NYS Music 20​16

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  • Blackberry Smoke rolls into Upstate Concert Hall

    Blackberry Smoke tells everyone that they are too country for rock and to rock for country, and that was on full display Saturday night as they tore up the Upstate Concert Hall. Lead vocalist and guitarist Charlie Starr, Bassist Richard Turner, drummer Brit Turner, guitarist Paul Jackson and Brandon Still on keyboards ripped through a set that contained songs from their long 16-year career.

    blackberry smoke upstate concert hallCapping off a weekend of headlining shows after opening up for the legendary Gov’t Mule all summer Blackberry Smoke proved to everyone in attendance that they deserve to be in a headlining spot. They are one of the tightest live bands this writer has seen with everyone on the band playing off of and complimenting each other to the fullest. Blackberry Smoke seamlessly blends Southern Rock, Country, Hard Rock and Jam music into their own style and they did it to near perfection. Starr’s vocals live are just as smooth as they are on a recording.

    Mid-way through the show there was a distinct sticky smell in the air near the front of the stage which led to Charlie Starr to make a new impromptu song which he called “Front Row Reefer”, which was basically an ode to the best reefer being in the front of the house and the skunk was in the back. After riffing on the new song he asked the crowd if anyone got that on video. Maybe the cut will make the next album.

    blackberry smoke upstate concert hallBlackberry Smoke play their music their way and have not changed that thinking over their long career, and it now seems people are finally starting to take notice. They have gone from a bar band to a band that is capable of headlining arenas, and this writer for one hopes that more people take the time to listen to them and appreciate one of the truly great modern bands that is keeping the rock and roll spirit alive.

    Opening the show was Philadelphia’s Stolen Rhodes whose brand of Southern rock got the packed crowd heated up.

    Blackberry Smoke are on tour supporting their upcoming new release “Like an Arrow” which is slated to be released on October 14, 2016.

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  • Frank Palangi Ready To ‘Break These Chains’ With New Video

    Upcoming rocker and Queensbury native Frank Palangi, has recently released a video for his new single “Break These Chains.” With this track, Palangi just keeps getting better and better, and “Break These Chains” is one of Palangi’s hottest recordings to date. The multi-talented Palangi hooks you with his husky gritty vocals on the track while showing off some of his guitar skills in the video.

    Palangi caught the eye of Daughtry guitarist Brian Craddock, and was invited record the “Break These Chains” single at Craddock’s the Cat Room Recording Studio in Charlottesville, Virginia. When talking about Palangi, Craddock stated that Frank is an amazing young artist, with a very clear and focused direction, he knows who he is. He went on to say that Palangi is a killer singer and guitar player and is an artist to look out for.

    The frontman has been making a name for himself opening many shows across the northeast for some pretty recognizable names in rock over the years including Buckcherry, 3 Doors Down, Trapt, Aaron Lewis, Lacey Sturm, Powerman 5000 and Starset to name a few. The singer/songwriter has also appeared on some major music festivals in the capital region including the Rockstar Energy Drink Uproar Festival that featured Alice in Chains and Janes Addiction, and the first ever Rock ‘N Derby, which saw the likes of Shinedown, Ghost, Megadeth, Sevendust and Sixx: A.M.

    The vocalist has also appeared on numerous local media outlets on television and print including News Channel 13, Fox 23 News, Albany Times Union, The Chronicle and The Saratoga Spotlight.

    Besides himself, Frank Palangi’s band consists of guitarist Jared Curtis and Josh Opitz behind the kit.

  • Project/Object Kicks-Off Northeastern Tour

    New Jersey-based Frank Zappa tribute band Project/Object will be touring the Northeast United States through October 23rd with stops at Mavericks  in Ontario, Canada on Friday, October 7; The Garrison in Ontario, Canada on Saturday, October 8; at The Tralf in Buffalo, New York on Sunday, October 9 and at Lovin’ Cup in Rochester, New York on Monday, October 10.

    Founded in 1989 by guitarist/vocalist André Cholmondeley, Project/Object has gone through numerous lineup changes since its inception, hosting more Zappa alumni than anyone other than Zappa himself. Project/Object welcomes back alumni vocalist/guitarist Ike Willis and synthesizer legend Don Preston for a tour  “Celebrating 50 years of The Music Of Frank Zappa” featuring material both men recorded with The Mothers Of Invention, The Frank Zappa band, and much more!

    NYSMusic’s Amy Cavalier recently caught up with Cholmondeley about the upcoming tour and what it’s like being in the longest-running Zappa alumni tribute band in the world!

    NYS Music: Tell me the story behind Project Object’s inception? What was the vision for the project?

    André Cholmondeley: My vision for the project was simply to turn people onto music that was very influential and important to me.

    Around 1989 I started having a Frank Zappa birthday party at my apartment. We would listen to only Zappa music for 24 hours and read interviews read album covers etc. I realized that many people were showing up and did not know a lot about Zappa and left with names of records and songs scribbled on paper. This is way before the blow up of the Internet so people would come back the next year having searched record stores and maybe built a little Zappa collection.

    About the third and fourth year, my band played at one of these parties, performing about a half-dozen Zappa songs. It went over great so we learned another half dozen and soon we played our first gig in New Brunswick, New Jersey. It just blew up from there. Next was Lion’s Den in New York City where we connected with our first managers Howie Schnee and Mike Maietta.

    NYS Music: A pretty high bar has been set by Frank Zappa, his son Dweezil other Zappa tribute bands…what makes Project Object so unique?

    AC: Indeed Dweezil’s band is incredible.I think what makes us unique in our way is that we went out and did it before other bands, over twenty years ago. We were the first band to tour with so many diverse Zappa alumni across the USA and into Canada since Zappa himself took them on the road. We also were the first to do a wide variety of his music

    The Grandmothers (ex Zappa/Mothers members) were out there but they tended to do the very excellent early stuff ONLY. We went out there with Ike Willis then Napoleon Murphy Brock etc. and did material from every period in Zappa’s history.

    NYS Music: Is there a lot of pressure to get it right and recreate the songs as accurately as possible? Or is there still room for improvisation?

    AC: The fans know every note! We strike the balance between doing some tunes as close to the record as we can, with the correct sounds and timbre and instrumentation. And then other things we do – perhaps one of Zappa’s many live versions – we look for moments in the songs where he would leave room for improvisation.

    Improvisation is very important part of the Zappa aesthetic but at the core is doing the music accurately and getting chords and little parts correct. I have been fortunate to have so many of the actual ex-Zappa players in the band so along the way they correct parts and help us get little details right.

    NYS Music: There have been a lot of stories about Zappa’s family and disagreements over copyright issues, as well as stories floating around about bad blood between you and Dweezil, in the news. How do you get away with playing songs without infringement issues? And has the air cleared between you and Dweezil?

    AC: Early on we got so many threats from Gail Zappa that we sought the advice of a lawyer and I learned a lot about copyright law. It’s very basic and simple. As long as the venue you are performing is paying their American Society of Composers, Authors and Publishers (ASCAP) or Broadcast Music Inc. (BMI) membership dues for publishing rights, you are fine. That’s why there is an enormous business in cover bands of every genre imaginable. It was always completely legal to do what we do. In the Project/Object entire career of over two decades we have had to cancel two, maybe three gigs because the venue was not part of ASCAP membership.

    I think the NPR interview I did “NPR Zappa Lumpy Legacy” is the final word on it. NPR spoke to me as well as Gail Zappa and independent legal

    counsel and they said on national radio that as long as the club is certified it’s no problem playing published music of any artist.

    As far as the recent history about the copyright issues and the Zappa family, a lot of what happened was due to the wishes and direction of Gail Zappa. Now that she is gone there is a real splintering of stuff and the siblings are sadly in dispute over many issues.

    Even before she passed away I made peace with Dweezil and have seen his band several times. He was very gracious about accepting my apologies for the previous bad vibes. He was aware it flowed in both directions. This thawing of the ice has continued after Gail Zappa’s passing and Dweezil has been very public talking about how the Zappa family trust unfairly charged him for various things and made it difficult for him to just go out and play the music.

    I’m happy to say that through his agent, Dweezil and I worked together recently to plan out these historic appearances that Ike Willis is doing with his band. I want to support anything and everything that celebrates Frank’s music.

    NYS Music: Your partner was in a serious car accident recently which caused you to postpone your tour. How is she doing and why have you decided to resume the tour at this point in time?

    AC: While Robin is still experiencing a fair amount of pain and difficulties she has come a long way in what is almost seven months since the accident. She will be with us on this tour in a very tentative and basic role – we are trying to see how much she can do safely in her regular job as merch and Production Assistant. We hated canceling that tour and she is happy to be out on this one and to be able to personally thank so many of the fans who helped us out.

    NYS Music: What is the feeling going into this tour?

    AC: We just love to play and get out and travel and this is a great time of year to do so. We have a few things we have never done before, some stuff we have not done in a decade or more, balanced with a couple of the Zappa song-along, crowd favorites that you almost have to do, so it’s a mix!

    We are upbeat and excited to get out there playing this incredible music again. Also Zappa lyrics, without even touching them up, have a timeless political accuracy and so getting out right before yet another ridiculous American election season is kind of perfect.

    For more information about Project/Object visit www.projectobject.com or follow Project/Object on Facebook or Twitter.  

  • Buckethead Completes Two Night Stand at B.B. King’s Blues Club and Grill

    On September 22 and 23, guitar virtuoso, Buckethead, performed two nights in a row at B.B. King Blues Club & Grill in New York City. Buckethead, who is no stranger to the venue, packed in fans both nights and performed unique sets each night.

    In recent years, Buckethead has been essentially off the radar when it comes to live shows. While sitting in his coop somewhere, he’s been busy putting out album after album. Although these new albums may not be chart topping releases, the man with the white mask and bucket on his head never disappoints.

    BucketheadThe second show on Friday the 23rd was what every Buckethead fan could have wanted. The venue was packed tightly before Buckethead got on stage and seemed to keep getting tighter and tighter as the show went on. The show started shortly after 8PM with “Welcome to Bucketheadland.” With a catalog like the one he has, it’s impossible to tell what the man is going to throw at the crowd. After the opening song, it was another popular tune called “King James.”

    The night prior, fans in the crowd said Buckethead had played almost 3 whole hours. Unfortunately, Saturday’s show was only about 2 hours total, but no one was complaining. Back in May, Buckethead made one of his first tour stops, for what seemed to be ages, at B.B. King’s Blues Club & Grill. At that show he played 2 sets totaling 23 songs, that included “Nottingham Lace” and “Lebrontron.” This time around, he only played a total of 18 songs. The decrease in songs was more than likely due to Buckethead playing 2 nights in a row though, so there weren’t any complaints.

    Anyone that has seen Buckethead before knows that there isn’t much going on, up on stage. The stage itself is pretty bare. There are two Marshall cabinets with EVH 5150 heads. The floor contains a slew of guitar pedals and cables. Lastly, there are two pearl white Gibson Les Paul guitars, custom for Buckethead and sometimes a bass guitar. Buckethead doesn’t have any fancy backdrops or custom lighting like other bands/musicians have either. When someone goes to see Buckethead, the show is watching him play and listening to the music he can create.

    Buckethead There are absolutely no gimmicks at a Buckethead show. For those who don’t like the “costume” and “story” behind him, it’s something to look past since this guy is easily one of the best musicians of our time. Plus, the fact that no one has publicly seen or heard this man speak shows that Buckethead takes his image seriously and will probably never do what KISS did and lose the costume.

    BucketheadThe beginning of the set seemed to be hit after hit for Buckethead fans. It was a great feeling knowing almost every song Bucket played from the start. Other songs early in the evening were, “Want Some Slaw?,” “Big Sur Moon,” “Siege Engine,” “Giant Robot Theme,” and most of all “Jordan.” After all these songs, fans turned to one another in almost disbelief at the set they were hearing.

    One of the most entertaining parts of any Buckethead show is watching him improvise his songs. Songs like “Soothsayer,” one of Buckethead’s most popular, doesn’t sound like how it is on the record. Buckethead improvises so well, he can completely change a solo to one of his songs and make it even better.

    The night ended not with Buckethead showing off his incredible guitar skill, but with his dancing and nunchucks skills. After his presentation of the robot dancing and nunchucks, he took out his sack of toys and handed them out to his fans who were close to the stage. Lucky fans got to leave the venue with different masks, action figures and more.

    Buckethead Setlist: Welcome to Bucketheadland, King James, Want Some Slaw?, Crash Victim, Big Sur Moon, Siege Engine, Giant Robot Theme, Jordan, Mad Monster Party, Gory Head Stump 2006: The Pageant of the Slunks, The Redeem Team, Fountains of the Forgotten, Shaded Ray, Buckethead’s Toystore, Soothsayer, Jowls, The Embalmer, Jam, Toy Presentation

  • Syracuse Sounds of Music Association Honors DeSantis Family

    The Syracuse Sounds of Music Association is holding its annual dinner Oct. 20 at Traditions at the Links in East Syracuse. The dinner is a fundraiser for several non-profit organizations as well as for Syracuse Symphoria, the successor to the Syracuse Symphony Orchestra and Syracuse Symphony guild. Money raised throughout the year is distributed through a grant process each December. This year’s dinner honors Mario and Maria DeSantis with the Ovation Award, an annual award presented for outstanding commitment to the Central New York music community. This year’s dinner honors Mario and Maria DeSantis and family with the Ovation Award, an annual award presented for outstanding commitment to the Central New York music community.

    musicMario DeSantis is best known as the leader of the DeSantis Orchestra. The band bearing his surname has been performing for 70 years and is now led by his daughter Maria, who has brought a modern flair to the orchestra.

    For more than 20 years, the elder DeSantis provided the soundtrack to the long-running Syracuse children’s television show Magic Toy Shop. He also performed at the Baseball Hall of Fame for Cal Ripken, Jr.’s induction in 2007.

    Syracuse Sounds of Music Association’s “Music Matters” event supports not only Symphoria but college music study scholarships as well as a variety of music non-profits in Central New York.

    In the past year, the organization has raised over $35,000 through its various fundraisers and the Encore Thrift Shop it runs in Fayetteville. The money raised was distributed among several area non-profit music organizations, including CNY Association of Music Teachers, Syracuse Children’s Chorus, Syracuse Opera and the CNY Jazz Arts Foundation. The group also provided two $1000 scholarships to high school seniors planning to study music in college.

    Reservations for the dinner can be made until Oct. 10 through the Syracuse Sounds of Music Association website.

    Forty years ago, Central New York children were glued to their televisions watching the Magic Toy Shop. Take a step back in time to hear some of DeSantis’ work on the long-running show below.

  • March Fourth Struts its Stuff at the Boulder Theater

    Confetti bursts of brass, acrobatics, Balkan music, writhing sweat-covered bodies, salsa, electro-swing, and funk mayhem exploded September 24 at the Boulder Theater with the arrival of the foot stomping March Fourth band from Portland Oregon. With about 20 performers, including stilt walkers, acrobats and a fierce percussive, brass-laden musician blazed its way through a wild set to promote the release of their new album, Magic Number.

    Known as much for its steampunk circus costumes and vaudeville acrobatics, March Fourth has transitioned from its larger community band roots to a streamlined touring band devoted to its music. What started in 2003 as a one-off performance for a Fat Tuesday party in Portland has grown into a successful national touring act, averaging nearly 200 shows a year.

    Colorado music fans have made March Fourth musicians feel like they have a second home. And with raw power and frenetic urgency, the band barreled out of the wood of the Northwest into Boulder like some kind of musical, Mardi Gras Bigfoot with its woolly  hair on fire.  March Fourth blasted its way through mostly original tunes that transformed the Boulder Theater  into a rollicking, steamfunk, booty-shaking, rock-and-roll circus party that even Barnum and Bailey would envy.

  • Glass Animals Brings Dance Party to Sold Out Show

    British indie rock group Glass Animals finished their two-night New York City run on Thursday night at Terminal 5. The evening began with opener Pumarosa. Lead woman Isabel Munoz-Newsome captivated the audience with her sultry voice and funky dance moves. Their unique sound, which combines disco beats with electric guitar solos, tight bass lines and an occasional saxophone playing in the background filled the space nicely. Their closing song, “Priestess” was a 10-minute long dance party that got everyone in the crowd moving and pumped up the adrenaline for the headliner, Glass Animals.

    Glass Animals The venue was packed, and there was barely room to move in the general admission area. During the agonizing 45 minute long set change, the crowd started to get a little rowdy, pushing and shoving to try to make more space. Glass Animals finally came out, opening the set with their hit “Life Itself,” and the mood in the venue lightened. Everyone starting dancing and having a great time.

    The sound was impressively clear, and front man Dave Bayley didn’t miss a note all night. The band seemed to be having just as much fun as the audience, and the feedback between the two created a great atmosphere. The set list was well balanced with older songs, such as “Black Mambo,” “Gooey,” and “Cocoa Hooves.” They also played a lot of songs from their new album, closing the evening with a version of “Pork Soda” that included a long freestyle section at the end that had everyone rocking out.

    The band was well-rehearsed and knew how to create a fun atmosphere for their audience. Everyone was on their feet, dancing around and completely absorbed in the music. The light show was simple but effective. The band was often washed in pink, green, or red which really complimented the rock-band-at-a-discotheque vibe they were going for.

    Dave Bayley came into the crowd for the encore, serenading fans with a cover of Kanye West’s “Love Lockdown.” It was funky and original, and fans loved it. The band put on a great show, captivating an anxious New York City audience that just wanted to dance.

  • Buffalo Scores Big with Two Nights of moe. at Town Ballroom

    It had been well over a year since moe. graced the Town Ballroom stage, when they arrived at Buffalo this past weekend. With their annual 2-night stay, fans were happy to have the band “home” again and this time with a last minute opening act Floodwood, featuring Vinnie Amico, Tony Markellis, Jason Barady, Nick Piccininni, and Chris Eves.  Floodwood picked, kicked, and hollered with delight to a sold out anxious crowd, which included an original debut by Eves, titled “Green and Blue” featuring some warm vocals and smooth fiddle.   This top-notch group flooded the room with enough hip-swinging rhythms to warm up any venue in western New York.

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    Night one started off rocking with “Rainshine,” a straight-forward rock song, not played enough in rotation.  Without “huddle,” Rob led the group into “Jazz Wank,” segueing into a more than an hour long “Buster” sandwich including a seamlessly paired “Lazarus > George” and Pink Floyd’s “Comfortably Numb.”  Garvey captivated listeners with his silver-tongued vocals as Schnier lead out the solo with lust and emotion.  Since their late-night tribute set at The Peach Fest, the guys have been working more Floyd tunes into their sets for the Fall tour.

    Second set sluggishly took off with “Lost Along the Way,” picking up momentum during the instrumental section.   The crowded Town Ballroom was then treated to a thick tasty “MEAT” sandwich, doubling up for the evening.  The peak of the evening was surely this mamma-jamma, stuffed with tight-fitted solos from each member during “Akimbo” and “Silver Sun.”  Topping off the night, Loughlin delivered radiant vocals on Frank Zappa’s “Cosmik Debris,” a tune first debuted at last years Halloween show in Philly.

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    Sparing little time and energy on Saturday, moe. returned to the stage of the Ballroom and hit-the-deck running with “Blue Jeans Pizza.”  Chuck took it upon himself to set fire during the jam, enough to slap a consistent smile on Rob’s face for the duration.  Al’s fun piano chops held together an interesting yet playful segue jam before switching to guitar for “Mexico,” which led into Merle Haggard‘s “Mama Tried.”  Having only played that twice as a band (Once in 1997 and again last April), the majority of the audience sang along and danced their cares away.  Acknowledging the culminating energy, Garvey simply stated “Round 2.”

    Next, came a massive “Opium” containing plenty of sustained twang-ish slide guitar work, carried over by Chuck from the previous tune.   A lengthy version allowed Vinnie to change up drumming styles, easing his way into “Understand.”    Garvey took to the voice box for an honorable rendition of David Bowie’s “Fame” followed by “Same Old Story” to round off the first set.

    Commencing the second set with “In the Flesh,” moe. proved how much they’re enjoying playing Pink Floyd as well as utilizing Jim’s voice.   Given the opportunity, the ensemble intensely kicked up the energy with “Spaz Medicine.”   Next came the last “sandwich” of the weekend with “Yodelittle > Down Boy > Yodelittle” featuring some notable lighting work by Pulse Lighting‘s own Justin Casey, who’s been having too much fun with the Clay Paky B-Eyes and Chauvet Rogue R1 FX-B series lights.  After a brief pause, Garvey worked up some slide guitar again for “Shoot First” before segueing into an impressive “Billy Goat > Kids.”

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    Just before moe. took to the stage one last time, Schnier proceeded with the nightly “Al.nouncements” tradition.  Unable to resist, he riled up the Buffalo crowd asking “So, here’s the question, are we gonna win tomorrow?” referring to the Bills vs. New England Patriots game on Sunday.  With some New England fans scattered throughout the audience and on stage as well, the response was a little heated tho undeniably entertaining as Al had to explain that Bills Nation lasts year-long.   moe. finished up their two-night “hometown” run with “Not Coming Down” and “Spine of a Dog,” giving Buffalo another win of the weekend.

    Friday Night Photos by Tim Merrill

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    Saturday Night Photos by Jim Houle

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  • Recess with Spinelli: An Interview with Dorothy

    Radio host, Alexander Spinelli of the new music broadcast, Recess with Spinelli had a chat with the quartet, Dorothy after their show at Upstate Concert Hall in Clifton Park, NY. A fun chat with silliness abound, the band dives into some of their notions of “rock” in today’s music industry, origins, touring with the Struts and long walks on the beach in Hawaiian shirts, while sipping Mai Tais.

    Listen to the abridged feature/interview

    You can listen to the full feature/interview on the live radio broadcast

    On-stage, the band’s presence is energetic, loud, raunchy and well, pure Rock ‘N’ Roll.

    DorothyRecess with Spinelli can be heard every Wednesday 8pm-10pm EDT on WSPN in Saratoga Springs, NY on 91.1FM and on Hoxton FM in London, England every Wednesday 11pm-1am GMT 6pm-8pm EDT

    Follow Recess with Spinelli: Instagram Twitter Facebook Youtube Soundcloud  Mixcloud Tumblr and online at longbowmedia.us

  • Armin van Buuren Collaborates With a Different Kind of Artist

    Amsterdam is known for its artistic heritage.  Two separate art forms will join forces and collaborate in a unique way this fall in the Netherlands. The Van Gogh Museum is teaming up with DJ/producer and native son, Armin van Buuren to merge two separate art forms into one.

    Armin van BuurenUsually collaborating with other music artists, this will be a first for van Buuren. The one-off collaboration will see personal commentary and personalized music from van Buuren in the museum’s special edition multimedia guide, that will takes effect October 21, titled, “Embrace Vincent.”

    Van Gogh Museum director Axel Rüger commented about the collaboration:

    This collaboration sees us bring music, art and the museum together. Each form of expression influences the other; culture works as a unifying force. The Embrace Vincent project allows us to highlight how Vincent’s legacy remains relevant. And more importantly, that this legacy is being passed down to future generations. This takes numerous different forms, as is aptly illustrated by this collaboration between the museum and Armin van Buuren.

    Van Buuren has reached another incredible feat in the music world. On Sept. 30, van Buuren reached a milestone for his career, releasing his 15 year anniversary album in his A State Of Trance series titled I’m In A State Of Trance 15 Years. The two disc set features some of the greatest trance anthems by van Buuren and other top DJ/producers throughout the last fifteen years. Van Buuren was voted #1 DJ in the world five years in a row by DJ Mag, setting two separate records in the process; as the only DJ to have won five times and the longest streak at number one.