Category: Electronic

  • Turkuaz Ends Sold Out 3 Night Run at Brooklyn Bowl

    On Saturday April 9,  Brooklyn’s own Turkuaz closed out their three-night run to a sold out crowd at Brooklyn Bowl.

    After the opening band, Sidewalk Chalk, began heating up the room to a simmer, Turkuaz brought the crowd to full on boil with their opening song “Lika” from their 2015 Digitonium release. Next up was “Chatte Lunatique” off of the Zerbert album, which had the crowd, brass section and backup vocalists bopping up and down in synch. Each band member sported their own signature, color-coded Members Only jacket on stage, reminiscent of a funky bag of Skittles that had somehow taken human form and hypnotized the Brooklyn Bowl. By the fourth song, and their first cover, Sam and Dave’s “Hold On, I’m Comin’” everyone from the back bar to the front of stage could taste the rainbow as the classic soul tune raged on.

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    The band took a minute to wipe the sweat from their faces before tackling “Lift It Up” into their most listened-to Spotify tune, “Bubba Slide,” off the Future 86 album. “Who were you two days ago/I’ll be damned if you should know,” are the opening lyrics to “Bubba” and on the third night of transformational Brooklyn run, the words took on a different meaning. There was a feeling in the room that something special was happening. We were witnessing a new brand of funk while simultaneously time-traveling to the golden age of the genre.

    The 9-piece jammed on with a few more originals before capping off the first set with their second cover of the night, “I’ve Got a Feeling” by a band founded far away from Williamsburg, The Beatles. Just before the tkenna_turkuaz_bkbowlN3_024cover began, the audience started to thin out for a fresh beer or cigarette during what was sure to be the break of an already stellar set until they heard the opening riff to this Let it Be classic. People began sprinting back inside to be part of the action and as the cigarette flames were extinguished outside, a new fire started within. Since the last time Turkuaz ignited the Brooklyn Bowl flame in 2015, the band’s sound has evolved through hard work, relentless touring and attention to their craft. Ask any die-hard Turkuaz fan and they will tell you that the band gets better every time you see them in Brooklyn. Smiles covered the group’s faces as they proudly sang the symbolic lyrics “Everybody had a good year, everybody let their hair down, everybody pulled their socks up, everybody put their foot down.” Oh, yeah!

    Set two’s energy picked off right where the first left off as Taylor Shell’s bass pumped out an extra groove-able intro to the Digitonium tune, “Doktor Jazz.” As if the band wasn’t hot enough on their own, they called tkenna_turkuaz_bkbowlN3_021upon James Casey (Trey Anastasio Band) and his saxophone wizardry to add some gasoline to the blaze. The band was just getting started as Casey exited the stage after a short lived, but memorable sit-in. The crowd appeared to have stretched their legs during set break as they put on an all-out dance clinic during the sexy “Desert Island,” “Coast to Coast,” “E.Y.E. (Lookin’ Good)” threesome of originals.

    An extended version of “Tired of Talkin’” led the band to show the heavily-breathing crowd mercy after “Digital Love” to cool things down for a moment, well, slightly. As the second set was coming to a close each tkenna_turkuaz_bkbowlN2_036member was placed under the spotlight during “Gogo, Mr. Dodo,” but especially Shira Elias, who was dressed like a feminine synth pop version of the yellow Power Ranger. She definitely took lead on this second-set highlight as she shook the Brooklyn Bowl with her soulful pipes.

    As Sunday morning was officially upon us, the band came out to cover one more song, The Talking Heads, “Take Me To The River.” Since the early days of Turkuaz, it has been no secret that the Heads have been one of the main influences from their tongue-in-cheek lyrics to their strange attire and genre melting sound. “Take Me To The River” may be one of the most covered and influential songs on the jam-band or funk circuit in the past 40 years and this group absolutely nailed their take on the Al Green penned piece. The climax came after the band collectively dropped the crowd into the funky waters of the venue.

    Hours after the show ended the caption on the Turkuaz Facebook page reads, “This was truly one of the most special weekends we’ve experienced as a band.” After that power-funk spectacle, it is safe to say that the growing fan base had a pretty special weekend as well.

  • The Human Experience/Gone Gone Beyond Thrive at House Of Yes

    From his recent performance at House of Yes in Bushwick, David Block (The Human Experience) brought a night full of heartfelt, new music with his live endeavor, Gone Gone Beyond. The event opened with the artists asking all in attendance to momentarily pause, hold the hand of the person closest to you and have a moment of gratitude; this task was quite easy as House of Yes seems to engender a feeling thankfulness any time I find myself there.

    The combination of The Human Experience and House of Yes is essentially a no-brainer; a musical artist that combines ethereal, tribal sounds with heavy, grooving bass and an amazing venue that feels as if a Burning Man camp was transplanted to Bushwick makes for a wonderful experience. The name of the event was “The Vibe” which was quite fitting as there certainly was an understanding and sharing of similar emotional and musical platitudes amongst all in attendance.

    Opening with “Ain’t Giving up on Love” from their self-titled album Gone Gone Beyond, Danny Musengo’s gratifying vocals and Block’s melodic piano chords had the crowd swaying and singing along to the chorus. Horns were brought out for “Back Swing” whilst an aerialist performed on some silks in the middle of the venue and I felt like I was in a circus tent in New Orleans, certainly a sight to behold. Closing with “Carnival” was proper as it got the crowd moving, dancing, and smiling as an entire aerial performance was occurring above the band on stage invoking carnival vibes tenfold. Following Gone Gone Beyond, was David Block himself as The Human Experience. Block’s ethereal, world sound were in full effect as many patrons were moving intently with their eyes closed as if to truly feel the music. As mentioned, the blend of The Human Experience and House of Yes is like no other; Block’s celestial sounds with HOY’s vibe and performers is an unparalleled experience.


  • Oneonta Audience Grooves With Jimkata and Space Carnival

    Breaking in the new month, Jimkata, a musical trio from Ithaca, and Space Carnival, a fiery four-tet based out of Oneonta, hit the Oneonta Theatre on Saturday, April 2. Fans were raging about the floor and craved some more.

    Space Carnival unlocked the stage and were born into the atmosphere as they unleashed magical sensations throughout. With Jeremy Kraus on guitar, Cameron Fitch on keys and vocals, Chris Meier on Bass, and Nick Tassinari on drums, these four gentlemen took the night and fed their fans more of their funky psychedelic slippery disco.

    jimkata space carnivalThis group has become outstandingly popular; having been to several of their shows, they never seem to disappoint. Since their formation in 2013, they have created a beautiful fan base and evoke a sphere of jam and funky madness. On this night, they pumped the smoky carnival air with tunes such as “Regal Krad”, “Moon Boots”, “Uh Oh I Slipped My Disco”, “Rango”, “Mister Sam”, “Plibt”, and “Entree The Giant”. It is pleasing to witness how they have progressed over the years and it is an honor to watch them continue to grow into galactic flowers.

    jimkata space carnivalSpace Carnival meshes funk, progressive rock, and high-energy disco all while melting brains and hearts. They have a unique rhythm and spatial sound which all keep their fellow dancers afloat and on their toes. They performed covers throughout the night along with their fresh jams to keep the spacey flow going. Stay tuned as they are currently recording their debut album Drawn In By The Sun.

    jimkata space carnivalFollowing Space Carnival, Jimkata settled the night in the most perfect way, allowing the audience to cool down and sooth to the smooth moves of soft soundwaves. This night was about the promotion and celebration of their newest album In Motion. This band is much more than what they seem; their anthemic-synth-washed rock n’ roll and pop take you through the night and underground on a happy rollercoaster with sweet melodies and charming hooks. One can feel the emotional energy that emanates from their gentle tunes. It has an adventurous, continuous flow of undulating waves.

    jimkata space carnivalOn this night of the tour, Evan Friedell (guitar/vocals), Aaron Gorsch (synth/guitar), and Packy Lunn (drums) collectively embraced their listeners with a fresh perspective of feeling. Their music lures you with emotion and hits your body with the beat. The crowd cheered to some of their hits such as, “Wild Ride”, “Innocence”, “Won’t Let You Down”, “Jumping Out of Airplanes”, and “Ride The Wave”, all from their most recent album.

    They have a very natural sense of feeling and breath of life that they fuse into their hits. The background jams tune into the vocals as it creates a fresh experience all around. It shifts into different forms along the journey of each song. They were able to evolve their music, as they are now three members instead of four. They were able to successfully regroup after their recent transition. It was certainly a reflective time period for them; it is all about positive energy for Jimkata, a beautiful balance.

  • DATSIK Is Bringing His Robotic Funky Sounds Back To The Queen City

    Troy Beetles, the Canadian born DJ / Producer better known as DATSIK will be in the Queen City of Buffalo April 7th.

    datsik queenIf you were wondering where his stage name is derived from, it comes from his XBOX gamer tag. Since hitting the Dubstep scene in 2008 he has steadily been a force to be reckoned with. In 2009 alone he had 7 number one releases on Beatport. In 2012 his debut album Vitamin D was released. That same year he started his own record label, Firepower Records.

    DATSIK has collaborated with huge names in the music business such as The Crystal Method, Diplo, Jonathan Davis (Korn) and Method Man. He has performed with artists of the likes of Steve Aoki, Nero, Rusko, and Bassnectar. Datsik has played venues all across the world and at festivals such as EDC Las Vegas, Electric Zoo, Ultra Music Festival and Coachella. He will be bringing his self described dark, robotic, funky and gangster sounds to the Town Ballroom Thursday April 7th.

    Show starts at 8 and is sold out.

    https://www.youtube.com/watch?v=JpiuyFpYMFo

  • The New Mastersounds to Headline 3-Night Weekend at Brooklyn Bowl

    The New Mastersounds have a simple mission: create and share an ebullient energy with a receptive audience. They’ve been accomplishing this swimmingly with their bouncy, funky instrumental grooves for a decade. New York City will have its chance to get down New Mastersounds-style for three consecutive nights at Brooklyn Bowl on April 14-16.

    In the UK where there are no John Scofields or Galactics to create a rich jazz-funk jam tapestry, The New Mastersounds started out as a band filling that void with free reign. Nowadays they run widely in the US festival circuit and collaborate with Mike Dillon, Grace Potter, Maceo Parker and Art Neville. Their music is fast and relentlessly euphoric.

    The Saturday date at Brooklyn Bowl will also include an afternoon family show for all ages beginning at noon, in addition to the show that evening. The matinee appearance has become a tradition for the band over their last two appearances in Brooklyn. The New Mastersounds first appeared at the Bowl in 2010, and three-night runs have occurred there at least once yearly since 2013. New York funk fans are doubtless hungry to have them back.

    Brooklyn’s own Moon Hooch will support The New Mastersounds on Thursday, April 14. Their primitive dance music played in sax-sax-drums power trio format is sophisticated and provocative. In a league with other contemporary artists who blur the line between live acoustic performance and sleek electronica production, Moon Hooch have an unprecedented sound and an attitude that’s always carrying them into new musical territory. Aficionados will want to be there at 8 PM when they get the party started at Brooklyn Bowl, kicking off a three-night weekend with The New Mastersounds.

  • Fridays in April at Parish Public House, Presented by NYS Music

    NYS Music is proud to announce the lineup for Fridays in April at Parish Public House, one of Albany’s premier music venues with a taste of New Orleans infused throughout the beer selection, decor and menu.

    April 8 – The Deadbeats

    Playing the music of The Grateful Dead, Phish, The Beatles, Bob Dylan, Bob Marley, Janis Joplin and so much more! The Deadbeats are based in New Paltz/Albany, NY, and have been one of the hardest working bands in the Northeast since their inception in 1993.  In all the years of playing together, they have amassed a large and loyal following of fans who appreciate the open ended, participatory nature of their performances. Along with a virtually inexhaustible repertoire of cover tunes, they have a considerable amount of original material. The Deadbeats are actually able to please most of the people most of the time. The Deadbeats play the first Friday of every month at the Parish Public House and every Wednesday night at The Low Beat.

    April 15 – Blind Owl Band

    Hailing from Saranac Lake, NY, in the heart of the Adirondack mountains, The Blind Owl Band has been creating what they call Freight Train String Music since 2010. And a freight train it truly is. Although the quartet’s sound is rooted in traditional stringed instruments (guitar, basses, banjo and mandolin), their music surges forward with the strength and power of a hundred-ton diesel locomotive. Songs barrel down the tracks with momentum and intensity normally found in much heavier, heavily amplified music. They’ve played on almost every festival east of the Mississippi and shared the stage with countless artists across all genres of the musical spectrum. Looking ahead into 2016, the band will begin recording their as-yet-untitled third full length album in early spring, with an eye toward a mid-summer release. This freight train has no one conductor but four shovel boys pushing the limits of their engine night after night, so climb aboard and get ready for a one-of-a-kind ride.

    April 22 – MOVE Music Festival

    The MOVE Music Festival is a Indian ledge Music Group production. The festival will consist of approximately 100 acts performing at venues across Albany, New York on April 22-24 2016. The main purpose of this event is to give exposure to regional talent through live performances at select venues and provide musicians with insight on how to conduct their careers in today’s independent music scene. Music starts at 6pm on Friday, April 22 with multiple bands performing throughout the evening. Check back for updates when the schedule is released.

    April 29 – Lord Electro

    Hailing from Albany, NY Lord Electro quickly emerged on the scene in 2015 with their organic high energy Live-Electro/trance music. This has proven to generate quite the dance party! After making a name for themselves with their first show at Bellstock 21 LE played a run of Summer and Fall dates in markets across NY and New England including opening for The New Deal in Saratoga, NY this past November. With experienced musicians Dan Gerken (Timbre Coup, Groovestick) and Steve Mink (Digital Dharma) behind the tones and the addition of Jordan “George” LeFleur on the drumkit this trio is a force to be reckoned with and a magnificent display of organic improv on the dance floor.

  • Lets Fool Around in Saint Augustine

    Hurry! Lettuce and Griz will be headlining the inaugural Fool’s Paradise April 1st and 2nd! The festival will be celebrated at The St. Augustine Amphitheatre which is located in the oldest city in the United States  and is famous for its Spanish style architecture. Located just an hour from Jacksonville and Gainesville and just two hours from Orlando, Fool’s Paradise could not be in a more picturesque and ideal location. The festival is hosted by Purple Hat Productions and Live For Live Music and is sure to be an amazing two day  funk filled event.  So pack your dancing shoes and come be part of the beginning of something spectacular!  The music begins Friday at two’olock on the Shipwreck Stage.

    There will be two stages, one of which is the Amphitheatre and the other is The Shipwreck Stage. There will also be late night sets by Vulfpeck and Break Science at the nearby Elk’s Lodge on Friday then Goldfish and a Fools of Funk Superjam on Saturday. Tickets to the late night sets are sold in a limited quantity and as a separate from the main event. There is also more late night music just two miles away at “Fool Moon” which is a staple in the St. Augustine music scene. Featured late night artists are Jacksonville’s own Herd of Watts, on Friday and Saturday,  Gainesville’s Morning Fatty and Manyfest will play Saturday and Orlando’s Groove Orient will close out the night.  Camping is available in an offsite location but all passes are limited.  There are also a select amount of  vip hotel packages. Which are available on the “Fool’s Paradise” website.

    This festival is reminiscent of Jam Cruise  because it offers fun excursions with the performing artists. There will be mini golf with Lettuce’s Adam Deitch and Jesus Coomes on Saturday at one o’clock, Sailing with The Shady Horns and Shmeemans at noon and also a zipline adventure with Break Science’s Borhahm Lee at twelve-thirty. All excursions are sold separately from the main event and the tickets are going fast!!  There will be limited parking but fortunately there are many cab companies and Uber available.

    Now that the basics have been covered, let’s get to the fun part, the music! Yes! finally Lettuce and GRIZ will be collaborating during the second half of GRIZ’s Friday night set in the ampitheatre. The remaining line-up also promises exciting funky fun times for everyone. There’s Chris Robinson’s Soul Revue  featuring featuring George Porter Jr of The Meters, with Ivan Neville, The Nth Power, Goldfish, Corey Henry of Snarky Puppy, Marvel Years, Brasstracks, Herd of Watts. The Groove Orient, Morning Fatty and Love Chunk.

    So pack your gear and prepare yourself for an awesome two days of music, and good times! Tickets are available on the website, and The St. Augustine box office.

  • Big Mean Sound Machine Shakes B-Side Ballroom

    On March 11, Big Mean Sound Machine blew multiple minds away on a groovy Friday night at B-Side Ballroom in Oneonta, NY. A collection of nine talented souls graced the little nook of a stage that night, and gave it their all. It was evident that this group loves what they do, and are extremely cheerful about it. Throughout the night, they brought funkadelic afro-dance madness, with hints of worldly, succulent, jammy beats full of jazz and wonder. It can really get the best of someone in the best possible way, and I know it got the best of me.

    big mean sound machine B-Side BallroomHaving been the first time seeing Big Mean perform, my breath journeyed its way up through my esophagus and exited only to create electrical gasps. Smiles filled the air as each musical build up was brought to the attention of the B-Side audience; it was impossible to look away. It channeled energies and was not only mesmerizing, but jaw-dropping and awe-inspiring.

    To put the night into perspective, envision a tiny stage within a restaurant/bar, packed with assorted instruments and intense skill. Everyone was hanging out at first, but the next thing you know, the floor was filled with dedicated dancers who yearned to experience the largest and meanest sounds that this machine created. ‘Twas a machine indeed, and it lit up the floor and crowd, as if fanciful fireworks were exploding into thin air.

    The show commenced, and the performers wooed the audience with a song called “Whoa Gosh,” one of many various fresh tracks from Big Mean’s most recent album, Contraband (2014). The Ithaca, NY, band has the power to gather the vibes that instruments generate and transform sound waves into jiggy, psychedelic beauty. With their unique sense of musical style, Big Mean raises the bar with their originality and feel-good atmosphere.

    Angelo Peters rocked out on the bass, whileto his right Bobby Spellman owned the trumpet. Andrew Klein beat the drums to death, as Lucas Ashby brought the congas to life. Dan Barker and Ray McNamara created rhythm and movement with every jam from their guitars. Rob Tate hit up the audience with some electric rhythms, as Tyler Burchfield soothed souls with his baritone saxophone and Alicia Aubin danced the night away with her trombone.

    big mean sound machine B-Side BallroomThe fans handled every sound the band threw at them; the rhythms made each soul move and each body shake that night, bringing a sense of euphoria and enlightenment. Throughout the show, Big Mean rocked the stage with even more hits from their newest album, some of which included “In the Name of What,” “Contraband,” “Sweet Tooth” and “Wolfpack.” They also threw in “Marauders,” a classic from 2012, that brought a different sense of style and flair to the set.

    Big Mean Sound Machine is more than just a group; they are a beautiful arrangement and outstanding collective that brings life to every stage they perform on. Their jiggy style makes you want to move all night and it will resonate with you, as it is quite contagious my friends.

    big mean sound machine B-Side Ballroom

  • Okeechobee Makes Great First Impression

    Aquachobee, Coronachobee, okeechobeings, yogachobee, are just a few of the new words  learned while attending the sold-out inaugural Okeechobee Music Festival. From March 3-7 thousands of music fans “entered the portal” to spread their Okeechobee love and good vibes in south Florida paradise. The news of the festival hit the town of Okeechobee about three years ago and could not have been more of a success.  The festival is the brain child of Paul Peck, a graduate of Tulane University who had years earlier sowed the seeds for Bonnaroo with Rick Farman.  Years later Peck took his knowledge from the Bonnaroo experience to create a musical and art themed wonderland.  Held on hundreds of acres of wide open spaces, the Okeechobee Festival was massive yet elegant.

    Okeechobee was hosted on a former equestrian area that was expected to be turned into a housing development but after the project failed, festival promoters soon discovered it would be the perfectly ideal place for a large outdoor four day festival.  With concrete walking paths through most of the festival ground getting around Okeechobee was a breeze. However, an increase of signs next year would make for a great improvement.  The festival consisted of The Chobeewobee Village, Yogachobee,  Jungle 51, Aquachobee, and the Grove which housed the three main stages “Be”, “Here” and “Now”  Each festival area had its own theme and different stages. The Aquachobee stood out as being a favorite during the day. Many happy festival goers made their way to the manmade beach to sun bathe and swim while taking pics and making custom bags courtesy of Corona. One of the greatest things about Okeechobee was the many special places to take unwind and relax while within listening distance of the music.  There were a few groves of trees which were decorated with vintage furniture and warm mood lighting. There was also nice lounge chairs throughout Aquachobee.

    Most of the festival’s audience was college aged students from nearby cities like Miami, Tampa and Orlando. This was a first time camping festival for many that had learned about the fest on their cities’ local radio stations.  Although there were many first time festival goers presented an overall positive vibe which was upbeat and respectful. Everyone united and thrived in peace over the course of the four days and many new festival families were formed. Each camping area was named after texting acronyms for example NSFW, LOL, ROFL, etc but there were no signs anywhere indicating the different camping areas. Hopefully, signs will be in place next year.  There were showers available for $7 but tickets had to be purchased prior at a general store that was a significantly large distance from the shower facilities. The food vendors truly represented a plethora of culinary diversity with decent prices.

    The Festival kicked off Thursday afternoon with an opening ceremony in The Yogachobee Village. Which led to a night of enjoyment featuring the Okeechobee Allstars led by The Lee Boys Rosevelt Collier, Big Gigantic’s Jeremy Salken, Lettuce’s Nigel Hall and many more great musicians  For late that night Jungle 51 was opened and many danced well into the early morning dancing to great Dj’s like Big Wild. On Friday the grove was finally opened. The stages were placed perfectly. Although the stages were evenly distanced from each other and there was no sound bleeding over.  Moon Hooch got the party started on the “Be” stage and made way for an incredible set by the great Grace Potter later in the afternoon. Other bands that played on the stages were Twiddle, X Ambassadors, and Lil Dicky and the legendary Robert Plant. That evening Hall and Oats took the “Be” stage and rocked the place with all their greatest hits. It was obvious most of the fans rushing the stage that night were there for Bassnectar. Thousands packed in tightly to be as close to the DJ as possible and absorb the beats and bass rising up from the ground.

    Saturday afternoon crowds were treated to sets by Dr. Dog, Lotus, Booker T. Jones, Lotus, and Mac Miller. As the sun went down the temperature dropped to the high fifties and the stars finally came out. Crowds danced to the beats of Kendrick Lamar, Preservation Hall Jazz Band and Big Gigantic.  Then came the moment everyone was waiting for: Skrillex. The set was intense and dynamic; the bass and electronic melodies flooded the concert area as thousands moved in a trance-like state.  Toward the end of the Skrillex set many migrated back to the “Now “stage to claim a space to dance during the all star jam known as the Pow-Wow. This super jam included R&B Heartthrob Miguel, Win, Butler, John Oates, Skrillex, Mac Miller, Eric Krasno of Lettuce, three members of Mumford and Sons, the horn section of the Preservation Hall Jazz Band kamasai Washington and the legendary George Porter Jr.

    Sunday was another perfect day of music to end this very high energy musical weekend. Starting off with the rap rock band Bangarang who were Destination Okeechobee winners from Tampa started the Grove right on the now stage. Later on the now stage was one of the anticipated acts of Big Grams featuring Big Boi of Outkast and the duo of Phantogram.  The “Be” stage took a modern Americana theme and welcomed award winning songwriter Jason Isbell and the 400 Unit which featured his very talented wife Amanda Shires on the fiddle. Next was the long time running band Ween which earned many new fans.  The evening followed with Odeza, The Heavy, and The Avett Brothers overlapping on each of the three main stages. Which led to the grand finale of Mumford and Sons on the “Be” stage?  Mumford and sons did there amazing set for the first half and then there set morphed into one great super jam joined by The Avett Brothers, Tom Morello and many more musicians  By early Monday morning  the music on the main stages ended but there was plenty of room to party near the art installations and Ferris wheel near Aquachobee.

    Okeechobee has been a labor of love from some very creative people. The event not only sold out at 30,000 but still maintained its intimate vibe. Okeechobee will take its place among the festival giants like its big brother Bonaroo.  The hard work and dreams made for a magical weekend of musical discovery and camaraderie.  See you next year in the portal!

  • Getter Rips at Webster Hall

    Following the release of his stylistically diversified Radical Dude EP, San Jose native Getter (aka Tanner Petulla) wreaked some auditory havoc at Webster Hall on Friday, March 18. Fans were engaging Webster Hall’s social media channels with a fierce perseverance, determined to find out what time he went on as their excitement amplified leading up to his performance.

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    After a super heavy, brain-combusting dubstep set by New York’s own Symbiotic, Getter took the stage and swiftly opened with the first single from Radical Dude, “Rip and Dip.” Getter’s style of producing/DJing has evolved through the years from massive dubstep tracks to a diverse assortment of genres which culminate to an ethereal, trap-light sound that still contains those hard-hitting dubstep roots. His live shows are most definitely a reflection of his most recent release as he’s stated in interviews that he has purposely released his expanded styles to show fans that they can expect vastly different genres of producing in the future. When a producer and DJ of Getter’s caliber creates tracks like “666!” and can incorporate Enya’s “Only Time” and Fall Out Boy’s “Sugar We’re Going Down” into a live performance and have the crowd cross-eyed with amazement, it’s safe to say they are most definitely capable of broadening their approach and style with new releases and live shows.

    [embedyt] http://www.youtube.com/watch?v=JjJ90jhS84A[/embedyt]

    Some highlights of the performance included a “Damn Daniel!” sample, obligatory “SUH DUDE” appearance, which has an excellent melodic, crunching bass behind it, and some new tracks, namely one feat. rapper Pouya. Getter’s collaborations with Pouya and other rappers are a fascinating departure from his earlier work, clearly showing his range as a producer. I’d never seen a mosh-pit at an EDM show before Getter at Webster; glad he’s upgraded from the BASSment to the Grand Ballroom.

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