Category: Regions

  • Twiddle Hits New York with Four Nights of Plumperdump

    Vermont based quartet Twiddle kick off their Plumperdump Tour this Thursday with a sold out show at the Port City Music Hall in Portland Maine. Twiddle fans in New York State will be able to catch the band in a number of cities during the month long tour.

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    Twiddle will be hitting the Empire State first on Saturday Feb 20 in Syracuse at the Westcott Theater. The band will then kick off a three day New York State run starting at the Town Ballroom on Thursday Feb 25 in Buffalo before heading to the Upstate Music Mall on Feb 26 and Irving Plaza in New York City on Feb 27.

    As Twiddle continues to lock down slots on large festivals and sell out venues around the country, the Plumperdump tour may be one of the last chances fans have to see the band in smaller more intimate venues. And fans wanting to see the band on this tour, shouldn’t wait until the day of the show to buy tickets.

    Twiddle’s December tour included sold out shows at the Brooklyn Bowl and the Paradise Rock Club in Boston as well as a sold out three day New Year’s Eve run in their hometown of Burlington. With several Plumperdump dates close to selling out, fans in New York state may want to act sooner rather than later by locking down tickets in advance.

    Twiddle’s brand of hi-def shredding is a fusion mix of rock, jazz, reggae and funk is gaining a rapidly growing fan base across the country. But fans in the northeast are a large part of the band’s continued success.

    Many Twiddle fans are finding themselves following the band on smaller runs throughout the country. According to Chris Hollywood of Slingerlands, NY, who will be hitting every stop on the Plumperdump tour, it’s a combination of the music and the fans that make the Twiddle live experience what it is. “The music is better than ever! People are realizing how great the fan base is, and even if the music was terrible, it would be worth the experience.”

    Jennifer Graves from New Haven, CT has been listening to the band since 2011. “I’ve seen them play 100 person rooms and I’ve seen them pack the Vibes main field at 11am on a Friday,” she noted. “I see their fan base grow exponentially every year, and some of the people I met at my very first Twiddle show are my best frends today.”

    Graves also noted that even longtime fans are blown away by the bands growth, “Watching how the last year has panned out, I can only imagine where their journey will bring them in the future. Sky’s the limit for these boys.”

    Tickets for all four New York shows are still available.

    Twiddle Pumperdump Winter Tour 2016

    Feb. 18 – Portland, Maine (Port City Music Hall) SOLD OUT

    Feb. 19 – Providence, Rhode Island (Fete Music Mall)

    Feb. 20 – Syracuse, New York (The Wescott Theatre)

    Feb. 25 – Buffalo, New York (Town Ballroom)

    Feb. 26 – Clifton Park, New York (Upstate Music Hall)

    Feb. 27 – New York, New York (Irving Plaza)

    March 10 – Washington, DC (9:30 Club)

    March 11 – Philadelphia, PA (Theatre of Living Arts)

    March 12 – New Haven, CT (Toad’s Place)

    March 13 – New Haven, CT (Toad’s Place)

  • Brad Paisley Crushes It At Oncenter with Eric Paslay & Cam

    As the Crushin’ It Tour rolled through Central NY, Brad Paisley together with Eric Paslay and Cam certainly did ‘crush it’.  This mutitalented country music superstar redefines the persona of a country music star.  Yes, he wears a cowboy hat, cowboy boots and a plaid ensemble, but with his quick wit, stage presence, and musical talent he wins over the most skeptical rock fan to this new age genre of country.

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    His show at the Oncenter was a perfect example of this.  As a music journalist/photographer, I often find myself visiting with security guards at these events who perhaps may not know the artists they are “securing”.  After a few moments conversing about who will be performing, I happily informed them that they were in for treat as these three artists would take the stage and absolutely win them over, while also pointing out the need to pay attention to Paisley’s guitar playing and less to their preconceived notion of what country music is or sounds like.

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    First up was Cam.  This beautiful young lady, with a sunny disposition and attire to match, has exploded onto the country music charts with her song “Burning House.”  Up for several Grammy and ACM awards this year, this young artist, who writes from the heart and performs the same, is bound to be walking away with several armfuls in 2016 and rightly so.  This song, written about a past relationship, comes from the heart, speaks to fans, and what really stands out is it’s unique folky sound which is refreshing and retro.  She was a joy to see perform, and will be headlining a tour one day soon.

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    Next up was Eric Paslay, a great interview and one of the nicest guys you’ll ever meet.  His down to earth personality, together with honest lyrics, and playful stage persona has earned him scores of fans along the way, including moi.  Referred to by Brad as his ‘red headed step brother’, Eric’s musical talent extends far beyond the stage as his knowledge of the music business includes behind the scenes talents of producing and writing as well.  A graduate of MTSU (go Middle Tennesee State Univerity Blue Raiders) with a degree in Music Business, this young man is a force to be reckoned with and is making a name in and around Nashville.  In fact, this young  newcomer has been nominated this year for a Grammy for Best Country Duo/Group Performance along with Charles Kelley and Dierks Bentley.  Songs written by Paslay have hit number one for several artists and his song “She Don’t Love You” was one of the best songs in 2015.  As he played hit after hit, it was his final song, a new one, “High Class” that grabbed attention as the band donned Ray Bans to rock out.

    As Paisley took the stage, the energy surrounding his show explodes visually and audibly. He is a presence, an undoubted superstar and puts on one of the best visual shows I’ve seen recently.  The kaleidoscope of colors, animation (some penned by the man himself), music videos, and cameos engage the audience from the start.  Paisley plays for the crowd too.  He enjoys moving around; he’s not a sedentary musician. He plays front and center, out on the catwalk, in the back of the auditorium on another stage, and throughout the crowd as he meanders around giving out high fives.  Paisley makes sure no matter which seat you purchased, you had a great opportunity to see him up close and personal and not just on a video screen.

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    As Brad played hit after hit, several moments stand out throughout evening worth mentioning.  First, “Country Nation.”  The video featuring college football mascots, released in 2015, unfortunately omitted our beloved Otto.  As the song began and the video began playing, the omission was corrected as the new video that graced the jumbotron featured not only the one and only Otto, but also panoramic views of the Syracuse University campus, the Oncenter War Memorial, and the SU basketball team taking it to the hoop.  The crowd exploded in joy and cheers every time they graced the screen.  Always curious how they chose the original mascots for that original video, I learned the video made last year featured the cities in which he visited during that tour, while the new one features this years mascots from cities he is currently touring.  Okay Paisley, you’re forgiven, you absolutely have redeemed yourself.

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    The onstage bar was a sight for envious eyes.  From the moment I spied that lovely set, I wanted an invite.  How fun is that to join the show onstage while being served by the Brad Paisley Mascot? Whether is was lucky fans invited up, or tour partners, the fun times had at the bar were a highlight for all.

    One of Paisley’s best loved songs is  “Whiskey Lullaby” where he is joined in the original duet by the lovely and amazingly talented Alison Krauss.  Never part of his sets at the past shows I’ve attended, on this tour, he is joined by Cam on stage for this song, and they completely blew my mind as she nailed it.  This beautiful rendition was one of a highlights to the evening.  I would be remiss if I didn’t mention his ability to skype in Carrie Underwood to join us all chatting and singing along.  We all knew this was pre-recorded but it still was way cool and needs a shoutout.

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    I’ve never met Brad personally, but I am a pretty good judge of character and I’ve formed this opinion of him:  I think he’s an all around “good guy” who loves his family, wife, fans, and what he does for a living. Each time I hear “She’s Everything” or “Perfect Storm” I know he wrote those about his wife.  His sense of humor is also one of his admirable qualities.  He has no problem busting chops on a co-star, calling Carrie Underwood “too stuck up to come to the show” or his agent for booking him in New York in the dead of winter.

    His sincerity is genuine too.  As he speaks with the audience he asks, “How you doin’ tonight?”, explaining, “That wasn’t one of those gratuitous artist things, where I go, ‘How you doin’?’ Seriously, how you doin’? How’s it goin’ at your job? How’s it goin’ at school? “I really want to know”.  His graciousness is another quality that speaks volumes.  He took every opporutnity to thank us for buying tickets and coming to see him.  This fan oriented artist collected kudos as he gave away a signed guitar to a little girl in one of the front rows and his hat at the end of the evening to cute little adoring fan who caught his eye. He does this every show.  He adores his fans, and they certainly adore him, rightly so.

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    This artist is much more than a country singer singing about beer, back roads, and ticks (okay he does sing about ticks, just another example of his sense of humor.).  But in all seriousness, this guy can play a guitar.  His ability to play is what constantly wins over those unsure of country music after seeing him.  As one of my colleagues wrote, “he sticks out like a sore thumb” in country music.  Perhaps it’s the fact he can play the guitar like a rock star.  With his musical ability, he never needs to sing about beer, even as he played the guitar with a beer bottle. Come on?  Who needs to sing about beer when he can use it as a musical tool.

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    As the evening came to an end, I approached the security team to find out their final take away.  I believe they had been converted. They were surprised and pleased with the evening’s performances. Proof once again that good music, is just that, good music no matter what genre.

    Set List: Eric Paslay – Song About A Girl, Like A Song, Never Really Wanted, Barefoot Blue Jean Night, She Don’t Love You, Even If It Breaks Your Heart, High Class, Less Than Whole, Keep On Fallin’, Friday Night.

    Set List: Brad Paisley – River Bank, Water, Moonshine in the Trunk, Celebrity (joined by Eric Paslay), Country Nation, This is Country Music, I’m Stilla Guy, She’s Everything, Ticks, American Saturday Night, Wiskey Lullaby (joined by Cam), Beat This Summer, Perfect Storm, Old Alabama, Waitin’ on A Woman, You Remind Me, Southern Comfort Zone, I’m Gonna Miss Her, Crushin’ It, Mud on the Tires, Encore: Online, Then, AlcoholBrad Paisley - K. Stockbridge 2016-02-13_0001Brad Paisley - K. Stockbridge 2016-02-13_0002 Brad Paisley - K. Stockbridge 2016-02-13_0003 Brad Paisley - K. Stockbridge 2016-02-13_0004

  • March Fourth! & Diego’s Umbrella Blaze Boulder’s Fox Theatre

    Last year about this time, March Fourth! played a show so raucous that the capacity crowd started chanting, “Holy Shit!” for several minutes. Moments before their return to the Fox Theatre in Boulder, CO last week, another capacity crowd greeted M4 band members with the same chant. It’s all that the band needed to deliver another explosive carnie steamfunk performance that included stilt walkers, acrobatics, and some of the brawniest, live music ever in the state.

    March Fourth Boulder

    Before March Fourth! took the stage, one of their percussionists lit the audience as a member of a gypsy punk band called Diego’s Umbrella. Their lively, “ants-in-their-pants” style lit up the cold, Colorado crowd with bonfire intensity. Their performance was just a precursor of things to come.

    March Fourth Boulder

    In part, the March Fourth! act has always been part vaudeville/burlesque stage show. To their benefit, however, this time around, when the band took the stage, they focused more on blistering melodies and percussive jams that launched the crowd into a booty-shaking frenzy. During the encore, members of M4 could barely contain themselves, and the entire band jumped and body surfed their way into the crowd. The Fox show marked their first stop in their winter tour, and they performed with unbridled passion and energy. In the words of one concert-goer, “That was one hellava spicy meatball of a show!”

  • Florida Georgia Line to Play Dick’s Sporting Goods Open

    Florida Georgia Line will play at the 2016 Dick’s Sporting Goods Open at the En-Joie Golf Course in Endicott.

    The Dick’s Sporting Goods Open, held July 6 to 10, has become a staple in the area, attracting business to Endicott and the surrounding towns. In celebration of their 10th anniversary, Florida Georgia Line will perform at the Friday Night Concert on July 8. The concert takes place greenside once the golfers have finished swinging their woods and pulled their balls from the hole.

    Florida Georgia Line, the duo of Brian Kelly from Florida and Tyler Hubbard from Georgia, are one of the most successful country acts of the current decade, having won several music awards including Favorite Country Duo and Favorite Country Album, for their album Anything Goes, at the 2015 American Music Awards.

    They are gearing up for their Dig Your Roots 2016 tour, which begins next month in Australia and goes through mid-October in Atlanta. The tour brings them back to New York on July 17 at the Nikon at Jones Beach Theater in Wantagh, along with a handful of other stops in the Northeast.

    Visions Federal Credit Union is partnering with Dick’s Sporting Goods as a sponsor of the golf tournament. In celebration of their 50th year, all credit union members will have special priority pre-sale access to tickets to the open. Tickets go on sale to the general public this Friday, Feb. 19 at 9 a.m. The $60 ticket provides access to the First Round of Champions Tour Gold and to the Friday Night Concert on the McIntosh Soundstage.

  • RAQ Stuffs the Hollow on Reunion Run

    RAQ is baq. Let’s hope they continue this upward trajectory.

    The four-piece band has not played much in recent years due to members being tied up in a cavalcade of other projects. A somewhat perfect storm recently paved way for the band to start playing shows again, and let’s just say the group’s performance in Albany, N.Y. at the Hollow proved these guys are quite well-oiled.

    Guitarist Chris Michetti and keyboardist Todd Stoops seem to have a connection that goes beyond what might happen between confident and talented band mates, as displayed by the opening pairing of “Premium”> “Hannah,” which saw virtuous playing from both. Drummer Neal Evans and bassist Jay Burwick held down the rhythm section, which settled nicely into the background.

    “Push the Lil Daises”>”Late Night”>”Will Run” kept the show at a sprinter’s pace, before “Momamoth”>”Dance Hall Days”>”Momamoth”>”Wax” did nothing to put anyone to sleep. Michetti is a guitar player who can shift from trance to metal to jazz to chunky rhythm and back around again without missing a measure. I don’t know how else to describe him.

    “Transcontinental,” “Shirley,” “Donkey Show” and a “Late Night” reprise closed out the rocking set. The encore consisted of “Tequila All Day”, “Nationwide”, and the ever elusive “Sweet Cream Butter”. The packed crowd exited the Hollow content, from what I could tell.

    Let’s hope that RAQ decides to keep this train rolling so that everyone who wasn’t there last week can experience this group for years to come.

  • Update: Twiddle Finalizes ‘TumbleDown’ Lineup

    In a video posted to their Facebook page, Twiddle announced the lineup for their Tumble Down taking place July 29 and 30 at Burlington, Vermont’s Waterfront Park.

    In addition to Twiddle’s four sets over the weekend, they’ll be joined by New York funk favorites Turkuaz, Montana-based bluegrass act the Kitchen Dwellers, and special guest Holly Bowling on July 29. July 30 will see them joined by Cabinet and Nahko and Medicine for the People, along with Holly Bowling.

    Tickets are on sale now. Both single-day and two-day passes are available.

    Original Post:

    Vermont-based quartet Twiddle and Higher Ground have announced two nights of Twiddle at Burlington’s Waterfront Park this summer. The weekend will be known as Tumble Down and will be held July 29 and 30.

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    The weekend will continue as part of a tradition started last year at the Lake Champlain Maritime Festival that included alternating sets with moe. This year, Twiddle will headline the event with two full sets each night. Several supporting acts will be announced.

    In addition to live music, the weekend will include various activities including a charity disc golf tournament supporting Twiddle’s fan-founded charity, The White Light Foundation. Late night sets will also be announced around Burlington featuring members of Twiddle.

    A limited number of early bird passes will be available at 11 a.m. Friday, Feb. 19 for $54 through Ticketfly.

    The announcement of Tumble Down adds a punch to Twiddle’s already packed summer including dates at Red Rocks and multiple festival appearances including the Frendly Gathering, Lockn’ Festival and the Werk Out.

    Twiddle hits the road in support of their latest release, Plump – Chapter One, on Thursday for a sold-out show at the Port City Music Hall in Portland, Maine.

  • Hollywood Vampires Kicking Off Tour in Verona

    The supergroup that had Bruno Mars wondering what he was witnessing at Monday’s Grammy Awards has announced a set of dates. The first stop for Hollywood Vampires tour is set for Turning Stone Resort and Casino in Verona May 24.

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    Hollywood Vampires is fronted by Alice Cooper, also includes Aerosmith guitarist Joe Perry, actor Johnny Depp and Guns N’ Roses rhythm section of Matt Sorum and Duff McKagan. The Vampires are a loose collective of rock royalty, with roots in the 1970s LA scene. Artists such as John Lennon, Elton John, Keith Moon and Ringo Starr have been associated with the group.

    hollywood vampiresCooper told Rolling Stone:

    We have to carefully schedule the Vampires. That’s because you have Johnny’s movie schedule; you’ve got Aerosmith; you’ve got Guns N’ Roses and you’ve got me! It’s five entities going in five different directions. To get those guys all at one time when we’re not working is really unique. So everybody looks at their calendar, and you have to find that two weeks where everybody’s off.

    The band performed a tribute to Lemmy Kilmister at Monday’s Grammy Awards, lighting the stage aflame with Motorhead’s “Ace of Spades” as well as their first single “Bad as I Am” from their eponymous album, available now through the usual outlets.

    Tickets for the Turning Stone show are $74, $69 and $64 and go on sale Tuesday, Feb. 23, according to a Facebook post from Turning Stone.

  • Catey Shaw Ends Tour at Knitting Factory

    For those hardy enough to brace for the biting cold wind blowing through the streets and alleys of Brooklyn on Saturday February 13, the Knitting Factory was one haven where one could duck in and enjoy some quality homegrown live music in an intimate atmosphere. Locally based rising pop star Catey Shaw was the headlining entertainer, but openers Gillian and Memoryy were just as much a part of the experience for anyone present early enough to catch them.

    Gillian is a band that sounds like it came together as the result of getting just the right alt-rock junkies with just the right record collections together at just the right time in just the right place. They unabashedly own the stage, the band members emphatically traversing in every direction while projecting their tight and polished riff and vocal hook driven pop rock to an attentive audience. Despite all this confidence and cohesion, they don’t come across as trying to be anything more than what they are: a Brooklyn band well worth seeing. Over the course of their 45-minute set, Gillian demonstrated impressive versatility, nimbly navigating tempo changes and dynamic shifts and integrating a guest two-piece horn section into their lineup. The switching off between male and female lead vocals and use of rough-and-ready harmonies kept one guessing at just where this band draws its inspiration but indicated that these fun loving musicians are more than schooled in rock and roll history and infused with the spirit of the same. Gillian’s primary goal in performing music seems to be to have a great time. Warming up the Knitting Factory stage on Saturday, they took several dozen folks along for the ride and set the tone for an engaging evening of rocking and dancing, holed up out of the cold in this cozy little hole-in-the-wall club.

    Next up the curly haired synth-pop maestro Shaun Hettinger, a.k.a. Memoryy, stepped onstage with his 5-piece band. Hettinger’s unassuming demeanor and almost self-deprecating nonchalance as he introduced his band and bantered throughout their set may have allowed one to overlook his understated passion for warm electronic pop if one wasn’t paying close attention. A sense of ’80s nostalgia pervaded Memoryy’s music, but there was also kid-in-a-candy-shop innocence and the plainly personal sentimentality of a 21st century workaday musician who hasn’t been able to help writing songs as a reflexive habit since childhood. Working in his preferred medium with a band he put together years ago under another name and just now reassembled for the first time in a while, Hettinger could barely contain his passion for this project enough to keep his fingers in contact with the keys as his body jerked about in much the same way as some of his more enthusiastic fans on the floor. This particular Memoryy set had an added layer of significance as it marked Hettinger’s final performance as a Brooklyn resident, and he made sure to point out just how special it felt to be playing again with the same four guys he first played with in New York City. The packed room showed Memoryy a lot of love.

    At 11 PM the lights dimmed for the third time, and a trio of clean-cut fellows clad in mod suits ambled on to the stage. After situating themselves behind instruments and striking up a punchy rhythm, Catey Shaw appeared at the back corner of the stage dressed for the weather in a full-length off-white fur coat. Shuffling up to the microphone without much pomp, it was clear from the get-go where the artist wanted the audience’s attention to be focused: on the songs. No distracting choreography, props or other visuals were provided that could have taken away from the raw presentation of the songs that Shaw clearly takes a lot of pride in. The hour-long set consisted of all but one of the tracks from The Brooklyn EP plus a few more recently released singles. The still-small repertoire of this budding pop chanteuse holds together pleasingly onstage as it spans from folksy to bubblegum to synthpop revival.

    The energy was ratcheted up early in the set with the fiery “Walks All Over You,” a pre-Valentine’s warning to all those prone to being played for fools by a blazing beauty. The anthemic “Brooklyn Girls,” which was met with some criticism upon its release in 2014, was nonetheless delivered with confidence and zest by Shaw after she announced that this hometown gig was also the culmination of her seven-date east coast tour. Coasting off the pep of the preceding party-starter tunes, the crowd swayed to the dreamily optimistic “Revolution” and continued to ride the decreasing tempos until Shaw put on a slightly more earnest face and sang the poignant ballad “Show Up,” with the studio track’s piano replaced by gentle, clean electric guitar.

    The remainder of the set was a string of Shaw’s danciest and most satisfying material. A cover of Drake’s spacey R&B jam “Hold On, We’re Going Home,” was received with a surge of enthusiasm from all the dancers on the floor. Shaw’s two newest singles, the Maroon-5-esque “Tell Everyone” and the deep and bouncy “The Ransom,” came up next. These sleek and heavily ’80s-influenced ragers were full of glistening, icy guitar, but the triggered synth lines that make these tunes so fresh on record added a sense of incongruity in the concert setting where a live keyboardist could have achieved more depth and balance. The band did play these songs for all they were worth, the guitarist and bassist breaking away from their rigidly held positions onstage to feed off of each other and rock out, leaning back with knees in the air and fingers working their instruments so as to squeeze as much excitement out of them as possible in these penultimate moments of the performance. Shaw picked up her ukulele and brought the set to a close with “Human Contact,” the most reliable tune in her arsenal. Not quite ready to let the show end there, she quickly reemerged with uke still in hand after the band quit the stage to give a solo encore performance of Led Zeppelin’s “Whole Lotta Love,” hearkening back to her days busking on the subway. Catey Shaw was happy to be back home in Brooklyn, and well over 200 Brooklyners were happy to be there with her at the Knitting Factory.

    Setlist: Walks All Over You, Brooklyn Girls, Revolution, Night Go Slow, Show Up, Outerspace, Hold On We’re Going Home (Drake cover), Tell Everyone, The Ransom, Human Contact

    Encore: Whole Lotta Love (Led Zeppelin cover)

  • Brantley Gilbert’s BlackOut Tour Will Change Your Perception on What Country Music Is Today

    Brantley Gilbert IMG_9232 copyOne thing to love about country music is its diversity. When you think country music, most people automatically visualize the country music of Dolly Parton, Loretta Lynn, Tammy Wynette, Buck Owens, George Jones, Willie Nelson, Waylon Jennings, or Merle Haggard; and rightly so. These forebearers of country music have paved the way for the genre bringing light so many amazing country musicians to the Opry stage and radio stations across the nation. Originating from a mix of cultures within the area at the time, you see styles merged together such as Old World, Americana, and Bluegrass to name a few.

    This compilation of twangy lyrics and upbeat tempos emerged and somehow imprinted itself on how people perceive country music still today. Country music is much more than the twangy renditions you have imprinted on your mind. Allow NYS Music to introduce you to one of the many genres of country music today; country southern rock. A new millennium of southern rock has emerged, and the sound once categorized under the rock genre back in the 70’s, can now fit neatly into the country southern rock category which is so much more than the twangy vocals, slide guitars, and fiddles of what is perceived of country music today.

    Enter Brantley Gilbert.

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    One of today’s biggest country southern rock musicians, Mr. Brantley Gilbert would definitely have fit in back in the day with the likes of such musicians and groups as Lynyrd Skynyrd, .38 Special, Creedence Clearwater Revival, Marshall Tucker Band, Ted Nugent, and ZZ Top to name only a few. This was the ass kicking country rock we loved back then and the southern country rock we love still today. Gilbert’s rocking country music is remiscent of this era and has categorized him as a badboy of country music today.

    As Brantley Gilbert rolls his Blackout Tour into the Turning Stone this February 20th, skeptics are encouraged to join us at the Turning Stone Event Center to put the myth that all country music is the same, to bed for once and for all. Not all country music fits neatly in one package.  Brantley is definitely not the “Bro Country” mold you may try to fit him into. Brantley’s music and live show give you a sense of being at a rock concert with sick guitar riffs, drum solos, and hair flying all around the stage.

    IMG_6361 copyTo help you prepare so that you know what to expect at your first Brantley Gilbert concert, here is a list of what to expect and not expect.

    • If you are expecting cowboy boots, cowboy hats, and plaid, you may be in for a surprise. You may see these things but they will sported more so by the crowd than those on stage. On stage you’ll see baseball caps, tattoos, chains, spiked hair, dreadlocks flying around, and brass knuckled microphones. Okay, you will see perhaps a beard on the keyboardist, but who doesn’t rock a beard these days? Awesome beard BJ Golden!
    • Classic country, nah you won’t hear this most likely, and if you do it will be one of the best classic country songs ever because of the twist Brantley gives it. Electric guitar riffs, deep base chords, drum solos, and pounding keyboards will accompany Brantley as he rocks the crowd.
    • Will there be lyrics about girls, partying, and back roads. Yeah most likely, but what rock band doesn’t sing about those topics. Any guy singing about bottoms up while dressed as a bootlegger sporting a zoot suit and tommy gun ‘rocks” in my humble opinion.
    • Will you leave feeling like you may have missed so much over the last few years as country music has evolved into something completely different than what you anticipated? Probably so. That’s okay. It’s better to arrive late to the party than never at all.
    • Will you have a good time. Oh yes, most definitely. Especially if you arrive early enough to grab a bite to eat at one of the amazing restaurants at the Turning Stone. (shameless plug hoping from something from the Harvest Buffet)

    IMG_9415 copyJoined on this tour are special guests Canaan Smith and Michael Ray, bringing their own kinda country party to the Turning Stone.  February 20th will be the hottest ticket in town during one of the coldest weeks, so don’t wait, get yours today and join NYS Music in welcoming this new millennium of country southern rock to Central New York.

  • ‘In The Mood’ Swings Into Syracuse

    In celebration of 22 years on tour, the live musical revue of In The Mood is coming to Syracuse this March.

    in the moodWith a cast of 19 and a 13-piece big band orchestra (the String of Pearls), the fully staged show features more than 50 popular 1940s numbers, including “Boogie Woogie Bugle Boy,” “Well Get It,” “Sing, Sing Sing,” “On The Sunny Side of the Street,” “Chattanooga Choo Choo,” “Tuxedo Junction” and “Moonlight Serenade.”

    Fans of American big band music will appreciate the show’s brassy singing and dancing in tribute to Swing Era icons like Glenn Miller, the Andrews Sisters, Tommy Dorsey, Artie Shaw, Harry James, Erskine Hawkins, Benny Goodman and Frank Sinatra and many others.

    According to the official press release, In The Mood “pays homage to America’s greatest generation who fought WWII. It was a time when Americans listened and boogie woogied to up-tempo Big Band rhythms and danced cheek-to-cheek to intimate ballads. Experience the swing, the rhythm and the jazzy, sentimental and patriotic music of this pivotal time in America’s history.”

    Created by Bud Forrest, the ever-evolving production was selected by the National Archives in Washington, D.C., as part of the 50th anniversary commemoration of WWII; the cast was also chosen to perform at the 53rd Presidential Inauguration Ball.

    In The Mood – A 1940s Big Band Music Revue returns to the Oncenter Crouse Hinds Theater March 30 for performances at 2 p.m. and 7:30 p.m. The touring musical will make an additional stop in New York State on March 31 at Shea’s Performing Arts Center in Buffalo. Tickets are on sale now.

    2016 In The Mood Tour:

    3/30 – The Oncenter Crouse Hinds Theater, Syracuse, NY
    3/31 – Shea’s Performing Arts Center, Buffalo, NY
    4/12 – Coronado Performing Arts Center, Rockford, IL
    4/14 – Victory Theatre, Evansville, IN
    4/17 – Lexington Opera House, Lexington, KY
    5/3-8 – Bucks County Playhouse, New Hope, PA