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  • Hearing Aide: Mudcrutch ‘2’

    mudcrutch-2-two-album-tom-pettyAfter lying dormant for more than 30 years, Tom Petty reunited his pre-Heartbreakers, pre-breakout band, Mudcrutch, for a tour and album back in 2008. Turns out it wasn’t just a one-off a-good-time-was-had-by-all affair; they’re back again with another effort, simply titled 2. Supposedly, it really was a good time after all, and worth revisiting.

    is a down-to-business, no-frills name, for a down-to-business no-frills record. The band has shed the reunion-for-reunion’s sake facade and come forth with a set of new and all original material. Petty is prevalent from the get-go with the opening blasts of harmonica and his signature, lazily drawling vocals on “Trailer.” More classic Petty sounds follow with the jangling rock “Dreams of Flying,” leading into a slow-burn on his “Beautiful Blue,” which blends slide guitar with dark piano lines stirring into a Petty original that can go toe-to-toe with his best.

    Three songs in and the hopes are high for this album. Unfortunately, with Petty ceding his title-name, he also cedes full creative control. Each of the five members contributed to the songwriting, starting with drummer Randall Marsh’s “Beautiful World,” a paint-by-numbers rock song that completely deflates the energy built up from the opening tracks. From there, the album rotates back and forth between Petty’s songs and those of his bandmates, with expectedly mixed results.

    2 succeeds in making whoever pushed Tom Petty from Mudcrutch, back in 1975, to front his own outfit, look like a genius. It is very clear through this recording that Petty puts forth a higher standard of songsmithing compared to the rest of the band. Fortunately, seven of the 11 tracks are Petty’s, and as excellent additions to his catalog, they elevate 2 to a must-listen for any Petty fan. 

    Key tracks: Beautiful Blue, Forgive It All, Hope

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  • Béla Fleck and the Original Flecktones’ Reunion Tour Hits Albany

    The house lights dimmed and the Hart Theater at The Egg Performing Arts Center in Albany grew dark. The house was packed; every seat was filled with a body consumed with anticipation. Four years had passed since most of these fans had seen the act that was about to take the stage, and for anyone else it had either been longer or not at all. Slowly, music started to escape from the speakers. The first sounds heard were from a jaw harp played by the instrumentally diverse Howard Levy as he walked out on stage. Next, Futureman came out with his Synthaxe Drumitar, laying down percussion in the most unique way with an instrument of his own design. Then came Victor Wooten and Béla Fleck, at the same time, filling the sound out with their respective bass and banjo. The June 8 reunion tour show of Béla Fleck and the Original Flecktones was underway.

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    The Nashville-based progressive bluegrass, jazz fusion quartet started their unsupported two-set show off with one of their oldest tunes, “Frontiers.” There was a thorough introduction to everyone’s capabilities right off the bat. Howard demonstrating his note-bending harmonica technique, Victor proving to be as solid as ever, helping to keep the rhythm in fine form, Béla plucking away at his banjo in the most expert of ways, and Futureman’s fluent ability to fill the rest of the sound with the perfect percussion.

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    The band played a few more songs before the crowd was addressed. Béla spoke first, talking about how long it had been since they’ve toured and how they are on a two-week run, slowly moving their way west to Colorado to play the Telluride Bluegrass Festival. He talked about being back in Albany for the first time in four years and how he’s “always thrilled to be back at The Egg.” He then turned the crowd’s attention to his right and introduced Howard, who made mention of being a New York native, specifically from Brooklyn. Howard then introduced Victor who then introduced his older brother, Futureman.

    The drummer extraordinaire gave some insight into the formation of The Flecktones. He mentioned that Béla called him one day and started talking to him about a project. Futureman urged Béla not to pigeonhole himself in bluegrass and told him how playing jazz on a banjo isn’t just a possibility—it’s already been done, but had fallen out of style. He talked about how back in the 1920s Louis Armstrong and His Hot Five, a New Orleans jazz band, had a banjo as a main instrument. Futureman elaborated further after the show saying that Béla playing banjo in a jazz band would be like bringing that instrument full circle in a genre from which it had escaped years ago, likely due to the instillation of the guitar.

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    The show was not only loaded with truly fulfilling music, but it was clear that these four longtime bandmates were having some fun performing on the road again. Howard was using every bit of every instrument to make the sound he wanted the audience to hear, like reaching into the open top of the grand piano and strumming on the high octave strings. Victor played his nearly patented slap-and-tap, which always gets the crowd cheering. Béla continued to tear up the banjo with precision and Futureman was taking drum solos while not even sitting at a drum set. They finished up the first set with “Kayto,” during which they crowded together so all four could help play the bass and banjo slung over Victor and Béla’s shoulders.

    The Flecktones came back from set break and ignited the second set with “Zenergy,” in which Victor played a monster bass solo. He told a fan after the show that a vast majority of any show he plays is him playing bass lines and not playing with more complicated technique; the band benefits much more from a solid bass line than constant soloing. (Either way, when people think of Victor Wooten, they think of one of the best bassists in the history of music and hearing him perform one of his solos is almost worth the price of admission by itself.)

    The second set was going as could be expected—everyone dancing in their seat and giving little shout outs, cheering on these four gentlemen. One fan pointed it out the best, noting that it was simply amazing that what everyone was watching is a group of four guys who are all very talented musicians, quite unique in their own fashion, yet still manage to play symbiotically, as though they were one musical organism.

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    Toward the end of the second set, Béla gave the crowd some instructions, which included some “ooos” and “aaahs.” What came next was the crowd favorite, “Flight of the Cosmic Hippo.” The set was capped off with another hit, “Stomping Grounds,” and then this incredibly unique band exited the stage, only to return moments later for their encore. Béla and his fellow minstrels finished the show with sincere thanks for everyone attending and then they broke into an electrifying “Sinister Minister.”

    As the house lights came on, the audience started to file out toward the venue’s exit. However, some fans remained and started to congregate near the stage. These people knew something those who were already departing didn’t know; Béla, Victor, Howard and Futureman would be back out to do an unannounced meet-and-greet. They proved to be incredibly gracious and humble people who were more than happy to take pictures with fans and sign autographs, even for one gentleman who had the better part of a dozen CDs to sign. The evening left Flecktones’ fans fully satisfied, knowing that it was worth the four-year wait. The only hope was that the amount of time between this show and the next will be much shorter.

    Check out the photo gallery below taken by NYS Music photographer, Frankie Cavone.

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  • Mountain Jam 2016: Day 4

    Unlike the previous three days, the weather at the onset of Sunday, June 5, at Mountain Jam 2016 was gloomy with continuing patches of rain. People throughout the campgrounds were picking up their equipment and assessing any damage. The storm hadn’t been overly aggressive, but that didn’t stop things like camping canopies from collapsing under the weight of accumulated rainfall.S Malinski - Michael Franti - Mountain Jam 2016-8

    Once everyone completed their morning cleanup, regular plans for the last day of the festival started. Parents and kids joined together in Healey Hall at 9 a.m. for Yogarama with Bari Koral, a yoga instructor who brings fun music into the mix to make yoga interesting for kids. And of course yoga for the older kids was next, led by none other than Michael Franti. Originally scheduled to be held in Dolan’s Lake Park, across Ski Bowl Road from the festival grounds, Franti’s yoga session had to be moved into Healey Hall due to the inclement weather.S Malinski - Micheal Franti yoga - Mountain Jam 2016

    After yoga with Franti, Michael joined Radio Woodstock in their Mountain Jam booth for an interview and a quick song. NYS Music was there to experience his time on the radio and sing-along with him and the rest of the crowd who gathered around; Franti loves to be surrounded by people, while he plays—it really fuels his love-filled music and performance.

    Meanwhile, Woodstock native Elijah Wolf, Boston-based Quilt and New York City’s London Souls played on the Valley Stage. The continuing mist didn’t stop fans from throwing on rain gear and enjoying themselves on the final day of Mountain Jam 2016. Like the previous day, the schedule had a change, and it caused Michael Franti’s Mountain Stage performance to be the last main stage show of the weekend—except this time the schedule change was caused by mother nature.

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    Severe weather alerts came across the PA system, and everyone was instructed to pack-up their belongings as quickly as possible and either leave the grounds or seek shelter immediately. No one knew exactly what to expect from the weather, but the general fear was that high winds would cause structures, like the stages, to become unsafe. Attendees complied as best as possible. Some were able to pack-up and depart, while others fastened down their equipment and congregated in the main lodge to wait out the storm.

    Many festival-goers were sad that they had to miss the final three acts of the weekend—Brandi Carlisle, Third World and especially, the Avett Brothers. Safety is always understandable, but that doesn’t quell unrest about an upheaval of musical plans. Luckily, thanks to Radio Woodstock, a secret set popped up in the media loft where the radio station had been broadcasting all festival long.S Malinski - Avett Brothers - Mountain Jam 2016

    The buzz about this secret set started to spread throughout the crowd inside the lodge, just downstairs from the loft, but no one knew exactly who was going to play and where. Suddenly, some stage crew started carrying in instruments and brought them up to the radio booth, followed by four gentlemen who make up the originally scheduled closing band, the Avett Brothers. After some audio setup, the indie-folk quartet played a four-song set over the airwaves and over the station’s PA system, which was turned up and pointed at the crowd downstairs. After each song, applause erupted from below. It was clear that the remaining festival-goers recognized just how lucky they were and how much they appreciated the Avett Brothers’ humble and apologetic attitude toward having to cancel last minute.

    As the weekend finally drew to a close, people sat around recapping the events of this year’s Mountain Jam. Everyone had their own individual experiences, but the final product of all experiences was joy and an overall feeling of fulfillment. Much sought-after music had been enjoyed to the fullest, and everyone knew that the 2016 festival season was truly underway.

    Check out the photo gallery below—captured by Steve Malinski—to experience the fourth and final day of the twelfth annual Mountain Jam.

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  • Photo Gallery: Relive Mayfest 2016

    The beautiful grounds of Surprise Lake Camp in Cold Spring, NY, provided the backdrop for the second annual Mayfest during Memorial Day weekend 2016. The offspring of SkyBaby Yoga and Catskill Chill Music Festival, Mayfest articulately blends music, art and yoga together, as a three-day, intimate wellness retreat. The vibe was bright and relaxing, and it was a welcomed addition to the arguably crowded festival scene here in the northeast.

    MayfestTargeted at the yoga enthusiast, the daily schedule was packed with activities, ranging from various yoga classes, group meditation, workshops, lectures, pilates and hooping. At any give time between 8 a.m. and 5 p.m., festival-goers had to choose from about nine different offerings—there was no excuse to hang out at your cabin or tent. As the sun was closer to setting each night, the focus shifted to the main stage, a stone seat amphitheater across from the lake, which was scheduled to go at the relatively early time of 11:30 p.m. each night (although it was cut about 45 minutes short on Sunday due to the weather). The one late night activity was the Sensory Collective, a “Cirque-de-Solei-esque” troop of performers who entertained attendees Saturday night, keeping us night owls happy until 1 a.m. on Sunday.

    A review of individual bands or yoga classes is well beyond the scope of this photographer. I would advise to those reading this who might be interested in attending next year, if you take yoga on the regular, the lineup is mostly within your musical wheelhouse, and the location doesn’t change, then you shouldn’t hesitate to go. While only in its second year, everything is well run and the staff brings a wealth of experience to this event. Also, I would spring for the cabin rental; they were recently updated and place you closer to the action. Finally, it did seem most of the classes were still available to sign up when onsite, but chances are you will be going in knowing what classes you want to take. Procrastinating on the sign-up will be of no benefit.

    Hopefully this has offered some sense of what went down in Cold Spring, and what to expect next year assuming no major deviation from the current formula. Of course, check out the pics below and see some of the sights of Mayfest from my perspective.

  • Heavy Montreal a Close Fix for Capital Region Fans Suffering Festival Withdrawal

    Capital region metal heads, are you looking for a music festival shot in the arm after the experience of this year’s Rock ‘N Derby event in the Albany area?  Make the short drive across the border for Heavy Montreal in August.

    Heavy Montreal‘s eighth annual festival has returned to it’s 2-day format, and will once again take place at the Parc Jean-Drapeau, on the island of Ile Ste-Helene on Aug. 6-7. Like in previous years, horn raisers will see another jam-packed mega lineup that’s sure to satisfy a variety of fans with many different styles of rock scheduled during the event.

    Heavy Montreal’s huge lineup of performers will grace five different stages throughout the venue. Metal heads will see some of today’s best in the genre. Saturday’s lineup includes Five Finger Death Punch as the headliner along with Nightwish, Mastodon, Black Label Society, Sebastian Bach and Trivium. Sunday’s lineup is headlined by Disturbed, with a supporting cast of Volbeat, Breaking Benjamin, Killswitch Engage, Alter Bridge and many more. Over 30 bands in all will perform throughout the weekend. Unfortunately, Ghost will not make the festival as originally planned due to scheduling conflicts.

    Doors open each day at 11:30am, with performances starting at 12:30 p.m. and ending at 11:00 p.m.

    Two bands on the bill, Disturbed and Mastodon, both took part in the inaugural Heavy Montreal in 2008. If you want to get technical, Adam Gontier was also a part of the first ever festival when he fronted Three Days Grace. He returns this year with his new band, the supergroup Saint Asonia.

    Disturbed and Five Finger Death Punch have headlined, or are in line to headline almost every rock music festival in 2016. Five Finger Death Punch recently headlined a festival in New York, the first ever Rock ‘N Derby, in Schaghticoke, on May 20.

    This year marks Disturbed’s third time playing the festival and Five Finger Death Punch’s first time. Disturbed front man David Draiman, has also appeared at the festival in 2013 with his side project Device.

    Albany area fans who want to make the trip can head up I-87N, and about three and half to four hours later, you’re there. Fans can also take I-89N, but add about another hour and over 20 miles.

  • Houndmouth’s Neon Still Burning Bright and Pink

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    Nashville’s Los Colognes, opening the show at the Town Ballroom on the first night of a tour with Houndmouth, impressed the filling venue with a 45 minute taste of their laid back rock. They started things off with “Baby, You Can’t Have Both,” a party rocker with a “Not Fade Away” rhythm. The Grateful Dead influence didn’t end there, with many songs in their set sounding somewhat familiar but different. Like a Go To Heaven-era cover band, but playing all originals. Jay Rutherford’s SG even had hints of Garcia’s tone embedded, but played in a style that made the sound all his own.

    Later, with rhythm guitarist Wojtek Krupka picking up a slide and bassist Gordon Persha bounding around in the pocket on a driving blues number, another classic rock band’s influence came to the fore, The Allman Brothers. It was classic rock with a modern aesthetic tightening it up and applying a shine.

    While not scoping out a completely original sound, they kept it simple and tight, pulling off a diverse and exciting set with a few surprising left turns. Rutherford’s guitar work, whether within the melody or breaking through with a roaring solo, was truly a highlight.

    Houndmouth was recently reduced to a trio when keyboardist/vocalist Katie Toupin left the band earlier this year. It was their first ever time playing in Buffalo, but that didn’t mean the packed crowd wasn’t intensely familiar with them. Calls for Katie rang out as the band entered the stage and once the music started, their shouts turned to the lyrics as they sang most every song right along with the band.

    With one member down the band took on a different look both in sound and appearance. The three remaining, Matt Myers on guitar, Shane Cody on drums and Zak Appleby on bass, ironically without the feminine influence anymore, shed their usual ragged look. They were clean shaven (including Cody’s head), wearing nice suits and had some subtle glam makeup/face paint. Musically the trio added two saxophones, Graeme Gardiner and Drew Miller, to round out and punctuate their sound. They may have sounded a bit different than they have in the past, but the key was that they’ve got a great slate of songs that can be resilient and overcome the change. That’s what great songs do!

    Houndmouth was excited to be back on the road and were rewarded with a ravenous Friday night crowd. Band and audience fed off each other throughout the evening bringing the energy to a fever pitch. “Let’s get weird, it’s Friday night,” Cody exclaimed before launching into “Coming Around Again.” Myers changed the lyrics to “Had a Couple of Drinks in Buffalo” riling the crowd while Cody hopped up and down in his seat waving his sticks at the crowd and mouthing expletives egging them on even further.

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    The energy didn’t cool down until the encore. Myers opened with a beautiful solo guitar performance of “For No One.” The full band returned for a scorching take on “Motion Pictures,” a deep cut off of Neil Young’s fantastic yet underrated On the Beach album, that featured some great work form the horn section. A show closing rollicking sing-along of “My Cousin Greg” finished the show back up on a high energy note.

    Setlist: Black Gold, 15 Years, Halfway to Hardinsburg, Darlin’, Say It, Honey Slider, Hey Rose, Palmyra, Coming Around Again, Penitentiary, New Song, Sedona
    Encore: For No One, Motion Pictures, My Cousin Greg

  • Sterling Stage Folkfest Brought in the Crowd, 12th Annual Event

    This year’s 12th annual Folkfest took place at Sterling Stage Kampitheater in Sterling over Memorial Day Weekend and brought in more than a 1,000 attendees. Featuring many great bands, vendors and artists, the location and crowd made for a fantastic weekend in the sun.

    If you missed Folkfest, you can check out two more festivals that are taking place at Sterling Stage Kampitheater this year: Ameribeat Festival of Arts (June 30 to July 3) and Last Daze of Summer (Sept. 1 through 4). Get your tickets here.

  • Mad Tea Party Jam: A Fusion of Art and Music Not to Miss

    The Mad Tea Party Jam is a festival that friends have been buzzing about for years. This year, I am finally going to make it, and I’m excited to bring you the inside scoop of the weekend, garnished with a gallery by Amanda Siedner.

    This year’s Mad Tea Party Jam will take place from June 16 through 19 in Artemas, PA, at the Four Quarters InterFaith Sanctuary, a new location for the festival. This will be the fifth anniversary of the event, which began as the wedding of Elise and Taco Olmstead, founders of the Appalachian Jamwich. Now it is an anniversary celebration that the couple shares with everyone, and it’s a gathering that focuses heavily on the art community, in addition to packing the weekend with amazing musical experiences (see the video below).

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    The Lineup

    Topping this year’s lineup are Papadosio, Twiddle and Tauk, with each playing two sets. Other scheduled artists include Consider the Source (Radiohead Set), Big Something and Aqueous playing three sets each, two Broccoli Samurai sets, the Jauntee, the Primate Fiasco, Electric Love Machine (ELM), two Litz sets, Deltanine, Definition of One, Oh Kee Pa and more (see the full schedule here).

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    Artists and Workshops

    Throughout the weekend, there will a team of live painters creating visual art for festival-goers to explore while enjoying the music. The weekend is jam-packed with alluring workshops. Notably, Dale Allen Hoffman, the key-note speaker, will offer “profound insights about Mary and the Divine Feminine” in his workshop “Isis-Magdalene and the Sacred Fire of Ecstasy.” You can learn sacred geometry/mandala making with Charles Gilchrist, or learn about innovative eco-sustainable architecture with Gariel Carazos. There will be a 90-minute vinyasa-style Yoga workshop with Courtney Gabinetti to help open your heart, and a Laughter Yoga Workshop with Damon Owen. Other workshops include an Empowerment workshop, Healing Through Hoop, Merkabah Light Body Activation, among others. You can see the full list of workshops and their descriptions here.

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    Camping

    The new location seems to be a great fit for such a spiritual, art-geared event. According to the website, since 1994, “Four Quarters has been growing functional cultural alternatives, firmly grounded in an Ecological and Earth Spiritual perspective… A sacred place in the Alleghenies, set aside in perpetuity as a Sanctuary for Nature… and for People.” It will feature a shaded camping area perfect for hammocks, a swimming hole for festival-goers to dip into to cool off and two fishing ponds. You can learn more about the Four Quarters InterFaith Sanctuary on their website.

    Mad Tea Party Jam offers a VIP experience that will feature camping closest to the stages and the VIP lounge, catered dinner with the bands, a VIP laminate and a Merch Package. There will be a costume theme on each of the three nights that the website encourages people to “interpret loosely;” Thursday is Toga, Friday will be Disco and Saturday plans for a Star Wars/Space theme.

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    Things to Know

    According the Mad Tea Party website, festival-goers won’t be able to camp next to their cars, however, they will be able to drop their things off at their campsite before driving the car out to parking. Children are welcome at the festival; anyone under the age of 13 will be admitted for free. Water stations will be available, as well as a few small restrooms with showers, in addition to the porta-potties around the grounds. Mad Tea Party is a BYOB event for those of the legal drinking age, but Four Quarters will be selling bottles of their mead. Bad attitudes, glass, fireworks, pets are among things listed as not welcome at the festival.

  • Mountain Jam 2016: Day 3

    Saturday, the main day of Mountain Jam 2016 had arrived. Attendees stepped out into a brand new day of the weekend. The warmth started to set in as the fog fully broke at about 9 a.m. It was easy to tell the day ahead of music and festivities would be glorious, sun-filled and containing an item that many people would be crossing off of their musical bucket lists after nightfall.

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    The day started off with an act in Healey Hall that has helped bridge the parent-child festival gap at Mountain Jam for multiple years. Ratboy Jr., comprised of Timmy Sutton (rhythm acoustic, electric guitar, vocals) and Matty Senzatimore (drums, keyboards, bells, vocals) provide families with a friendly place to bring their children first thing in the morning. As we all know, the children get up early and must be entertained. Described as “Ween-esque,” whose “intergalactic folk music is paired with curious subject matter like eating clouds, high five-ing shadows, big-headed Mexican wrestling hopefuls, space fuzz and guitar pickin’ chickens,” by Out With The Kids, Ratboy Jr. has become just as important of an act at Mountain Jam as most other supporting acts the core attendees arrive to see.

    S Malinski - ASL Interpreter - Mountain Jam 2016Once the children had their fill of silliness to hold them over until after nap time, the rest of the spectacular and diverse schedule of music, events and workshops started to unfold. Next up in Healey Hall was the Paul Green Rock Academy, a school in Saugerties, NY, that is driven to show kids a path to success onstage through interactive performance-based lessons, with the goal of creating genuine music through creativity and experience. While the kids were rocking out the Hall, Rochester-based Mikaela Davis was performing on the Valley Stage. Mikaela was a late addition to the bill when Gary Clark Jr. had to suddenly back out. Shortly after, Darlingside, a Cambridge, MA, indie-folk band, hit the Mountain Stage. NYS Music was fortunate enough to be nearby when Darlingside stopped by Radio Woodstock’s live broadcast area for a quick set and captured a clip on Instagram.

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    The Mountain and Valley Stages’ next acts were dynamite, to say the least. After Mikaela Davis played, Con BrioSon LittleLettuce and Houndmouth finished out the Saturday music on the Valley Stage. Alternating from those acts on the Mountain Stage were Sister Sparrow and the Dirty Birdsthe Record Company, a Warren Haynes solo set (another addition from the Gary Clark Jr. cancellation) and Nathaniel Rateliff and the Night Sweats. Each of the last acts on the two concert field stages played to the audience as dusk turned to night.

    While those bands played their sets, Healey Hall was home to a couple of workshops, one by Jay Blakesberg, in which he gave an abridged version of his book tour presentations he gives all over the country. Jay told NYS Music that he normally talks a lot longer about his books, but since he only had 45 minutes he chose to dedicate more time to a question-and-answer session and signing books for fans. There was also a documentary on Lettuce follow by an opportunity for participants’ questions, and then another documentary called A History of Cannabis in America. These events helped many attendees get more out of this mountain festival by allowing an in-depth view into portions of the music industry.

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    Once the sun was down, the face of the mountain filled to the point that a nine-year veteran attendee exclaimed that the crowd was the largest he’s ever seen on a Saturday night. He hypothesized that it could be attributed to large single-day ticket sales sparked by the 9:30 p.m. act, Beck. Unlike most acts at festivals, Beck came out late, but no one was upset once he hit the stage.

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    Beck opened up his set with “Devil’s Haircut” and naturally, the crowd erupted with cheers. Anyone who has seen one of his shows knows just how amazing the next hour and a half went. The set list of Beck’s performance was equally as eclectic as his history of songwriting and production. Aside from the opener, he played hits like “Loser,” “Que Onda Guero” and “E-Pro.” He also paid homage to the late artists Prince and David Bowie by covering “Raspberry Beret” in the latter half of his set and by playing part of “China Girl” during his band introductions in the middle of the encore, “Where It’s At.” Once Beck’s set was over, no one could stop talking about how electrifying he was. However, there wasn’t a soul who was worried about a lull in the fun, since the late-night acts to come were certain to keep people’s ears filled with topnotch music and help their feet continue to kick the dust around with a variety of impromptu dance moves.

    The first act of the late night was Con Brio, playing their second set of the night, but this time in Healey Hall, which due to the last-minute schedule changes overlapped Beck’s set by a half hour. Next up was Thievery Corporation on the Mountain Stage. Lettuce finished off Saturday’s music in Healey Hall and played to a packed house, while the oh-so-common Mountain Jam rain finally made its first appearance of the weekend.

    Slowly, but surely, people made their way back to their campsites to ensure everything was watertight in anticipation of any increased precipitation. The biggest hope on everyone’s mind was that the rain would move in and out while everyone was sleeping so Sunday’s big acts like Michael Franti, Brandi Carlisle and the Avett Brothers would be able to perform under clear skies. Little did they know the weather had different plans for Sunday.

    Check out the photos below taken by our staff photographer, Steve Malinski, throughout Day Three of Mountain Jam.

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  • Flaming Lips, Colorado Symphony Orchestra Soar at Red Rocks

    It was only a matter of time, but, still, it only happened once. It was after the last of the confetti guns fired their joyous paper rainbows. It was after the last violin string plucked their textured whimsy into our hearts, and flitted away like an invisible butterfly into the crisp Colorado air. It wasn’t until the Flaming Lips had vacated the stage to be whisked away on a tour bus into the night-dark cloud billows. Only then did it happen. I cried.

    To be sure, the pairing of the Flaming Lips with the Colorado Symphony Orchestra and their full choir at the Red Rocks Amphitheatre on May 26 soared. The lush orchestra arrangements blended angelically with the Lips performance of their 1999 breakthrough album, The Soft Bulletin. Early in the show, lead singer, Wayne Coyne, donned a metal halo bowl and a robe of reactive rope light that made him appear like an alien Bible prophet with an amazing technicolor dream coat. A vast array of LED lights hung above the stage added the otherworldly glow of the show.

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    But what deepened the raw emotion for me was an announcement from my family, prior to the concert, that my father’s brain cancer had entered its final stage. I was rattled, and it was difficult to conceive how I might enjoy the performance, much less be able to write a semi-coherent review of the show afterward. But Coyne’s lyrics have always reached for the transcendent and eternal by reminding us of our mortality. The Lips’ music has always sought to find a sense of wonder by realizing the brevity of human life. Coyne’s primary message to concert audiences has always been, the sooner we accept and embrace our ephemeral nature, the sooner we will accept and embrace life. And love one another. Those simple, soft undercurrents of tenderness have always given the spectacle of the band’s stage show it’s spark and emotion. The orchestra and choir only heightened the emotional textures of the performance.

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    Near the evening’s end, the white, hot blade of stage light sliced through the flurry of confetti and split open my fractured thoughts with the fan favorite, “Do You Realize?” With his reedy tenor voice Coyne plaintively asked, “Do you realize/everyone you know someday will die?” The song isn’t intended as a warning, but as an invitation to show an appreciation for loved ones and life. That invitation carried through with a closing cover of David Bowie’s “Space Oddity” that Coyne performed perched near the 25th row inside his trademark hamster ball. “Far above the world/Planet Earth is blue/And there is nothing I can do.”

    I was overcome by the moment. I was finally close enough to read the words on Coyne’s pink T-shirt. “My Heart Is Nuclear!” the shirt proclaimed. It was one of those nights could remind one, that even in the face of profound sorrow, there is reason for gratitude. And it was one of those shows that makes one consider that maybe it is true. Love, perhaps is all we need under a dark night sky swirling with rainbow confetti.

    Setlist: Race for the Prize, A Spoonful Weighs a Ton, The Spark that Bled, The Spiderbite Song, Buggin’, What Is the Light?, The Observer, Waitin’ for a Superman, Suddenly Everything Has Changed, The Gash, Feeling Yourself Disintegrate, Sleeping on the Roof

    Encore: Yoshimi Battles the Pink Robots, Pt. 1, Do You Realize?

    Encore 2: Space Oddity (David Bowie), The W.A.N.D.