Category: Regions

  • Greensky Bluegrass plays Horseshoes and Hand Grenades in NYC

    Bluegrass music may not be what’s on the radio, but the attendance at this past Saturday’s Greensky Bluegrass and Horseshoes and Hand Grenades show in New York City showed a healthy dose of support for one of the roots of what we’ve come to know as Americana music. With both bands visiting the East Coast from Michigan and Wisconsin, there was no local draw but definitely a packed house. Neither one had graced the stage of the Irving Plaza theater, but there was no sign of discomfort or unease from the opener or headliner.

    Horseshoes and Hand GrenadesAlthough most of the crowd were there for Greensky Bluegrass, Horseshoes and Hand Grenades were welcomed with a positive turnout early on. The five-piece acoustic outfit ran through their unique blend of bluegrass and country that brought bands like Trampled By Turtles and Old Crow Medicine Show to mind. One thing that sets this group aside from anyone else is their utilization of the harmonica and accordion in their arrangements. The fiddle blends well with the handheld instrument to deliver a strong high-end sound. Personal highlights came with covers of Pink Floyd’s “Time,” and Bob Dylan’s “Don’t Think Twice It’s Alright,” where they successfully turned two classics into their own sound.

    Horseshoes and Hand GrenadesKalamazoo’s Greensky Bluegrass took to the stage for two sets of well thought out and executed mayhem, running through early staples, showing off new work, and paying homage to their inspiration by taking on songs like Billy Joel’s “Big Shot,” Bruce Hornsby’s “King Of The Hill,” and the Allman Brothers’ “One Way Out.” Known for their playful covers and heartfelt originals, this band can go from dead serious to bouncing off the walls in a matter of one jam in between two songs.

    The smooth and familiar vocals of mandolinist Paul Hoffman layered with the crisp southern sound from guitarist Dave Bruzza are even more powerful when blended. Fan favorites like “Dustbowl Overtures,” “Just To Lie,” and “Don’t Lie” came in the first set, with the latter two taking off with instrumental exploration. Set two followed up with unique heavy hitters like “No Idea,” “Georgia Mail,” “Old Barns,” before closing out the second half of the show with “Leap Year.” Their encore of the Greensky original “Forget Everything” was followed with the Allman Brothers cover, just a few blocks away from where the old Fillmore East used to be.
    Despite Horseshoes and Hand Grenades being new to the area, it’s safe to say that they made a few fans at Irving Plaza thanks to the guys in Greensky Bluegrass. As the jam-grass brigade from Michigan continues to increase in venue size, it begs the question of what’s next, and where the green sky ends and the bluegrass begins.

  • Annie in the Water returning to Funk ‘n Waffles with St. Lenox

    On Friday, February 5 Annie in the Water will be returning to Funk ‘n Waffles with St. Lenox  who are sure to bring a unique mix to downtown Syracuse.

    Annie in the Water whose roots remain in Watertown NY, will be making their second stop on their 2016 Tour here in Syracuse NY, bringing their positive vibes to numerous venues throughout Vermont, Maine, Potsdam NY, Troy NY, Wilmington NY and their homestead Watertown. Founding members Brad Hester (vocals/percussion/guitar/looper) and Michael Lashomb (guitar/vocals) and featured member Dillon Goodfriend (keys) are sure warm the atmosphere with a mixture of high energy reggae/rock and uplifting lyricism.

    Andrew Choi is the incredibly talented singer/songwriter behind St. Lenox, with Chris Hills / Nick Fed (guitar), Jorge Vega/Brandon Vitruls and Todd Celmar (drums), Chris Bolognese (bass) and Fritz Chrysler (mp3 Player). St. Lenox is a smooth mixture of jazz, classical music and electronica. Andrew Choi’s will surely bring some depth to the stage with some powerful lyrics from his debut album Ten Songs About Memory and Hope released on January 20, 2015. Andrew hopes to release their newest album titled Ten songs from my American Gothic in the Spring of 2016.

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Mighty Diamonds, Highway 50, Mono Verde Shine at the Fox Theater

    The atmospheric weather phenomenon known as El Nino has blown more snow over Colorado than the state has seen in several years. One recent show at the Fox Theater on January 22 in Boulder, CO featuring a trio of roots reggae/ska bands, including reggae pioneers, the Mighty Diamonds, provided a brief respite from winter with a night full of warm, tropical melodies from Jamaica.

    Two area favorites, Mono Verde, and Highway 50, helmed by former Samples keyboardist Al Laughin, jumpstarted the evening with a series of percussive world beat and roots ska melodies. Highway 50’s elevated the languid, easy-going style of reggae melodies with a powerful horn section and brawny lead guitar riffs.

    The night’s headliners, the Mighty Diamonds, featuring Lloyd “Judge” Ferguson, Fitzroy ”Bunny” Simpson and Donald “Tabby” Shaw, formed in 1969 in the Trenchtown area of Kingston, Jamaica. They showed, even after 46 years, that they can jump, spin, and belt out Motown-infused reggae with unbridled enthusiasm.

  • Proctors and Capital Rep Announce 2016-17 Series in Grand Fashion

    When is a theater announcement more than just an announcement? When Proctors and Capital Repertory Theatre get together and present their 2016-17 KeyBank Subscription Series to the public in grand fashion.

    This was more than just a presentation of 13 musicals, it was an event and a spectacle featuring performances from some of the shows that will grace stages in Albany and Schenectady in the coming year.

    Presenting the lineups for each venue in a mock debate, Proctors CEO Philip Morris and theREP’s Producing Artistic Director Maggie Mancinelli-Cahill kept the audience laughing and cheering as they rolled out the Broadway shows that will come to the Capital Region for the first time, some on their first national tours. John Gray and Kydia Kulbida from WTEN offered commentary from the stage left upper box and kept the show flowing in between each well received announcement.

    Proctors’ 2016 schedule includes the four-time Tony Award winning production An American in Paris, which will be seen for the first time outside of New York and Paris in October 2016. Dirty Dancing – The Classic Story on Stage arrives in November 2016, followed by The Curious Incident of the Dog in the Night-Time, which tells the tale of an autistic boy accused of a crime and his struggle to communicate his innocence, also in November 2016.

    The first national tour of musical comedy Something Rotten! makes its way to Proctors in January 2017, followed by the Broadway blockbuster Wicked in March. The beloved story The Sound of Music is next in April 2017, while Roundabout Theatre Company brings Cabaret to Proctors in May 2017.

    Among the most anticipated shows, which also received the largest applause, was Beautiful – The Carole King Musical, coming to Proctors in April 2017 for a limited engagement. Sara Sheperd performed two selections from the musical, “Will Your Still Love me Tomorrow” and “(You Make me Feel Like) A Natural Woman” to great fanfare.

    Capital Repertory Theatre will offer a combination of classics, musical biographies and world premieres, including A Night with Janis Joplin, Outside Mullingar, NEXT ACT 5! New Play Summit, Camelot, Reluctant Wingman and An Iliad. By the end, when the stage was festooned with red, white and blue balloons, there was no question that Proctors and Capital Rep will bring a phenomenal lineup of musical theater to The Capital Region well into 2017.

  • The Ether Project Brings Audience-Led Improv to Brooklyn Bowl on February 5

    The Ether Project, a new jam band experience that brings the audience into the creation of the music, will bring special guest Natalie Cressman (Trey Anastasio Band) with them to Brooklyn Bowl on Friday, February 5.

    The Ether ProjectThe process of engaging the audience starts with a lucky guest who gets to choose a new key and genre for the jam from a selection of white laminated placards. The genres range from “Phunky Furry Thug” to “Hipster Polka” to “Light Metal” and builds a back-and-forth of audience participation leading to a unique musical performance.

    Guitarist Vic Cornette spoke with NYS Music to share what their live performance entails and what fans can expect from their special performance this weekend at Brooklyn Bowl.

    Pete Mason: Ether Project is a unique live experience. For the uninitiated, what sets Ether Project shows apart from other improvisational performances?

    Victor Cornette: I think what sets us apart from other improv performances is that the audience initiates what we do next by choosing key and Genre before each Jam or song.  It ultimately breaks down the barrier between audience and musician.

    PM: How does Ether Project differ from Everyone Orchestra?

    VC: It’s funny that you bring up Everyone Orchestra because Matt Butler is the inspiration for this project. I had great pleasure in working with them intimately for some runs through Colorado and the East Coast. The difference between us is the audience decides musician to start jam, the key and the genre not the conductor. I feel Ether takes on the daunting task of letting the listener be apart of the improv process and to understand how magical it is when it all works out or when it doesn’t.
    PM: What influences does the band draw upon in creating each live show?

    VC: As far as influences for each live show it’s completely based on what the audience wants, who I have sit in and what’s on the mind of my bandmates.  It’s all from The Ether.

    PM: In what way does the audience play a part in The Ether Project?

    VC: This took some time to work out but I came to solution with the help of my amazing band. A table is placed in front of the stage which have cards of genres and keys.  Audience members ,first come first serve , will decide what we do next. Our Jam liaison helps orchestrate this and puts it into play when we are ready for the next Jam.

  • Break Science Live Band Barrels Over Brooklyn Bowl

    Borahm Lee and Adam Deitch are two of Brooklyn’s busiest producer/musicians. Just days before embarking on a western U.S. tour as drummer for funk band Lettuce, Deitch and his collaborator Lee, known collectively as Break Science, nailed a pair of back-to-back hometown gigs at Brooklyn Bowl. While night one featured a rare performance by “Manic Science,” a.k.a. Break Science joined by Chicago-based producer Manic Focus, the second night was all Break Science. The Break Science Live Band, to be precise, with members of Lettuce in tow.

    IMG_8724
    The music of Break Science is a fusion of much of what you might see and hear over  time if you frequent shows at Brooklyn Bowl. It’s the sonic vision of two producer-musicians whose passion is to mash up elements culled from the broad array of musical projects they have respectively participated in, deeply rooted in hip-hop and spanning the worlds of EDM to funk and dub. Different musical eras and styles are combined in such a way that the only possible reaction for a fan on the floor at a Break Science show is to dance and give up hope of trying to explain the experience. Words were not necessary as the crowd packing the Bowl buzzed and bounced on Friday night, awash in the vibrance of the rich colors and raging music emanating from the stage.

    Hot on the heels of sizzling DJ sets from Marvel Years and Dreamer’s Delight, Break Science broke through the intervening chatter and hum appearing in classic fashion: Deitch on the kit and Lee at the keys, holding it down unaccompanied for the first few songs. While Lee and Deitch are more than capable of rocking crowds for a whole night as an electronica duo, the Live Band situates them in the center of  a cross between an EDM performance and a futuristic funk-rock band.

    After getting their set off to a smoking start, the duo introduced renowned beatboxer Rahzel, who gripped the audience’s attention with an impeccable exposé of technical precision and endurance, keeping the party rocking for a good 15 minutes using only his lungs, mouth and a microphone while Break Science took a short break. Deitch returned to back Rahzel on drums before welcoming back the full band and giving Rahzel a chance to rap.

    IMG_8774

    From then on the crowd roiled ecstatically as samples and vocal tracks were interwoven seamlessly with analog instrumentation and live vocalists with a finesse indicative of years of experience both in front of and behind mixing boards on the part of the core duo. The brilliance of the live horns contributed greatly to the immediacy of the band’s vibe and the organic, human warmth that made fans feel immersed in the pulsating anthems rumbling the room. A big highlight came towards the end of the set with an intense unleashing of the spiritually uplifting “Force of Nature,” a single released back in October.

    The Break Science Live Band demonstrated itself to be capable of birthing a vibe and morphing it through various forms. There is nothing like a good drummer laying down an arousing hip-hop beat, and it was Deitch’s role to do just that as the rhythmic center of the band, around which the other musical elements mixed and reacted in mystic alchemical fashion. His kinetically impactful drumming was instrumental in maintaining the sense of infectious excitement that lasted throughout the show. In the midst of the ever-shifting musical tapestry, guitarist Smirnoff would at times strum a groovy rhythm while Lee sent synth melodies snaking through the sonic ether. The Shady Horns would periodically punctuate instrumental passages with fiery harmonized jabs and contribute solos throughout the set. Other times the band would fall in behind Rahzel, CX or Bajah on the mic, or even back a vocal track with such delicacy that it would feel like the singer on the recording was present onstage. Coomes and Smirnoff of Lettuce brought their neo-funk musicality to the bass and guitar parts so that tunes envisioned and composed electronically became the living, breathing reality of the band killing it on the Brooklyn Bowl stage. Lee, the other half of the core duo, occupied center stage somewhat in the manner of an orchestra conductor, except that instead of waving a baton, he led the band by masterfully manipulating his rig of keyboards and electronics to dish out the hooks, harmonies and samples that are the heart and soul of Break Science’s music.

    The cultural cornucopia that is Break Science should prompt a bit of reflection on what it is to be a part of or to bear witness to New York City’s musical traditions. It is truly awe-inspiring to see two guys who have been around the circuit so extensively bring together such a committed and well attuned cast of characters and utterly tear the roof off the sucker. But that’s just what Break Science does.

  • Street Performer Attacked in Saratoga

    Saratoga Springs police are currently in search of a possible street video that shows a street performer being attacked, according to the Times Union. Police are also talking to downtown bar owners about the situation.

    According to the report, street performer Sam Mitchell of Montgomery County was a victim of an unprovoked attack as he came to the city to play his guitar on Putnam Street to entertain people as they walked by.

    Police said that not only was the attack on Mitchell unprovoked, the beating itself was brutal. The attack happened in the parking lot of the Saratoga Springs Public Library sometime after midnight.

    Mitchell, 53, was accused by a man between the ages of 25 and 30, of messing around with another vehicle. According to city police Lt. Robert Jillson, the man punched and kicked Mitchell to the ground as Mitchell tried to protect himself from the assault. Mitchell tried to shield himself with his instrument to no avail as the attacker smashed Mitchell’s guitar on the ground.

    The assailant, who was accompanied by a woman, fled in a dark-color, four-door sedan. As of now, no arrests have been made.

    Mitchell described the man as a short blonde hair and standing about 5-feet, 5-inches tall wearing a light-green hoodie. The woman was described as wearing black boots with maroon pants and black hair.

    After the attack, Mitchell headed to police officers located on Caroline Street and told them about the attack right after it happened. Mitchell then went on to seek his own medical attention.

    Mitchell suffered facial fractures and bruises from the attack. A GoFundMe page has been created to help him raise money for a new guitar. The page has currently surpassed the set goal of $500 almost two times, as the current total for his campaign is at $1,380.

    Anyone with information about the case is asked to call 518-584-1800 or 518-584-TIPS.

  • Railroad Earth, Twiddle to Headline Susquehanna Breakdown

    The initial lineup for the fourth Annual Susquehanna Breakdown has been announced. On May 20-21, the Pavillion at Montage Mountain in Scranton, Pennsylvania, will welcome Railroad Earth, the Infamous Stringdusters, Twiddle, Fruition and of course the gracious hosts themselves, Cabinet.

    Cabinet is bluegrass, country, folk band that is quickly growing in popularity both in the Appalachian region and throughout the country. Also on the lineup is Pappy and Friends featuring Cabinet’s Pappy Biondo.

    susquehanna-breakdown

    The Infamous String Dusters are set to release their latest album, Ladies and Gentlemen, on Feb. 5. Twiddle also recently released their latest album, Plump.

    Additional bands are expected to be announced.

    In the past few years, Montage Mountain has become a household name for music festivals, catering to various musical tastes. For this one, those wishing to camp will set up inside the venue on the lawn. Previous years have offered a farmers market, concert poster art gallery, kids’ activity area, as well as a slew of vendors.

    Susquehanna Breakdown is a family-friendly festival. According to its website, quiet hours will be enforced from 2 a.m. to 8 a.m.

    Tickets for the Susquehanna Breakdown are currently available and with modest prices. Two-day passes with camping are currently $55 plus fees. Two-day VIP passes with camping are now $125 with fees. RV passes are also available for $100. Kids 10 and under are free with adult ticket purchase.

    Please visit http://www.susquehannabreakdown.com/ for tickets and additional information.

  • Candlebox Acoustic will Rock The Egg on February 2

    Rock band Candlebox made its mark in the 1990s with a self-titled debut featuring multiple singles, including “Far Behind,” “You,” and “Cover Me,” and follow ups Lucy and Happy Pills. Touring throughout the decade and selling over 8 million albums brought the band to a hiatus in 2000, but the reformed band reunited in 2006 for two more albums, Into the Sun and Love Stories & Other Musings. 

    An acoustic performance, featuring Kevin Martin and Adam Kury, will take center stage in Albany on Tuesday, February 2 at The Egg Performing Arts Center in the Swyer Theater at 8pm with Frank Palangi opening. Tickets are available at The Egg box office or online. Candlebox are currently hard at work on their new album, which is set for release on March 11, 2016. Preorder Disappearing in Airports.

    Check out upcoming Tour dates  and visit their Facebook  and Twitter accounts to stay up to date on all things Candlebox.

  • Update: Thunder Body to Replace GPGDS for Waterhole Reopening Party

    Update 2/11/2016: Due to a member being sick, Giant Panda Guerilla Dub Squad canceled their performance scheduled for the Waterhole’s reopening party Friday night. But never fear, Thunder Body is here!

    The eight-piece Thunder Body, from Rochester, features founding members of Giant Panda Guerilla Dub Squad Matt and Rachel and will headline the Friday night show in place of GPGDS. According to Thunder Body’s Facebook page, the band “dabbles in American roots, funk, soul, dub, afro beat, and more.”

    Local group Painted Sol and Rochester funk/soul four-piece Funknut are still scheduled to open the evening. Doors are at 8 p.m. and the show is scheduled to begin at 9.

    The ‘hole opens at noon Friday, and they’re hinting at some sort of live music surprise at 1 p.m., likely a little taste of Blind Owl! Don’t miss it! It’s gonna be a great Saranac Lake Winter Carnival weekend!

    Update 2/4/2016: The Waterhole has announced that funk/soul group West End Blend will play upstairs directly after the parade. The 10-piece band from Hartford, Connecticut, will start at 2 p.m. on Saturday, Feb. 13, directly after the Saranac Lake Winter Carnival Gala Parade wraps up.

    Original post:

    A local musician plans to revive the currently closed Waterhole for the legendary Saranac Lake Winter Carnival.

    This year’s Saranac Lake Winter Carnival runs Feb. 5-14, and it just wouldn’t be Carnival without music at the Waterhole.

    Luckily, Eric Munley of the Blind Owl Band, along with girlfriend Kiki Sarko, has taken over operations at the hallowed venue, and it will open temporarily Friday and Saturday, Feb. 12 and 13. The Blind Owl Band will headline a show at 10 p.m. that Saturday, which is Parade Day – the biggest day of the Carnival. Everyone comes out for the Winter Carnival Gala Parade, then hits the town and celebrates for the rest of the day.

    The upstairs will be open for free directly after the parade, and Munley is still working on finding an act for that time slot. But later on that day, Maryland-based two-piece band Swampcandy will open for The Blind Owl Band in a show that is set to begin at 10 p.m. and will cost $10.

    On Friday, Giant Panda Guerilla Dub Squad will headline. Funknut and Painted Sol will join them.

    Munley and Sarko will operate the two days during Carnival on a temporary liquor license, then apply for a full one after the Carnival madness subsides. They expect to open the establishment in full sometime in March.

    Due to the temporary license, only the upstairs bar will be operating during Winter Carnival, though the downstairs will be open to customers sans bar.

    The Saranac Lake Winter Carnival began as a one-day event in 1897, put together by patients who had come to the Adirondack village to cure from tuberculosis. It was intended to get a break from the winter’s chill and to promote outdoor sports and games. Today, it’s grown to a 10-day festival that includes sports, games for kids, an ice palace and lots of live music. The whole town comes together and celebrates in one of the best weeks of the year.

    The Winter Carnival theme for 2016 is “Superheroes and Villains,” so start working on your costumes now!