Category: Regions

  • Slightly Stoopid Returns to Saranac With Red Eyes

    Nothing beats a hot summer day like great live music, friends, a beautiful city, and beer. Cold, fresh-brewed beer at that.  Utica, NY was certainly hoppin’ as Saranac Brewery hosted Slightly Stoopid, SOJA, and Zion I, The Grouch, & Eligh on July 22 in the outdoor courtyard.

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    Zion I, The Grouch and Eligh kicked off the summer evening in the brewery district with their bright harmonies, feel-good rhythms, and conscious hip-hop lyrics. Zion I is swiftly attracting fans on this tour promoting his new LP due out in September, titled The Labyrinth.

    Humid air from the blistering sun didn’t seem to phase anyone in the audience as the cool, crisp ales flowed from the kegs and moistened the lips of the awaiting patrons. Following a brief refreshment break, SOJA danced onto the stage with instruments in hand and crushed a 45 minute set of their smile-inspiring original reggae-rock music, which included some dread swinging and tasty drum-line solos.

    Front man Jacob Hemphill continuously gave props to Utica for their unmatched energy, in between songs from the Virginia-based groups’ most recent Grammy-nominated album, Amid the Noise and Haste. Before exiting the stage, Hemphill again gave praise to the tour headliners for their generosity as well as the crowd and Saranac Brewery, wishing everyone to “Thanks and Have a great … everything!”

    Before Slightly Stoopid‘s set, Saranac’s own Fred Matt embraced the stage and took to the microphone to give a slurred thanks to all in attendance and took a traditional selfie, while holding up a fresh brew, stacked with a couple thousand excited fans behind him.

    Moments later, a rumbling Star Wars Imperial March pumped from the PA speakers grabbing the crowds attention, making way for another Return of the Red Eye Tour performance. The group kicked into gear with “Champion of the Charles,” as Miles Doughty yelled out “It feels good to be back, Utica!” while fist-pumping his chest. After a few songs, Doughty and Kyle McDonald switched up instruments allowing McDonald to sing a few tunes including “Officer” and “Just Thinking” with special guests The Grouch and Eligh, before beautifully singing “The Prophet.”

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    Taking turns singing and switching guitars seemed to be of second nature to McDonald and Doughty as they each continuously electrified the audience with energy and inspiration. “Too Little Too Late” provided some fast-paced dancing for fans with it’s up-beat Ska rhythms and horn-play. Doughty playfully asked “Where’s all the good Utica chronic” before hammering out “Rolling Stone” and “Ain’t Got a Lot of Money.” Hard work and extensive touring was surely paying off for the west-coast group as the audience cheered and sang along through a set ending “Anywhere I Go.”

    Returning for a solid 4-song encore, the group emerged amongst a dimly-lit stage to “Cantina Song,” further augmenting their semi Star Wars themed tour. While having much appreciation for the Grateful Dead, yet not being a “jam band,” Slightly Stoopid played a rather enjoyable take on “Franklin’s Tower,” sprinkled with some light piano work by Paul Wolstencroft. The group ended the night by staffing every inch of the stage with the help from SOJA on the Dennis Brown tune, “If This World Were Mine.”

    Set: Imperial March (Star Wars), Champion of the Charles, Til it Gets Wet, Somebody, Up On a Plane, Hold It Down, Officer, Just Thinking (w/s/g Grouch & Eligh), The Prophet, This Version, Prayer For You, No One Stops Us Now, Collie Man, Too Little Too Late, Del Roy → 2 AM, Serious Man, Closer To the Sun, Stones 1, Bandoz, Ain’t Got A Lot Of Money, Don’t Stop, Don’t Care, Anywhere I Go

    Encore: Cantina Song (Stare Wars), Franklin’s Tower, Train, Express Yourself, If This World (w/s/g SOJA)

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  • Slipknot and Marilyn Manson at Lakeview Amphitheater Syracuse

    Slipknot and Marilyn Manson made a stop on their joint tour at the Lakeview Amphitheater in Syracuse, NY on July 23. The tour features an aggressive schedule and will include stops in more than 30 cities across North America. Of Mice & Men joined as special guests.

    First up was Southern California quintet Of Mice & Men lead by front man Austin Carlile. You can always tell when a band wants to be somewhere and really wants to play, when they hit the stage exactly on time and rip through as many songs as possible. That was the impression I got from Of Mice & Men and I can appreciate their effort and enthusiasm. Of Mice & Men tore through eight songs in thirty minutes that included booming vocals that alternated between screams and harmonic melodies, metal solos complete with whipping long hair and some seriously hard drum beats. Highlights of their set included “Public Service Announcement,”  “Never Giving Up,” “You Make Me Sick” and “Pain” off of their upcoming release Cold World due out September 9.

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    After some uncertainty and much debate from fans as to whether or not Marilyn Manson would be healthy enough to play, the band took the stage. Manson previously cancelled his July 21 performance in Quebec City at the last minute due to illness. Manson started in with the theatrics immediately, throwing bags full of blue and red colored chalk into the crowd who responded by picking up the bags and throwing them in the air so that others could share in the fun. Manson’s set was full of oddities, including stained glass images of Manson in a Jesus-like pose at either end of the stage, a variety of microphones including one with a knife and one with brass knuckles, a Marilyn Manson $666 bill as the backdrop, a burning bible and even stilts.

    The crowd filled in quickly as the first notes of “Angel With the Scabbed Wings” hit the air. Manson didn’t waste any time and jumped into the crowd to interact with the fans during the second song “Disposable Teens.”  There was a bit of flopping around the stage, throwing of a few microphones and some of the singing was incomprehensible at times but the worst part of the set was two very lengthy delays, one 15 minute delay where Manson left the stage after the fourth song “mOBSCENE” and another lengthy delay before the final song of the evening “The Beautiful People.” I am guessing that the delays are due to Manson’s illness and that hopefully once he is feeling better, he will resume a full length performance.  Despite the short set, Manson did a great job of engaging the fans. He performed the entirety of the Eurythmics’ cover “Sweet Dreams” perched above Paul Wiley (guitar) and Twiggy Ramirez (bass) on stilts. For the encore, Manson brought two female fans up on stage to help sing “The Beautiful People” while he ran through the crowd all the way to the sound board and shot off a cannon filled with Manson’s $666 bills.

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    Set list: Angel with Scabbed Wings, Disposable Teens, No Reflection, mOBSCENE, The Dope Show, Sweet Dreams (Are Made of This) (Eurythmics cover), Antichrist Superstar

    Encore: The Beautiful People

    It was time for the final band of the evening. The crowd filled in when Manson hit the stage but it seemed much denser as Slipknot took the stage. A video of burning mannequins began playing in the background as the band members creeped onto the stage donned in their trademark masks and tore right into “The Negative One” off of their most recent release .5: The Gray Chapter.

    Slipknot’s stage setup is intense. The band has three percussionists, one was set up center stage on risers, the other two were on either side of the stage with their equipment on hydraulic risers that moved up and down and spun around through the entire set. While the center percussionist played a traditional drum kit, the other two were playing on hollowed out kegs that appeared to be homemade drums. The band’s total of nine members come together to create an impressive sound. The band is known for their wild stage antics but fans were to expect things to be toned down a bit in light of lead singer Corey Taylor’s recent surgery. Taylor paused at one point to address his recent spine surgery, “I had surgery recently on my spine, who the f*** has to just have spine surgery for no reason?” He promised that the band was still going to deliver and they certainly did.

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    Slipknot played a selection of songs from their catalog including hits from their self-titled debut and their 2001 release, Iowa. Taylor asked the fans, “Who wants to go back to 2001 with me right now? Who wants to hear some songs off Iowa?” The band played “Distasterpiece,” “The Heretic Anthem” and later in the set “Left Behind” all tracks from Iowa.

    Corey Taylor engaged the fans throughout often referring to them as “family” and requesting the lights go up so he could see their faces. The band played an extensive 18 song set. Fan favorites included “Psychosocial,” “Wait and Bleed,” “Duality” and “Spit It Out.” Taylor ended the evening by stating “I sincerely hope you have had as much fun as we have.”

    Set list: The Negative One, Distasterpiece, Eyeless, Skeptic, Before I Forget, Killpop, Dead Memories, The Heretic Anthem, Psychosocial, Pulse of the Maggots, Left Behind, The Devil in I, Wait and Bleed, (sic)

    Encore: Surfacing, Duality, Spit It Out

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  • Zac Brown Band Sling-Shots Their Way Into Syracuse’s Lakeview Amphitheater

    Zac Brown Band brought a diverse mix of traditional mainstream country, bluegrass, gospel and even rock ‘n’ roll to create an unpredictable evening of music for an enthusiastic crowd at the Lakeview Amphitheater on Thursday July 21. The eight-piece group transitioned seamlessly from one music style to another while incorporating a unique array of sounds including a three man horn line, pizzicato violin interludes, Latin percussion and powerful backup vocalists.

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    The group kicked off their set with “Homegrown” followed by “Knee Deep” and “Whiskey’s Gone” before getting the crowed all revved up with the well-known “S.O.B.” (Nathaniel Rateliff & the Night Sweats cover). Brown was engaging and endearing throughout. He paused before playing “Tomorrow Never Comes” to invite the fans to “Forget whatever bull**** happened to you this week, this month or this year or whatever and just get lost in the music.” He took a moment to promote his new line of red wine and to let folks know it was being sold at the venue. The band also appeared to have a blast catapulting merchandise into the crowd using a hand-held cannon and giant slingshots.

    The band took a short break midway through their set before coming back to delight fans with their notable covers of the Who’s “Baba O’Riley” and John Mellencamp’s “Jack and Diane.” Both were interesting choices for a country band but they performed them well and the crowd responded by dancing and singing along. They ended their set with fan favorite hit “Chicken Fried” before coming back onstage to perform a two song encore that included “Let’s Go Crazy” (Prince Cover) and “Beautiful Drug.”

    Zac Brown Band proved that they are much more than a mainstream country act. The show was well worth long waits in traffic both getting to and leaving the venue. Hopefully, the venue’s powers that be will continue to work to improve the traffic situation before next season.

    Set list: Homegrown, Knee Deep, Whiskey’s Gone, S.O.B. (Nathaniel Rateliff & the Night Sweats), Goodbye in Her Eyes, As She’s Walking Away, Tomorrow Never Comes, Colder Weather, Sweet Annie, It’s Not Ok, I’ll Be Your Man (Song For A Daughter), Baba O’Riley (The Who), Toes, Loving You Easy, Jack & Diane (John Mellencamp), Keep Me in Mind, Castaway, Chicken Fried

    Encore: Let’s Go Crazy (Prince), Beautiful Drug

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  • Rockin in the Heat, Vans Warped Tour Heats Up Darien Lake.

    It was a balmy, cloudy start to the day for this years edition of the Van’s Warped Tour at Darien Center. Around twelve the weather turned and the sun decided to stay out making the weather quite enjoyable.

    The Word Alive:

    The five piece metal core band out of Phoenix, AZ; led by lead vocalist Tyler “Telle” Smith kick-started the day off from the second they took the stage. Immediately the crowd was engaged, singing along with Smith and the mosh pits starting immediately when the band took the stage. When the band played their hit track “Sellout” off their most recent album Dark Matter, the crowd went insane and a circle pit started and seamlessly didn’t end until the song was near its end. All in all, The Word Alive kicked off Vans Warped Tour with an enormous bang.

     Four Year Strong:

    The Boston, MA punk rock group, dressed in Hawaiian clad gear took the stage on the Journey’s right. From the jump off the band’s energy ignited the crowd. Playing a good combination of old and a couple new tracks, the band held high energy throughout their performance. With a crew member dressed up as Santa tossing out shirts to the crowd, Four Year Strong lived up to the performances of the past Warped Tour.

    Ice Nine Kills:

    The quartet metal core band took the stage and their set up was miraculous. With a giant skull set up with the drum set the middle, INK hands down had the best stage set up on the entire bill. Playing all of their hit songs like, Bury this hatchet in your head, and closing with Me, Myself and Hyde. From beginning to end INK crushed their time on stage and the crowd was involved right from the jump. Lead vocalist Spencer Charnas was the life of the stage as he came into the crowd and really ignited the place around him. Overall Ice Nine Kills put on one of the better performances of the day.

    Every Time I Die:

    The Buffalo, NY five piece in their first Warped Tour appearance in two years took the day. With it being their homecoming performance on the Vans Warped Tour the band did not pull any stops, with the Buckley brothers Jordan and Keith jumping into the crowd really exciting everyone in attendance for their performance. They debuted a new track off of their upcoming album Low Teens to be released on September 23 of this year. A special gift was given to anyone that purchased any merchandise from their tent, with any purchase a digital download of the new album was given. Overall, the hometown boys really brought down the hammer and heated up the already hot day with the best performance of the day, really showing that Buffalo metal will only live on through this band.

    Sum 41:

    In their first appearance in many years the Canadian quintet showed they still have the juice. Playing all of their classic hits and a new track off of their upcoming album Sum 41 definitely gave this writer the nostalgic feeling of being back in high school. With tracks like Still Waiting, In Too Deep, Fat Lip and The Hell Song; Sum 41 brought the crowd to life with all of their classics as their performance was towards the end of the evening. There wasn’t much room to stand as the revival of an old punk rock classic made their long awaited reunion. One of the most notable parts of their performance was when the band brought up fans from the crowd to party on stage with them, proving that this band is definitely ready to make their way back into the scene. Deryck Whibley looked like he never missed a beat and the band followed his lead and kept the crowd alive with their performance.

  • The Weekend at Camp Springer

    Camp Springer will be held July 29-31 at Stable Gate Winery.

    Lineup includes Kat Wright & the Indomitable Soul Band, Reign of Kindo, Start Making Sense, Lawrence, Eggy, West End Blend, Jarryd Torff Group, Cookin’ Hooks, MNDLS, On the Spot Trio, Deadgrass, Kalahari, Nu Moon, and Warhov.
    Camp Springer

  • Night Lights Music Festival to Hold Battle of the Bands 2016

    Night Lights Music Festival will hold a Battle of the Bands to give two bands an opportunity to perform at the sixth annual event on August, 25, 26 and 27, 2016. NYSMusic is proud to sponsor this year’s contest.

    Interested bands are asked to submit a current Electronic Press Kit including a Hi-Res live video performance, a current band photo and social media details to nightlightsfestbands@gmail.com.  All submissions must be received no later than 11:59 P.M. on Aug., 3, 2016.  Finalists will be announced on Aug., 4th. Voting will run Aug., 5th through 12th. NYSMusic.com voters will have the final word, with the band with the highest number of votes will open up the festival’s Friday Main Stage. A second artist or band will receive the Judge’s Choice Award and a slot in the festival’s line-up.

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    The Night Lights Music Festival is a magical three-day event in Sherman, NY that combines the power of sound and light to give festival-goers a unique sensory experience. At the top of the bill are the renowned fusion/electronica powerhouse Beats Antique, two-time Grammy Award winning guitarist Eric Krasno, Moon Hooch, the London Souls, Ithaca’s Jimkata, Holly Bowling, and Buffalo’s groove-rock quartet, Aqueous.

    This year’s festival will feature expanded and enhanced lighting trails and installations, and new daytime activities, such as a Kan Jam tournament, poetry readings from Just Buffalo Literary  Center, yoga, Hoop-a-Thon from UltraHoops, swimming, biking/ hiking and much more.

    For full lineup and more information on Night Lights Music Festival, visit their website.

  • So Right on a Friday Night in Saratoga with Dave Matthews

    Saratoga Performing Arts Center has been a staple for Dave Matthews Band for so many years and the band busted open the two night run with So Right, fitting perfectly and setting the tone for the weekend. The band is celebrating their 25th year this tour and with their upcoming break next year the band is putting it all on the table as they poured through their catalog with favorites as well as mixing in a few newer tunes. Fan favorites Recently and Crash followed and kept the energy flowing through, it seemed like the band was having an incredible time on stage and continued to pour it on throughout the evening. The Crowd was mixed with younger and older fans alike and was great to see families enjoying the great lawn together.

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    Setlist: So Right, Recently, Crash, Raven, Warehouse, Bob Law, Proudest Monkey>Satellite, One Sweet World , Crush, Samurai Cop , Seek up , Idea of the you, Grey Street*, Death on the High Seas , Typical Situation , Too Much , Pantala Naga Pampa>Rapunzel Encore: Sister, Granny, Tripping Billies

    *w/ Dave Pietro

  • 2016 Vans Warped Tour NYS Fairgrounds Syracuse

    The 2016 Vans Warped Tour made its first appearance in Syracuse at the New York State Fairgrounds on Thursday July 7. Despite the extreme heat, the punk rock music festival drew a large crowd. The fairgrounds was an ideal setting for the expansive set up that included seven  stages, vendors, local food trucks, an adult size slip and slide and the  air conditioned “chill out” truck that offered fans free energy drinks and some relief from the burning heat of the sun.
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    Warped Tour is celebrating its 22nd birthday this year and the impressive lineup included Warped Tour veterans Less Than Jake, Yellowcard, New Found Glory and Sum 41. The lineup also included popular metal acts Motionless in White, White Chapel and Every Time I Die. There were also a few Upstate New York bands, including Syracuse’s own One Last Shot and State Champs from Albany.
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    The Vans Warped Tour offered a perfect blend of veteran acts, rising stars, local favorites, punk rock and metal. The mix of offerings attracted a broad spectrum of fans of all ages and music preferences making for a one of a kind experience.
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    Check out the photo gallery for captured moments and memories from the day.
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  • Alice in Chains at the Turning Stone Casino

    Alice in Chains brought a perfect blend of classic and new hits to a near capacity crowd at the Turning Stone Casino and Resort on Friday July 22. Alice in Chains, who recently opened a few of the Guns N Roses reunion shows, is currently headlining a North American Tour that is scheduled through early October.

    Chris Besaw Alice In Chains Turning Stone 2016-4034

    Alice in Chains, despite the passing of lead singer Layne Staley in 2002, has been forging ahead with William Duvall as their full time lead singer and has been touring since 2006. The new line-up has since released Black Gives Way to Blue in 2009 and The Devil Put Dinosaurs Here in 2013. Alice in Chains is beginning work on their next studio album with a TBD release date. This is my third time seeing Alice in Chains with DuVall and if you haven’t seen them yet, you are missing out.

    Alice in Chains opened with “Hollow,” followed by “Them Bones” and “Dam That River.” William DuVall and Jerry Cantrell flawlessly traded off vocals reinforcing that authentic Alice in Chains sound. The band continued with more hits, “Check My Brain,” “Angry Chair,” and “Man in the Box.” Bass player Mike Inez attempted to get the crowd revved up by playing at the edge of the stage and motioning for the audience to cheer. Cantrell worked to engage the audience as well by yelling come on and pumping his hands in the air. The crowd fell a bit flat despite the best efforts of the band members to get them pumped. Cantrell took the time to thank fans who were engaged by flipping a guitar pick to them between songs.

    Drummer Sean Kinney took a short break from pummeling his drum kit to joke around with the band and the fans by making a circle with one hand and poking a finger through it with the other to indicate the band was about to play “Down in a Hole.” Kinney in addition to being an amazing drummer, clearly has a sense of humor and finds creative ways to interact with the fans from behind his drum kit.

    The evening continued with “We Die Young,” “Got Me Wrong,” and “It Ain’t Like That” before the band took a short break. The encore included some of my favorites with a powerful version of “Rooster,” “No Excuses” and an in your face “Would?” Alice in Chains bid the crowd goodnight; Cantrell, DuVall and Inez tossed out handfuls of guitar picks as Sean Kinney handed out a few drum sticks to select fans he had engaged with throughout the set.  Alice in Chains created a memorable night of music from Cantrell’s haunting guitar riffs to DuVall’s perfectly sung harmonies, Inez’s energy and smile intermingled with Kinney’s constant backbeat; these guys know how to get it done.

    Set list: Hollow, Them Bones, Dam That River, Again, Check My Brain, Nutshell, Angry Chair, Man in the Box, Your Decision, Down in a Hole, Stone, Last of My Kind, We Die Young, Got Me Wrong, It Ain’t Like That

    Encore: Rooster, No Excuses, Would?

  • Photo Gallery: Happy Owl Fest 2016

    This past Saturday, on one of the hottest days of summer, the Happy Owl Fest flew into the quaint, Grateful Dead-esque ‘venue bar’ known as American Beauty, located in the midtown section of Manhattan. Typically, I would not be very excited to be inside for a festival in the middle of the summer, but fortunately, this venue’s air conditioning battled the 100 degree heat without mercy. At times, there were rumblings of people actually being cold. Add to this the ample selection of good craft beer, and American Beauty’s only food offering, a free personal cheese pizza with each beer, and you have a lovely way to spend the better portion of your weekend day. I haven’t even talked of the line up yet, which of course was the reason I was there in the first place.

    The schedule was ambitious, including nine acts between the hours of 3pm and 3am, with a bonus side hustle of the Phish webcast from Chula Vista, CA, which was projected in the main bar while the bands played on in the main stage area. I was one happy camper that I was able to catch the full sets of Polyvamp, Sylfox and the Hustler, Formula 5, and Sprocket. Alone across these four bands was an eclectic mix of music that should satisfy a majority of musical tastes. In sum, the Happy Owl Fest navigated improvisational rock, funk, and electronic with a dash of blues, not necessarily all at the same time.

    Should this event take place again next year under similar circumstances, I wouldn’t hesitate to make the trip. The balance between venue, beer, food, music and price of admission was quite welcome. The only suggestion I would make is for the venue to make a small investment in a house lighting system. On one hand, the noir scene makes for a rare experience in dedicated club venues these days. On the other hand, a little lighting action would would inject some energy into the room, in this photographer’s opinion.

    Till next year, enjoy my gallery from the first Happy Owl Fest.