Over Memorial Day Weekend, thousands gathered in Boston’s City Hall Plaza for the final Boston Calling music festival in that location. Next year, the festival is expanding and will take place in Harvard University’s athletic complex. In addition to music, next year’s festival will also feature film and art exhibitions. (The festival was so enjoyable this year that I have already purchased my tickets for next year.) Despite the unpredictable and quickly changing weather, it was a terrific event with stellar musical performances. Read on below as we recap the three-day festival.
Friday
Friday started with an intimate set from Irish folk singer Lisa Hannigan and The National’s Aaron Dessner. It was an impressive performance, and a great way to start the weekend of music. Sufjan Stevens followed with a psychedelic, over-the-top set that started with an epic performance that involved a costume with wings and a banjo being smashed, and ended with a costume with balloons, tin foil and a disco ball strapped to Stevens’ chest. Boston Calling truly had a diverse array of music, and Friday’s lineup certainly displayed this diversity. Friday night closed with one of the festival’s most anticipated acts, pop singer Sia. Her powerful vocals and dance performances that featured Kristen Wiig, Maddie Ziegler, Paul Dano and Gaby Hoffman impressed crowds and left many awed and awaiting Saturday’s stacked lineup.
Saturday
Saturday started off with brutally hot weather, with the temperature hitting nearly 100 degrees at one point in the day. The festival managed the weather the best they could, providing free water and samples of Polar Seltzer. Although the water line could take up to 30 minutes to get through at points throughout the day, staff did a great job of making sure their patrons were cared for and safe despite the incredibly hot weather. BØRNS, famous for their hit “Electric Love,” created a fun, dancy atmosphere and lead singer Garrett Borns truly impressed crowds with his beautiful falsetto. Canada-based City and Colour played a soulful and bluesy set and featured a guest appearance from The Raconteurs’ bassist Jack Lawrence. Swedish indie pop band Miike Snow had a decent crowd, but they were mostly background music for those who wished to sit on the pavement of City Hall Plaza or grab something to eat and sit in the shade after a day of completely oppressive heat. The night finished off with impressive music, dancing and light shows from EDM duo Odesza and Swedish vocalist Robyn.
Sunday
The weather changed drastically by Sunday, and was much cooler and clammier than most patrons expected. It was still a great day of incredibly diverse music. From Vince Staples’ powerful rapping to Charles Bradley and his Extraordinaires funky set, the day started with two genres of music that fans had not yet seen at Boston Calling. Charles Bradley was especially impressive, and had me rocking out to his awesome moves and crazy-good voice. Next were The Front Bottoms, where lead man Brian Sella interacted with the crowd the entire set and gave the audience a really good time. Everyone knew the words to all of their songs, and the energy created by the interaction between the crowd and the musicians lent itself to a fun and energetic set. Elle King was next, with her bright blue hair and raspy voice. She faced some backlash from fans regarding her drinking, but she still put on a wonderful and engaging performance. To close out the night, Janelle Monàe really wowed fans with her nine-person band and powerful message of choosing freedom over fear. Her voice is great, her band was tight and fans really enjoyed her honest investment in her music. She also covered a Prince song. The next act, Haim, a rock band started by the Haim sisters, also covered Prince and played fan favorites like “The Wire” and “Falling.” Disclosure closed out the night with a mind-blowing light show and beats that resonated through fans’ chests.
Overall
Overall, Boston Calling was one of the most well-organized, fluid and fun festivals that I have ever attended. Staff dealt with the challenges of the weather with ease, and did their best to provide patrons with the most comfortable and healthy experience possible. The food vendors all had both healthy and delicious options, and I was really impressed by the quality of the food that was provided. They made sure that patrons weren’t just getting overpriced, greasy festival food, but an actual meal that tasted good and was well worth the money they paid for it. The diverse and eclectic acts all performed incredibly well, and no one disappointed. There weren’t even that many incidents of drunken fans that couldn’t handle themselves; as I said, it was an incredibly well-organized and fluid festival, and fans seemed to respond to that in a responsible and respectful way. Buy your tickets to the next Boston Calling as soon as possible — the expansion can only mean great things for this thrilling festival.
Stratton Mountain Resort in Bondville, VT is the perfect place for Wanderlust, offering a vast landscape for the many classes available: from hikes up the mountain and yoga at the peak, to paddle-board yoga on the pond, and a speakeasy for musicians/artists alike, along with live music at Stratton’s well-known nightlife venue Grizzly’s. And if you haven’t visited yet Stratton Resorts ‘Village’ offers restaurants, shops, and lodging as well, all within the center of the event!



This year’s
Music kicked off at 6 p.m. on the Flo Stage with Star City Disco, led by DigitalDevy. Lespecial followed at the main stage sparking the evening heat, spreading their melodies on hard electronic grooves and stirring vocals. This year’s Domefest had three stages again, the Flo Stage for in-between sets, the main Runa Stage and the Late-Night Stage, sponsored by the Bamboo Eater.
Friday morning was perhaps the best weather the Flock saw before rain took over for the rest of the weekend. Everyone emerged from their tents to meet the warm sun, shaded from the heat by the surrounding forest. Workshops kicked off with a Rise and Shine Yoga Flow both Saturday and Friday mornings, with the talented Rebecca Simms. Music kicked off at 1 p.m. with Mateo Monk’s soothing tones, “like gospel on a Saturday morning.” The Jauntee, Litz and McLovins kept the crowds glued in the concert area, while Puremotion and Vibe and Direct kept them from leaving during set changes. The Jauntee started the marathon with funky grooves, which Litz later picked up and reverberated with their unforgettable vocals by Austin Litz, closing out their set with the first song guitarist Justin Robb has ever written for the band, “If you haven’t heard our name, you’re overdue.”
The evening was beginning to gather more and more of the Flockers, as Aqueous played their first set of the weekend (live stream by our Amanda Siedner available in
Waking up on the last day of Domefest was a little less warm and a lot less sunny. Flockers were slower to emerge, hoping that the downpour would take a break, but a drizzle was present for the whole day. Music kicked off at 1 p.m. with Strange Machines and Out of Beardspace, while Mateo Monk once again soothed in between sets. The Hornitz rocked the stage with a cool “Dayman” cover (Always Sunny in Philadelphia), vibrating their horns through Dome. Mister F brought their funk with deep bass, synthesizers, high-energy tunes and great covers, at one point sharing the stage with Hornitz. Scrambled Greg got the crowds ready for a Splintered Sunlight Grateful Dead set. Deaf Scene rocked the crowd before and after the amazing Big Something set that got the rainy night rolling with “Closer” and later “Passenger>Tumbleweed” and “Love Generator>The Curse of Julia Brown” to finish. Pigeons closed out their festival with an amazing run, with a “Skipjack” teased with “Paint it Black,” “J-Town>Black Dog>Whoopie” with the Hornitz boys and a first-time cover of “99 Red Balloons” that was sublime. A “Zydeko” finished the set, weaving into “Rainbow” in the middle. The last late-night was held by ELM and Aqueous, who held a sizable crowd in the soft mist until early morning. ELM kicked off the rainy dance party with “Captain Disco” and later went into a fly “Weird Fishes” cover, and Aqueous took the crowd home with “Origami” and “Skyway>Dave’s Song>Kitty Chaser (Explosions)” with Marty teases in Origami and Dave’s Song.


Burlington, Vermont-based rockers
Aqueous