Category: Blues/Jazz

  • Free Friday Night Concert Series Returns to Lake George’s Shepard Park

    The Free Friday Night Concert Series Fridays at the Lake: Band and Brews at Shepard Park in Lake George will feature bands from a variety of genres with the first show scheduled for Friday, June 24.

    Now in its seventh year, the summer festival series has expanded to include a revolving schedule of restaurants/bars who serve as hosts of the beer/wine tent and food service.

    With the exception of the first and last night, there will be an opener at 4 p.m. followed by a headlining act from 6 to 8 p.m. Kicking things off on June 24 is big/swing band Georgie Wonders Orchestra. They’ll play favorites from the 1930s, ’40s and ’50s including covers from Glenn Miller, Jimmy Dorsey, Benny Goodman, Artie Shaw, Harry James, Bunny Berrigan and more. Food and beverages will be sold by King Neptune’s Pub.

    Other acts include the Refrigerators, Spiritual Rez and Funky Dawgz Brass Band. The concert series will close out on Sept. 2 with Skeeter Creek, five-time winners of No. 1 County Band and three-time winners of Best Cover Band by Metroland.

    Admission is free and the events are family and dog friendly. There will be children’s activities including a bounce house, face painter and air brush artist.

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    New York Players 2012

    Friday’s at the Lake 2016 schedule:

    June 24: No opening act scheduled; Main act — Georgie Wonders Orchestra (big band/swing)
    Food and beverages by King Neptune’s Pub.

    July 1: Opening act— Richie Ortiz; main act — New York Players (funk)
    Food and beverages by Backstreet BBQ.

    July 8: Opening act — Jonathan Newell Band; main act — Audiostars (rock)
    Food and beverages by King Neptune’s Pub.

    July 22: Opening act — The After Fab; main act — The Refrigerators (Party Band)
    Food and beverages by Duffy’s Tavern.

    July 29: Opening act — The Tumbling Dice (Rolling Stones tribute band); main act —Emerald City (rock)
    Food and beverages by The Boardwalk Restaurant.

    Aug. 5: opening act — Meet the Mockers; main act — Grand Central Station (pop)
    Food and beverage by Fire & Ice Bar & Grill.

    Aug. 12: Opening act — Richie Ortiz; main act — Spiritual Rez (reggae/ska)
    Food and beverages by Backstreet BBQ.

    Aug. 26: Opening act — Jonathan Newell Band; main act — Funky Dawgz Brass Band (funk/jazz)
    Food and beverages by The Boardwalk Restaurant.

    Sept. 2: no opening act scheduled; main act — Skeeter Creek (country)
    Food and beverages by Duffy’s Tavern.

  • Hearing Aide: Husky Burnette “Ain’t Nothin’ But a Revival”

    Husky-Burnette--Aint-Nothing-But-A-Revival-album-coverThe blues aren’t played. The blues aren’t heard. The blues are felt. And on his latest album, Ain’t Nothin’ But a Revival, Husky Burnette is feeling it, and his audience surely will too.

    This isn’t your back porch strumming blues. This isn’t your dance hall boogie blues, nor is it your big city soaring guitar blues. This is the blues born on the Southern highways, in its barbecue joints and roadhouses.

    Think: trucks cruising on a rainy night with the opposing traffic’s headlights dancing all over the wet roadways; slow-smoked ribs being ripped from the bone by hungry, bearded mouths dripping in grease and sauce; burly men slamming down large beers on the charred and stained wood bar top, as another patron crosses a friend—this is how this record feels.

    Throughout the 11 tracks, listeners will need a sickle to navigate through Husky’s (nee Brian) rough voice, dirty guitar and crunchy harmonica. The guitar comes in heavy and hard from the first track on that will no doubt make listeners bob along before venturing into some full-fledged head banging. But it’s not all pedal to the metal. The songs “36 Degrees” and “Busted Flat” are welcomed slowdowns, where more nuanced performances allow Burnette to display the extended range of his talents.

    From Chattanooga, TN, the relative of rockabilly kings Johnny and Dorsey Burnette, Husky has music in his blood. Recorded by Andy Gibson in Nashville, Ain’t Nothin’ But a Revival is Burnette’s second album under the Rusty Knuckles label. Released the last week of February, the album is available now, so pull up a stool, grab a bottle of beer and a plate of ribs and dig in.

    Key tracks: “36 Degrees,” “See,” “I Moan the Blues”

  • Sister Sparrow Celebrates Live Album Release in Brooklyn

    Friday nights at the Brooklyn Bowl typically carry a heightened sense of expectation for a combination of sights and sounds that so reliably induce ecstasy. And the New York City-based funky soul-rock ensemble Sister Sparrow and the Dirty Birds made Friday, March 4, one to remember.

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    The early crowd was welcomed onto the dance floor by the Suitcase Junket, a one-man band performing original songs on a junkyard guitar and an arrangement of foot-operated percussion instruments, including a circular saw blade. The dedication that went into perfecting such rich and yet simple instrumentation rang through clear, and the set ended with strong crowd participation on the refrain of “Wherever I Wake Up.”

    Follow-up act Wild Adriatic could perhaps be likened to Upstate New York’s version of the Black Keys. Their musical territory, that of the hard-rock trio, is well trodden, but they inhabit it with purity of intention, as if there is no one to compete with. Frontman Travis Gray led the band through a set of speaker-frying blues and pop-rock driven by big, hot riffs and punctuated with psychedelic solos that shone with the emotion of personal soliloquies. Rich Derbyshire’s boxing-glove basslines bounced and jabbed all over drummer Maceo Vosganian’s pounding beats. Gray expressed thanks to the headliner and acknowledged Sister Sparrow’s common upstate heritage, giving a sense of cohesion and solidarity to the evening’s lineup.

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    The Dirty Birds began to unleash something fierce with their uptempo opener “We Need A Love.” From the get-go, the band projected a swagger that spoke of power, growth and change. In the most mundane sense, the band has changed its personnel with the recent addition of drummer Dan Boyden and the departure of founding trombonist Ryan Snow. But Sister Sparrow and her crew are evolving in a more profound sense that is impeccably documented on the live double-LP Fowl Play and showcased unadulterated at this Brooklyn Bowl gig, which also functioned as the release party for the aforementioned album. The past two years have seen this band undertake an exercise in the live recreation of a classic rock masterpiece (Led Zeppelin’s IV performed at Irving Plaza in January 2014) and a cycle of songwriting that resulted in their third studio effort The Weather Below, released last year, plus more songs debuted live since that release. The focus now seems to be on upping the ante in the live sphere. Hence the decision to drop a live disc at this juncture.

    The experience at Brooklyn Bowl last Friday night must have been similar in terms of energy and execution to the Fairfield, CT, New Year’s Eve shows that were captured on Fowl Play just two months ago. At the Bowl, the Birds were dishing out cuts from their latest studio record, playing other newer songs to boot, and sounding more musically in command of their older material than ever. Elements of improvisation hitherto unseen from this band were present throughout the handful of tunes that have been in heavy rotation over the past few years. In staples like “Don’t Be Jealous,” “Sugar” and “Mama Knows,” songwriter and vocalist Arleigh Kincheloe impressively varied the melodic inflections and rhythmic delivery of her compositions; she added an unprecedented new layer of nuanced personal expression to these tunes, which already resonate as autobiographical and sincerely heartfelt. Also present were new extended passages showcasing the band’s instrumental soloists and pushing the songs to the 10-minute mark.

    If you have ever been excited about Sister Sparrow and the Dirty Birds in the past (and many New Yorkers rightfully have been by now), now is the time to get even more excited. Ever the relentless touring band, the Sparrow and crew will make their way across the country between now and mid-April, delivering refined rock prowess to their loyal party fowl and hopefully reaching new ears at every show.

  • Xponential Music Festival Announces Lineup

    Now in its 12th year at Wiggins Park on the Camden waterfront, the Xponential Music Festival has again expanded its festival grounds to include BB&T Pavilion. The annual three-day, two-venue festival will be held July 22 to 24, with another noteworthy lineup just announced.

    Member-supported radio station WXPN has again partnered with Live Nation to bring a slew of national acts to the scenic waterfront festival.

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    With the purchase of a 3-Day Go Everywhere Pass, festival goers will have access to all three concerts held at the BB&T Pavilion, in addition to all three days at Wiggins Park. The first night will host Ryan Adams and Kurt Vile and Violators. Night two will include recent Grammy-nominated Alabama Shakes and Gary Clark Jr., with special guest Chicano Batman. The final night includes a special performance by Brandi Carlile and Old Crow Medicine Show, with special guest case/lang/veirs.

    Two stages at Wiggins Park will host dozens of bands and solo artists, including Josh Ritter & the Royal City Band, Preservation Hall Jazz Band, the Felice Brothers, Father John Misty (solo), Femi Kuti & the Positive Force, the Districts, The Record Company, David Wax Museum, the Suffers, Darlingside and Low Cut Connie. Keeping true to tradition, many artists are featured regularly on WXPN and can attribute a measurable amount of popularity to being on their airwaves.

    The festival is easily accessed by public transportation, with a number of activities for kids and families and an extensive selection of food, drinks and vendors. Resting on a natural amphitheater with pristine acoustics, Wiggins Park has a beautiful view of the Delaware River and accompanying Philadelphia skyline.

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    Reserved and lawn seating are now available through Ticketmaster.com, the BB&T Pavilion box office or by calling 800-745-3000. In addition to the reserved seat and lawn tickets, weekend passes for Wiggins Park-only concerts will be offered. Upgrade options will be available for a limited time, including a new option to upgrade to reserved seating for each night at BB&T Pavilion.

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  • SAMMYS 2016 Induction Ceremony and Awards Event

    The music world is a family, and no where more so than in Syracuse.  Each year Syracuse area musicians and music lovers come together to celebrate their own.  Submissions of new music for consideration inundate the committee each year, and through a painful process of choosing just four nominees, awards in all musical genres are given out at what has become the musical event to attend in Syracuse, the SAMMYs.Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-7

    The night before the award ceremony is a special recognition event for those inducted into the SAMMYs Hall of Fame.  There are many wonderful musicians who have roots in Central New York and have played huge roles in the Syracuse music scene.  This years inductees, honored at a ceremony upstairs at the Dinosaur Barbeque Thursday, were George Rossi, The Bells of Harmony, Savoy Brown, and Jam Factory.  Mark Copani was given the award for Music Education; and the Lifetime Achievement Award was given to the late great Mark Murphy.

    Basking under the warm glow of orange-hued lighting, the room bubbled with conversation as patrons populated the bar and clustered around dining tables. SAMMYs committee member Liz Nowak gushed, “The award show is about honoring the music of 2015, but tonight is about honoring six decades of music.” Patrons and honorees reminisced and swapped stories over platters of pulled pork, cornbread and coleslaw before the formalities commenced.

    The evening’s master of ceremonies, Dave Frisina of 105.9 The Rebel channeled attention toward the podium, effortlessly sashaying through heartfelt and witty dialogue. Frisina as emcee, had the privilege of introducing each inductor, who in turn introduced an inductee. Regarded as a special honor, each inductor’s relationship with their inductee afforded them an opportunity to share personal accounts of why the inductees deserved the distinction.

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    The remarks of the evening ranged from comedic genius to sublimely sentimental, projected toward a responsive crowd eager to empathize with laughter or somber head nods. Copani acknowledged his family’s presence in the audience gesturing, “They showed up without any prompting.” As Rossi spoke into the mic for his speech he jested, “Wow, a microphone- that’s new.” The Bells of Harmony concluded their acceptance with a quick gospel tune to the audience’s utter delight.

    Following the ceremony, attendees were treated to a performance downstairs by Tennessee-bred funk, R&B and jazz fusion band Dynamo. The congregation of musicians clustered on the cramped stage infused the room with polished yet experimental dexterity as Dain Ussery’s vocals coasted elegantly on the surface. An air of mutual respect floated between the star-studded crowd and the talent pouring their hearts into the music. A tale of old meets new, Dynamo upholds the legacy set before them, all in the name of making music that moves people.

    Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-3The sold out Palace Theater, hosted the 2016 SAMMY Awards Friday. The atmosphere afforded attendees the opportunity to indulge their chic fashion tendencies or embrace a more casual attitude. The spectrum of ballgowns to jeans was well represented in the diverse attire of guests.

    Carolyn Kelly Blues Band warmed up with a quick jam before Kelly strolled to the stage in a silky black confection that swayed delicately with every soulful note. The first performance of the evening initiated an onslaught of striking computer-generated video projections, adding visual effect behind the bands. The extravagant visuals added an early 2000’s old school vibe. The blues band concluded its short set with an energetic rendition of “Amazing Grace,” as a flaming sunshine explosion flared across the screen behind them.

    Instrumental rock group Ohne-ká and the Burning River brought a very different energy to the stage. Emitting a folk vibe clad in suspenders and a plaid button down, Ryan Jones widened his stance, the first indication of the big, skull-penetrating sound they exude. Though their musical style didn’t invite fluid dance like other genres represented that evening, their tone beckoned listeners to look inward and quietly contemplate from their seats.

    Savoy Brown delivered a solid blues rock performance, not accurately reflected by the lack of dancing on the open floor space directly before the stage. Before exiting the stage, in a moment of jest, leading man Kim Simmonds put his glasses on, slightly recoiling as if his new-found sight brought an awareness to the fact that he’d just performed to an occupied theater.

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    Once Joe Driscoll‘s one-man reggae rap garnered the crowd’s attention, a handful of willing dancers finally got their feet moving. He cleverly paired looped beat boxing with live harmonica to compose a catchy rhythmic pulse, easy to nod your head or tap your foot to.

    During the previous night’s induction ceremony, Jam Factory frontman Mark Hoffman qualified the band’s impending award show performance, proudly stating, “We’ve had three rehearsals and the band is kicking ass.” Their performance supported his confident assertion, topping off the award show with a sweetly nostalgic finale. Approximately thirty willing dancers, many Jam Factory followers since early adulthood, danced in front of the stage. They basked in time-honored soul alongside a handful of newly made fans.

    Joining Hoffman on stage for the family affair was his son, contributing funky bass lines while his daughter added backing vocals. As the band members poured their hearts into a project they love, an adoring fan glowingly praised, “They’re still as good as they ever were.”Jim Houle Photography - 2016 SAMMYS Awards - Small NYS Music Watermarked-5

    The SAMMY Awards of 2016

    Rock – Joe Whiting
    Folk – Austin MacRaie
    Pop – Elizabeth Canino
    Jazz – Andrew Carrol
    Americana – Early Bird Trio
    Jam Band – Jam Factory
    Alternative – Professional Victims
    Country – Lonnie Park
    Hard Rock – After Earth
    Hip-Hop/Rap – Mafiosa

    The People’s Choice Awards for 2016

    Best Band: The Horn Dogs
    Best Festival: The Great New York State Fair
    Best Venue: Dinosaur BBQ

    The Brian Bourke Award for Best New Artist: The Lightkeepers

  • Saratoga Performing Arts Center 50th Summer Lineup

    The state’s premier outdoor concert venue is celebrating its 50th anniversary this summer as Saratoga Performing Arts Center kicks off its golden anniversary concert season with the fourth running of the SPAC Rock and Run, which offers 5k, 10k and half marathon distances, on May 15. Albany-area siblings Jocelyn and Chris Arndt, who were breakout artists at last fall’s Utica Music and Arts Festival, will perform as part of the SPAC Rock and Run Races.

    Once the music takes over, highlights this season include a three-night run from Phish July 1 to 3 and a double bill of Dave Matthews Band July 15 and 16. Dead and Company pay a visit to SPAC June 21 with John Mayer laying down Jerry’s licks, and Mumford and Sons bring their electric brand of folk to a sold-out show on June 15.

    The annual Freihofers Saratoga Jazz Festival, featuring headliner Smokey Robinson in addition to three 2016 Grammy Award winners, Jon Cleary, Christian McBride, and Eliane Elias, takes place June 25 and 26.

    SPAC’s long-time resident the Philadelphia Orchestra takes up its annual residency beginning Aug. 3, and the New York City Ballet brings 16 ballet performances throughout July.

    Saratoga Performing Arts Center 2016 Pop/Rock Schedule:

    June 11 – Dixie Chicks
    June 15 – Mumford and Sons
    June 21 – Dead and Company
    July 1 – Phish
    July 2 – Phish
    July 3 – Phish
    July 5 – Journey, The Doobie Brothers, Dave Mason
    July 10 – Steely Dan with Steve Winwood
    July 12 – Disturbed and Breaking Benjamin with Alter Bridge and Saint Asonia
    July 13 – Tedeschi Trucks Band with Los Lobos and North Mississippi Allstars
    July 15 – Dave Matthews Band
    July 16 – Dave Matthews Band
    July 24 – Slipknot with Marilyn Manson and Of Mice and Men
    July 25 – Josh Groban with Sarah McLachlan
    July 26 – Janet Jackson
    Sept. 3 – Zac Brown Band with Drake White and the Big Fire
    Sept. 8 – Heart with Joan Jett and the Blackhearts and Cheap Trick

    https://youtu.be/pJ9Hmy3fPK8

  • The Lightkeepers Serve a Hot Dish to a Hungry Shifty’s

    Jim Houle Photography - Lightkeepers - Shifty's NYSMusic Watermark-2Aside from their famous hot wings, Shifty’s in Syracuse is known for hosting some incredible musicians including local quintet The Lightkeepers. The 2016 SAMMY awards nominated group settled in last friday night and cooked up a heater to a packed house, hungry for more than just chicken. Nestled into one corner of the tavern, no bigger than a port-o-potty, is where the five-piece rock band stationed themselves allowing the most room possible for their fans to dance comfortably.

    As folks trickled in, the band eagerly took the stage and kicked off the first set with the very groovy tune “Miracle,” from their recent self-titled album. Jes Sheldon led the band on this swinging song with her sassy, powerhouse vocals that rival the likes of Aretha Franklin and Amy Winehouse. Swaying and twisting her slender frame from song-to-song, provoked the crowd to boogie without hesitation. Aaron Fried escorted the parade on Bob Dylans’ “Serve Somebody” and their original, “Empty” with some distinct bass-influenced rhythms.  Participation from the audience began to pick up as they helped sing a soulful rendition of “Come Together” by the Beatles. Having never played at Shifty’s as The Lightkeepers until now, the group collectively played their cards right, mixing up a balanced list of originals and covers.

    After a short break, the troop of entertainers hit the stage once again and brought the fire with a funky original, titled “Bruteforce.” Following closely was an attractive trio of segued covers “Boogie On Reggae Woman,” “The Weight,” and “Hard to Handle.” P.J. Will governed the rhythm guitar on “Rock Steady” with funky-fast guitar wahs while Mike Vincitore tore up the proverbial rug with his untamed six-string guitar. Tucked neatly along the photo-blanketed back-wall, sat Jim Dunham on the drums, vigorously driving the Lightkeepers with his cognizant flow and time-keeping.

    A slow psychedelic rendition of “Whole Lotta Love” featuring a heap of sensual vocals and swelling guitar licks brought the energy of the room to a lull only for brief moment before the band jumped into the riff-heavy, “Cryin’ Shame.” Before closing out the second set, the ensamble knocked down the Doors with “Light My Fire” and a new unreleased rock song titled “Damaged.” Nearly consumed by the supportive crowd, the band finished up the evening with a spot-on “Soulshine” segueing into “Sugaree” for one last heightening sing-a-long.  Check out the full set list below and be sure to catch another show coming up where you can purchase their full length album and some cool swag.

    Jim Houle Photography - Lightkeepers - Shifty's NYSMusic Watermark-1

    Listen to “Mr. Coltrane” (written by P.J. Will) and “Snowflake” (written by Aaron Fried) performed at Shifty’s and recorded by sound engineer Patrick Allen.

    Set I: Miracle, Birdie, Just Dropped In, Gypsy Lights, Serve Somebody, Empty, Come Together, Mr. Coltrane, Snowflake, The Thrill is Gone, Mae, Love the One You’re With, River of Atonement, Tried & True, Water Needs Wine, Gimme Shelter

    Set II: Bruteforce, Boogie On Reggae Woman > The Weight > Hard to Handle, Rock Steady > Mr. Charlie, Mexican Plane, Save Me > Stormy Monday, Whole Lotta Love > Cryin’ Shame, Astronaut, Valerie, Light My Fire, Dear Mr. Fantasy, Damaged

    Encore: Soulshine, Sugaree

    Video by Lori Newcomb

    [embedyt] http://www.youtube.com/watch?v=p7XenJILrDg[/embedyt]

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  • PB&J Bringing Biscuit Miller and the Mix to Plattsburgh

    A welcome addition to the North Country music scene, Plattsburgh Blues and Jazz (PB&J) is a new live music series featuring top blues and jazz performers. On Sunday, March 6, PB&J will feature Biscuit Miller and the Mix. Biscuit was recently honored as Bass Player of the Year at the Blues Music awards.

    Biscuit has a heavy touring schedule of more than 250 appearances in the U.S. and abroad. “Biscuit and the Mix put out one of the best performances on the national blues scene. They’ll have the crowd up and dancing like it’s a Saturday night in Memphis!” says Laura Carbone, a music photographer from Plattsburgh who recruits the acts from around the U.S. and Canada.

    The show on Sunday, March 6 will be held at The Champlain Wine Company. Doors open at 6 pm, show starts at 7 pm. Tickets are $12 in advance, $15 at the door. All event proceeds from PB&J shows go to the 30 City Foundation to fund the artists and to bring new performers to Plattsburgh. Tickets can be purchased online at Plattsburghbluesandjazz.com and in person at the Champlain Wine Company located at 30 City Hall Place.

    PB&J was launched on February 12 with a performance by Swampcandy, an Americana blues duo out of Maryland and winners of Best Emerging Artist at Floydfest. Upcoming shows include:

    Saturday, March 19: The Slam Allen Band

    Sunday, April 3: JP Soars and the Redhots

    Tuesday, April 12: John Nemeth

  • Funk Yes: Lettuce Set to Groove University of Rochester

    Although you won’t find it listed on their current roster of dates, Lettuce will make a third appearance in New York state during this spring/summer tour. According to the University of Rochester’s event ticketing website, the funk-fueled jazz band is booked for a Feb. 26 show on the River Campus. The New York City group will also return to their home state for performances at the Capitol Theatre in Port Chester on April 8 and Hunter Mountain Jam Festival this June.

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    Known for soulful super jams, Lettuce debuted their fourth studio album, Crush, last year. Jeremiah Shea said in his NYS Music review that this album “is the convergence of road tested and polished material, musical exploration, deep pockets of groove, and a band that is simply on top of their game.” Brian Ferguson was on hand to catch the two-night Crush release party at the Playstation Theater last November, where Marco Benevento opened the show and Lettuce encored with a new tune titled “Phyllis” (hear the song below).

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    Eric Krasno

    The band, featuring Adam Deitch (drummer), Adam Smirnoff and Eric Krasno (guitarists), Erick “Jesus” Coomes (bassist), Neal Evans (keyboardist), Ryan Zoidis (saxophonist) and Eric Bloom (trumpet player), last played in Rochester June 2015 for the city’s Party in the Park (after Taj Mahal cancelled) and made a stop at Water Street Music Hall October 2014.

    Doors will open at 8:30 p.m. with show time of 9 p.m. Tickets are available online through the University, or at the Common Market in Wilson Commons. The concert is open to the public; special ticket pricing applies for students and faculty. If you’re nearby the Finger Lakes area next Friday, pencil in this performance as it’s guaranteed to be one energetic soul shakedown party.

  • ‘In The Mood’ Swings Into Syracuse

    In celebration of 22 years on tour, the live musical revue of In The Mood is coming to Syracuse this March.

    in the moodWith a cast of 19 and a 13-piece big band orchestra (the String of Pearls), the fully staged show features more than 50 popular 1940s numbers, including “Boogie Woogie Bugle Boy,” “Well Get It,” “Sing, Sing Sing,” “On The Sunny Side of the Street,” “Chattanooga Choo Choo,” “Tuxedo Junction” and “Moonlight Serenade.”

    Fans of American big band music will appreciate the show’s brassy singing and dancing in tribute to Swing Era icons like Glenn Miller, the Andrews Sisters, Tommy Dorsey, Artie Shaw, Harry James, Erskine Hawkins, Benny Goodman and Frank Sinatra and many others.

    According to the official press release, In The Mood “pays homage to America’s greatest generation who fought WWII. It was a time when Americans listened and boogie woogied to up-tempo Big Band rhythms and danced cheek-to-cheek to intimate ballads. Experience the swing, the rhythm and the jazzy, sentimental and patriotic music of this pivotal time in America’s history.”

    Created by Bud Forrest, the ever-evolving production was selected by the National Archives in Washington, D.C., as part of the 50th anniversary commemoration of WWII; the cast was also chosen to perform at the 53rd Presidential Inauguration Ball.

    In The Mood – A 1940s Big Band Music Revue returns to the Oncenter Crouse Hinds Theater March 30 for performances at 2 p.m. and 7:30 p.m. The touring musical will make an additional stop in New York State on March 31 at Shea’s Performing Arts Center in Buffalo. Tickets are on sale now.

    2016 In The Mood Tour:

    3/30 – The Oncenter Crouse Hinds Theater, Syracuse, NY
    3/31 – Shea’s Performing Arts Center, Buffalo, NY
    4/12 – Coronado Performing Arts Center, Rockford, IL
    4/14 – Victory Theatre, Evansville, IN
    4/17 – Lexington Opera House, Lexington, KY
    5/3-8 – Bucks County Playhouse, New Hope, PA