Radiohead won’t leave some fans high and dry summer 2016.
The English alt-rock band has officially booked headlining slots for three European festivals — OpenAir S. Gallen (Switzerland), Primavera Sound Music Festival (Spain) and NOS Alive Festival (Portugal) — and is rumored to be playing three North American festivals, including Lollapalooza (Chicago), Outside Lands (San Francisco) and Osheaga Music Festival (Montreal), according to Consequence of Sound. More dates are speculated to be released after the band debuts their much-anticipated ninth studio album.
In October, the band quietly established the company Dawn Chorus LLP, fueling rumors that a new LP was on its way, as it’s been typical Radiohead fashion in the past to uniquely distribute their work. Let’s not forget when the band let the public pay what they wanted for 2007’s In Rainbows and incorporated Xurbia Xendless Limited beforehand, or when they set up Ticker Tape Limited before releasing The King of Limbs in 2011.
Most recently, Radiohead recorded a song for the latest James Bond film, Spectre; however, the band noted on their website that “it didn’t work out” and instead shared it as a free download on Soundcloud (hear below) because the tune “became something of our own, which we love very much.”
Radiohead, consisting of Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O’Brien and Phil Selway, has sold more than 30 million albums worldwide since coming onto the scene with their debut single “Creep” in 1992 and is always ranked high by Rolling Stone and others as one of the greatest artists of all time.
This marks the band’s first live performances since 2012, when the five-man group toured in support of The King of Limbs. Radiohead will share the bill with other headlining acts Mumford and Sons, the Chemical Brothers, the Pixies, Tame Impala and LCD Soundsystem, while abroad this June and July. Most of the festival tickets are available for purchase now; stay tuned for more updates on Radiohead’s next album drop date.
Fresh off of Holidaze in the Dominican Republic, the Disco Biscuits returned to New York City for their 2016 New Years Eve run at The Playstation Theater.
You could tell that the band was excited for the run, as they had many tricks up their sleeves. They started the run off in style with a setlist constructed by two fans, Sean Gruchik wrote the first set, and Rich Steele the second. The second set featured a brilliant “Basis for a Day”/”Spacebirdmatingcall” pairing that took up most of the set and let everyone know that they hadn’t missed a beat since Holidaze.
New Years Eve featured a “Hot Air Balloon” countdown, along with a mix of some old and new sounds. After “Helicopters” > “Feeling Twisted” > “Pimp Blue Rikkis”, the band ended the set with a “Spaga” that included a “Final Countdown” by Europe intro. The Biscuits went all out for the third set which was almost entirely improv. The band played along as the 1982 Disney film Tron was projected onto a see through screen before dropping back into “Helicopters.” The set was incredible and was up there among the best things the Biscuits have done production-wise.
The show on the 1st was a wheel show, the second if it’s kind, which featured a wheel with songs and a few prizes. Fans, friends and even a band member spun it throughout the night to determine the set list. When it was spun while they weren’t in the middle of a jam, they fell back into the same “Mario Star Jam” which they played at the last wheel show in 2007, which gave you the feeling like you were watching some demented T.V. game show. The wheel added a few interesting kinks to the show as the band had to work their way through some uncommon segues and also had to play some rarities. No time for New Years hangover rust, the band stepped up to the challenge and delivered.
After the “Voices Insane” opener, the band played a robot porn soundtrack of “Moshi Fameus” > “Orch Theme” before the wheel delivered a one-two punch of “Mindless Dribble” and “Spraypaint Victory” to end the Set.
Showing their drummer Allen some love after 10 years with the band, they let him spin the wheel to open the second set. Coincidentally, it landed on “Floes,” a song penned by their previous drummer Sammy. That led into the highlight of the night, “Lunar Pursuit” > “Sweating Bullets.” Everyone was completely locked in but Allen and Barber really played off each other well for the segment, which was a nice reminder of just how far the two have come along in the last 10 the years since Allen joined.
Next up was the rarity, “The Unspoken Rhyme,” which the band had not played since 2001. The next person to spin cheated and stopped the wheel on “Munchkin Invasion” but the band decided to mess with her a bit, playing a rare standalone Waves instead, which wasn’t inverted, dyslexic, or chopped up like usual. The band then gave her what she wanted and played a “Munchkin Invasion” encore.
The last night of the run brought the heat and the horns. The Philly Stray Horns came out for the first set along with some Blues Brothers impersonators who sat in for some fun covers of
“Soul Man” and “Everybody Needs Somebody to Love”. The Biscuits finished up their run doing what they do best. The last set was heavy on the improv, starting off with an almost hour long version of “I-Man” before slipping into “Svenghali” > “Astronaut” > “Reactor.”
The Disco Biscuits next run will be at the Fillmore in Philadelphia at the end of February, their first time playing the new venue. Tickets are on sale now.
This Friday at Verboten in Brooklyn, the electronic duo of Elijah Wood and Zach Cowie, aka Wooden Wisdom take the stage with a stellar lineup of DJs in tow. Wood and Cowie’s project demonstrates stylistic range, but still maintains a distinct harmonic impression that’s unique to Wooden Wisdom alone. Known for spinning vinyl that ranges in style and sound from African funk and acid rock to bass driven funky 70’s classics, they weave a range of artists and beats into smooth, energetic, sophisticated mixes.
Wood and Cowie’s music bears a certain reflection to it’s stylistic influences, which are American DJs and producers with deep footprints in the hiphop and electronic music scenes. Wood recently did an interview with promoter Harrison Waxenberg, who also produces for Brooklyn based electronic duo Horizon Wireless. When asked about his musical influences, Wood said “The DJs that inspired me to want to spin records would probably have to be Cut Chemist and DJ Shadow.”
Other performers include Ben Silver from Chicago based live production act Orchard Lounge, Callie Reiff, Philadelphia based producers Wyllys and Risky Disko, Business Casual Disco, Tucci, and many more.
The event is an all night affair, filled with music from talented DJs and producers from throughout the country. Wooden Wisdom will perform in the early hours after midnight with the first act of the evening starting at 10 pm, and music ending at 6 am.
Tickets for Wooden Wisdom at Verboten are still available online for $40. Verboten is located at 54 N. 11th Street in Brooklyn, New York. The show is 21+.
While we said fare thee well to our NYS Music staff picks for the best albums, festivals, venues and shows of 2015, we welcome the new music experiences that 2016 has in store, and with a new year, comes new talent on the rise.
Every year we shine a light on the music scene’s rising newcomers currently flying under the radar — but not for long. Here we note the five bands that the NYSMusic team has pegged as the emerging artists to keep an eye on in the New Year.
Some of the groups have already toured the globe, shared the stage with notable acts and appeared on national television, while others are still in heavy rotation at their local venues and surrounding regions. But you can be sure to expect new records, show announcements and other surprises from our 2015 bands on the rise.
1. THE BLIND OWL BAND
FROM: Saranac Lake, NY ALBUM:This Train We Ride is Made of Wood and Steel(2013) WHY WE DIG THEM: Formed in 2010 after meeting at Paul Smith’s College, the Blind Owl Bandhas become a household name in the jam circuit after putting on impromptu lot shows during Phish runs at SPAC, followed by heavy touring throughout the northeast and having now appeared at more than 25 festivals, including the Peach Music FestivalBackwoods Pondfest and Winter Carnival. Coining their style as Adirondack freight train string music, the North Country bearded quartet—Arthur Buezo (guitar, vocals), Christian Cardiello (double bass, fretless bass), James Ford (banjo, vocals) and Eric Munley (mandolin, vocals)—released their debut 15-track album Rabble Rousing in 2012 and have since shared the stage with Trampled by Turtles, Railroad Earth, Hot Day at the Zoo and Yonder Mountain String Band. Their raw, contemporary bluegrass style throws the genre’s traditional rules to the wind characterizing” their sound as if they stood on top of their mountain reaching out their beat up instruments grabbing various concepts of music, holding it captive ultimately for a presentation unique to the scene,” described Tabitha Clancy, and according to Laura Carbone, experienced live, they move, twist and turn, fingers a flying, bass a spinning and the audience pressing closer to the stage, dancing and feeling the joy of what is The Blind Owl Band. Hoot!
2. CASTLE CREEK
FROM: Syracuse, NY ALBUM:The Only Life(2014) WHY WE DIG THEM: Winner of the 2015 SAMMY Award for best blues recording, the Central New York-based band Castle Creek, comprised of Kim Monroe (vocals, guitar, keyboards, bass) and Chris Eves (vocals, guitar, keyboards, bass, drums), debuted their first full-length—and self-produced/engineered—album in 2014. Since then the alternative blues rock duo has extensively toured regionally and nationally from Maine to Texas to California and played at international festivals in Ireland and Japan. Most recently Castle Creek performed as guest vocalists with the Zac Brown Band for three east coast shows during their “Jekyll and Hyde” tour, landed a main stage spot at the winter NAMM show in Anaheim, toured with Tony Lucca from season two of The Voiceand last March Phish drummer Jon Fishman sat in with the group for a surprise four-song jam at Dinosaur Bar-B-Que in Syracuse. After seeing the band open for Tyler Farr, Kathy Stockbridge recalled how the duo’s vocals complement rather than overshadow each other, noting that “they both display such very strong vocals and instrumentation. The fact that they can play and sing the same instruments simultaneously without becoming one sound and over powering the other is what makes their sound so unique, so soulful, so bluesy.” Castle Creek has also opened for artists like Cabinet, Johnny Lang, Floodwood and John Popper and the Duskray Troubadours. Up next the band will release an EP recorded at Abbey Road Studios while touring abroad.
FROM: Buffalo, NY ALBUM: Let It Settle(2015) WHY WE DIG THEM: Founded in 2010, Buffalo-based funk, rock, reggae quintet Funktional Flow has risen in the music community’s ranks in the past few years, playing at Night Lights Music Festival and Buffalove Music Festival and sharing the stage with the likes of Warren Haynes, Railroad Earth, New Riders of the Purple Sage and notable local groups Twiddle and Aqueous. Comprised of Jeffrey Kuebler (guitar, vocals), Ben Whelan (bass), Joey Lewis (guitar, vocals), Jim Edgar (drums) and Matthew Lester (keys, saxophone, vocals), Funktional Flow released their self-titled album in 2011 and recorded their third studio effort Time Will Tell at Sonic Farm Studios this fall. The band recently gave fans a sneak listen of the album’s first single “Back Door” from the forthcoming 12-track record to be debuted in March 2016. While the band did face a departure of members this year, it surely did not stop the group from evolving into a tighter sound with two new bandmates in tow. And after witnessing this seamlessness at Buffalove 2015, Jen Foster and Thomas Sgroi noted that Funktional Flow “definitely earned their three sets, and stood on par with the headliners.”
4. VULFPECK
FROM: Ann Arbor, MI ALBUM:Thrill of the Arts(2015) WHY WE DIG THEM: It’s been a big year for Los Angeles funk group Vulfpeck. Since arriving on the scene in 2011, the band has released four EPs and made international news in 2014 after sneaking the silent album Sleepify on Spotify to fund an admission-free mini tour; they raised $20,000 in two months. The four-man rhythm section formed at the University of Michigan—Jack Stratton (keyboards, drums, guitar), Theo Katzman (guitar, drums, vocals), Woody Goss (keyboards) and Joe Dart (bass)—self-produced their first full-length release Thrill of the Arts through a 59-day Kickstarter campaign in October, and the album landed a number 16 spot on the R&B Albums chart and earned a review in the Wall Street Journal. The multi-instrumental quartet made their Brooklyn Bowl debut this fall with two nights of sold-out crowds. Pete Mason recalled the band’s showmanship, noting that the way the band was “moving around on stage and switching instruments, with two keyboardists at times, added a degree of difficulty not seen by many acts.” From a YouTube video to the Big What Festival in North Carolina to appearing on the Late Show with Stephen Colbert, Vulfpeck is proving that independent musicians in the 21st century can provide much more than studio session backtracks.
