Category: Regions

  • Camp Springer is approaching its second year this July at Stable Gate Winery

    Camp Springer Music Festival was founded by Tim Thornton, Casey McGuire, and Tim Pomer in 2015 and will come together again this July 29-31st at Castleton-on- Hudson, NY.

    Camp Springer Festival Recap from 929Media on Vimeo.

    Camp Springer is a multi-stage music, camping, and arts festival located in New York’s scenic Hudson Valley at Stable Gate Winery. The intimate festival experience is based on a musical tradition that refuses to be defined by a single genre and an environment focused on community, celebration, and sanctuary. From unforgettable live music to original artwork and late night vineyard silent disco under the stars, come experience that magic that is Camp Springer!

    Camp SpringerHeadliners include Start Making Sense, Kat Wright and the Indomitable Soul Band,  and The Reign of Kindo but the full lineup has arrived! Check it out below.

    Camp Springer | 2016 Artist Lineup from Camp Springer on Vimeo.

    If a variety of live music isn’t enough for you…

    Springer offers visual projections by Lucin & A Case of Space, a silent disco brought to you by silent storm sound systems, morning yoga hosted by Bhakti Barn, guided meditation led by All Energy Healing, an eclectic art gallery, local food and craft vendors, and much more!

    Visit campspringer.com for tickets and further information!

    https://www.instagram.com/campspringer/

  • Doobie Brothers and Journey Chase Away Storms but Bring the Lightning to the Stage

    As the Journey, Doobie Brothers, and Dave Mason tour made it’s way through New York state this past month, they made their final destination stop right here in Central New York at the newly constructed Lakeview Amphitheater.

    This amazing structure, set on Onondaga Lake, features not only the most up to date, state of the art equipment, it offers concert goers a visual treat as well with an amazing picturesque backdrop.  Although concert goers did not get to appreciate the spectacular sunset Lakeview offers on this particular night, the fiery stars were not absent as they shifted a little to the right burning up the stage with a heat and intensity.  With a packed venue, both under the cover of the pavilion and out in the elements on the lawn, die hard fans were not deterred from attending by a few buckets of rain.  After all, adverse weather for central New Yorkers, does not rain make.

    Dave Mason - K. Stockbridge - IMG_6428 copy

    As Dave Mason opened the evening, the concert goers of earlier years were up on their feet dancing and appreciative of this amazing songwriter/performers talents.  Still rather early for those coming into the venue, it definitively was a treat for being prompt.

    The Doobie Brothers - K. Stockbridge - IMG_6712 copy

    As the sets changed in what seemed to be record time, our hats are off to the stage crews as it was literally within minutes that Dave left the stage, that The Doobie Brothers took the stage.  Starting off strong with “Jesus Is Just Alright”, this upbeat tempo set the tone for the rest of the set and an energy that proved that you can still rock and roll no matter what age you are.  With a diverse mix of talent on the stage, each musician added their personal touch with vocals, personal comments, and of course some of the best instrumentals proving to all that they still have “it”.  Entertaining the crowds with an extra long set and two encores, the fans were treated by some of the best music of the night making the Doobie Brothers a hard act to follow.

    Journey - K. Stockbridge - IMG_8355 copy

    Again, within perhaps only enough time to fill your cup and make a pit stop, the stage was once again switched off and the scene set for the main event.  Journey is one of those bands that is forever timeless.  With a catalog of some of the most memorable songs, most covered songs, and most time poignant memories associated with them, it was a treat for this journalist to be present this evening as this was the first concert I ever saw back on October 9, 1981 at the Carrier Dome.  Touring at the time for what is now celebrating it’s 35th anniversary, and first number one album, Escape was one of those albums and shows that one would never forget.  That evening at the Dome, this teenage girl went through quite a bit to get to the nosebleed seats on the left side of the stage.  Listening to the following set list, it seemed almost surreal to be in Syracuse once again watching and listening to almost an identical show.

    Setlist from 1981 Show: Escape, Where Were You, Line of Fire, Don’t Stop Believin’, Stone in Love, Keep on Runnin’, Lights, Stay Awhile, Do You Recall, Lay It Down, Lovin’ You Is Easy, Walks Like a Lady, Guitar Solo, Dead or Alive, Drum Solo, Too Late, Who’s Crying Now, The Party’s Over (Hopelessly in Love), Wheel in the Sky, Lovin’, Touchin’, Squeezin’, Any Way You Want It

    Journey - K. Stockbridge - IMG_7755 copy

    There were a few changes though this time around for the better.  I didn’t have to sneak out of the house and fear my parents grounding me, and this time I could see the stage and the performers.  Present at both shows would be Neal Schon – founder & lead guitarist, Ross Valory – co-founder & bassist, Jonathan Cain – longtime member & keyboardist, Steve Smith – drummer; who is rejoining Journey for the first time since 1998, and newcomer Arnel Pineda – lead vocals; who was discovered via YouTube by Neal Schon.  It’s difficult to compare the two shows as I really wasn’t close enough to notice, but to me it felt as though Arnel Pineda, who now is actually the longest running lead singer for the band, brought an energy that was lacking before.  His spot on vocals, together with the most spectacular group behind him, made for one of the most high energy shows yet this year I’ve seen.

    Journey - K. Stockbridge - IMG_8952 copy

    Ridden with solos from each musician, Neal proved why he is considered one of rock and roll’s all time greatest guitar players and Steve proved that his drum skills are off the chart.  Drawn to keyboards, Jonathan’s beautiful playing as well as story he shared with his hit “Faithfully” moved me, while Ross laid down a bass line that often is overlooked but not under-appreciated by this crowd or this journalist.  Contagious was Arnel’s energy levels as the band and crowd seemed to feed off of him.  Humble too was he as he made an effort to shake hands, point and wave to fans, and make this show as interactive as could be. Yes, this was quiet an anniversary celebration for both the band, and this journalist.

    Journey - K. Stockbridge - IMG_8672 copy

    All in all, it didn’t matter that storms blew over, as all the performers brought an air of electricity to the Lakeview stage.  Faithful were the fans, as they welcomed these legends with Open Arms, and closed this evening out as another to go down in the pages as memorable.  Dare we plan another anniversary show for 2051? I’m up for it!


    Dave Mason Setlist: Only You Know and I Know, Rock and Roll Stew (Traffic song), The Low Spark of High Heeled Boys (Traffic song), We Just Disagree, Dear Mr. Fantasy, Feelin’ Alright (Traffic song), and All Along the Watchtower
    Dave Mason - K. Stockbridge - IMG_6493 copy Dave Mason - K. Stockbridge - IMG_6449 copy Dave Mason - K. Stockbridge - IMG_6421 copy
    The Doobie Brothers Setlist: Jesus Is Just Alright (The Art Reynolds Singers cover) Rockin’ Down the Highway, Take Me in Your Arms (Rock Me a Little While) (Kim Weston cover, Another Park, Another Sunday, Sweet Maxine, Eyes of Silver, Spirit, Clear as the Driven Snow, Piano Solo, Takin’ It to the Streets, The Doctor, Black Water, Long Train Runnin’,China Grove, Encore: Without You, Listen to the Music
    [FinalTilesGallery id=’881′]
    Journey Setlist: Separate Ways, Be Good to Yourself, Only the Young, The Star-Spangled Banner (John Stafford Smith cover), Stone in Love, Any Way You Want It, Lights, Piano Solo, Open Arms, Who’s Crying Now, Escape, La Do Da, Drum Solo, Guitar Solo, Wheel in the Sky, Faithfully, Don’t Stop Believin’, Encore:Lovin’, Touchin’, Squeezin’
    [FinalTilesGallery id=’880′]

  • Frendly Gathering 2016: Jack Mitrani Shares The Evolution

    The Frendly Gathering 2016 was an incredible 3 day adventure, that always delivers more love, compassion and new ‘frendships’ than one can imagine. Jack Mitrani & Danny Davis founders/owners of The Frendly Gathering festival, and the rest of the ‘Frends Crew‘ have had quite the journey throughout their growth with the Frendly community – fans, musicians, artists & ‘frends’.

    One thing that makes Frendly stand out far beyond any festival I have yet to attend, is the essence that remains year after year – no matter how big the festival gets, it maintains the inclusivity that it was founded upon. I got a chance to speak with Jack about his personal experience with this.

    jack mitraniChelsea Erin Wright: The Frendly Gathering 2016 has been incredible for me so far. Experiencing the evolution of Frendly since the very first one in Vermont, has been ahhh-mazing!

    Jack Mitrani: Ah yes, you’re a lucky one!

    CW: Yeah certainly, blessed. I’d love to hear a bit about how your journey manifesting your dreams to create Frendly, has transformed your life?

    JM: My life, wow…yeah. Great question. I think that over the years Frendly has just evolved and the way that it has evolved, is by so many amazing people being behind this to make it happen. It’s taught me so much…it’s taught me so much in business, in relationships, in health…the yoga, the musicians. It’s really been such a crazy lesson, and I take the lessons from what I’ve created with Frendly into my everyday life; a host in action sports, a boyfriend, and every other thing that I am outside of this, ya know? I just feel like I’m so lucky, because I never in a million years would’ve known if you asked me before I started this, if I would be an event planner or festival owner, or any of that…some of that kinda just popped up out of the ground, and has really shaped my life today.

    CW: Yeah that’s pretty incredible…it’s affected you on every level of your being.

    JM: Mhmm, literally. There’s so much you can learn from, like I was saying – the yoga, the community that this festival brings is so health conscious, Earth frendly conscious…you just get so much from it that I would never have gotten. In the action sports, snowboard world that I come from it’s definitely there, but this is like the core of real human beings.

    CW: Yeah, it is way more interconnected than any other festival I’ve attended.

    JM: Yeah exactly, on a spiritual level.

    CW: Definitely, and that’s one of the defining elements. It’s not about the typical kind of ‘party’ that you see at bigger festivals. The all inclusive vibe of Frendly is undeniable, which is one of many reasons why I have returned every year – what has been your favorite part of watching the Frendly community grow?

    JM: I can think about this and come up with one billion answers because there are so many things, but the first thing that popped in my head was year after year, it grows, it doubles in size, and no matter how many more new people come, everybody ripples with the Frendly inclusive energy. Like watching Twiddle play at the campfire, and everyone respects the band…no one trampled them for an autograph right after…it’s just great that no matter how big it’s grown, it’s still remained to the core of what it stands for.

    CW: You’ve been able to maintain the Frendly essence and it’s quite a beautiful, special energy. I’ll definitely say that where I come from there’s not a great sense of community, and this experience each year has opened my eyes up in a lot of ways.

    JM: That’s the best part about this weekend…for the Frendly crew that prepares the site beforehand, it’s like we’re building, and it’s stressful and crazy, and we’re like what are we doing?! And then all of the sudden everyone shows up, and we remember that’s why we do it – everyone’s so nice, everyone’s hugging you…we want to just embrace every single second around all of these people. I have a broken leg right now, for those of you who can’t see me, and people just come up to me and heal me…people ask if I’m okay, and what’s happened…it’s so nice, like you said, to just be surrounded by kindness everywhere you turn. I wish that the entire world was like that.

    CW: If only we could expand this to cover the Earth!

    JM: Yes if only…Vermont, I would say is very peaceful in this way. If you go to NYC and walk around on the streets you feel alone.

    CW: There has to be a pretty incredible shift, which needs to happen.

    JM: I agree, 100%…if we could bottle this up & turn this into a nuclear bomb of peace and blast it out everywhere…I was a huge John Lennon fan growing up, which is where a lot of this vision comes from, it’s is ingrained in me. I’ve always wondered why there needs to be borders and why everyone can’t be peaceful…this is like our version of it, our small little nugget of it that we get to live.

    CW: It’s a wonderful little world that you’ve created!

    JM: Thank you! That we’ve created…the team, and you for being here throughout the years…it’s all of us.

    CW: Yes! And speaking of Vermont being peaceful, this mountain is the perfect place for Frendly…what led you to Timber Ridge?

    JM: Well, we used to come to Timber Ridge when we were in highschool…a family friend owned it, so we would come here for prom and graduation parties…this was the spot, ya know? If Chris Waker was throwing a party at Timber Ridge, it was known that everyone was going to be there. So the first two Frendly gatherings we threw in California, and then we realized we should throw it in Vermont. So we called up Chris, he asked his dad and they were super excited…from that day on, it’s been the most solid connection and the ridge couldn’t be more perfect for this kind of event.

    CW: That’s wild that you’ve been coming here since you were in highschool…makes it even that much more special for you!

    JM: Yeah I know, if you only knew the memories I have from inside of this lodge from when we were kids! And I see a lot of people here from high-school, it’s kind of like a reunion. There are a lot of stories and history at Timber Ridge.

    CW: The stories that continue to be created are what make the space! Each year’s line-up has been pretty special…what inspired this years?

    JM: Every year the lineup comes from the same inspiration, which is a combination of myself and my partner Danny Davis’ vision…we’re huge music fans, so we spend the entire year looking for music. And then we have all of the facebook fans…we’ll throw out a post asking the fans who they think should headline and play the upcoming Frendly and we’ll get hundreds of comments. We go through each one and see who got the most recommendations, and we really spend time filtering through. We also have Higher Ground, a venue in Burlington that has talent booking, which suggests up and coming artists as well. It’s a year long process of making sure we’ve searched every band in the world!

    CW: It’s pretty incredible that you guys reach out to the fans & take their opinions into consideration. I’m not aware of any other festival that does that.

    JM: Yeah, of course – those are the people who are coming, and they have so many good suggestions…it’s a collaborative decision on the lineup. Our lineups are always very eclectic, and ultimately this is really about bringing people together for a good time, to shut off from technology and connect with each other, and the music is the catalyst for that experience. So we want bands from every genre, to hit every Frend. The whole point of this is because we want all of our frends to come here, to get them all in the same place…so in order to do that you have to cater to all of the frends!

    CW: It’s more about connection, which is most important! That’s just another aspect of what makes Frendly so special. What has been your favorite musical experience so far this weekend?

    JM: The Twiddle campfire set for sure…Thursday night Twiddle played around the campfire, and that was my favorite for sure. I talked to Mihali the lead singer and guitar player, and we were asking each other if it was possible…we talked about it for months. So then when it actually happened, and everyone was singing along, the feeling that we pulled it off. I think that’s the most special part about Frendly, is the unique performances that we get to put together and experience here.

    CW: There are definitely some unique ones! Like the pond sets, where people can be swimming & have the stage right there. I saw some very young kids right up in the front at the fire and was thinking wow, if I were one of those kids seeing Twiddle for the first time, at Frendly around a campfire…how incredible. And to look around, and see almost everyone singing along word for word. It was excellent!

    JM: Yes, yes! It’s so awesome! And the fact that the people respect it. Imagine if people didn’t respect that, ya know?…or like caused a riot…campfires can cause people to get wild!

    CW: A riot over Twiddle at the fire, imagine that…

    JM: Literally it could happen, our headlining band playing around a campfire…

    CW: Yeah it’s pretty incredible that we could have them there and they don’t have to be fenced in, they could be totally exposed and immerse in the experience. I’ve been seeing Twiddle since 2008, lucky for me I grew up about a half hour from where they formed in Vermont. I feel fortunate to have had the opportunities to see them play the much smaller and intimate shows around the area, including many of Mihali’s solo shows. Watching them transform over the past eight years has been so beautiful. But being able to see them play, without a fence…without a crowd pressing to be as close as possible – what a feat you pulled off! It says a lot about the energy created here, and the people that come.

    JM: Exactly! We don’t have to put a fence up, we don’t have security standing everywhere. We do have security in front of the big stage…and sometimes I just want to tell them to go home, like what are ya doing here?…ya look cool standing there with your arms crossed, but everyone’s respectful here.

    CW: Yeah exactly, it’s quite thing to know that you don’t truly need that barrier. What do you envision for the future of Frendly?

    JM: I’ve always envisioned multiple events…bottling up the same experience we have here, and trying to send it around the world to places that need it, places that need a sense of community. That would be the dream come true…doing what we do here around the world.

    CW: That would be awesome, and with how I’ve seen you manifest this into the beautiful creation that it is, I have no doubt that you’ll make that happen! Thank you for sharing your time with me, and for providing such a beautiful experience for so many people! I look forward to many more Frendly’s.

    JM: Thank you Chelsea! It was a pleasure.

    To read NYS’ review of the festival follow link: Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    Stay tuned for several other photo galleries to come, of the bands from each day.

  • String Cheese Incident and Twiddle Play to a Rainy Ommegang Crowd

    Ommegang Brewery played host to jam heavyweights Twiddle and String Cheese Incident on Friday, July 8. Despite the rain, the crowd enjoyed fresh beers and the ideal setting for live music in Central New York.

    Twiddle began their set with a 20 minute long “Gatsby the Great,” as fans packed the front of the stage. Ryan Dempsey was heavy on keys early in the jam and Mihali seemed to tease a Flecktones tune before seguing into “Jamflowman,” with “Layla” worked in towards the end. “Zazu’s Flight” followed, dedicated to Dylan, which moved into “Frankenfoote,” wrapping up a tight four song set of older Twiddle tunes.

    As rainy as setbreak was, the crowd was treated to music referencing summertime and rain for the full 75 minute setbreak, making the extended break even more enjoyable, in addition to Ommegang’s beer selections.

    SCI opened their set with “So Far From Home” > “Wheel Hoss,” raising the crowd out of the soaking rain that came through during setbreak and made brief appearances throughout their first set. The Michael Kang led “These Waves” is ideal island music with a jam that got extremely funky when Kyle Hollingsworth stepped up while Keith Moseley followed with “Until the Music’s Over,” both spacey and uplifting. Behind the band were impressive lights that matched up well with the band, a near perfect array and a highlight through the rain.

    Of all the bands who cover the tune, String Cheese performs “This Must be the Place (Naïve Melody)” better than any other. The outro jam and crowd singing familiar lyrics were a huge highlight to the show. Seguing into “Hi Ho No Show,” a deep jam ensued after and led us into setbreak as a chill descended upon the crowd.

    Set two was oddly mellower than set one, starting with “Climb” and beyond “Can’t Stop Now’, the set never seemed to reach the energy of set one. The newish “Falling Through the Cracks,” and jam ballad “Give me the Love” were relaxing and “Sirens” > “Miss Brown’s Teahouse” attempted to bring the energy back up, which peaked with “Land’s End” > “Colliding.” The encore of Pink Floyd’s “Fearless” > “How Mountain Girls Can Love” closed out the show with the same combo of mellowness and high energy that was found intertwined throughout the show, and wrapped up String Cheese’s first ever show in Cooperstown shortly before midnight.

  • Jane’s Addiction Partner with Dinosaur Jr at the Capitol Theatre

    Alt-rock founding fathers Janes’ Addiction’s Sterling Spoon Tour is celebrating the twenty-fifth anniversaries of both the band’s sophomore studio LP Ritual de lo Habitual and Lollapalooza, the eclectic festival co-owned and directed by Jane’s frontman Perry Farrell. The tour will stop at the Capitol Theatre in Port Chester on Sunday, July 17, with support from jangle-noise rockers Dinosaur Jr. The appearance will constitute the third consecutive night of NYC-metro area performances, following on the heels of tour stops at Coney Island and Asbury Park, NJ.

    Playing in or near New York City is always a sort of homecoming for Perry Farrell, who left his hometown of Queens after high school to pursue dreams of surfing the California coast. The band’s only live album aside from their 1987 self-titled debut was recorded in NYC in 2013.

    Jane’s and Dinosaur Jr both hail from the broad mid-80s world of independent, do-it-yourself music, but they represent opposite coasts and distinct stylistic leanings. Jane’s Addiction blazed a trail by combining heavy metal and post-punk sensibilities into an art-rock fusion music that retained its integrity even after being picked up by a major label. Dinosaur Jr made a name for themselves as the first notable indie band to infuse their songs with soaring guitar solos reminiscent of the seventies rock music that the punk movement had rebelled against. Thirty-plus years on from their formation, this pairing of bands offers audiences a chance to see two highly influential acts who are alike in having historically had difficulty staying together over the course of their respective careers but have recently been enjoying periods of stability and creative fruitfulness.

    The string of eight shows that Dino Jr is set to play with Jane’s Addiction comes just weeks in advance of the August 8 release of their eleventh studio album Give a Glimpse of What Yer Not. See Dinosaur Jr playing “Tiny” from the forthcoming album on The Late Show with Jools Holland:

    [embedyt] http://www.youtube.com/watch?v=GwJN6Ac-dcE[/embedyt]

    See live video of Jane’s Addiction’s jammed out masterpiece “Three Days” from Ritual performed last month in London:

    [embedyt] http://www.youtube.com/watch?v=1G0ZzaBadZU[/embedyt]

    The Capitol Theatre, famous as a venue for classic rock acts and performers who follow closely in their footsteps, is an apt place for Jane’s Addiction and Dinosaur Jr to prove that they too are part of the unified history of rock and roll.

  • Visuals: Phish at Saratoga Performing Arts Center, July 2016

    Phish took their “en Fuego” summer tour to the beautiful park-set and spring fed Saratoga Performing Arts Center over Fourth of July weekend 2016. And while the overall set list selections may have not been everyone’s “AC/DC Bag” (Are they ever?), the bands deep jams and surprises provided much “Joy” throughout the weekend for the majority of true Phish Phans.

    Setlist(s) courtesy of phish.net

    Friday, 07/01/2016
    Saratoga Performing Arts Center, Saratoga Springs, NY

    Soundcheck: Alaska, Let’s Go, Running Scared, Unknown Mike Song
    Set 1: Stealing Time From the Faulty Plan, The Birds > NICU, Cities, David Bowie, Free, Uncle Pen, Halfway to the Moon, Let’s Go[1], Waiting All Night > Bathtub Gin > Golgi Apparatus, The Squirming Coil
    Set 2: Sand > Carini > Chalk Dust Torture[2] > Prince Caspian > Bug, Shine a Light, My Sweet One, Sleeping Monkey > Also Sprach Zarathustra > Fire
    Encore: Character Zero
    [1] Debut.
    [2] Unfinished. With Trey on Marimba Lumina and Mike on keys.
    Teases:
    · My Sweet One and Say My Name quotes in Sleeping Monkey

    Saturday, 07/02/2016
    Saratoga Performing Arts Center, Saratoga Springs, NY

    Soundcheck: Funky Bitch, How Many People Are You, Miss You, Tide Turns
    Set 1: Crowd Control, 555 > Seven Below > Back on the Train, Army of One, Divided Sky, Martian Monster[1] > Rift, Water in the Sky > 46 Days, Walls of the Cave
    Set 2: No Men In No Man’s Land > Fuego > Light -> Golden Age > Taste, The Horse > Silent in the Morning > Julius, A Day in the Life
    Encore: Bouncing Around the Room, Run Like an Antelope
    [1] Trey on Marimba Lumina.
    Teases:
    · Sleeping Monkey quote in Back on the Train
    · No Men In No Man’s Land quote in Light
    · The Birds quote

    Sunday, 07/03/2016
    Saratoga Performing Arts Center, Saratoga Springs, NY

    Soundcheck: Winterqueen (x2), Guelah Papyrus
    Set 1: The Wedge, Heavy Things, Tube, Sugar Shack, Lawn Boy, Sparkle > Sample in a Jar, It’s Ice > Guelah Papyrus, Ocelot > Scent of a Mule[1], Possum
    Set 2: Soul Shakedown Party, The Moma Dance[2] > Twist > Joy > Breath and Burning, Axilla > Theme From the Bottom > Harry Hood > Show of Life
    Encore: Rock and Roll
    [1] Fish on Marimba Lumina.
    [2] Unfinished.

  • Carl Palmer’s ELP Legacy Pays Tribute to Keith Emerson

    When it comes to rock and roll drummers, Carl Palmer joins the ranks of the most regarded drummers in the genre. Under the touring name of Carl Palmer’s ELP Legacy, the drummer intended it to be a celebration of his 50th year as a professional musician. However, in early 2016 when tragedy struck his former bandmate Keith Emerson (who was set to join Palmer on a few shows), the show quickly turned around to a tribute to Emerson.

    S Malinski - Carl Palmer ELP Legacy - Paramount-2

    Palmer stopped by the Paramount Hudson Valley theater on June 16 with his performance, joined by Paul Bielatowicz on guitar and Simon Fitzpatrick on bass. Without Emerson’s legendary keyboard role in the mix of the sound, the group took a new form of power trio to interpret and present Emerson, Lake and Palmer’s music. Channeling the groundbreaking progressive rock format in this setting doesn’t seem like an easy task, but Palmer did it in a fresh way that was just as exciting as ELP’s recordings.

    S Malinski - Carl Palmer ELP Legacy - Paramount-15

    The two-set show started off with a punchy version of the Peter Gunn theme and continued with many of the iconic original and classical re-arrangements that make up the ELP library. Throughout the evening, Palmer took a moment between each song to break from the kit to share a story about the tune, particularly if there was a connection to Emerson. Most notably, he dedicated “Pictures of an Exhibition” to Emerson, which had been one of Emerson’s favorites.

    S Malinski - Carl Palmer ELP Legacy - Paramount-12

    Palmer’s band can properly be called a power trio — their sound was rich, robust, and complete to fill out the fresh take on ELP’s songs. In a way, it sounded like a really good garage band with a progressive rock influence.

    Fitzpatrick alternated between bass and Chapman Stick, which coupled with Bielatowicz’s guitar recreated Emerson’s keyboard parts which defined many of ELP’s songs. Behind them (or rather, front and center on the stage), Palmer’s technical  and powerful drum playing was just as, if not more, vivid than in his younger ELP years. Both Fitzpatrick and Bieltowicz had opportunities to show their chops with solos — an instrumental version of “Take a Pebble” by Fitzpatrick on Chapman Stick and Bielatowicz with a multi-part solo guitar solo right before the intermission.

    Leading out of “Fanfare for the Common Man,” Palmer broke out an extended solo, fairly routine at the start. Building up the solo, he mixed in some electronic drums buried in the kit. After a few minutes navigating the kit, a grin grew on his face as he stood up to show off some Buddy Rich-style stick tricks that drew some quick applause.

    Before calling it a night, Palmer introduced the encore by encouraging the audience to take their phones out and record and post a video of it in memory of Keith.

    [FinalTilesGallery id=’845′]

  • Avett Brothers Light Up ‘Salina’ Street in Syracuse

    Majesty, introspect and foot-stomping good times. All were on display as the Avett Brothers performed before a Landmark Theatre packed to its gilded ceiling on July 7 in Syracuse.

    For two solid hours, the brothers Avett from Mount Pleasant, NC, and their fellow bandmates, exhibited a true appreciation for their audience and exceptional musicianship. A special award should be given to the Avett Brothers‘ road crew for the sheer athleticism required in all the instrument changes throughout the show.

    avett brothers

    The Avetts’ Appalachian roots are always on display, as evidenced by Scott Avett’s ever-present banjo. However, the band’s sound has evolved since its early millennium beginnings to include elements of punk, rock, soul and pop. This is a band of extreme musical talent, able to jump among genres without losing its core appeal; this is a band finally getting deserved recognition.

    The recently released True Sadness, the Avetts’ ninth studio album, topped the Billboard charts in four separate categories last week (Americana/Folk Albums, Top Rock Albums, Alternative Albums and Top Album Sales). The near sold-out crowd assembled at the Landmark that Thursday evening had obviously done its homework, singing along to the new songs as if they were old friends.

    Throughout the night, fans sang and danced and remained respectfully quiet at the appropriate times — and the respect was mutual. Several times Scott Avett expressed his thanks for being allowed to perform.

    The crowd rose to its feet early during a raucous version of the band’s latest single “Ain’t No Man” and stayed that way until the final note of the night. Seth Avett brought down the house with a stirring solo take on “Souls Like the Wheels.”

    While the brothers stood front and center directing the ensemble, it was impossible to miss the whirling dervishes located stage left. Tania Elizabeth and Joe Kwon won the night, proving highly entertaining while shredding their bows on violin and cello respectively.

    The Avett Brothers have traveled a long way from their debut as an unknown Appalachian folk band to one selling out theaters and sheds across the country. The growth within the band has coincided with the growth in its sound; yet it is a sound that is still unmistakably the Avetts.

    The band has made its way west on this tour, but will return to New York on Aug. 13 for a date at the Amphitheater at Coney Island.

    Setlist: The D Bag Rag, Down With The Shine, Talk On Indolence, Ain’t No Man, Through My Prayers, Distraction #74, Salina, Victims Of Life, Will You Return?, February Seven, Smithsonian, Swept Away, True Sadness, The Perfect Space, I Killed Sally’s Lover, Murder in the City, Souls Like The Wheels, Die Die Die, Shame, Live And Die, Laundry Room, Satan Pulls the Strings, No Hard Feelings

    Encore: You Are Mine, Stay a Little Longer, Head Full Of Doubt / Road Full Of Promise

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  • Photo Gallery: Phish SPAC Afterparty with McLovins at Nanola

    As part of a series of Phish SPAC afterparties presented by NYS Music, McLovins took the stage at Nanola in Malta following Phish’s third night at SPAC. Check out NYS Music’s gallery and video from their set below.

  • Beartooth Ready To Get Aggressive With NY This Fall

    Lost, aggressive youth of NY, are you ready to let out your aggression? Then join the boys from Beartooth this Fall as the band brings the U.S. edition of “The Aggressive Tour” to North America. Special guest to help support the tour will soon be announced. The stops in 32 cities across the nation with tickets costing around $20.

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    The tour kicks off at the House of Blues in Chicago and wraps up in the band’s hometown of Columbus, Ohio. Beartooth has been touring in support of its second studio album Aggressive, which was released in June to many positive reviews.

    Beartooth recently made a stop in upstate New York this spring at the first ever Rock N’ Derby festival in Schaghticoke in May.

    Several New York venues are included on the tour. The Chance in Poughkeepsie is first up on the tour Oct. 29 followed by Irving Plaza in New York  Oct. 31, and Upstate Concert Hall in Clifton Park on Nov. 4.

    Beartooth Tour:

    10-02 – House Of Blues – Chicago, IL

    10-04 – Mill City – Minneapolis, MN

    10-05 – Summit – Denver, CO

    10-06 – Complex – Salt Lake City, UT

    10-08 – El Corazon – Seattle, WA

    10-09 – Hawthorne – Portland, OR

    10-10 –  Ace of Spades Sacramento, CA

    10-11 – Observatory –  Santa Ana, CA

    10-12 – The Regent – Los Angeles, CA

    10-14 – House Of Blues – San Diego, CA

    10-15 – Nile – Phoenix, AZ

    10-17 – Backstage – San Antonio, TX

    10-18 – House Of Blues – Houston, TX

    10-19 – House Of Blues – Dallas, TX

    10-21 – State Theater – Tampa, FL

    10-22 – Beacham – Orlando, FL

    10-23 – Revolution – Fort Lauderdale, FL

    10-24 – Masquerade – Atlanta, GA

    10-25 – The Underground – Charlotte, NC

    10-27 – Soundstage – Baltimore, MD

    10-28 – TLA – Philadelphia, PA

    10-29 – The Chance – Poughkeepsie, NY

    10-30 – Stone Pony – Asbury Park, NJ

    10-31 – Irving Plaza – New York, NY

    11-02 – Palladium – Worcester, MA

    11-03 – Webster – Hartford, CT

    11-04 – Upstate Concert Hall – Clifton Park, NY

    11-05 – Mr. Smalls – Pittsburg, PA

    11-06 – Orbit Room – Grand Rapids, MI

    11-08 – House Of Blues – Cleveland, OH

    11-09 – The Ready Room – St. Louis, MO

    11-11 – Express Live! – Columbus, OH