Category: Regions

Blackberry Smoke rolls into Upstate Concert Hall

Blackberry Smoke tells everyone that they are too country for rock and to rock for country, and that was on full display Saturday night as they tore up the Upstate Concert Hall. Lead vocalist and guitarist Charlie Starr, Bassist Richard Turner, drummer Brit Turner, guitarist Paul Jackson and Brandon Still on keyboards ripped through a set that contained songs from their long 16-year career.

Capping off a weekend of headlining shows after opening up for the legendary Gov’t Mule all summer Blackberry Smoke proved to everyone in attendance that they deserve to be in a headlining spot. They are one of the tightest live bands this writer has seen with everyone on the band playing off of and complimenting each other to the fullest. Blackberry Smoke seamlessly blends Southern Rock, Country, Hard Rock and Jam music into their own style and they did it to near perfection. Starr’s vocals live are just as smooth as they are on a recording.

Mid-way through the show there was a distinct sticky smell in the air near the front of the stage which led to Charlie Starr to make a new impromptu song which he called “Front Row Reefer”, which was basically an ode to the best reefer being in the front of the house and the skunk was in the back. After riffing on the new song he asked the crowd if anyone got that on video. Maybe the cut will make the next album.

Blackberry Smoke play their music their way and have not changed that thinking over their long career, and it now seems people are finally starting to take notice. They have gone from a bar band to a band that is capable of headlining arenas, and this writer for one hopes that more people take the time to listen to them and appreciate one of the truly great modern bands that is keeping the rock and roll spirit alive.

Opening the show was Philadelphia’s Stolen Rhodes whose brand of Southern rock got the packed crowd heated up.

Blackberry Smoke are on tour supporting their upcoming new release “Like an Arrow” which is slated to be released on October 14, 2016.

October 5, 2016
Project/Object Kicks-Off Northeastern Tour

New Jersey-based Frank Zappa tribute band Project/Object will be touring the Northeast United States through October 23rd with stops at Mavericks in Ontario, Canada on Friday, October 7; The Garrison in Ontario, Canada on Saturday, October 8; at The Tralf in Buffalo, New York on Sunday, October 9 and at Lovin’ Cup in Rochester, New York on Monday, October 10.

Founded in 1989 by guitarist/vocalist André Cholmondeley, Project/Object has gone through numerous lineup changes since its inception, hosting more Zappa alumni than anyone other than Zappa himself. Project/Object welcomes back alumni vocalist/guitarist Ike Willis and synthesizer legend Don Preston for a tour “Celebrating 50 years of The Music Of Frank Zappa” featuring material both men recorded with The Mothers Of Invention, The Frank Zappa band, and much more!

NYSMusic’s Amy Cavalier recently caught up with Cholmondeley about the upcoming tour and what it’s like being in the longest-running Zappa alumni tribute band in the world!

NYS Music: Tell me the story behind Project Object’s inception? What was the vision for the project?

André Cholmondeley: My vision for the project was simply to turn people onto music that was very influential and important to me.

Around 1989 I started having a Frank Zappa birthday party at my apartment. We would listen to only Zappa music for 24 hours and read interviews read album covers etc. I realized that many people were showing up and did not know a lot about Zappa and left with names of records and songs scribbled on paper. This is way before the blow up of the Internet so people would come back the next year having searched record stores and maybe built a little Zappa collection.

About the third and fourth year, my band played at one of these parties, performing about a half-dozen Zappa songs. It went over great so we learned another half dozen and soon we played our first gig in New Brunswick, New Jersey. It just blew up from there. Next was Lion’s Den in New York City where we connected with our first managers Howie Schnee and Mike Maietta.

NYS Music: A pretty high bar has been set by Frank Zappa, his son Dweezil other Zappa tribute bands…what makes Project Object so unique?

AC: Indeed Dweezil’s band is incredible.I think what makes us unique in our way is that we went out and did it before other bands, over twenty years ago. We were the first band to tour with so many diverse Zappa alumni across the USA and into Canada since Zappa himself took them on the road. We also were the first to do a wide variety of his music

The Grandmothers (ex Zappa/Mothers members) were out there but they tended to do the very excellent early stuff ONLY. We went out there with Ike Willis then Napoleon Murphy Brock etc. and did material from every period in Zappa’s history.

NYS Music: Is there a lot of pressure to get it right and recreate the songs as accurately as possible? Or is there still room for improvisation?

AC: The fans know every note! We strike the balance between doing some tunes as close to the record as we can, with the correct sounds and timbre and instrumentation. And then other things we do – perhaps one of Zappa’s many live versions – we look for moments in the songs where he would leave room for improvisation.

Improvisation is very important part of the Zappa aesthetic but at the core is doing the music accurately and getting chords and little parts correct. I have been fortunate to have so many of the actual ex-Zappa players in the band so along the way they correct parts and help us get little details right.

NYS Music: There have been a lot of stories about Zappa’s family and disagreements over copyright issues, as well as stories floating around about bad blood between you and Dweezil, in the news. How do you get away with playing songs without infringement issues? And has the air cleared between you and Dweezil?

AC: Early on we got so many threats from Gail Zappa that we sought the advice of a lawyer and I learned a lot about copyright law. It’s very basic and simple. As long as the venue you are performing is paying their American Society of Composers, Authors and Publishers (ASCAP) or Broadcast Music Inc. (BMI) membership dues for publishing rights, you are fine. That’s why there is an enormous business in cover bands of every genre imaginable. It was always completely legal to do what we do. In the Project/Object entire career of over two decades we have had to cancel two, maybe three gigs because the venue was not part of ASCAP membership.

I think the NPR interview I did “NPR Zappa Lumpy Legacy” is the final word on it. NPR spoke to me as well as Gail Zappa and independent legal

counsel and they said on national radio that as long as the club is certified it’s no problem playing published music of any artist.

As far as the recent history about the copyright issues and the Zappa family, a lot of what happened was due to the wishes and direction of Gail Zappa. Now that she is gone there is a real splintering of stuff and the siblings are sadly in dispute over many issues.

Even before she passed away I made peace with Dweezil and have seen his band several times. He was very gracious about accepting my apologies for the previous bad vibes. He was aware it flowed in both directions. This thawing of the ice has continued after Gail Zappa’s passing and Dweezil has been very public talking about how the Zappa family trust unfairly charged him for various things and made it difficult for him to just go out and play the music.

I’m happy to say that through his agent, Dweezil and I worked together recently to plan out these historic appearances that Ike Willis is doing with his band. I want to support anything and everything that celebrates Frank’s music.

NYS Music: Your partner was in a serious car accident recently which caused you to postpone your tour. How is she doing and why have you decided to resume the tour at this point in time?

AC: While Robin is still experiencing a fair amount of pain and difficulties she has come a long way in what is almost seven months since the accident. She will be with us on this tour in a very tentative and basic role – we are trying to see how much she can do safely in her regular job as merch and Production Assistant. We hated canceling that tour and she is happy to be out on this one and to be able to personally thank so many of the fans who helped us out.

NYS Music: What is the feeling going into this tour?

AC: We just love to play and get out and travel and this is a great time of year to do so. We have a few things we have never done before, some stuff we have not done in a decade or more, balanced with a couple of the Zappa song-along, crowd favorites that you almost have to do, so it’s a mix!

We are upbeat and excited to get out there playing this incredible music again. Also Zappa lyrics, without even touching them up, have a timeless political accuracy and so getting out right before yet another ridiculous American election season is kind of perfect.

For more information about Project/Object visit www.projectobject.com or follow Project/Object on Facebook or Twitter.

October 5, 2016
Glass Animals Brings Dance Party to Sold Out Show

British indie rock group Glass Animals finished their two-night New York City run on Thursday night at Terminal 5. The evening began with opener Pumarosa. Lead woman Isabel Munoz-Newsome captivated the audience with her sultry voice and funky dance moves. Their unique sound, which combines disco beats with electric guitar solos, tight bass lines and an occasional saxophone playing in the background filled the space nicely. Their closing song, “Priestess” was a 10-minute long dance party that got everyone in the crowd moving and pumped up the adrenaline for the headliner, Glass Animals.

The venue was packed, and there was barely room to move in the general admission area. During the agonizing 45 minute long set change, the crowd started to get a little rowdy, pushing and shoving to try to make more space. Glass Animals finally came out, opening the set with their hit “Life Itself,” and the mood in the venue lightened. Everyone starting dancing and having a great time.

The sound was impressively clear, and front man Dave Bayley didn’t miss a note all night. The band seemed to be having just as much fun as the audience, and the feedback between the two created a great atmosphere. The set list was well balanced with older songs, such as “Black Mambo,” “Gooey,” and “Cocoa Hooves.” They also played a lot of songs from their new album, closing the evening with a version of “Pork Soda” that included a long freestyle section at the end that had everyone rocking out.

The band was well-rehearsed and knew how to create a fun atmosphere for their audience. Everyone was on their feet, dancing around and completely absorbed in the music. The light show was simple but effective. The band was often washed in pink, green, or red which really complimented the rock-band-at-a-discotheque vibe they were going for.

Dave Bayley came into the crowd for the encore, serenading fans with a cover of Kanye West’s “Love Lockdown.” It was funky and original, and fans loved it. The band put on a great show, captivating an anxious New York City audience that just wanted to dance.

October 4, 2016
Buffalo Scores Big with Two Nights of moe. at Town Ballroom

It had been well over a year since moe. graced the Town Ballroom stage, when they arrived at Buffalo this past weekend. With their annual 2-night stay, fans were happy to have the band “home” again and this time with a last minute opening act Floodwood, featuring Vinnie Amico, Tony Markellis, Jason Barady, Nick Piccininni, and Chris Eves. Floodwood picked, kicked, and hollered with delight to a sold out anxious crowd, which included an original debut by Eves, titled “Green and Blue” featuring some warm vocals and smooth fiddle. This top-notch group flooded the room with enough hip-swinging rhythms to warm up any venue in western New York.

Night one started off rocking with “Rainshine,” a straight-forward rock song, not played enough in rotation. Without “huddle,” Rob led the group into “Jazz Wank,” segueing into a more than an hour long “Buster” sandwich including a seamlessly paired “Lazarus > George” and Pink Floyd’s “Comfortably Numb.” Garvey captivated listeners with his silver-tongued vocals as Schnier lead out the solo with lust and emotion. Since their late-night tribute set at The Peach Fest, the guys have been working more Floyd tunes into their sets for the Fall tour.

Second set sluggishly took off with “Lost Along the Way,” picking up momentum during the instrumental section. The crowded Town Ballroom was then treated to a thick tasty “MEAT” sandwich, doubling up for the evening. The peak of the evening was surely this mamma-jamma, stuffed with tight-fitted solos from each member during “Akimbo” and “Silver Sun.” Topping off the night, Loughlin delivered radiant vocals on Frank Zappa’s “Cosmik Debris,” a tune first debuted at last years Halloween show in Philly.

Sparing little time and energy on Saturday, moe. returned to the stage of the Ballroom and hit-the-deck running with “Blue Jeans Pizza.” Chuck took it upon himself to set fire during the jam, enough to slap a consistent smile on Rob’s face for the duration. Al’s fun piano chops held together an interesting yet playful segue jam before switching to guitar for “Mexico,” which led into Merle Haggard‘s “Mama Tried.” Having only played that twice as a band (Once in 1997 and again last April), the majority of the audience sang along and danced their cares away. Acknowledging the culminating energy, Garvey simply stated “Round 2.”

Next, came a massive “Opium” containing plenty of sustained twang-ish slide guitar work, carried over by Chuck from the previous tune. A lengthy version allowed Vinnie to change up drumming styles, easing his way into “Understand.” Garvey took to the voice box for an honorable rendition of David Bowie’s “Fame” followed by “Same Old Story” to round off the first set.

Commencing the second set with “In the Flesh,” moe. proved how much they’re enjoying playing Pink Floyd as well as utilizing Jim’s voice. Given the opportunity, the ensemble intensely kicked up the energy with “Spaz Medicine.” Next came the last “sandwich” of the weekend with “Yodelittle > Down Boy > Yodelittle” featuring some notable lighting work by Pulse Lighting‘s own Justin Casey, who’s been having too much fun with the Clay Paky B-Eyes and Chauvet Rogue R1 FX-B series lights. After a brief pause, Garvey worked up some slide guitar again for “Shoot First” before segueing into an impressive “Billy Goat > Kids.”

Just before moe. took to the stage one last time, Schnier proceeded with the nightly “Al.nouncements” tradition. Unable to resist, he riled up the Buffalo crowd asking “So, here’s the question, are we gonna win tomorrow?” referring to the Bills vs. New England Patriots game on Sunday. With some New England fans scattered throughout the audience and on stage as well, the response was a little heated tho undeniably entertaining as Al had to explain that Bills Nation lasts year-long. moe. finished up their two-night “hometown” run with “Not Coming Down” and “Spine of a Dog,” giving Buffalo another win of the weekend.

Friday Night Photos by Tim Merrill

[ngg_images gallery_ids=”134″ display_type=”photocrati-nextgen_pro_slideshow”]

Saturday Night Photos by Jim Houle

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October 4, 2016
Syracuse Sounds of Music Association Honors DeSantis Family

The Syracuse Sounds of Music Association is holding its annual dinner Oct. 20 at Traditions at the Links in East Syracuse. The dinner is a fundraiser for several non-profit organizations as well as for Syracuse Symphoria, the successor to the Syracuse Symphony Orchestra and Syracuse Symphony guild. Money raised throughout the year is distributed through a grant process each December. This year’s dinner honors Mario and Maria DeSantis with the Ovation Award, an annual award presented for outstanding commitment to the Central New York music community. This year’s dinner honors Mario and Maria DeSantis and family with the Ovation Award, an annual award presented for outstanding commitment to the Central New York music community.

Mario DeSantis is best known as the leader of the DeSantis Orchestra. The band bearing his surname has been performing for 70 years and is now led by his daughter Maria, who has brought a modern flair to the orchestra.

For more than 20 years, the elder DeSantis provided the soundtrack to the long-running Syracuse children’s television show Magic Toy Shop. He also performed at the Baseball Hall of Fame for Cal Ripken, Jr.’s induction in 2007.

Syracuse Sounds of Music Association’s “Music Matters” event supports not only Symphoria but college music study scholarships as well as a variety of music non-profits in Central New York.

In the past year, the organization has raised over $35,000 through its various fundraisers and the Encore Thrift Shop it runs in Fayetteville. The money raised was distributed among several area non-profit music organizations, including CNY Association of Music Teachers, Syracuse Children’s Chorus, Syracuse Opera and the CNY Jazz Arts Foundation. The group also provided two $1000 scholarships to high school seniors planning to study music in college.

Reservations for the dinner can be made until Oct. 10 through the Syracuse Sounds of Music Association website.

Forty years ago, Central New York children were glued to their televisions watching the Magic Toy Shop. Take a step back in time to hear some of DeSantis’ work on the long-running show below.

October 4, 2016
Recess with Spinelli: An Interview with Dorothy

Radio host, Alexander Spinelli of the new music broadcast, Recess with Spinelli had a chat with the quartet, Dorothy after their show at Upstate Concert Hall in Clifton Park, NY. A fun chat with silliness abound, the band dives into some of their notions of “rock” in today’s music industry, origins, touring with the Struts and long walks on the beach in Hawaiian shirts, while sipping Mai Tais.

Listen to the abridged feature/interview

You can listen to the full feature/interview on the live radio broadcast

On-stage, the band’s presence is energetic, loud, raunchy and well, pure Rock ‘N’ Roll.

Recess with Spinelli can be heard every Wednesday 8pm-10pm EDT on WSPN in Saratoga Springs, NY on 91.1FM and on Hoxton FM in London, England every Wednesday 11pm-1am GMT 6pm-8pm EDT

Follow Recess with Spinelli: Instagram Twitter Facebook Youtube Soundcloud Mixcloud Tumblr and online at longbowmedia.us

October 3, 2016
Armin van Buuren Collaborates With a Different Kind of Artist

Amsterdam is known for its artistic heritage. Two separate art forms will join forces and collaborate in a unique way this fall in the Netherlands. The Van Gogh Museum is teaming up with DJ/producer and native son, Armin van Buuren to merge two separate art forms into one.

Usually collaborating with other music artists, this will be a first for van Buuren. The one-off collaboration will see personal commentary and personalized music from van Buuren in the museum’s special edition multimedia guide, that will takes effect October 21, titled, “Embrace Vincent.”

Van Gogh Museum director Axel Rüger commented about the collaboration:

This collaboration sees us bring music, art and the museum together. Each form of expression influences the other; culture works as a unifying force. The Embrace Vincent project allows us to highlight how Vincent’s legacy remains relevant. And more importantly, that this legacy is being passed down to future generations. This takes numerous different forms, as is aptly illustrated by this collaboration between the museum and Armin van Buuren.

Van Buuren has reached another incredible feat in the music world. On Sept. 30, van Buuren reached a milestone for his career, releasing his 15 year anniversary album in his A State Of Trance series titled I’m In A State Of Trance 15 Years. The two disc set features some of the greatest trance anthems by van Buuren and other top DJ/producers throughout the last fifteen years. Van Buuren was voted #1 DJ in the world five years in a row by DJ Mag, setting two separate records in the process; as the only DJ to have won five times and the longest streak at number one.

October 3, 2016
Taste of Country Music Festival 2016, Day Three: Jake Owen Fights The Cold To Close Out A Three Day Party

The third day of the Taste of Country Music Festival 2016 kicked off around 1:30 pm on June 12th in Hunter, NY. Coming back to the mountain for the third and last day of the festival was bittersweet for me. On one hand, I was looking forward to seeing country super star Jake Owen perform. But on the other hand, I knew that once he finished his performance, the awesome three day Taste of Country festival would be over until next year.

Despite the weather being fairly pleasant and warm the first two days of the festival, the third day of the festival had 40 mile per hour winds which made it feel more like a late fall NY day. At one point there even appeared to be snow flakes in the air. Needless to say, I immediately regretted not packing any sweatshirts or coats for what I assumed would be a blazingly hot three day summer music festival.

The day started on the festival’s main stage with the up and coming country group, Outshyne. The group was started in 2007 in South Carolina by high school friends who had previously only participated in rock bands. The members of the group did not start to appreciate country music until after they had graduated High School and had grown into adulthood. The group members site their main influences to be Merle Haggard, Lynyrd Skynyrd and John Mayer. Outshyne has a notable rock vibe to some of their music and has recently gained considerable ground on the country music scene, with their latest single “That Girl”. They had a country rock sound to their music that reflected their roots.

Up next at around 3 pm was country music veteran, Neal McCoy who started his country music career in 1981 by winning a talent contest. Since then he has released 10 studio albums and 34 country music singles. This included three platinum albums, one gold album and seven top 10 country hits. I had never seen Mr. McCoy in concert, and did not know what to expect when the 58 year old took the stage. I was impressed with the amount of time he took interacting with the crowd, shaking his butt, and even jumping up and down. McCoy had more energy on stage than half of the younger performers that I have had the pleasure to photograph and his anecdotes made the crowd laugh and stay engaged throughout his performance.

After a short break, Mr. “Buy me a Boat” himself, Chris Janson took the stage. Janson moved to Nashville when he was 19 years old, in 2005 to become a country music star. Like so many country stars of today he began his career first proving himself as song writer. His first hint of success came in 2012 when he wrote the Tim McGraw hit, “Truck Yeah”. But his dreams did not actually come true until, despite not being backed by a record label at the time, he came out with the song, “Buy Me A Boat”. He sent the song to country radio show host, Bobby Jones, who loved it and as a result played the song on his show. Following the exposure, the song became a favorite of country music fans around the country and jumped to the top of the country charts. The mega hit caught the attention of major record labels around the country and Janson was soon signed to Warner Music Nashville.

Janson has a blue collar style and friendly demeanor that makes him a perfect country music star. Several times during the concert, Janson would break into energetic harmonica solos, announcing at one point, “are ya’ll ready to see how 135 pounds of skinny white boy can play this harmonica like you never seen?!” to cheers of the crowd. When Janson would play the harmonica, he would throw his entire body into the performance, swinging his arms and legs, dancing back and forth and truly enjoying every second of it. Janson even threw a few lines from Bruce Springsteen’s “Dancing In The Dark” and Hank William’s “Country Boys Can Survive” into his performance to keep things interesting.

I was especially impressed with Janson’s latest single, a song that he wrote about his wife named “Holdin’ Her”. In the song, Janson tells the story of how he met his wife and how much love he feels when he hold’s his her in his arms. Off to the left of the stage, I could see Janson’s wife, Kelly Lynn Janson holding their beautiful infant son, Jesse Bo Janson in her arms (pictured in the gallery at the bottom of the page). During several of the songs, I could see a smile come across Janson’s wife’s face as she watched her husband perform.

Following Janson’s amazing set, I rushed over to the secondary, indoor concert stage of the festival to watch newcomer, Jake Worthington perform. The twenty year old, Texas native attempted to start his country music career in 2013, by auditioning for the fifth season of the NBC reality music competition show, “The Voice”. Unfortunately, he was not chosen by any of the judges and did not make it on to the show.

Worthington showed his resilience by coming back and trying out for the sixth season of the show. This time Worthington was chosen by three out of the four judges, including Adam Levine, Blake Shelton and Shakira, but he unsurprisingly picked country music star, Blake Shelton as his coach for his show. Not only did Worthington make it on the show but he finished the season in second place. All three songs that Jake performed on the show became iTunes top 10 hits.

Shortly after his success on the show, Worthington was signed to record label, W3 Entertainment and released his self titled debut album. Despite his young age, Worthington has a twangy, heartfelt, vintage country sound that reminds me of how country music used to sound decades ago. I would not be surprised to see him accomplishing great things in the industry in the coming years.

At around 6 pm, I rushed back to the main festival stage to watch veteran country singer, Gary Allan begin his performance. Allan has been performing since the age of 12, when he would tour country bars with his father’s band. He was offered a record contract at the age of 15, but was forced by his parents to reject the offer and finish high school. After high school, Allan spent several years finding his sound. At the age of 29, in 1996 he signed a contract with Decca Records. Since then, he has released 11 albums and has had four number one singles.

While playing his set, Allan and his band solidified their country music star status by passing around a bottle of Jack Daniels. Allan has what I would describe as a great balance of modern pop country while still keeping some songs faithful to the original, old school, country music sound.

Giving another newcomer a chance to shine on the secondary stage, up next was up and coming singer, Adley Stump. Like several other performers in this years Taste of Country Festival, Stump got her start on NBC’s singing competition reality show, “The Voice” and was on Blake Shelton’s team during the competition. Earlier this year, Stump was recognized with a Grammy Amplifier award, and was the featured music performer at the 2015 Miss USA telecast. I was truly impressed by the passion that Stump displayed during her performance. She kept a large smile across her face, dancing around, shaking hands with the crowd throughout the whole show.

As a photographer, it was a challenge keeping up with her, but at the same time, when an artist loves what they do, they are also quite a bit more fun to shoot. You could tell that there was nowhere else that she would rather be at that moment. She played a mixture of country favorites and her own songs. I especially loved the upbeat, full of attitude song, “Like This” and the heartfelt salute to our troops and the families that support them from home “Stay At Home Soldier”. Her impressive vocal range also made it easier to feel the emotion behind her songs.

Last but most definitely not least, Jake Owen took the main festival stage around 7:45 pm. Despite the images of warm summer days, beautiful beaches displayed on the large screen and fake palm trees on the stage behind Owen, a 40 mile per hour, freezing cold wind with some snow flurries made things feel like the concert was taking place in early November rather than early June. I was honestly shocked that I was seeing snow flurries in June. Before I traveled to Hunter Mountain, I was warned to expect crazy weather due to the altitude, so I packed a poncho and an umbrella. What I forgot to pack was a decent coat. Despite the cool weather, Owen’s performance kept the cooled crowd captivated with a memorable performance.

Owen kicked off his set with the title track of his latest album, “American Love”. Despite the weather, Owen stuck to his tradition of performing in bare feet, and did not seem to be phased by the cold weather. At one point during the show, Owen jumped off stage and interacted with fans in the front rows. Owen showed the range of his talent by mixing some of his hits with the theme song from the Fresh Prince of Bel Air, Drake’s “Hold On We’re Going Home” and even “Crazy in Love” by Beyonce. Owen prefaced his hit song “Beachin’,” by laughing and saying “Who wants to go to the beach with me……in 40 mile an hour winds”. Owen closed out an amazing set and an unforgettable Taste Of Country Music Festival with his first number one hit, “Barefoot Blue Jean Night”.

After three days of awesome music, extremely unhealthy yet delicious food, and meeting hoards of friendly country fans, Hunter Mountain had begun to feel like a second home to me. I always found it amazing how strangers who would ordinarily ignore each other in their normal day to day life, could become almost instant buddies during a music festival. There is something wonderful about a good concert that can take an ordinarily shy person and turn them into a “smiling, while singing at the top of their lungs” party animal. The environment created, somehow punches through the awkward/shy barrier that prevents strangers who have never met from becoming friends. I suppose that knowing that everyone around also loves country music, is great common ground to start on.

During the festival, I met many very cool and interesting people. As I was in the crowd with my professional grade Canon 5D Mk III taking some pictures of the concert, a short woman in a gray cowboy hat, who reminded me of my grandmother, yelled at me and with a big smile across her face, asked me if I would take a picture of her and her friends. I smiled and agreed, she pulled a small drugstore disposable camera out of her pocket and dropped it on the ground, she picked it up and handed it to me. Looking at the cardboard covered camera, I smiled and offered to use my own camera. That is the way I met Santa Bellino, Jessica McGraw and Paul Campione Jr. who traveled from Staten Island, NY to enjoy the festival (pictured below).

Over the three days of the festival, I also met a group calling themselves the Taste Of Country Family. The group started in 2014, during the second annual Taste of Country Music Festival with 4 people from Marlborough, Massachusetts, John Trotta, Danielle Trotta, Britney Hisman and Bethany Hisman. Since then, the group has grown every year and now includes over 31 people from New Hampshire, New York, Vermont, Rhode Island and New Jersey. Each year of the festival, the group creates a community of tents at one of the official Taste of Country camp grounds and spends the weekend partying and enjoying country music.

In addition to the concerts which usually don’t start until after noon, a typical day includes a campfire breakfast (with mimosas), drinking games, and later at night sitting by the camp fire singing songs while one of the group members, Tyler Senecal, plays the guitar. This year they even had group T-shirts with the phrase “BEER CAMPIN & COUNTRY MUSIC” made for the group. I find it amazing that this festival was able to bring all of these strangers together over the years and in my opinion this group embodies what the Taste Of Country Music Festival is all about.

The 2016 Taste of Country Music Festival was an amazing experience and I look forward to coming back next year, as a reporter or even just as a country music fan. As of this writing, two major headlining artists have been announced for the Fifth Annual, 2017 Taste Of Country Music Festival, Jason Aldean and Sam Hunt.

October 2, 2016
Reed Mathis Resurrects Beethoven in Buffalo

Bassist Reed Mathis is embarking on a new adventure. His album, Beathoven, just out September 30, features nine different trios tackling his rearrangements of Beethoven’s 3rd and 6th Symphonies.

But the true nature of the project is the live band, with Jay Lane (Primus, Ratdog) on drums, Todd Stoops (RAQ, Kung Fu) on keys, and Clay Welch, a young guitarist who literally honed his craft while following Mathis’ old band Jacob Fred Jazz Odyssey. As Mathis explained before leaving the stage at set break, Beethoven’s music was conceived from improvisation and was heavily improvised on when Beethoven himself performed. Mathis felt it was time to take the music out of the museum, dust off the 200-year-old masterpieces, and get back to the true spirit of the original music. So he is taking it on the road for a couple of years with his new band, to resurrect the life of the long-dormant spirits. They stopped at the Iron Works in Buffalo during their short tour surrounding the release of the album.

Writing good songs has long been a crutch for many jambands. Many rely on playing lots of cover material, some exclusively so. Though if you are going to do that, you might as play material from one of the greatest composers of all time. Beethoven’s original music served as a mere blueprint, an inspiration, and a launching off point for what became deep dives into massive exploratory soundscapes. The first piece they played, the 3rd movement of the 3rd Symphony, aka “Rebirth,” clocks in just over five minutes on the album. Live, on this night, it ran 45 minutes. Their jams flowed from theme to theme, each taking on a life of it’s own before dissolving or sometimes abruptly shifting into the next. This constant movement kept the long-windedness feeling remarkably shorter, easily digested and invigorating.

The quartet played wonderfully off of each other, under the direction of Mathis, who belted out instruction now and again. Encouraging for more of the same when he heard something he liked, calling for a change when it was time to move on, etc… At one point, during the second composition, he almost brought the music to a stop as he took a survey of those on stage and all in attendance if they liked the last bit they had played. It was something new they were testing out. Moments like these and the freshness of the music to both the band and audience, gave the concert a feeling of an intimate dress rehearsal. It felt like we were in on the ground floor of something big.

The music wasn’t just electric, but eclectic as well. Each member brought a full arsenal to the table. Mathis’s bass could hold the groove or step up and become the lead in any number of unique sounds he could conjure from his numerous pedals. Lane’s drumming, highlighted often, was a constantly moving rumble rolling the music forward with a controlled chaos of bops booms and crashes. Stoops could fill in every empty space with swirls of organ or take the lead in mystifying runs through Beethoven melodies on a variety of keyboards. Welch’s guitar was the line that tied through it all, jawing directly with Mathis, dancing with Stoops’ plinks or crunching out rhythms along with Lane, all the while, never devolving into self-indulgent soloing. It was some high brow jamming, or as Mathis calls it, CDM (Classical Dance Music).

If you’re wondering what Ludwig himself would think of it all, you need look no further than his infamous trip to San Dimas in 1989. He would love it of course! And so did we.

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October 1, 2016
Watch The Big Takeover’s “Come Before Five” Video

The Hudson Valley’s The Big Takeover has released the official video for “Come Before Five,” the upcoming single on their upcoming album, due out in January. Lead singer and songwriter neenee Rushie says the song is “about a girl waiting for something she knows she’ll never get.” Directed by Liz Paradise & Zach Thomson, the video was filmed at Dutchess Community College in Poughkeepsie, NY.

In the next month, the band is playing throughout New York State, including October 1 at Snugs in New Paltz, Damn Sam’s Harvest Fest on October 8 in Lauren, NY, The Liberty in Rhinebeck for a special Halloween show on October 29, and a very exciting New Years show announcement forthcoming.

Video credit: The Big Takeover (c) 2016 and Big Takeover Production (BMI)

September 30, 2016