Category: World/Reggae

  • SAMMYS 2016 Induction Ceremony and Awards Event

    The music world is a family, and no where more so than in Syracuse.  Each year Syracuse area musicians and music lovers come together to celebrate their own.  Submissions of new music for consideration inundate the committee each year, and through a painful process of choosing just four nominees, awards in all musical genres are given out at what has become the musical event to attend in Syracuse, the SAMMYs.Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-7

    The night before the award ceremony is a special recognition event for those inducted into the SAMMYs Hall of Fame.  There are many wonderful musicians who have roots in Central New York and have played huge roles in the Syracuse music scene.  This years inductees, honored at a ceremony upstairs at the Dinosaur Barbeque Thursday, were George Rossi, The Bells of Harmony, Savoy Brown, and Jam Factory.  Mark Copani was given the award for Music Education; and the Lifetime Achievement Award was given to the late great Mark Murphy.

    Basking under the warm glow of orange-hued lighting, the room bubbled with conversation as patrons populated the bar and clustered around dining tables. SAMMYs committee member Liz Nowak gushed, “The award show is about honoring the music of 2015, but tonight is about honoring six decades of music.” Patrons and honorees reminisced and swapped stories over platters of pulled pork, cornbread and coleslaw before the formalities commenced.

    The evening’s master of ceremonies, Dave Frisina of 105.9 The Rebel channeled attention toward the podium, effortlessly sashaying through heartfelt and witty dialogue. Frisina as emcee, had the privilege of introducing each inductor, who in turn introduced an inductee. Regarded as a special honor, each inductor’s relationship with their inductee afforded them an opportunity to share personal accounts of why the inductees deserved the distinction.

    Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-12

    The remarks of the evening ranged from comedic genius to sublimely sentimental, projected toward a responsive crowd eager to empathize with laughter or somber head nods. Copani acknowledged his family’s presence in the audience gesturing, “They showed up without any prompting.” As Rossi spoke into the mic for his speech he jested, “Wow, a microphone- that’s new.” The Bells of Harmony concluded their acceptance with a quick gospel tune to the audience’s utter delight.

    Following the ceremony, attendees were treated to a performance downstairs by Tennessee-bred funk, R&B and jazz fusion band Dynamo. The congregation of musicians clustered on the cramped stage infused the room with polished yet experimental dexterity as Dain Ussery’s vocals coasted elegantly on the surface. An air of mutual respect floated between the star-studded crowd and the talent pouring their hearts into the music. A tale of old meets new, Dynamo upholds the legacy set before them, all in the name of making music that moves people.

    Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-3The sold out Palace Theater, hosted the 2016 SAMMY Awards Friday. The atmosphere afforded attendees the opportunity to indulge their chic fashion tendencies or embrace a more casual attitude. The spectrum of ballgowns to jeans was well represented in the diverse attire of guests.

    Carolyn Kelly Blues Band warmed up with a quick jam before Kelly strolled to the stage in a silky black confection that swayed delicately with every soulful note. The first performance of the evening initiated an onslaught of striking computer-generated video projections, adding visual effect behind the bands. The extravagant visuals added an early 2000’s old school vibe. The blues band concluded its short set with an energetic rendition of “Amazing Grace,” as a flaming sunshine explosion flared across the screen behind them.

    Instrumental rock group Ohne-ká and the Burning River brought a very different energy to the stage. Emitting a folk vibe clad in suspenders and a plaid button down, Ryan Jones widened his stance, the first indication of the big, skull-penetrating sound they exude. Though their musical style didn’t invite fluid dance like other genres represented that evening, their tone beckoned listeners to look inward and quietly contemplate from their seats.

    Savoy Brown delivered a solid blues rock performance, not accurately reflected by the lack of dancing on the open floor space directly before the stage. Before exiting the stage, in a moment of jest, leading man Kim Simmonds put his glasses on, slightly recoiling as if his new-found sight brought an awareness to the fact that he’d just performed to an occupied theater.

    Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-1

    Once Joe Driscoll‘s one-man reggae rap garnered the crowd’s attention, a handful of willing dancers finally got their feet moving. He cleverly paired looped beat boxing with live harmonica to compose a catchy rhythmic pulse, easy to nod your head or tap your foot to.

    During the previous night’s induction ceremony, Jam Factory frontman Mark Hoffman qualified the band’s impending award show performance, proudly stating, “We’ve had three rehearsals and the band is kicking ass.” Their performance supported his confident assertion, topping off the award show with a sweetly nostalgic finale. Approximately thirty willing dancers, many Jam Factory followers since early adulthood, danced in front of the stage. They basked in time-honored soul alongside a handful of newly made fans.

    Joining Hoffman on stage for the family affair was his son, contributing funky bass lines while his daughter added backing vocals. As the band members poured their hearts into a project they love, an adoring fan glowingly praised, “They’re still as good as they ever were.”Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-5

    The SAMMY Awards of 2016

    Rock – Joe Whiting
    Folk – Austin MacRaie
    Pop – Elizabeth Canino
    Jazz – Andrew Carrol
    Americana – Early Bird Trio
    Jam Band – Jam Factory
    Alternative – Professional Victims
    Country – Lonnie Park
    Hard Rock – After Earth
    Hip-Hop/Rap – Mafiosa

    The People’s Choice Awards for 2016

    Best Band: The Horn Dogs
    Best Festival: The Great New York State Fair
    Best Venue: Dinosaur BBQ

    The Brian Bourke Award for Best New Artist: The Lightkeepers

  • Slightly Stoopid Stopping in Utica this Summer

    California reggae-fusion act Slightly Stoopid has announced their ninth annual cross-country summer tour, bringing them to Saranac Brewery in Utica on July 22.

    The Return Of The Red Eye Summer Tour will criss-cross the country, hitting amphitheaters and pavilions throughout North America, with supporting act SOJA announced as direct support for most dates. Zion I, the Grouch & Eligh and Fortunate Youth will also perform on select portions of the tour, with all acts aside from Fortunate Youth performing at Saranac Brewery on July 22.

    Return of the Red Eye Summer Tour Dates:
    6/15 Redmond, WA – Marymoor Park # *
    6/17 Eugene, OR – Cuthbert Amphitheater # *
    6/24 Berkeley, CA – Greek Theatre # *
    6/25 Irvine, CA – Irvine Meadows # *
    6/26 Santa Barbara, CA – Santa Barbara Bowl # *
    6/30 Salt Lake City, UT – The Complex # *
    7/01 Las Vegas, NV – TBA # *
    7/02 Stateline, NV – Harvey’s Outdoor Arena # *
    7/03 San Luis Obispo, CA – Avila Beach Resort # *
    7/09 San Diego, CA – Sleep Train Amphitheatre # *
    7/15 Houston, TX – The Lawn at White Oak Music Hall # *
    7/16 Corpus Christi, TX – Concrete Street Amphitheater Pavilion # *
    7/17 New Braunfels, TX – Whitewater Amphitheater # *
    7/21 Portland, ME – Maine State Pier # *
    7/22 Utica, NY – Saranac Brewery # *
    7/24 Simsbury, CT – Simsbury Performing Arts Center # *
    7/29 Portsmouth, VA – Portsmouth Pavilion # *
    7/30 Raleigh, NC – Red Hat Amphitheater # *
    7/31 North Charleston, SC – Riverfront Park # *
    8/03 Des Moines, IA – Brenton Skate Plaza # *
    8/04 Kansas City, MO – Crossroads # *
    8/06 Morrison, CO – Red Rocks Amphitheatre # *
    8/07 Council Bluffs, IA – Stir Cove # *
    8/11 St. Augustine, FL – St. Augustine Amphitheatre # !
    8/12 Cocoa, FL – Riverfront Park # !
    8/14 St. Petersburg, FL – Vinoy Park # !
    8/18 Boston, MA – Blue Hills Bank Pavilion # !
    8/19 Asbury Park, NJ – Stone Pony Summer Stage # !
    8/20 Philadelphia, PA – Festival Pier # !
    8/21 Baltimore, MD – Pier Six Pavilion !
    8/25 Minneapolis, MN – Cabooze Outdoors # !
    8/27 Cleveland, OH – Jacobs Pavilion # !

    # with SOJA
    * with Zion I, The Grouch & Eligh
    ! with Fortunate Youth

  • Hearing Aide: Subsoil ‘On the Bus’

    Stealing a page from the late great Ken Kesey, Rochester’s Subsoil opens their new album proclaiming, “You’re either on the bus, or you’re off the bus.” This bus, number 585 (Rochester’s area code), is bound for “trans-dimensional hyperspace.” With a destination like that, how could you resist at least one trip On the Bus with Subsoil?

    The album consists of reggae, soul, R&B, jazz, funk and rock, sometimes fused, sometimes fairly straight. Ted Ladwig has a knack for catchy keyboard nuggets, whether they come to the fore (“High Noon”) or hide just under the surface (“Zombies”). He sets up Wil McKenna for an array of surprising and diverse guitar solos which can echo Santana’s tone (“Surrender”), wail like an Allman Brother (“Meditation”), or crunch out some funky rhythms atop Ladwig’s whirling B3. Sprinkle in some well-placed saxophone blasts by Bill Smith and lay it all over some steady work by the rhythm section and you have yourself an enjoyable and bouncy ride.

    Oh wait, did I forget to mention that front-men Moon-Roc and Laz Green are rapping over the whole thing? It’s a combination that can be reminiscent of the trip-hop of the 90’s and bands like Buckshot Lefonque and Us3. Steve Gutenberg, Tetris, Muhammed Ali, Walter White, Eazy-E, Scooby Doo and obviously the aforementioned Ken Kesey all get referenced, and that’s just in the album-opening title track. Later on Captain Trips gets a call out, though likely in reference to the Stephen King character from The Stand, and not Jerry Garcia. Plenty more pop-culture references, both historical and current, and clever word play make their way into this tight 30-minute set.

    Released early in 2016, On the Bus was recorded and mixed by Josh Russell at Spring House Recordings in Oswego and mastered by Jason “Jocko” Randall at More Sound Recording in Syracuse. It is available at many area record stores, as well as online retailers including Subsoil’s website, and streaming on Spotify and YouTube. So get on the bus.

    Key tracks: High Noon, Surrender

  • Celtic Women Make Their Way Through New York on Destiny Tour

    It is not often that artists can say that their albums debut at number one, but it’s no surprise to learn that Celtic Women’s Destiny did just this; it was the ninth album to do so.

    Celtic Women 2015FallPublicityPhoto

    As the Destiny tour begins this March in Nashville, Máiréad Nesbitt, Mairéad Carlin, Susan McFadden and Éabha McMahon, also known as the women of Celtic Women, will grace the stage at more than 79 cities as they make their way across the United States.

    The multi-platinum, all female ensemble made its debut on PBS in 2005 and has achieved massive success encompassing 10 chart-topping albums, nine PBS specials, more than 8 million albums sold, and platinum sales in nine countries.

    Celtic Woman 2015_creditDavidConger

    They sing like angels and float like the wind across stage, as they bring to you a bit of Celtic history in their musical stories. Destiny will feature a fresh fusion of traditional Irish music and modern songcraft, including the Waterboys’ classic “The Whole of the Moon,” Ed Sheeran’s “I See Fire” from The Hobbit film, and Mutt Lange’s “Walk Beside Me.” Traditional Irish highlights include “Bean Pháidín,” “Siúil A Run” and “Óró sé do bheatha ‘bhaile,” an anthem closely connected with the 1916 uprising that led to Ireland’s independence.

    DestinyLogoLockupTHE DESTINY TOUR – 2016 ITINERARY

    3/4-5 Nashville, TN Tennessee Performing Arts Center
    3/6 Memphis, TN Orpheum
    3/8 Owensboro, KY RiverPark Center
    3/9 Louisville, KY The Palace
    3/11 Paducah, KY Carson Center
    3/12 Peoria, IL Peoria Civic Center Theater
    3/13 Rockford, IL Cornado PAC
    3/15 Rosemont, IL Rosemont Theatre
    3/17 Detroit, MI Fox Theatre
    3/18 Fort Wayne, IN Embassy Theatre
    3/19 Wabash, IN Honeywell Center (2 shows)
    3/20 South Bend, IN Morris Performing Arts Center
    3/22 Indianapolis, IN Murat Theatre at Old National Centre
    3/23 Bowling Green, KY Sky PAC
    3/24 Cincinnati, OH Aronoff Center
    3/25 Dayton, OH Schuster Performing Arts Center
    3/26 Columbus, OH Palace Theatre
    3/29 Cleveland, OH PlayhouseSquare
    3/31 Williamsport, PA Community Arts Center
    4/1, 2, 3, Lancaster, PA American Music Theater
    4/5 Richmond, VA Altria Theater
    4/6 Norfolk, VA Chrysler Hall at SevenVenues
    4/8 Wheeling, WV Capitol Theatre
    4/9 Baltimore, MD Hippodrome Theatre
    4/10 Salem, VA Salem Civic Center
    4/12 Asheville, NC Thomas Wolfe Auditorium
    4/14 Spartanburg, SC Spartanburg Memorial Auditorium
    4/15 Winston-Salem, NC LJVM Coliseum Complex
    4/16 Durham, NC Durham Performing Arts Center
    4/17 Charlotte, NC Ovens Auditorium
    4/19 Columbia, SC Koger Center for the Arts
    4/21 Athens, GA The Classic Center
    4/23 Atlanta, GA Fox Theatre
    4/24 Gainesville, FL Curtis M. Phillips Center for the Performing Arts
    4/27 Daytona Beach, FL Peabody Auditorium
    4/28 Ft. Lauderdale, FL Broward Center for the Performing Arts
    4/29 St. Petersburg, FL The Mahaffey Theater
    4/30 Sarasota, FL Van Wezel Performing Arts Hall
    5/1 Niceville, FL Mattie Kelly Arts Center

    photo credit: Jason Clark (L-R) Susan McFadden, Lynn Hilary, Mairead Carlin (back right), Mairead Nesbitt
    photo credit: Jason Clark
    (L-R) Susan McFadden, Lynn Hilary, Mairead Carlin (back right), Mairead Nesbitt

    5/3 Mobile, AL CC Theatre
    5/5 Birmingham, AL BJCC
    5/6 Jackson, MS Thalia Mara Hall
    5/7 New Orleans, LA Saenger Theatre
    5/8 Houston, TX Revention Music Center
    5/10 San Antonio, TX Majestic Theatre
    5/11 Grand Prairie, TX Verizon Theatre
    5/13 El Paso, TX The Plaza Theatre
    5/14 Tucson, AZ Tucson Music Hall
    5/15 Tempe, AZ ASU Gammage Auditorium
    5/17 Bakersfield, CA Rabobank Arena
    5/20 Eugene, OR Hult Center for the Performing Arts
    5/21 Yakima, WA Yakima Valley SunDome
    5/22 Portland, OR Arlene Schnitzer Concert Hall
    5/24 Boise, ID Morrison Center
    5/25 Salt Lake City, UT Maverik Center
    5/26 Casper, WY Casper Events Center
    5/27 Greeley, CO Monfort Concert Hall
    5/28 Colorado Springs, CO Pikes Peak Center
    5/31-6/1Denver, CO Buell Theatre at Denver Performing Arts Complex
    6/3 Rapid City, SD Rushmore Plaza Civic Center
    6/4 Bismarck, ND Bismarck Event Center
    6/5 Grand Forks, ND Chester Fritz Auditorium
    6/7 Bemidji, MN Sanford Center
    6/9 La Crosse, WI La Crosse Center
    6/10 Prior Lake MN Mystic Lake Casino
    6/12 Grand Rapids, MI DeVos Performance Hall
    6/14 Kalamazoo, MI Miller Auditorium
    6/16 Warren, OH W.D. Packard Music Hall
    6/17 University Park, PA Eisenhower Auditorium
    6/19 Schenectady, NY Proctors
    6/21 Rochester, NY Auditorium Theatre
    6/22 Brooklyn, NY Kings Theatre
    6/24-6/25Orillia, Ontario Casino Rama
    6/26 Erie, PA Warner Theatre
    6/28 Lowell, MA Lowell Memorial Auditorium
    6/29 Providence, RI Providence Performing Arts Center
    6/30 Newark, NJ NJPAC
    7/1 Red Bank, NJ Count Basie Theatre
    7/2 Red Bank, NJ Count Basie Theatre

  • Second Annual Winter Warm Up at The Linda Announced

    Four regional bands will play the second annual Winter Warm Up at The Linda in Albany to benefit WAMC, Northeast Public Radio, on Saturday, Jan. 16.

    Bryan Thomas, KoriSoron, SubSlab and The North & South Dakotas are contributing their performances to benefit the area’s non-profit NPR affiliate, at WAMC’s performing arts studio, The Linda. Beer, wine and pub fare will be available for purchase at the benefit.

    Albany’s own Bryan Thomas will bring his self-described soul rock that promises to get everyone dancing. Schenectady’s acoustic trio KoriSoron will enchant the audience with their global tradition-influenced rock and progressive music. SubSlab will supply their female-led rock-n-roll. And The North & South Dakotas bring their old-timey Appalachian-style music, with elements of bluegrass, folk and honky-tonk.

    WAMC/Northeast Public Radio is a regional non-profit radio network that serves parts of New York, Massachusetts, Connecticut, Vermont, New Hampshire, New Jersey and Pennsylvania. It is affiliated with National Public Radio and Public Radio International. The Linda is a multipurpose performance space run by WAMC that hosts concerts, lectures, debates and films among other events, many of which are broadcast over WAMC’s radio stations.

    The Jan. 16 show will take place at 8 p.m. with doors opening at 7 p.m. Tickets are $10 with all proceeds supporting WAMC.

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