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  • Hearing Aide: MarchFourth “Magic Number”

    m4coverart_magicnumber_foilsmallJust when you think you’ve heard it all, suddenly a band crosses paths with your ears and changes everything.  MarchFourth, a twenty piece band based out of Portland, Oregon, are gearing up for the release of their latest album, Magic Number, on September 30th. Fifteen members of this large ensemble trekked down to New Orleans and spent 10 days in the studio building this titillating album, which was produced by Ben Ellman of Galactic.

    Full of auditory goodness, let’s dive right in and examine their long overdue album, that was fan-funded through Kickstarter, track by track.  Take a breath before hitting the start button.  Things are about to get explosive.

    “Call To Action” is jammed with in your face horns that begin nice and steady before blasting off, taking the listener on a brass filled musical escapade. Serious energy from the get go entices listeners to turn that volume dial higher and higher. “The Quarter” slinks into play with smooth tones, funky guitar beats, and playful lyrics before picking things up with “Magic Number.”  With a Spanish flair, the song drops listeners into the heart of Mexico, giving the feel that trouble is around the corner. Quick paced, featuring clean trumpet and jazzy guitar, the energy keeps right on rolling.

    “Push It Back” is heavy on deep funk guitar tones right off the bat, gluing the song together from beginning to end.  With Stanton Moore making a guest appearance on drums, a 70’s vibe is felt, throwing it back to the days of disco balls, feathered hair and bell bottoms.  Don’t be surprised when the repeat button is tapped over and over.

    If a track would be up to no good, “Inventing the Wheel” would be the perfect musical specimen.  This tune is full of attitude, swagger, and stealthily glides along, picking up speed mid-song as if the notes are running to hide from the bad guys. The notes quietly tiptoe back into it’s original swagger, with special guest Trombone Shorty bursting at the seams on the trumpet solo, and Ben Ellman providing harmonica.

    “Hotstepper” musically conjures images of a conversation between instruments, with song lyrics refereeing the energy. Danceable and fun, this quick paced jam keeps the party rolling.  “Drunk Bears” automatically is lovable by name alone. Hit play and be prepared to jump up and down. The deep, low tones of the baritone sax stand out immediately, grabbing other members of the brass family by the balls to take listeners on a crazy ride.

    Mysterious “Jan Jar” has a powerful wanderlust aura dancing around the notes, before “Science (Free Your Mind)” erupts into the ears.  Matt Perrine, of Bonerama, hits up the sousaphone on this track that is soaked in New Orleans flavor. This shattering jam would be very much at home marching down the streets of the French Quarter.

    Fast paced “It’s a Trap” hints at being more of a brass knuckled punk band with attitude.  This speedy tune takes listeners on a roller coaster of a ride, making sure the heartbeat picks up. The album ends on a tender note with “Endless Highway,” shaking off the energy from the explosive beats leading up to this track.

    Magic Number is a solid journey of an album, stuffed with intense toe tapping beats and story telling melodies. MarchFourth has modernized the big band sound to today’s generation; this is an album that should not be missed.  For more information on MarchFourth, visit their official website.

    Key Tracks: Push It Back, Drunk Bears, Science (Free Your Mind)

  • Gwar Declares the Next President

    The night was beautiful, so beautiful in fact that the only thing that could make it better was blood covered concert goers. That is what was going to happen in downtown Buffalo and Town Ballroom in the heart of the theatre district.  People were wrapped around the building waiting to get in. You know who the veterans are in regards to going to Gwar concerts; they are the ones dressed in white or any lighter color they didn’t mind trashing.

    Hardcore metal band Mutoid Man was first to hit the stage, and that they did with vulgar sexual references; everything from penis to boob jokes. Guitarist Steve Brodsky and bassist Nick Cageao poured huge, unrelenting riffs out of their amplifiers, while Ben Koller drove songs with his innovative style of drumming. The thing that stood out most about Mutoid Man was they were having fun playing on stage and you saw it in each of them based solely off expression.

    GWARCrowbar is a sludge metal band from New Orleans known as “some dudes” and have been in the music scene for nearly 30 years now. Windstein interacted brilliantly with the crowd and kept everyone engaged in between songs as Crowbar tuned their instruments. Spitting like a cowboy who thinks he’s still in the saloon, Windstein rumbles and roars into pit-starter “Conquering,” and so the riffs start falling. Frontman Kirk Windstein, metal legend that he is, still sets up his own gear from scratch, tunes guitars himself, and distributes set lists to the band. This shows the humbleness he has a reputation for.

    Then as the lights lowered and the elaborate stage was set up by a crew of about 10 workers, people got as close as they could to the front of the stage. This is where my previous statement about being a beautiful night for concert goers comes into play. What`s the indication of Gwar coming on stage? When the music stops you know that’s when things are about to get messy.

    GWARThe screen they bring on stage lit up and showed an unflattering picture of Donald Trump and Hillary Clinton. First to the stage was ring announcer Sleazy P. Martini, who talked about what was going to unfold this evening – 3 separate wrestling matches and one of them would be Trump vs. Hillary. The fight between the two led to Hillary as the triumphant winner. She ripped his face off then took out his intestines and pointed his blood splattering chest towards the crowd, soaking several rows of patrons. As Hillary was celebrating her win, Blothar came up and ripped off her breasts and spewed even more blood onto the crowd ranging almost to the back of the venue in distance.

    Viciously some aliens from another planet came in and fought Blother and Bone Snapper, stealing the title! Musically this group of guys are very talented in their respected instruments; Brent Purgason (Pustulus Maximus) shreds a mean guitar, and Gwar front-man Blothar has appeared on Ted Talks and is quite intelligent. The cult following they have is undeniable. Dave Brockie (Oderus Urungus) was the front man prior and that’s what most people knew Gwar as, granted it will never be the same but Blothar is a great replacement.

    Back to the wrestling match, the intruder aliens came back to fight the final fight and this time Bone Snapper and Blothar were victorious! They won the title and Blothar announced to the crows that he was best suited to be the president of the United States. Fans cheered like they were at a rally and with the election candidates we have now, I think our best bet for a better future is Blothar for president!

    GWAR

  • Fetty Wap Leaves SU’s Juice Jam Hanging

    The beginning of the fall semester is the best time for students at Syracuse University. September is the last month where students can enjoy being outside before the arctic tundra plagues the campus. This is the time when University Union showcases their first major concert: Juice Jam.

    Juice Jam, with its alliterative citrus allure, is a small festival-like experience for SU/ESF students. Typically held on a Sunday afternoon, Juice Jam is an all-afternoon event that features artists on their main stage and on their indie stage. (Note: The stages are side by side which makes it easy for the crowd to shift for different acts.)  Unlike a major festival, navigating to food trucks, water stations, bathrooms, and auxiliary activities is quite manageable on the Skytop Field.img_7341

    The 2016 edition of Juice Jam was this past weekend on Sunday, September 25, and tickets were sold out prior to the show.  The lineup featured Tove Lo, marshmello, D.R.A.M., Stephen, and LOLO. The headliner for the event was supposed to Fetty Wap with Monty. Sadly… there’s no coverage of Fetty Wap from the event. Why? Because Fetty Wap didn’t show up. The rapper was supposedly making his way to Syracuse, but due to “travel delays,” he didn’t make his set. He was supposed to take the stage at 5pm, and an announcement cancelling the event (or at least the rest of it) was made shortly after 5:30pm.  According to The Daily Orange, SU’s campus newspaper, University Union will not be issuing refunds to those at the event.  The decision makes sense because there’s no way to track who went to the event once tickets were collected at the gates, but it’s no surprise many students are a bit heated as a result.  There was a mass exodus for the buses/exit gates post announcement as many were majorly disappointed.

    Besides the tragic ending, the day progressed quite smoothly.  The weather was ideal, and the event was extremely organized and well-staffed. Tove Lo did well closing the show, though that was unbeknownst to anyone at the time that she would be last.  Better luck next time!  Looks like Fetty won’t be getting a lot of University love in the near future.

  • Rock Allegiance Stands Strong Among Competition

    For the second straight year, Chester, PA was home to Rock Allegiance. The Rock Allegiance festival, which is one of the many Danny Wimmer Presents events, returned to Talen Energy Stadium (formerly PPL Park) on Saturday and Sunday September 17 and 18.

    Unlike last year’s festival, Rock Allegiance 2016 was set for 2 full days that included some of the biggest bands today, such as Avenged Sevenfold, Alice In Chains, The Offspring and Slayer. To accompany two full days of music, this year added even more of the festival’s signature Gourmet Man Food and other experiences for fans to check out. Some of this year’s experiences included The Music Experience, The Jack Daniel’s Experience, FYE Experience and Zippo Encore. As always, proud sponsor, Monster, was on site giving away free products and hooking fans up with chances to meet their favorite bands.

    Saturday’s festival lineup featured quite a mix of bands. There were heavy metal bands, cover bands, comedy bands, grunge bands and more. Some of Saturday’s stand-out performances were Skindred, Avatar, and Motionless In White. Each one of these bands brings something unique to the table that not an everyday band does. Skindred had the most unique sound of the day. The Welsh rockers mix heavy metal with reggae and create some insane grooves. Lead singer Benji Webbe certainly knew how to lead his band and give the crowd a set to remember past the weekend.

    Certainly no one was disappointed with headliners Alice In Chains, Breaking Benjamin and The Offspring. Each one of those bands has earned their keep and each had their own die-hard fans in attendance. Alice In Chains was joined by Billy Duffy of The Cult for their song “Rooster.” One band that failed to bring out the special guests that everyone was hoping for was Taylor Hawkins’, Chevy Metal.  Chevy Metal, which is Hawkins’ cover band that rips through classic rock songs with ease, is known for bringing out big names at their shows. Unfortunately, when the band closed out the Liberty Stage, no guests came out to join the band.

    Fans of Sepultura got to hear the legendary album, Roots, in its entirety during Max & Igor Cavalera’s Return To Roots set. This was one of the most bad-ass sets of the day. Seeing the two brothers back on stage doing Sepultura songs was absolutely incredible and the crowd went wild. One band that seemed to sneak its way into a huge main-stage slot was Baroness. These guys have been growing and growing non-stop and have been receiving incredible support from some of the biggest musicians on the planet. The love and support of Baroness landed them a late evening slot and definitely gave the band a chance to reach an audience of plenty of Baroness virgins.

    It’s impossible to not mention Trivium when it comes to kicking ass. The guys in Trivium seem to live on the road and never show any signs of slowing down. Although their last album Silence In The Snow, wasn’t as “heavy” as some old fans would have liked, this monster of an album has been a commercial hit and the tracks are solid. Gone are the signature screams of singer Matt Heafy, but the record showcases Heafy’s ability to actually sing. Together with long time band members Corey Beaulieu and Paolo Gregoletto and new drummer Paul Wandtke, Trivium continues to give festival crowds around the world a brutal, fast and a seemingly too short set.

    Saturday’s top performance didn’t come from any headliner or by any band that played on either stage inside the stadium. The top band of the day took the Liberty Stage at 4:15. That band was letlive. For people who skipped letlive., saying they missed out is a complete understatement. Often times, writers will say a band had “high energy” and all these other generic compliments about a band they thought was pretty good. On Saturday, letlive. could be described to someone who missed them simply as, f*&King insane. Singer Jason Aalon Butler gave Rock Allegiance everything he could, without getting in too much trouble. Butler ended up hanging upside down at the soundboard tent and running throughout the crowd while his team of roadies tried to keep the audience from becoming strangled with this microphone cord. If there’s one thing fans at Rock Allegiance aren’t ever going to forget, it is letlive’s set.

    Out of the 2 day festival, Sunday was definitely the day with the stacked lineup. The day started off with what would be one of the best sets of the day from Death Angel. Singer Mark Osegueda is by far one of the best vocalists in heavy metal. This guy can hit any note imaginable. If there was one bad thing to say about Sunday, it would be Death Angel’s set was too damn short. Next time, Death Angel deserves a mid-day main stage slot to show the crowd what they bring to the table.

    After Death Angel, bands like Devour The Day, Twelve Foot Ninja, Crobot and Kyng were all back to back one after the other. Although none of these bands have hit it big yet, they’re all in the process of knocking down that door. This year was Devour The Day’s second year in a row playing Rock Allegiance and the crowd was definitely excited to see them again. The singer of Kyng wasn’t too happy with them and Crobot playing at almost the same exact time. He went on to say that whoever booked that should be fired.

    From 2:30 onward, many fans may not have even left the two main stages inside Talen Energy Stadium. Unfortunately for bands like Neck Deep, Amity Affliction and Pierce The Veil, the main stages where were the party was at. Although, even though the inside floor was packed in, these bands attracted their own die-hard fans and fans who may have been curious to check out someone new. Pierce The Veil certainly could have played inside due to the crowd and the stage setup they had. The guys in Pierce The Veil are an absolute blast to watch on stage and their spaceship on stage isn’t something every band brings out on the road.

    Sevendust had a huge crowd over at the Bridge Stage for their set. One of those fans at the Bridge Stage was Anthrax singer, Joey Belladonna, who joined Lajon Witherspoon to sing “Face to Face.” Sevendust was another victim of the dreaded short festival set. Only having time for a handful of songs, Sevendust wasted no time between songs and gave fans as much as they could. The band closed out their set with their Grammy nominated track “Thank You.”

    Some other highlights of the day were Hellyeah and Killswitch Engage. Both of these bands are entertaining to watch from start to finish. Hellyeah singer, Chad Gray is one of the most explosive front-men in metal. Hellyeah’s setlist only featured songs off their 2 latest albums Blood for Blood and Unden!able. During the track “Sangre por Sangre,” bassist Kyle Sanders spit fake blood all over Chad’s face. Chad would sport this blood for the rest of the set and it was clear this band meant business. Hellyeah have certainly been working their asses off creating new music and trying to win over the haters of their group.

    Killswitch Engage, on the other hand, doesn’t have to do anything fancy on stage to win over fans. The guys in KSE are purely bad-ass and get the crowd going regardless if they’re fans of their band or not. Certainly one of the rowdiest crowds of the day, Killswitch gave them all the reason to be. Guitarist, Adam Dutkiewicz, did what he does best and got the people of Rock Allegiance in the KSE mood. Dutkiewicz and singer Jesse Leach lead the charge and helped give Killswitch Engage one of Sunday’s best performances.

    The rest of the evening after KSE was great as anyone would have guessed. Chevelle, Anthrax, Volbeat and Slayer were all fantastic. Each band had a giant fan base in each section of the floor. Slayer fans waited all day along the rail of the Bridge Stage to be in front of Kerry King and Tom Araya. Having half of the big “four” on one stage was an easy choice for thrash metal fans on where to set up camp. Getting that front row spot for both Anthrax and Slayer would put any thrash metal fan in heaven, or in this case, hell.

    As expected, Anthrax stuck with their casual festival setlist. This setlist is fine for any casual fan of Anthrax, but the die-hard fans who traveled to see them definitely wanted something a little different. Tracks like, “Got The Time” and “Antisocial” could definitely be replaced by songs off their latest two albums, which were both outstanding. Both Chevelle and Volbeat, on the other hand, picked their setlists well offering a nice balance between new and old material. Slayer was also another band that seemed to surprise the crowd with their setlist choice. Instead of playing mainly tracks of their latest album Repentless, they only chose to play the title track. The rejuvenated Slayer lineup dug into deep cuts as well as playing the fan-favorite classics like “Raining Blood” and “Angel of Death.”

    The two top performances on Sunday belonged to two bands that toured together not too long ago. Those two bands are Ghost and headliner Avenged Sevenfold. Ghost, who just kicked off their Popestar Tour days before, opened their set with their new EP single “Square Hammer.” For fans who hadn’t caught on to Ghost already, were probably walking out of the stadium that night with a shirt or CD from the FYE tent. Ghost definitely had one of the biggest fan bases over the entire weekend. Ghost shirts were seen by the minute on both days of the festival. The stage show wasn’t what fans will see at headlining shows due to time restrictions, but fans weren’t complaining. The Ghouls, complete with their new female bassist, ripped through 6 more songs after “Square Hammer.” Together with Papa Emeritus III, the band flawlessly performed songs such as “From the Pinnacle to the Pit,” “Cirice,” “Year Zero”, and more. Unlike headlining shows where the band closes with “Monstrance Clock,” Ghost changed things up and said their goodbyes with “Mummy Dust.”

    The chance of Avenged Sevenfold disappointing the fans at Rock Allegiance this year was practically 0%. It’s been a while since Avenged Sevenfold has toured and fans were ready for something that was new and fresh. The band went on stage and opened with “Nightmare.” Fans could quickly point out that Avenged no longer had the extensive stage setup like they did on their Mayhem Festival run a few years back. This time, Avenged kept things simple with an empty stage and a giant LED screen. People who thought that was all they brought were definitely mistaken. It didn’t take long for the onslaught of flames to come from the back of the stage song after song. The new tour not only meant a new stage but also a refreshed setlist. This time around, Avenged played tracks like “Planets,” “Acid Rain,” “To End the Rapture,” and “Second Heartbeat.” The weekend ended with “Unholy Confessions,” instead of the typical encore of “A Little Piece of Heaven.”

    At the end of the weekend, it would be hard to say fans were left disappointed. The lineup for both days of the festival was solid and seemed to have something for everyone. It may have been noticed by people at Rock Allegiance that it wasn’t close to a sold-out capacity crowd, but that doesn’t affect the experience negatively. With two other festivals going on over the same weekend, both within reasonable driving distance, Rock Allegiance held its ground and drew a decent size crowd for what it was up against. Hopefully next year, Chester, PA. can once again be the host of Rock Allegiance for the 3rd straight year.

  • Hearing Aide: Four Star Riot “Waves”

    four-star-riot-wavesJust the first 30 seconds of this album is so refreshing to hear. It’s easy listening, rocking and grabbing songs that don’t get released these days and definitely don’t get enough publicity. Four Star Riot is the epitome of a garage rock band with a little bit of cultivation from other genre’s to make it pop in more ways than one. They consider themselves as power pop and soul rock and say their influences come from stars like Parachute and Maroon 5 and it shows, but they still have their own flavor. Their hooks are catchy, the tone is straightforward and the album is filled with a wide variety of tones, tempos and styles. And although their tracks aren’t ones that will have the listener sitting alone is their room, contemplating the meaning of the lyrics and color of the songs, one may find their music perfect for relaxing drive or a chill hangout night with friends.

    The album does sound similar to their past albums, with only devoted listeners noticing the changes like the lack of keyboards and organs (which did add a nice flare and color to their rock pop sound)  but they still power on without any sense of empty space. Tracks like “Waves” are among the heaviest of the album, with some fairly crunchy, distorted guitar and popping drum tracks. But the heaviness of a song is largely determined by the vocal timbre and vocalist and rhythm guitarist Steve Alex, who’s voice can comfortably reach some pretty impressive octaves, creates a lighter hearted take on a standard rock band sound. It’s his sultry, flowing voice that defines them as a pop rock band. A more aggressive and growling voice would easily turn this into a pop-punk band but Alex’s voice fits the bill perfectly and puts them up there with groups like Parachute and Maroon 5.

    “Empty Spaces” is another track to pay attention to. It has a funkier groove to it , with a steady beat and loads of tricky high-hat rudiments from drummer Mike Chilton as well as plenty of voice from bassist Aaron Akers. Guitarists Alex and Finn Walling also use a variety of tones, from tight, high octave blips of funky guitar to phaser-filled chorus’ to move the styles around throughout the song. It makes for a multidirectional song that would definitely get bodies moving during a live performance.

    Listeners should also delve into “Just Tell Me” to appreciate the versatility of the band. The style in this track could be compared to groups like The Fratellis or maybe even Arctic Monkeys in terms of a more punk-ish sound. The pace is picked up for the first time in the album, and although the guitar might be a bit clean and spacey at first, it quickly changes to a hard, dirty twanging strum that absolutely rocks. The chorus hook is catchy and the songs moves around in different directions, making it a little less predictable than most pop rock songs.

    Other tracks like “Don’t Go”, “Torn & Tattered” and “So Far” lay a little bit lower in terms of energy and instrumental complexity. They’re definitely enjoyable to listen to, but they’re also the most straightforward tracks on the album. Listeners might gravitate towards tracks with more flare like the ones mentioned earlier, and other like “No Shore” which although is fairly predictable, still has a unique reggae taste to it that spices things up just a bit to draw the listener in.

    “Baby Blue” is another surprisingly funky track from the four stars that keeps a consistent tone throughout the track, but makes little variations on each verse and chorus that keeps things interesting. It’s on the shorter side at 3:00 but it has on of the catchiest vocal hooks in the album that will keep the listener humming it day and night.

    As said before, this was a surprisingly refreshing album. There were different styles, all executed and produced perfectly and is definitely worth delving into. There is a least one track that everyone can vibe with in this album and it’s available now on Spotify and iTunes for download.

    Key Tracks: Empty Spaces, Jest Tell Me, Baby Blue

  • Joy Formidable interview on Recess with Spinelli

    Alexander Spinelli of the new music radio program, Recess with Spinelli spoke with Rhydian, the bassist of the Welsh band the Joy Formidable. Rhydian discuses motivation, recording process, tour life, Welsh culture, music & language and their new album, Hitch.

    Listen to the abridged feature/interview

    You can listen to the full feature/interview on the live radio broadcast

    While on-stage, the Joy Formidable are a well pieced band who look like they are having the best time of their lives. But don’t take our word for it; look at the photos below.

    joy formidableRecess with Spinelli can be heard every Wednesday 8pm-10pm EDT on WSPN in Saratoga Springs, NY on 91.1FM and on Hoxton FM in London, England every Wednesday 11pm-1am GMT 6pm-8pm EDT

    Follow Recess with Spinelli: Instagram Twitter Facebook Youtube Soundcloud  Mixcloud Tumblr and online at longbowmedia.us

  • Musicians will Advocate HelloVote on National Voter Registration Day

    In celebration of the annual National Voter Registration Day, over 200 musicians will participate in a campaign on Tuesday that will help to roll out “HelloVote,” which is a groundbreaking new technology used by HeadCount that allows you to register to vote via text message or Facebook Messenger.

    “We’ve known for many years that music is the best way to reach Millennials and unregistered voters,” said Andy Bernstein, HeadCount’s executive director. “We also know that text message is how young people prefer to communicate, so this brings all of that together.”

    Musicians such as Wilco, Panic! At the Disco, Jack Johnson, members of the Grateful Dead, Michael Franti, and many more, will make posts on their social media profiles that includes an image of them holding the “Register to Vote” clipboard, and a caption directing their followers to register to vote by texting “COUNT” to 348-387 or by going to HeadCount.org/RegistertoVote.

    According to a press release, HelloVote was developed by Fight for the Future, which is “a nonpartisan, non-profit organization dedicated to protecting and expanding the internet’s transformative power. It is the first tool that allows voters to register over text message or Facebook, in just a minute. It is also integrated with 20 different states’ online voter registration platform, making it the only technology that allows for true online voter registration in a variety of states.”

    This is a monumental step to getting more Americans registered and ready for the presidential election this November. An estimated 96% of Americans own a cell phone, which means that almost every American can be registered to vote by the convenience of their phone. According to the U.S. Census Bureau, reports of the 2012 election showed that 12.7 million of 18-24 year olds were not registered to vote, and only 46% of those registered actually cast ballots.

    Headcount has been working hard to change that. Since its inception in 2004, the organization has amassed over 15,000 volunteers nationwide to work at local concerts, events, etc., to promote voter registration. Headcount has now registered nearly 400,000 new voters.

    Tuesday’s campaign will have a social media reach of more than 200 million followers; you can find it under the VoterRegistrationDay hashtag. For additional information visit, www.headcount.org.

  • Simple Magic at Burning Man 2016, Black Rock City, NV (NSFW)

    It was one of those hidden treasure moments, like when you open an old shoe box and discovered that your deceased father kept every Father’s Day card you ever mailed him. Or perhaps, as when, you stumble through a dry creek bed and find, wedged between two tree limbs, a small pock-marked, granite stone that over time was water-sculpted perfectly into a shape of a heart. It was one of those deceptively simple moments that showcases what’s best about the Burning Man Festival, I recently returned from that is held annually in the northern Nevada desert.

    Burning Man
    It was so simple of a moment; it began much in the same way an old joke begins. A drummer walks into a bar and sits next to Jesus and Santa Claus, and exclaims, “Hey! I know you!”

    Burning Man Black Rock City

    Only it wasn’t a joke. It was just another late afternoon under the carport canopy of Camp Gallavant’s pirate-themed rum bar. Michael Gray, the drummer of the talented honky-tonk trio The Screaming Js out of Asheville North Carolina, sauntered into dust-covered confines of Burning Man’s venerable AAAARRGH Bar and sat down next to me, a 15-year member of Gallavant. To Burners I am called Jesus, due to my former existence as a Southern Baptist preacher and my frequent Jesus-like attire. To many musicians like Gray and their festival/concert followers, I am known as Dirty Santa due to my just-as- frequent use of a red sequin Santa suit while photographing live music.

    Burning Man Black Rock City

    “Hey I know you!” exclaimed the bedraggled-looking drummer on the final afternoon of the festival as he sat down at the bar. The Screaming Js had just finished a week-long residency whipping boogie-woogie frenzies at a near-by theme camp. After Gray realized that I was celebrating my one-year wedding anniversary that happened at Burning Man last year, he jumped from his bar stool with an offer to relocate the band and equipment, including an upright piano, stand-up bass, and drum kit that already been packed away in the band’s weathered, aqua blue school bus, for one final throw down at Camp Gallavant as a wedding present.

    And what a gift it was.

    Burning Man Black Rock City

    The conditions for playing live music at Burning Man are always difficult at best. And the last night in the desert was shaping up as one of the coldest of week. Nighttime temps dropped into the low 40s, and Gallavant members had dismantled their bar structures by nightfall. The Screaming Js would be playing under an open sky with only a ground tarp cover in front of lounge furniture, and a LED-lit pirate ship mounted on a bread truck. Despite the difficult conditions, Gray, along with Jake Hollifield on piano, and Jonathan Paul Hess on the bass lit a melodic fuse. Rick Metz on saxophone, and Scott Quigley on percussion joined the jamboree. And two and half hours later, the band had delivered a blistering improvisational jam of honky-tonk tunes and scattered Grateful Dead covers that transformed a typically somber night into a joyous hoedown.

    Burning Man Black Rock City

    Burning Man is rife with “shoebox magic” moments, even if they can be overlooked amid the spectacle of large EDM sound camps and towering art structures. This year’s edition offered plenty spectacle. The wild week of art shows, fire performances, costumed crazies, and roaming art cars were scoured by dust storm broom whisks. Stand out art structures included the Black Rock Light House with three tilted towers that shot fire, the 36,000-pound Space Whale, made with over 4,000 hand-cut pieces of stained glass, and a massive, metal wort hog, dubbed “Lord Snort” that participants could climb on and spin.

    Burning Man can still be a place of beauty, creativity, and community-building. Like the serpentine trails of an improvised melody spooling from an upright piano into the twinkling quietude of a clear desert sky, there is hope that we can rise into the cool, thin air as a sweet reflection of our better selves. Like the magic of a simple moment, even a pock-marked stone can be sculpted into the shape of a heart.

  • Photo Gallery: Sterling Stage Last Daze of Summer

    Sterling Stage ended the 2016 festival season with Last Daze of Summer, a weekend of laughter, love, and creative expression. If you weren’t able to make it, make sure you check out next years festivals at Sterling Stage Kampitheater, located in Sterling, NY.

  • Louisiana Legend Buckwheat Zydeco Dead at 68

    Stanley “Buckwheat” Dural, Jr., the performer who brought the unique sounds of Louisiana zyedco music to the world, passed away early Saturday morning in Lafayette, LA at the age of 68. Dural had been battling lung cancer since 2013. His long time manager Ted Fox confirmed the death in a Facebook post today.

    Dural, given the nickname “Buckwheat” in his youth due to his hair resembling that of the Little Rascals character, became synonymous with the regional music that he championed. He performed at the closing ceremonies of the 1996 Olympics as well as both of President Bill Clinton’s inaugurations.

    buckwheat zydeco
    Stanley “Buckwheat” Dural Jr. of Buckwheat Zydeco died Saturday morning from lung cancer. He was 68.

    Buckwheat Zydeco performed at the 2015 Syracuse Jazz Fest and provided one of the most entertaining and rollicking sets of the weekend. He had been scheduled to perform at the Earlville Opera House on Sept. 16 but was forced to cancel due to a recurrence of his lung cancer. In announcing the cancellation, Dural stated:

    I hope everyone knows I truly believe ‘the show must go on’ and I’ve always tried to make that happen. But, I’ll need to fight this off first. So I’m sorry to say we will need to cancel or postpone some shows. But, you can’t beat the Wheat! I will be back. Soon. And, you can take that to your best bank.

    Dural was born in Lafayette, LA in 1947. His father, Stanley Dural, Sr., was a farmer and Cajun accordionist. The younger Dural resisted his father’s music at first, gravitating towards playing the organ in the funk band he formed in 1971.

    Syracuse Jazz Festival
    Dural and his son, Sir Reginald, performing at the 2015 Syracuse Jazz Fest

    While performing with famed zydeco bandleader Clifton Chenier in the late ’70s, Dural took up his father’s instrument, eventually venturing out on his own to form Buckwheat Zydeco.

    Dural and his band were the first zydeco band signed to a major label, signing with Island Records in 1987 for the Grammy nominated On a Night Like This. Throughout his career, he performed with Eric Clapton, U2, Ry Cooder, Keith Richards and Robert Plant.

    Dural is survived by his wife, Bernite Dural; two sons, Sir Reginald M. Dural  and Stanley Paul Dural III and three daughters, April Germain Dural, Stacie Durham and Tomorrow Lynn Dural.