NYS Music 20​16

Category: News Desk

  • Rock Allegiance Stands Strong Among Competition

    For the second straight year, Chester, PA was home to Rock Allegiance. The Rock Allegiance festival, which is one of the many Danny Wimmer Presents events, returned to Talen Energy Stadium (formerly PPL Park) on Saturday and Sunday September 17 and 18.

    Unlike last year’s festival, Rock Allegiance 2016 was set for 2 full days that included some of the biggest bands today, such as Avenged Sevenfold, Alice In Chains, The Offspring and Slayer. To accompany two full days of music, this year added even more of the festival’s signature Gourmet Man Food and other experiences for fans to check out. Some of this year’s experiences included The Music Experience, The Jack Daniel’s Experience, FYE Experience and Zippo Encore. As always, proud sponsor, Monster, was on site giving away free products and hooking fans up with chances to meet their favorite bands.

    Saturday’s festival lineup featured quite a mix of bands. There were heavy metal bands, cover bands, comedy bands, grunge bands and more. Some of Saturday’s stand-out performances were Skindred, Avatar, and Motionless In White. Each one of these bands brings something unique to the table that not an everyday band does. Skindred had the most unique sound of the day. The Welsh rockers mix heavy metal with reggae and create some insane grooves. Lead singer Benji Webbe certainly knew how to lead his band and give the crowd a set to remember past the weekend.

    Certainly no one was disappointed with headliners Alice In Chains, Breaking Benjamin and The Offspring. Each one of those bands has earned their keep and each had their own die-hard fans in attendance. Alice In Chains was joined by Billy Duffy of The Cult for their song “Rooster.” One band that failed to bring out the special guests that everyone was hoping for was Taylor Hawkins’, Chevy Metal.  Chevy Metal, which is Hawkins’ cover band that rips through classic rock songs with ease, is known for bringing out big names at their shows. Unfortunately, when the band closed out the Liberty Stage, no guests came out to join the band.

    Fans of Sepultura got to hear the legendary album, Roots, in its entirety during Max & Igor Cavalera’s Return To Roots set. This was one of the most bad-ass sets of the day. Seeing the two brothers back on stage doing Sepultura songs was absolutely incredible and the crowd went wild. One band that seemed to sneak its way into a huge main-stage slot was Baroness. These guys have been growing and growing non-stop and have been receiving incredible support from some of the biggest musicians on the planet. The love and support of Baroness landed them a late evening slot and definitely gave the band a chance to reach an audience of plenty of Baroness virgins.

    It’s impossible to not mention Trivium when it comes to kicking ass. The guys in Trivium seem to live on the road and never show any signs of slowing down. Although their last album Silence In The Snow, wasn’t as “heavy” as some old fans would have liked, this monster of an album has been a commercial hit and the tracks are solid. Gone are the signature screams of singer Matt Heafy, but the record showcases Heafy’s ability to actually sing. Together with long time band members Corey Beaulieu and Paolo Gregoletto and new drummer Paul Wandtke, Trivium continues to give festival crowds around the world a brutal, fast and a seemingly too short set.

    Saturday’s top performance didn’t come from any headliner or by any band that played on either stage inside the stadium. The top band of the day took the Liberty Stage at 4:15. That band was letlive. For people who skipped letlive., saying they missed out is a complete understatement. Often times, writers will say a band had “high energy” and all these other generic compliments about a band they thought was pretty good. On Saturday, letlive. could be described to someone who missed them simply as, f*&King insane. Singer Jason Aalon Butler gave Rock Allegiance everything he could, without getting in too much trouble. Butler ended up hanging upside down at the soundboard tent and running throughout the crowd while his team of roadies tried to keep the audience from becoming strangled with this microphone cord. If there’s one thing fans at Rock Allegiance aren’t ever going to forget, it is letlive’s set.

    Out of the 2 day festival, Sunday was definitely the day with the stacked lineup. The day started off with what would be one of the best sets of the day from Death Angel. Singer Mark Osegueda is by far one of the best vocalists in heavy metal. This guy can hit any note imaginable. If there was one bad thing to say about Sunday, it would be Death Angel’s set was too damn short. Next time, Death Angel deserves a mid-day main stage slot to show the crowd what they bring to the table.

    After Death Angel, bands like Devour The Day, Twelve Foot Ninja, Crobot and Kyng were all back to back one after the other. Although none of these bands have hit it big yet, they’re all in the process of knocking down that door. This year was Devour The Day’s second year in a row playing Rock Allegiance and the crowd was definitely excited to see them again. The singer of Kyng wasn’t too happy with them and Crobot playing at almost the same exact time. He went on to say that whoever booked that should be fired.

    From 2:30 onward, many fans may not have even left the two main stages inside Talen Energy Stadium. Unfortunately for bands like Neck Deep, Amity Affliction and Pierce The Veil, the main stages where were the party was at. Although, even though the inside floor was packed in, these bands attracted their own die-hard fans and fans who may have been curious to check out someone new. Pierce The Veil certainly could have played inside due to the crowd and the stage setup they had. The guys in Pierce The Veil are an absolute blast to watch on stage and their spaceship on stage isn’t something every band brings out on the road.

    Sevendust had a huge crowd over at the Bridge Stage for their set. One of those fans at the Bridge Stage was Anthrax singer, Joey Belladonna, who joined Lajon Witherspoon to sing “Face to Face.” Sevendust was another victim of the dreaded short festival set. Only having time for a handful of songs, Sevendust wasted no time between songs and gave fans as much as they could. The band closed out their set with their Grammy nominated track “Thank You.”

    Some other highlights of the day were Hellyeah and Killswitch Engage. Both of these bands are entertaining to watch from start to finish. Hellyeah singer, Chad Gray is one of the most explosive front-men in metal. Hellyeah’s setlist only featured songs off their 2 latest albums Blood for Blood and Unden!able. During the track “Sangre por Sangre,” bassist Kyle Sanders spit fake blood all over Chad’s face. Chad would sport this blood for the rest of the set and it was clear this band meant business. Hellyeah have certainly been working their asses off creating new music and trying to win over the haters of their group.

    Killswitch Engage, on the other hand, doesn’t have to do anything fancy on stage to win over fans. The guys in KSE are purely bad-ass and get the crowd going regardless if they’re fans of their band or not. Certainly one of the rowdiest crowds of the day, Killswitch gave them all the reason to be. Guitarist, Adam Dutkiewicz, did what he does best and got the people of Rock Allegiance in the KSE mood. Dutkiewicz and singer Jesse Leach lead the charge and helped give Killswitch Engage one of Sunday’s best performances.

    The rest of the evening after KSE was great as anyone would have guessed. Chevelle, Anthrax, Volbeat and Slayer were all fantastic. Each band had a giant fan base in each section of the floor. Slayer fans waited all day along the rail of the Bridge Stage to be in front of Kerry King and Tom Araya. Having half of the big “four” on one stage was an easy choice for thrash metal fans on where to set up camp. Getting that front row spot for both Anthrax and Slayer would put any thrash metal fan in heaven, or in this case, hell.

    As expected, Anthrax stuck with their casual festival setlist. This setlist is fine for any casual fan of Anthrax, but the die-hard fans who traveled to see them definitely wanted something a little different. Tracks like, “Got The Time” and “Antisocial” could definitely be replaced by songs off their latest two albums, which were both outstanding. Both Chevelle and Volbeat, on the other hand, picked their setlists well offering a nice balance between new and old material. Slayer was also another band that seemed to surprise the crowd with their setlist choice. Instead of playing mainly tracks of their latest album Repentless, they only chose to play the title track. The rejuvenated Slayer lineup dug into deep cuts as well as playing the fan-favorite classics like “Raining Blood” and “Angel of Death.”

    The two top performances on Sunday belonged to two bands that toured together not too long ago. Those two bands are Ghost and headliner Avenged Sevenfold. Ghost, who just kicked off their Popestar Tour days before, opened their set with their new EP single “Square Hammer.” For fans who hadn’t caught on to Ghost already, were probably walking out of the stadium that night with a shirt or CD from the FYE tent. Ghost definitely had one of the biggest fan bases over the entire weekend. Ghost shirts were seen by the minute on both days of the festival. The stage show wasn’t what fans will see at headlining shows due to time restrictions, but fans weren’t complaining. The Ghouls, complete with their new female bassist, ripped through 6 more songs after “Square Hammer.” Together with Papa Emeritus III, the band flawlessly performed songs such as “From the Pinnacle to the Pit,” “Cirice,” “Year Zero”, and more. Unlike headlining shows where the band closes with “Monstrance Clock,” Ghost changed things up and said their goodbyes with “Mummy Dust.”

    The chance of Avenged Sevenfold disappointing the fans at Rock Allegiance this year was practically 0%. It’s been a while since Avenged Sevenfold has toured and fans were ready for something that was new and fresh. The band went on stage and opened with “Nightmare.” Fans could quickly point out that Avenged no longer had the extensive stage setup like they did on their Mayhem Festival run a few years back. This time, Avenged kept things simple with an empty stage and a giant LED screen. People who thought that was all they brought were definitely mistaken. It didn’t take long for the onslaught of flames to come from the back of the stage song after song. The new tour not only meant a new stage but also a refreshed setlist. This time around, Avenged played tracks like “Planets,” “Acid Rain,” “To End the Rapture,” and “Second Heartbeat.” The weekend ended with “Unholy Confessions,” instead of the typical encore of “A Little Piece of Heaven.”

    At the end of the weekend, it would be hard to say fans were left disappointed. The lineup for both days of the festival was solid and seemed to have something for everyone. It may have been noticed by people at Rock Allegiance that it wasn’t close to a sold-out capacity crowd, but that doesn’t affect the experience negatively. With two other festivals going on over the same weekend, both within reasonable driving distance, Rock Allegiance held its ground and drew a decent size crowd for what it was up against. Hopefully next year, Chester, PA. can once again be the host of Rock Allegiance for the 3rd straight year.

  • Musicians will Advocate HelloVote on National Voter Registration Day

    In celebration of the annual National Voter Registration Day, over 200 musicians will participate in a campaign on Tuesday that will help to roll out “HelloVote,” which is a groundbreaking new technology used by HeadCount that allows you to register to vote via text message or Facebook Messenger.

    “We’ve known for many years that music is the best way to reach Millennials and unregistered voters,” said Andy Bernstein, HeadCount’s executive director. “We also know that text message is how young people prefer to communicate, so this brings all of that together.”

    Musicians such as Wilco, Panic! At the Disco, Jack Johnson, members of the Grateful Dead, Michael Franti, and many more, will make posts on their social media profiles that includes an image of them holding the “Register to Vote” clipboard, and a caption directing their followers to register to vote by texting “COUNT” to 348-387 or by going to HeadCount.org/RegistertoVote.

    According to a press release, HelloVote was developed by Fight for the Future, which is “a nonpartisan, non-profit organization dedicated to protecting and expanding the internet’s transformative power. It is the first tool that allows voters to register over text message or Facebook, in just a minute. It is also integrated with 20 different states’ online voter registration platform, making it the only technology that allows for true online voter registration in a variety of states.”

    This is a monumental step to getting more Americans registered and ready for the presidential election this November. An estimated 96% of Americans own a cell phone, which means that almost every American can be registered to vote by the convenience of their phone. According to the U.S. Census Bureau, reports of the 2012 election showed that 12.7 million of 18-24 year olds were not registered to vote, and only 46% of those registered actually cast ballots.

    Headcount has been working hard to change that. Since its inception in 2004, the organization has amassed over 15,000 volunteers nationwide to work at local concerts, events, etc., to promote voter registration. Headcount has now registered nearly 400,000 new voters.

    Tuesday’s campaign will have a social media reach of more than 200 million followers; you can find it under the VoterRegistrationDay hashtag. For additional information visit, www.headcount.org.

  • Louisiana Legend Buckwheat Zydeco Dead at 68

    Stanley “Buckwheat” Dural, Jr., the performer who brought the unique sounds of Louisiana zyedco music to the world, passed away early Saturday morning in Lafayette, LA at the age of 68. Dural had been battling lung cancer since 2013. His long time manager Ted Fox confirmed the death in a Facebook post today.

    Dural, given the nickname “Buckwheat” in his youth due to his hair resembling that of the Little Rascals character, became synonymous with the regional music that he championed. He performed at the closing ceremonies of the 1996 Olympics as well as both of President Bill Clinton’s inaugurations.

    buckwheat zydeco
    Stanley “Buckwheat” Dural Jr. of Buckwheat Zydeco died Saturday morning from lung cancer. He was 68.

    Buckwheat Zydeco performed at the 2015 Syracuse Jazz Fest and provided one of the most entertaining and rollicking sets of the weekend. He had been scheduled to perform at the Earlville Opera House on Sept. 16 but was forced to cancel due to a recurrence of his lung cancer. In announcing the cancellation, Dural stated:

    I hope everyone knows I truly believe ‘the show must go on’ and I’ve always tried to make that happen. But, I’ll need to fight this off first. So I’m sorry to say we will need to cancel or postpone some shows. But, you can’t beat the Wheat! I will be back. Soon. And, you can take that to your best bank.

    Dural was born in Lafayette, LA in 1947. His father, Stanley Dural, Sr., was a farmer and Cajun accordionist. The younger Dural resisted his father’s music at first, gravitating towards playing the organ in the funk band he formed in 1971.

    Syracuse Jazz Festival
    Dural and his son, Sir Reginald, performing at the 2015 Syracuse Jazz Fest

    While performing with famed zydeco bandleader Clifton Chenier in the late ’70s, Dural took up his father’s instrument, eventually venturing out on his own to form Buckwheat Zydeco.

    Dural and his band were the first zydeco band signed to a major label, signing with Island Records in 1987 for the Grammy nominated On a Night Like This. Throughout his career, he performed with Eric Clapton, U2, Ry Cooder, Keith Richards and Robert Plant.

    Dural is survived by his wife, Bernite Dural; two sons, Sir Reginald M. Dural  and Stanley Paul Dural III and three daughters, April Germain Dural, Stacie Durham and Tomorrow Lynn Dural.

  • The Boy Band Review: Get ready to travel back in time to the 1990’s!

    Remember dancing in your room to the hits of New Kids on the Block and Britney Spears, or singing along to the hits of Justin Timberlake, N’Sync and the Backstreet Boys?! Following on the heels of their sold out show at Arlene’s Grocery in August, The Boy Band Review is making its debut at the Hall at MP in Williamsburg, Brooklyn on Saturday, September 24.

    The Boy Band ReviewKnown as “the New Kids who bring the heat up to 98 degrees every time,” the Boy Band Review – Boy Band Tribute has already wowed full capacity crowds at high profile events and parties in Las Vegas, Milwaukee, and Chicago. Now they are transporting audiences in NY and on the West Coast back to the 1990’s. Their high energy 90’s throwback show includes full production lighting, video, dancing, and back-up singers to transport you back to your glory days.

    Come get jiggy Saturday night with The Boy Band Review tribute show at the Hall at MP. This show is gonna be off the heezay!

  • Donna the Buffalo to Perform at Cohoes Music Hall Grand Reopening Weekend

    Donna the Buffalo will be performing at the Cohoes Music Hall Grand Reopening Weekend on Sept. 29th, in Cohoes, joined by special guests, the Nellies.

    DtB has done over 25 years of extensive touring, attracting a herd of fans that is devoted to following its tribe. Their music is feel-good, accessible, and groove-heavy while elements of cajun/zydeco, rock, folk and country make their sound distinct and memorable, especially when coupled with their beautiful songwriting.

    The quintet includes Jeb Puryer (vocals, electronic guitar), Tara Nevins (vocals, guitar, fiddle, accordion, scrubboard), David Nevins (Hammond organ, Honer clavinet, piano), Kyle Spark (bass) and Mark Raudabaugh (drums).

    In a press release, Puryer talks of his inspiration:

    Rolling off all the great protest songs and the socially conscious music like Bob Marley and the Beatles and Bob Dylan – all of that stuff. So that, to me, is sort of like a tradition to write from; that angle as a way of reflecting on what you feel about the world and how you feel it could be better and getting to a different place as a society. There’s also the strength that comes from music and gives you the feeling like you can change those things and make some progress, and then express some of the particulars about what you’d like to change.

    The Cohoes Music Hall is a historic venue that dates back to 1874. It has been closed for over a year after receiving more than $30,000 in city-funded renovations for things like new seating, curtains, a projection system, refinished floors, new lighting, and sound systems, Albany.com reports.

    Albany’s Palace Theater announced back in March that it has signed a three-year contract to help Cohoes Music Hall bring its business back. Officials report that they expect up to 60 performances in the first year following the renovation, and they expect that to double annually during the three-year period.

    Tickets for the show can be found on Cohoe’s Music Hall website. For more Donna the Buffalo information and tour dates, please visit the band’s website.

  • Sounds Like a Party To Me: Lettuce Interview Jesus Coomes

    Music might be business for some, but for others, it’s a way of life. Lettuce is one of those bands where music is what you do, how you do, and why you do it. It’s family and friends and everything in between. Simply put, music is life. The band hasn’t gotten where they have been in their 20+ year run from stepping on others or chasing the next hit. Throughout their journey, it’s always been about the music and its ever present bond created between them on so many levels.

    This passion and love spills over on the stage, in the studio, and through all of their interactions. It’s touching to see a band deservedly grow that embodies this spirit. In just over a year, the band has headlined Red Rocks (twice), released a new album (appropriately titled Crush), played to massive crowds, and hit other career peaks along the way. As the band packs up the bus to the hit the road on yet another tour, we got a chance to catch bassist, Erick “Jesus” Coomes, before a flight out to the east coast.

    lettuce jesus coomesNYS Music: So you’re getting ready to kick off the Sounds Like a Party Tour, which is jam-packed with dates and riding high on how well Crush has been received. How are you feeling?

    Jesus: I’m so thankful – everything is great! I’m in Long Beach right now, but leaving tonight for the tour. I’m going to meet up with my best friends in the world to make some music. The first gig is in Connecticut at Toad’s Place and a bunch of our original followers are there, so we’re going to get some of that hometown love right away. I’m excited about all of this.

    NYS Music: There was a mention of Nigel Hall joining you guys via the Lettuce Facebook page. Is he joining for select dates?

    lettuce jesus coomesJesus: He’s coming for EV-ERY-THING bro. He’s going to be crushing this whole tour!

    NYS Music: That’s amazing! I saw that Nigel has recently been playing some kind of synth onstage as opposed to just coming out for the lyrical songs. Tell me more about that and if we’ll see it on the SLAP Tour.

    Jesus: He’s playing a Moog and a couple of other synths; he has a whole keyboard rig now. The thing is, we were having Nigel come on tour with us and he was literally sitting in the back for a long time until he got to sing a couple of songs. We’re like, this guy plays his ASS off on keyboards. Why don’t we set him up with a sick keyboard rig so he can play the whole show with us? We’ve been doing that for a few shows now and I can’t tell you how much fun it’s been!

    NYS Music: On the topic of Nigel, has the band ever thought about including more of his vocals on an upcoming release?

    Jesus: We definitely have and we want to do as much as we can with him. He’ll definitely be a big part of the next album. We’ve always kept it somewhat instrumental, but at this point, we kind of want to do a whole EP or album with him singing every tune. At the same time, we really love instrumental music, including Nigel, so it’s a hard balance but we want to explore that more on this tour.

    NYS Music: Selfishly, I would just suggest recording a double album with one side all instrumentals and the other with vocals.

    Jesus: Ohhhhhh….that’s a great idea! I love that idea!

    NYS Music: Along those same collaboration lines, Lettuce worked with Wu-Tang Clan for the 2013 Bonnaroo SuperJam [audio]. Your music certainly incorporates hip-hop into your flavor of funk. Have you guys ever thought about bringing in a hip-hop artist on an album to rap over an original tune?

    Jesus: Oh yeah, definitely. There are some things in the works right now that I wish I could tell you more about. I’ve had that same thought as well. Listening to a tune like “Trillogy,” I could totally hear Ghostface or somebody like that over it. I’d love to do a whole album like that called Lettuce Raps. I’ve had that thought for a long time – 10 years or so.

    NYS Music: I feel like the hip-hop, jazz, and funk scenes are thankfully all starting to blend and collaborate in beautiful ways. What are your thoughts on that topic?

    Jesus: I love it and just hearing you say that makes me so happy. I love what Kamasi Washington is doing, and my friend Josef Leimberg just dropped an album on Kamasi’s label. I think I played bass on a couple of songs on that. And then there’s my homie Thundercat just crushing the bass harder than anybody and being totally acknowledged for it. It just makes me so happy. Real music is becoming important again. We have some of the best music ever hitting the mainstream – I’m geeked out about it!

    NYS Music: Changing gears, I watched the live-streamed Lettuce Lockn’ set and have since listened to it again. I’ve never heard the band explore their songs like that before, taking more than half of the songs over the 10-minute mark. Are you guys going to continue to do that in pockets?

    Jesus: 100% we are – just hearing your enthusiasm makes me so happy. We’re on a good path and communicating really well right now. It allows us to take a jam and extend it without sacrificing quality. We’re always coming from the heart and I’m really excited where we’re taking it. I feel like the universe is putting us into the perfect place. It’s much bigger than any of us and we’re digging in. Music is such a deep art form. I don’t know if we’ll ever get to the bottom of it, but we’re trying.

    NYS Music: That’s so good to hear! In terms of new ventures, Lettuce just released a new music video that is pretty exploratory both musically and conceptually. Can you talk a little bit about the process behind it and why you went the direction you did?

    Jesus: It was really incredible. The band was so excited about Crush as an album that we wanted people to hear a lot of it at once. We did the one video for “Phyllis,” but with this, we wanted to do a sneak peek of the whole album in a video format. I’m happy with the way it came out. We shot our parts and then the animators worked their butts off on the rest.

    NYS Music: What are you excited about literally heading out shortly for this tour?

    Jesus: The whole thing is so exciting, bro. I’m about to get on a bus with my best friends. Basically, I’m excited to see my homies and I just saw them all summer, every weekend. I’m so excited to hang out and make some smoothies. It’s like when you’re with your team, they make you better. When I’m with the guys in Lettuce, I’m a better person and I think we all make each other better. We live a healthy lifestyle and make great music every night. It’ll be nice to get back into that flow of making great music together every night and then having great days together. I’m really excited about the whole thing to be honest.

    This Thursday, September 22, Lettuce will take the stage at The Tralf in Buffalo, NY. Tickets are still available for purchased. Additionally, their new album Crush can be purchased via iTunes here.

  • Syracuse Area Musicians Form Supergroup, 1000 Drops Of Venom

    Syracuse area musicians that helped create the Syracuse metallic hardcore sound, have formed the supergroup, 1000 Drops Of Venom. Members from the band are from some of the area’s most prolific performers, and include frontman Karl Buechner (Earth Crisis, the Path Of Resistance, Freya), guitarist Jonathan Dennison (the Promise, Unholy, the Path Of Resistance), drummer Andy Miller (Unholy), and bassist Chris Reilly.

    1000 drops of venom
    1000 Drops Of Venom is set to release the band’s first metallic hardcore style 7″ EP, which is now complete, and currently being finalized. The EP was recorded, mixed, and mastered at the Watchman Studios in Buffalo by Doug White. The studio has also produced the likes of the Gym Class Heroes, Brutal Truth, and Psyopus. The EP will be released on a label still to be announced. The band leaked its first single from the upcoming EP, “To Their Doom,” now available for streaming.

    When talking about the new project, guitarist Jonathan Dennison said, “Well, talks of starting a new band together with Karl has finally materialized. I think fans of our past and present bands will like what we’re doing. Musically, this band represents how we feel and some things never change.”

    Vocalist, Karl Buechner added:

    JD and I became friends back when Another Victim toured with Earth Crisis in the nineties. Since then we have played music together in Earth Crisis, the Path Of Resistance, and Freya at different points. It was only a matter of time before we put a band together on our own. Our beliefs and our take on metal and hardcore are identical. There is genuine hatred in this music but it’s not back to square one. I think it’s the best elements of what were known for.

    1000 Drops Of Venom can be seen Tuesday Sept. 20, opening for Crowbar at the Westcott Theater in Syracuse.

  • Catskill Chill Offers Fierce Line-Up at New Location

    If you’re not quite ready for the summer to end, the Catskill Chill offers many music lovers one last chance to spend a weekend immersed in sights and sounds at the festival’s new location. Just a mere ten miles southwest from its former location, 2016 ushers in a new era for the festival at the New Minglewood.  This year’s basic festival ticket includes three days of music and camping starting September 24-26.

    Catskill Chill kicks off this year with a Thursday pre-party, a new addition for the festival.  At the mere cost of $45, the pre-party offers a powerhouse line-up of northeast festival favorites. The inaugural evening features Buffalo grove rockers Aqueous, jamtronica favorites Jimkata, two sets from Vermont’s Twiddle and superduo Trakstar featuring Todd Stoops (RAQ) and Rob Chafin (The Werks). The evening will be filled with high energy music that looks to set the bar high for future pre-party festivities.

    Martie Locke who will be traveling from King of Prussia, PA, said that the Thursday pre-party is actually what sold him on the weekend.  “It’s amazing.  Aqueous, Jimkata and Twiddle offer some of the best musical vibes,” he told NYS Music. “I think Thursday night could be some of the best fun of the weekend.  Well worth the price of the entire ticket.”

    For folks not making the Thursday festivities, the entire weekend is packed with creative collaborations, solid headliners, as well as up and coming artists from all over the country.

    Friday offers a mixture of relaxed vibes and funk.  Zack Deputy kicks off Friday’s Main Stage music.  Kung Fu offers the day’s first look at Main Stage funk takeover while funk masters George Clinton and Parliament Funkadelic and Phish bassist Mike Gordon headline the Main Stage on Friday evening. Pink Talking Fish are sandwiched in between the two powerhouses, with their performance on the B Stage, creating a solid five hours of music.

    Ryan Montebleau sets the mood for the Saturday Main Stage, with Cabinet and Keller Williams offering up a Saturday afternoon filled with Bluegrass vibes.  Lettuce closes out the Saturday Main Stage Music.

    Sunday’s Main Stage is a variety of musical genres.  Roosevelt Collier’s NY Get Down will feature Dopapod’s Rob Compa and Eli Winderman as well as Michelangelo Carubba and Taylor Shell of Turkuaz.  Bluegrass favorites Greensky Bluegrass and electronic rock masters Dopapod fill out Sunday afternoon. Electron will conclude the activity on Sunday’s Main Stage

    This year’s Catskill Chill is filled with a variety of beloved music performed by some of the festivals most respected veteran artists as this year’s Chill is jam packed with tribute performances. Friday night will feature Pink Talking Fu paying tribute to this year’s passing legends David Bowie and Prince.

    Saturday hosts the majority of these performances. Shwikus, featuring members of Shwizz and Fikus, will pay tribute to the music of the Beatles.  The Heavy Pets bring their highly praised Tribute to the 80’s, while fans of Primus will want to check out Lespecial’s Primus set in Club Chill.

    https://www.youtube.com/watch?v=LN246u0Q7J8

    Dopakuaz, featuring members of Dopapod and Turkuaz, returns after a memorable performance of the music of Studio 54 at last year’s Catskill Chill.  This year, the two bands have collaborated to showcase the best of classic 80’s preppie soft rock, also known as Yacht Rock.  Saturday night’s tributes will conclude with the Chillfam All-stars Tribute to Michael Jackson. Fans of Led Zepplin should catch Elise Testone’s tribute set on Sunday. Bitches Bloom will perform the music of American Jazz legend Miles Davis on Sunday as well.

    The Catskill Chill is also offering a few unique choices on their 2016 line-up.  Primate Fiasco’s unique blend of Americana, street band and off humor lyrics are a refreshing change of pace for almost any festival line-up. Meanwhile, Reed Mathis (Tea Leaf Green) and Electric Beethoven featuring Jay Lane (Primus, Ratdog),Todd Stoops, Cochrane McMillian (Tea Leaf Green) and Clay Welch will perform a set of “classical dance music” with a reimagining of Beethoven classics.

    This year’s line-up is also highlighted by a laundry list of this summer’s most buzz worthy bands. Hailing out of New York State, Mister F, Formula 5 and TAUK continue to make noise on festival line-up’s all over the Northeast. Hayley Jane and the Primates are Chill vets, but their rising stock makes the Vermont based group one of the weekend’s acts to see.

    Pigeons Playing Ping Pong and Tom Hamilton’s American Babies are other noteworthy artists for the four-day weekend.  North Carolina’s based Big Something and Boston’s progressive eletrofunk outfit Strange Machines have also been gaining steam all summer long.

    “Strange Machines is just so epic and progressive as they make you want to dance harder,” said Nick Augustine of Maryland, “They blow me away again and again every time.”

    The Werks, Turkuaz and Indobox are also solid, ‘can’t go wrong’ choices amongst this year’s jam packed line-up.

    First time attendees will find themselves on even ground with experienced Chill attendees, as everyone will be learning the festival’s new lay-out.  However, festival organizers look to make the transition a bit easier by keeping stage names and key amenities the same.

    However, beyond the music, the hope of most attendees is that despite venue changes, the “Chill Fam” will maintain the vibe that has, in part, kept the festival growing.

    Rachael Dube from Vermont, a four-year Chill attendee isn’t worried about the venue change.  In fact, she says she is excited for the new location.  “There is just something pretty righteous about moving it from the original spot you know? Change is beautiful and inevitable, nothing should stay the same forever. Being able to take the great base that we have created at the Chill, and move it wherever we like, seems pretty cool to me. It’s something special that’s for sure.”

    And it’s not just the festival goers that are excited for the vibe that the festival offers.  Scott Hannay of the band Mister F was a three-year Chill attendee before his band played the festival in 2014. He told NYS Music, that it’s the “the ubiquitous Chillfam” that makes the festival special. “The vibe, the staff, all that music and unique combinations of musicians, it all melds together in a way that other festivals do not. Chill is exactly that, Chill.”

    Tickets for general admission as well as VIP packages are still available.

  • Del & Dawg Come to RPI

    Del McCoury and David Grisman – Del & Dawg – will perform a show at Rensselaer Polytechnic Institute (RPI) in December.

    Del and Dawg
    Del and Dawg – Jason Charme photography

    Fifty years ago, Del McCoury and David Grisman played their first ever show together at Rensselaer Polytechnic Institute back in 1966. They return to RPI at EMPAC on Dec. 10 to share music and stories celebrating their 50 years together.

    McCoury and Grisman, affectionately known together as Del and Dawg, have each become bluegrass legends in their own right. McCoury had his start playing banjo for Bill Monroe in the early 1960s. He went on to form his own band, serving as an influence for many acts, including Phish and the String Cheese Incident. In 2008, he started his own bluegrass and folk music festival, DelFest, which has been held every year since in Cumberland, MD.

    Grisman got his start as a member of the Even Dozen Jug Band. He went on to form a close friendship and well-known musical partnership with Jerry Garcia. He still performs regularly with the David Grisman Quintet and the David Grisman Bluegrass Experience.

    Tickets for the Del & Dawg show range from $36 to $59. They go on sale this Friday, Sept. 16 at 9 a.m.

  • Helmet, Supporting New Album, Hits the Road with Local H

    Helmet recently announced touring plans for the band’s upcoming Dead To the World U.S. tour through the month of November and most of December. The tour finds the veteran alt-metal band playing thirty-six shows inside of forty-five days in support of their brand new and eighth studio album Dead To The World, scheduled for release on Oct. 28, days before the tour kicks off. Helmet brings along a special guest to open shows on the tour in two-man band Local H.

    helmetThe venture kicks off in Bloomington, IL at the Castle Theatre on November 3, and concludes at Delmar Hall in St. Louis, MO Dec. 17. New Yorkers can catch the “Unsung” rockers at the Highline Ballroom in NYC on Nov. 12, and Nov. 13, at the Music Hall of Williamsburg in Brooklyn.

    Helmet was formed in 1989 in New York City by frontman/lead guitarist and only surviving original member Page Hamilton. Hamilton moved from Oregon to New York, where he studied jazz guitar at the Manhattan School of Music.

    Helmet’s Dead To The World Tour Dates:

    Nov. 3 – the Castle Theatre – Bloomington, IL
    Nov. 4 – Saint Andrew’s Hall – Detroit, MI
    Nov. 5 – Lee’s Palace – Toronto, CA
    Nov. 6 – the Beachland Ballroom and Tavern – Cleveland, OH
    Nov. 7 – Baltimore Soundstage – Baltimore, MD
    Nov. 9 – World Cafe Live – Philadelphia, PA
    Nov. 10 – Brighton Music Hall – Boston, MA
    Nov. 11 – THE MET – Pawtucket, RI
    Nov. 12 – Highline Ballroom – New York, NY
    Nov. 13 – Music Hall of Williamsburg – Brooklyn, NY
    Nov. 15 – Black Cat DC – Washington DC
    Nov. 16 – Visulite Theatre –  Charlotte, NC
    Nov. 17 – Motorco –  Durham, NC
    Nov. 18 – the Masquerade –  Atlanta, GA
    Nov. 19 – Jack Rabbits –  Jacksonville, FL
    Nov. 20 – State Theatre –  Saint Petersburg, FL
    Nov. 22 – Revolution Live –  Fort Lauderdale, FL
    Nov. 23 – the Social – Orlando, FL
    Nov. 25 – the White Oak Tavern –  Houston, TX
    Nov. 26 – Mohawk Austin –  Austin, TX
    Nov. 27 – Gas Monkey Live –  Dallas, TX
    Nov. 29 – Crescent Ballroom –  Phoenix, AZ
    Dec. 1 – the Roxy Theatre –  Hollywood, CA
    Dec. 2 – Casbah San Diego –  San Diego, CA
    Dec. 3 – Discovery Ventura –  Ventura, CA
    Dec. 4 – the Independent  – San Francisco, CA
    Dec. 6 – Dante’s –  Portland, OR
    Dec. 7 – the Crocodile –  Seattle, WA
    Dec. 9 – the Pub Station – Billings, MT
    Dec. 10 – Marquis Theatre –  Denver, CO
    Dec. 11 – Slowdown –  Omaha, NE
    Dec. 13 – recordBar –  Kansas City, MO
    Dec. 14 – Fine Line Music Café –  Minneapolis, MN
    Dec. 15 – High Noon Saloon –  Madison, WI
    Dec. 16 – Metro Chicago –  Chicago, IL
    Dec. 17 – Delmar Hall –  St Louis, MO