DeLeo and Henrickson’s bass and guitar were the heartbeat of every song throughout the night.  Cooper who has dominated his shock rock genre since day one, spoke to the audience about the background of “My Dead Drunk Friends”.  Always an inspiration to others in the business, Cooper’s new song, co-written together with Depp, paid tribute to ‘lair mates’ who didn’t quite make it out of Rainbow Bar in the standing position.  Despite his attempts to blend into the background, Depp couldn’t if he tried.  Depp’s creative side shines through no matter what he attempts.  In the past Depp hesitated to share his musical side to the public, claiming he didn’t want his fame as an actor to outshine the music itself.  But when music is your first passion and the talent is there, it just reinforces to the audience that you are one talented artist, no matter what venue you are in.

    Hollywood VampiresAs the night came to a close, and the final encore of “School’s Out” finished it’s last note, and the Vampires took their last bow, those present felt as though they had just witnessed history on stage.  As excited as the audience was, those on stage were just as excited and pumped for the night they won’t soon forget either.

    Setlist:  Raise the Dead, Got a Line, 20th Century Boy, Pinball Wizard, My Generation, Manic Depression, Cold Turkey, Come Together, 7&7, Whole Lot of Love, 5 to 1/Break On Through, Rebel Rebel, Suffragette City, Bad As I Am, Stop Messin’ Round, Dead Drunk Friends, Ace of Spade, 18 , Sweet Emotion Encore: Train Kept Rollin, School’s Out

  • Lessons from Tom Hamilton

    With any luck, you’ve been internalizing phrases like “be yourself” and “be honest” since the day you could understand language. These ideas are applicable to our everyday lives in a general sense, but they can also be the guiding force and underlying theme in the way we express ourselves through music and art.

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    If you’re reading this, chances are you already know Tom Hamilton is an exceptional guitarist of many projects, including Brothers Past, Joe Russo’s Almost Dead, Billy and the Kids, Electron and, of course, Tom Hamilton’s American Babies. He is rising as one of the most talked about musicians in the scene, yet he continues to stay humble.

    I initially wanted to chat with him about his upcoming scheduled appearances at Disc Jam June 9 through 12 in Stephentown, NY. On Friday, he will play a set with the Babies as well another set with headliner Electron. What we got out of the conversation was much more insightful. His tell-it-like-it-is candor about his own life and passionate ideas come with underlying morals applicable to humanity.

    With that I present to you is, “Lessons from Tom Hamilton.”

    Talk about it.

    The new American Babies album, An Epic Battle Between Light and Dark, was influenced by Tom’s experience with his own depression as well as that of past significant others. One of whom was hospitalized for her mental illness. One of whom left without saying a word. In addition, a member of his family had committed suicide, something he had not fully come to terms with. It was when Robin Williams took his own life that he really felt compelled to write music about these struggles. “We all have our shit, our human faults; why is no one talking about it?” he said. The process of creating the album has provided the closure to his family member’s death that he had been seeking.

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    Be confident.

    When Tom was just four years old, his love for the Grateful Dead began. He remembers his father watching nervously as he put his little hands allover his music collection, so he gave him his first tape—Grateful Dead at Red Rocks 7/8/78.

    “Back then there were two kinds of Grateful Dead fans—the hippies and the bikers. My dad and his friends were definitely the later, but they were the nicest guys,” he said. “Bunch of mean looking guys standing around listening to ‘Ripple.’ They loved music. They lived for it.”

    He learned to play all the instruments of the Grateful Dead, playing their respective parts at a very young age.

    In 2014, a friend of Tom’s recommended him as a fill-in for a severely food poisoned Anders Osborne at Phil Lesh’s 74th Birthday Bash at Terrapin Crossroads in California. Tom recalls an irritated and anxious Lesh who, hoping for the best, asked this complete stranger if he wanted to go over the songs. Tom told him, “I can play 95 percent of the catalog without sheet music, I’m good to go!” With that, Phil seemed to instantly relax.

    “I’ve been playing with Phil my entire life, he just didn’t know it,” he said.

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    Be yourself.

    Tom said he feels that too many bands these days are looking around at what other people are doing or looking to the past to what they did. With the American Babies he feels he is doing his own thing without worrying about what’s trending. It is why out of all the bands he plays in that he considers the Babies to be his heart.

    One of the things Tom said he feels is wrong with the jamband scene is an overemphasis on the jam. He feels the song itself becomes lost. In fact, he said the only jamband he listens to is the Grateful Dead.

    “It’s like piling hummus onto a cracker. You aren’t even eating the cracker anymore, it just becomes the vehicle in which you shove hummus into your mouth,” he said.

    To Tom, the music of his American Babies is what good songwriting sounds like. The lyrics have meaning and there are clear segments of the song. While they often become grouped in with jam bands and there are certainly some shreds between Tom and guitarist Justin Mazer, they are doing their own thing, creating their own kind of sound. And it’s working.

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    Make new friends, but keep the old.

    Having played with super group Electron since 2001, Tom said he is looking forward to getting down with Marc Brownstein and Aron Magner of the Disco Biscuits and Mike Greenfield of Lotus at Disc Jam. Their set from 2015 was one of the most memorable of that weekend, featuring an exceptional cover of the Grateful Dead’s “I know You Rider.” Playing with old friends is something Tom said he really enjoys. But while they are known to cover Tom’s beloved GD tunes and even did a full Pink Floyd set at last year’s Gathering of the Vibes, the majority of songs are Marc Brownstein’s.

    “But those are Marc’s songs,” he said. “And let’s face it when it comes to songwriting, he’s no John Lennon.”

    What he is looking most forward to is being onstage with girlfriend and bandmate, Raina Mullen, Justin Mazer, Al Smith and Mark Sosnoskie—The American Babies. He is looking forward to playing his own songs with the people he calls “family.”

    Electron
    Electron

    Be honest.

    At one point in our conversation, Tom asked me if I had ever written a “bad review.” I had to think about that. I’ve definitely been to shows I wasn’t a fan of, or nights where the band was off. I certainly have listened to albums that I didn’t care for. I told him I had, but that I try not to completely tear the artist a new one, highlighting both the good aspects as well as the bad. His response was not sugarcoated.

    “You journalists are so afraid to write a bad review. Why? You end up with this diplomatic shit. If something is a steaming pile of shit, just say it!”

    Noted.

  • Prophets of Rage Announce Full U.S. Tour

    Prophets of Rage, consisting of members of Rage Against the Machine, Cypress Hill and Public Enemy, will head out on a full tour of the U.S. starting mid-August in Virginia and closing out in October in California. The tour includes two stops in New York on Aug. 27 at the Barclays Center in Brooklyn and Aug. 28 at Jones Beach.

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    Prophets of Rage tour dates:
    Aug. 19 – Fairfax, VA @ EagleBank Arena
    Aug. 20 – Camden, NJ @ BB&T Pavilion
    Aug. 21 – Mansfield, MA @ Xfinity Center
    Aug. 23 – Hartford, CT @ The Xfinity Theatre
    Aug. 24 – Toronto, ON @ Molson Canadian Amphitheatre
    Aug. 26 – Holmdel, NJ @ PNC Bank Arts Center
    Aug. 27 – Brooklyn, NY @ Barclays Center
    Aug. 28 – Wantagh, NY @ Nikon at Jones Beach Theater
    Aug. 30 – Noblesville, IN @ Klipsch Music Center
    Aug. 31 – Burgettstown, PA @ First Niagra Pavilion
    Sept. 1 – Clarkston, MI @ DTE Energy Music Theatre
    Sept. 3 – Tinley Park, IL @ Hollywood Casino Amphitheatre
    Sept. 4 – St. Louis, MO @ Hollywood Casino Amphitheatre
    Sept. 5 – Kansas City, MO @ Providence Medical Center Amphitheater
    Sept. 7 – Morrison, CO @ Red Rocks Amphitheatre
    Sept. 10 – Auburn, WA @ White River Amphitheatre
    Sept. 11 – Ridgefield, WA @ Sunlight Supply Amphitheatre
    Sept. 13 – Mountain View, CA @ Shoreline Amphitheatre
    Sept. 15 – Los Angeles, CA @ The Forum
    Sept. 17 – Phoenix, AZ @ Ak-Chin Pavilion
    Sept. 25 – Dallas, TX @ Gexa Energy Pavilion
    Sept. 27 – Nashville, TN @ Bridgestone Arena
    Sept. 29 – Virginia Beach, VA @ Veterans United Home Loans Amphitheater at Virginia Beach
    Oct. 1 – Tampa, FL @ MidFlorida Credit Union Amphitheatre
    Oct. 2 – West Palm Beach, FL @ Perfect Vodka Amphitheater
    Oct. 4 – Atlanta, GA @ Verizon Wireless Amphitheater
    Oct. 5 – Cincinnati, OH @ Riverbend Music Center
    Oct. 7 – Tulsa, OK @ BOK Center
    Oct. 8 – Houston, TX @ Cynthia Woods Mitchell Pavilion
    Oct. 9 – San Antonio, TX @ AT&T Center
    Oct. 11 – El Paso, TX @ El Paso County Coliseum
    Oct. 12 – Albuquerque, NM @ Isleta Amphitheatre
    Oct. 14 – Las Vegas, NV @ Mandalay Bay Event Center
    Oct. 16 – Chula Vista, CA @ Sleep Train Amphitheatre

    Original post:

    The rumored reunion of Rage Against the Machine is here. Prophets of Rage play tonight at Whiskey A Go Go in Los Angeles.

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    While not quite a reunion of Rage Against the Machine, Prophets of Rage consists of Tom Morello, Tim Commerford and Brad Wilk of Rage Against the Machine; Chuck D and DJ Lord of Public Enemy; and B-Real of Cypress Hill.

    In a press release, the band said:

    We can no longer stand on the sidelines of history. Dangerous times demand dangerous songs. It’s time to take the power back. It’s time to make America RAGE again.

    The six musicians will join forces for a show at Whiskey A Go Go in Los Angeles tonight at 8:30 p.m. Tickets are currently on sale.

    [embedyt] http://www.youtube.com/watch?v=bWXazVhlyxQ[/embedyt]

  • Hearing Aide: The Honeycutters “On the Ropes”

    HoneycuttersOnTheRopesBigCov

    A follow-up to the chart-topping breakout album Me Oh My (2015), the Honeycutters’ latest release, On the Ropes, brings a breezy soundtrack for Sunday driving down that lonely country mile.

    Frontwoman Amanda Anne Platt (lead vocals, rhythm guitar) comes on strong in the record’s opening title track, before lulling listeners along in “Blue Besides.” It’s the third song, “Golden Child,” that demands full attention, with its bluesy vocals, relatable lyrics and soul-bending composition.

    Throughout 12 original songs, Platt shares personal stories from the battlefield that cover the spectrum of love, loss and learning, writing “I’ve been a stranger here before, I’ve been a soldier, I’ve been the war, and I’ve done my time on the wrong side of the door, I’ve been peaceful, I’ve been wild, I’ve been a Golden Child.” She’s down-to-earth in her delivery of tell-it-like-it-is advice (“hang up that halo and get by with the rest of us, let those wings go to rust…you’re not taking any chances, you’re looking for that easy answer”) from one strong-headed woman who’s “not hanging up my spurs, I’m just telling you I’ve learned.”

    Although not as mountain as Gillian Welch, the Hastings-On-Hudson native and Skidmore College graduate’s sweet, natural vibrato is a refreshing sound coming out of the songstress’ current base of Asheville, NC. And accompanying bandmates, Rick Cooper (upright, electric bass), Josh Milligan (drums, vocals), Matt Smith (pedal steel, electric guitar, dobro) and Tal Taylor (mandolin), are the perfect mixer for a polished concoction of rock and country elements with a sprig of rural Appalachia.

    From swingy, borderline pop-twang in “The Handbook” to steady rock in “Back Row,” highlighted by harmonica (played by Platt’s father, Mark) and electric guitar, to the slouchier slide and mandolin in “Useless Memories” to the trimmer distortion in “Ache” that makes the raw emotion feel real, and a jaunty, shimmery cover of Leonard Cohen’s “Hallelujah,” it’s all here, before the record is capped off with a dusty picture of gunslingers and barroom girls in “Barmaid’s Blues.”

    The Honeycutters have surely made something out of nothing with their fourth studio album, On the Ropes (out now through Organic Records); it’s alternative Americana at its finest, and Platt’s sincere songwriting is the gravy on the biscuits.

    Key Tracks: Golden Child, Back Row, Ache, Hallelujah

    https://soundcloud.com/user-123099651/sets/on-the-ropes

  • Final Night at Rock ‘N Derby Closes With Shinedown, Sixx A.M. and Sevendust

    Rock ‘N Derby closed out its inaugural weekend at the Schaghticoke Fairgrounds on Sunday, May 22. The first two days of the festival were really, really good, and Sunday’s lineup may have been the best of the weekend with the likes of Sevendust, Ghost, Sixx: A.M., Trivium, Megadeth, Collective Soul, Coheed and Cambria and, the headliners of the day, Brent Smith and Shinedown. The only disappointment was Like A Storm not being able to make the show due to its tour bus breaking down.

    Shinedown closed out the first ever Rock ‘N Derby on the Derby Stage. In usual Shinedown fashion after the first couple of songs into the bands set, frontman Brent Smith united the crowd with each other and with the band. As drummer Barry Kerch provided the beat, Smith asked the crowd, “Ladies and gentlemen, boys and girls, New York, where you at? If this is your very first time seeing Shinedown, then raise your hands please.” Smith then told the people of the crowd to look to their left, then to their right, and said, “You see, there is a reason for this, you see that person standing next to you, you may have never met before tonight’s event. We’re gonna change that, everyone turn to your neighbor right now, I wanna see you shaking each others’ hands, giving each other high fives and tell them how nice it is to see them at the show.”

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    Before the band got into the song “If You Only Knew,” Smith told the fans that he knows it’s been a long weekend, and told the crowd to give a big round of applause for all the other performers who played during the festival, and that he is honored that he gets to share the stage with them. Smith then said “With that being said, we’re not in those bands. We’re in Shinedown. And this is 100% between us, and all of you here tonight. So, did you bring your singing voices tonight? This next song is for all the ladies, where you at? This is dedicated to all the lovers and the ladies.”

    Smith gave an extensive speech before the song “Enemies,” that created a moment that has to be witnessed live. He had everyone at Rock ‘N Derby jumping and going insane when the song kicked off.

    As the rest of the members of Shinedown jammed on stage, Smith started his speech on stage, and then ended up in the middle of the crowd. He started off by saying “Let’s make 100 percent sure, that all of you here tonight are getting exactly what you want. Cause here’s the thing. You see, we only have one boss. It just happens to be everyone in the audience. So, if you’re not happy, no one’s happy, and you ultimately decide who stays and who goes.”

    Smith then had the crowd split in the middle. Once the fans did. Smith left the stage and continued his speech to the fans. Smith then stated “Now listen up, this next song, we guarantee your gonna know the song. What I’m gonna do is this, I’m gonna go back up on stage, I’m gonna count to three. Then I’m gonna say the word go. When I say go, I want every single person that is able, I want you jumping up and down. I wanna see all this dust up in the air. I wanna see every single person in the state of New York bouncing simultaneously up and down. That’s gonna lets us know that we’re at a real rock show.” Smith then returned to the stage and said, “This is all on you. You not at the library, and this ain’t no funeral. Your at a rock & roll revival people.”

    Shinedown was to play “State Of My Head,” but before the song, Smith asked for all the lights to be turned off at the fairgrounds. Smith then asked all the fans to light up their cell phones and lighters. In a beautiful sight, Smith said “It’s good to see the stars of New York State.”

    Smith would be the last artist to acknowledged the 5-year old girl spending her birthday weekend at the festival. After asking her name Smith then said sincerely “Here’s the thing. I have to give her a lot of credit. ‘Cause 5-years old, and she’s been at a Shinedown show on top of the barricade all weekend. Her mother just mouthed it to me, that she’s been here not just for this show, she’s been here the whole weekend. So I think the least we can do is sing “Happy Birthday.” Smith then led the crowd in to sing “Happy Birthday” one more time.

    After the last song in the set “Sound Of Madness,” Smith did his usual concert send off by saying “Our new record is called Threat To Survival. It’s available everywhere. Be good, be good to each other, God bless you all. It’s never goodbye, it’s just ’til next time.” Smith told drummer Barry Kerch to lock it down. Kerch pounded the drums a few times and closed out the set.

    Sevendust showed how it’s done on the Derby Stage. The band walked onto the stage while the intro to the song “Thank You” played. Frontman Lajon Witherspoon took the stage and asked the crowd “Do you know who we are? We are Sevendust. Let me see your hands in the air. Y’all better make some fucking noise.”

    After the song, Witherspoon again asked the crowd if they knew who they were. He then said to the crowd, “Ladies and gentlemen in the pit, you guys kick ass. I love it when I see the gentlemen invite the ladies in, and it ain’t nothing but a bunch of fun out there.” He went on and asked “Are you guys happy to see us this evening? Thank you for being here so early. We love you guys, God Bless. Are you ready for some more Sevendust music? I wanna see you dance. Are you with us out there? If you can’t be in the pit, I wanna see you bouncing.” Witherspoon the turned his attention to the fans in the back “How you all doing back there in the VIP, whats up?”

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    After the band performed “Decay,” Witherspoon may have spilled the beans on a future tour. He asked the crowd if the were ready for headliners Shinedown. He then asked what the people in Schaghticoke knew about the band Ghost. Witherspoon then asked the crowd what they thought of a possible Ghost and Sevendust Tour. Fans cheered.

    Witherspoon took the time before the song ‘Praise” to tell fans how close they make him and the band feel to the crowd. Witherspoon first asked fans if they were enjoying themselves. He then said “Can I say something to you? Thank you for making all of our dreams come true. Let me tell you why. And I say this, and I know I fucking say this before anyone else says this. If it wasn’t for each and every one of you guys, none of us would have a fucking  job. So thank you very much. If you don’t know who we are, we are Sevendust. We do not have concerts. We have family fucking reunions. Let me see your hands in the air. Let me see what you all got.”

    As Witherspoon was talking about the next song “Pieces,” He noticed a sign in the crowd that said split the crowd. Baffled by the request he said “Split the crowd? I never had anyone tell me to do that. I don’t know what that means. You guys wanna split the fucking crowd. Let me see you split right here in the middle. I never done this before. You had a fucking sign (points to fan in the crowd), just spread out right here in the middle. You know what I’d like to fucking do. Since he requested a split, let me see you guys walk around in a circle right in the middle of that split.” Sevendust dropped the track, and in a pretty cool site, fans moved in the pit so hard you could see a dirt cloud slowly rise up and get thicker where you could hardly see the band if you hung out in the back to watch the band perform.

    Sixx: A.M. battled a slight rain storm for about 10 minutes, but that didn’t stop them from being one of the day’s, if not one of the weekend’s top performers. They are the total package. The have the look, they have the sound, they have the stage presence and they have the songs. They also sport two female backup singers on stage. Sixx: A.M. started off with “This Is Gonna Hurt,” and “Rise.”

    Frontman James Michael took a break to chat with the crowd after the song “This Is Gonna Hurt,” and said, “What’s up Rock ‘N Derby? How you motherfuckers doing today? Let me ask you something. Who is seeing Sixx: A.M. for the very first time right here, right now?” After about everyone in the packed lawn area watching their set cheered because they seem to never tour in this area, Michael continued “Very good. Keep your hands up in the air, everybody put your fucking hands in the air and make a fist like I’m doing, and every time you hear us say the word rise, I wanna see you throw your motherfucking fists up in the air. Will you do that for me? Are you ready to Rise?

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    After the song “Rise,” the crowd was so hot during the song, Michael yelled to the crowd “Ah Fuck yeah Rock ‘N Derby. He then introduced the next song in set “Everything Went To Hell” by saying “This one goes out to the bitch that ripped my fucking heart out of my chest. You know what I’m fucking talking about, don’t you.

    Once the last song in the set “Life Is Beautiful,” concluded, Michael introduced the band. Nikki Sixx, the band’s bassist (also the bassist of Mötley Crüe) then took the mic and introduced Michael. Amazing live show left everyone wanting more.

    Trivium hit the Derby Stage hard. After two songs in the opening of their set, singer Matt Heafy stopped to talked to the crowd. He asked “How the fuck we doing today? We are Trivium. Is this anyone’s first time seeing Trivium today?” After the first timers responded, Heafy said “Pleasure to meet y’all” and then asked “Is this anyone’s second, third, fourth, fifth, sixth, seventh, eighth, ninth or 10th time seeing Trivium? Alright my friends one very simple rule for a Trivium show my friends. Whatever the fuck we’re doing up here, we need you all to be doing down there. That’s headbanging, singing, screaming, moving your asses, sweating and all that good fucking shit.”

    He then gave a rundown on what crowd on the festival circuit was the best so far. Heafy said the crowd “If you want be the motherfucking best my friends, we all got to step it the fuck up.” Trivium followed Heafy’s speech with the band’s current single “Dead and Gone.”

    Next song in the setlist Heafy told the crowd that they were gonna go back to the fourth album, but needed the fans’ help before they play “Down From The Sky.” He went on to say that on the next song, “Lets make some noise together. I’ll do it with you, but y’all gotta do it with me too.”

    Heafy introduced “Pull Harder On The Strings Of Your Martyr.” He introduced the song by saying “This next song is an old motherfucker. This song goes real well with a nice circle pit or two or three or whatever you feel like doing but we need that shit.”

    Heafy then explained how the pit works, “You run and you turn left, if they fall down, pick them the fuck back up. If you ain’t in that circle, you’re banging your head, you’re shaking your ass or you’re fucking moving your bodies.”

    Queensbury native Frank Palangi opened the final day Sunday at Rock ‘N Derby, on the Upstate Concert Hall Arena Stage. Palangi played a good mix of original tunes and cover tunes. Palangi and his band came right out to get noticed, and they did. By the end of his set, most of the fans that were sitting over on the bleachers, made their way to the general standing area to rock out closer to him.

    After his first song, Palangi asked the crowd, “You guys ready to make some noise today?” After the fans’ minimal response, Palangi then asked the crowd louder, “I said, are you ready to make some noise today?” He then went on to explain what the next song in his set is about. Palangi said the next song is about being lied to. he then asked the fans “Who’s ever been lied to?” After a couple shouts from the crowd he replied, “Just a couple of people? I don’t find that true. It’s a song about basically somebody taking your words and twisting them around.”

    Before Palangi performed the song “Driving These Lines,” he gave a quick run-down about the song being about the ups and downs in life and the music industry. He said “You run into stuff that bothers you, but then its like, I can’t do anything about it. But that’s life.” After the song, he thanked one of the sponsors at Rock’N Derby, entertainment retailer f.y.e.. He then thanked the local f.y.e.’s for supporting local artists by selling their music in their stores. He said “f.y.e.’s here in New York support local artist and they are awesome.”

    Drummer Josh Opitz and Palangi showed off some of their skills before they performed their new single “Break These Chains.” Optiz started off teasing a drum solo with Palangi shredding a rift on his guitar.

    Palangi then played a cover by the band Full Devil Jacket. Palangi talked about how the band was a big influence on him since Woodstock 1999 and showed respect to singer Josh Brown. He talked about how he gave Brown his CD and he listened to it. Brown then gave it to his producer and said this is how it all got started for him and he hasn’t stopped since. Palangi then told fans that he met the members of his band on Craigslist, and that they are blessed to do music here the last couple of years. Palangi then played the song “Now You Know.”

    Palangi paid tribute to friend and bandmate TR Remsen who passed away recently from cancer. He said he was right there with them, as he pointed to the empty spot next to him. The band closed with the song “I Am Ready.”