Category: Blues/Jazz

  • Wild Adriatic Hits the Road for Eurotrip

    Capital Region rockers Wild Adriatic recently rolled out dates for a Eurotrip and U.S. tour as well. The three-piece group will head out on the road beginning Feb. 11 in Boston and wrapping up May 15 in Spain.

    Fresh off the heels of their debut voyage on the Rock Boat, where they played an all-Zeppelin set and jammed onstage with Sister Hazel, Michael Franti and Gavin Degraw, WA’s upcoming tour includes Northeast-heavy dates with home state stops in Corning, Saratoga Springs, Rochester, Syracuse, Brooklyn, Buffalo and Jamestown before returning to Europe for a four-week headlining run.

    The blues-rock band consists of Travis Gray (vocals, guitar), Rich Derbyshire (bass) and Mateo Vosganian (drums); supporting groups that will share the bill with WA during this winter/spring tour will be the Mallett Brothers Band, Let’s Be Leonard, Turkuaz, Sister Sparrow and the Dirty Birds, the Suitcase Junket and Animal Years.

    This January, WA released their first full-length live album from their two-night performance in Albany last October and will record the upcoming Feb. 20 show at Putnam Den for a possible future album. The band’s self-titled EP dropped in 2011, and their most recent collection debuted May 2015 as the five-song Never Enough. Although, according to the press release, WA has a new record in the works:

    We’ll be back in the studio making our second full length record in Fall 2016. Hoping to release Early 2017 and we have never been more excited to get in the studio and create! So much inspiration over the last few months, I know we have a few more tunes in us to get out before we hit the studio but we are very excited with how the material has come together so far!” 

    Tickets for all 2016 show dates are on sale through Wild Adriatic’s official website.

    Wild Adriatic 2016 Tour Dates:

    2/11 – Boston, MA – Lansdowne Pub^
    2/12 – Burlington, VT – Nectar’s^
    2/13 – Sugarloaf, ME – Sugarloaf Mountain^
    2/18 – Corning, NY – Corning Museum of Glass 2300 Series
    2/19 – Portsmouth, NH – Birdseye^
    2/20 – Saratoga Springs, NY – Putnam Den*
    2/25 – Rochester, NY – Flour City Station
    2/26 – Syracuse, NY – Funk N Waffles Downtown*
    2/27 – Stratton, VT – Grizzly’s%
    3/3 – Worcester, MA – Electric Haze
    3/4 – Brooklyn, NY – Brooklyn Bowl#
    3/10 – Sellersville, PA – Sellersville Theater
    3/11 – Mifflinburg, PA – Rusty Rail
    3/12 – Asbury Park, NJ – Wonder Bar
    3/16 – Washington, DC – Black Cat~
    3/17 – Mercersburg, PA – Mansion House~
    3/18 – Philadelphia, PA – Milkboy~
    3/24 – Hartford, CT – Arch Street Tavern
    3/25 – Manchester, VT – The Perfect Wife
    3/26 – Stratton, VT – Grizzly’s*
    3/31 – Pittsburgh, PA – Thunderbird Cafe
    4/1 – Buffalo, NY – Buffalo Iron Works
    4/2 – Jamestown, NY – Shawbucks

    ^ – w/ The Mallett Brothers Band
    * – w/ Let’s Be Leonard
    % – w/ Turkuaz
    # – w/ Sister Sparrow and the Dirty Birds & The Suitcase Junket
    ~ – w/ Animal Years

    4/14 – Oostende, Belgium – Bada Bing
    4/15 – Kortrijk, Belgium – Den Trap
    4/16 – Krefeld, Germany – Kulturrampe
    4/17 – Turnhout, Belgium – Dax Cafe
    4/19 – Norderstedt, Germany – Music Star
    4/20 – Malmo, Sweden – St Gertrund
    4/21 – Hamburg, Germany – Sound Yard
    4/22 – Bordesholm, Germany – Albatros
    4/23 – Singwitz, Germany – Kesselhaus
    4/26 – Bratislava, Slovakia – Muzeum Obchodu
    4/27 – Kufstein, Austria – Eggers
    4/28 – Besancon, France – Passengers Du Zinc
    4/29 – Alencon, France – La Luciole
    4/30 – Rouen, France – Hipster Cafe
    5/2 – St Etienne, France – Thunderbird Lounge
    5/4 – Bilbao, Spain – Antzokia
    5/5 – Ourense, Spain – Cafe Auriense
    5/6 – Cangas, Spain – Salason
    5/7 – Aviles, Spain – Centro Niemeyer
    5/8 – Leon, Spain – Gran Cafe
    5/11 – Estepona, Spain – Louie Louie
    5/12 – Murcia, Spain – Garaje Beat Club
    5/13 – Castellon, Spain – Veneno Stereo
    5/14 – Valencia, Spain – Pabersematao
    5/15 – Torredembara, Spain – La Traviesa

  • Plattsburgh Blues and Jazz Brings New Meaning to PB&J

    Plattsburgh residents can rejoice in drawing clever new meaning from the acronym PB&J. Starting Feb. 12, prominent music photographer Laura Carbone, in partnership with 30 City Foundation and Shen Marketing Solutions, will spotlight award-winning musical talent with Plattsburgh Blues and Jazz.

    PB&JThe music series will supply a rich diversity of blues and jazz styles, ranging from southern bayou roots to funk-infused soul. Those looking to diversify their musical interests or support time-tested favorites have a sparkling opportunity to witness world-class entertainment in a small city nestled in northern New York between Lake Champlain and the Adirondack Mountains.

    Performances will transpire every three to four weeks, with artists scheduled through mid-April. Those already booked for PB&J’s inaugural year include Swampcandy, Biscuit Miller and the Mix, the Slam Allen Band, JP Soars and the Redhots and John Nemeth. Tickets range between $12 and $15, with proceeds circulating right back into the musical flow to fund artists and to continue drawing inspiring talent to the Plattsburgh area.

    The series promises to add extra flair to the Plattsburgh music scene, providing reliable, top-notch entertainment for locals, but also a worthy reason for out-of-towners to make Plattsburgh their next day-trip destination. Most shows will take place at Champlain Wine Company located at 30 City Hall Place. Tickets can be purchased through 30City, their online music and arts forum.

  • Hearing Aide: Samantha Fish ‘Wild Heart’

    SF Wild Heart CD Art-smallSinger-songwriter and blues guitarist Samantha Fish’s third studio release, Wild Heart, is rife with powerful vocals, raunchy guitar riffs and thunderous drumming. Fish’s vocals will remind listeners of other female powerhouses like Grace Potter and Susan Tedeschi.

    The album’s standout track, “Road Runner,” kicks off the 12-song collection and lays down the framework for what is to come—a 52-minute showcase of Fish’s soulful range backed by rocking guitars. “Go Home,” the first ballad on the album, features more delicate vocal work with hint of country to the sound. Returning to her roots in the hill country blues, she delivers a fitting cover of Charley Patton’s “Jim Lee Blues,” and it’s probably the most important tune on the record.

    However, many of the tracks seem to fall flat with no real arrival. When one expects the song to progress to a climax, it simply continues along the same steady path where it started. Much of the drumming throughout the album is uninspired, not matching the intensity of the guitars or vocals. But many listeners will find this aspect of Wild Heart to be familiar and comfortable, as the simple backdrop beats let Fish’s rebel-twang steal the show.

    Samantha Fish is currently on tour in support of Wild Heart, and she is scheduled to perform at New York City’s Cutting Room on Feb. 13.

    Key tracks: “Road Runner,” “Jim Lee Blues,” “Bitch on the Run”

  • Annie in the Water returning to Funk ‘n Waffles with St. Lenox

    On Friday, February 5 Annie in the Water will be returning to Funk ‘n Waffles with St. Lenox  who are sure to bring a unique mix to downtown Syracuse.

    Annie in the Water whose roots remain in Watertown NY, will be making their second stop on their 2016 Tour here in Syracuse NY, bringing their positive vibes to numerous venues throughout Vermont, Maine, Potsdam NY, Troy NY, Wilmington NY and their homestead Watertown. Founding members Brad Hester (vocals/percussion/guitar/looper) and Michael Lashomb (guitar/vocals) and featured member Dillon Goodfriend (keys) are sure warm the atmosphere with a mixture of high energy reggae/rock and uplifting lyricism.

    Andrew Choi is the incredibly talented singer/songwriter behind St. Lenox, with Chris Hills / Nick Fed (guitar), Jorge Vega/Brandon Vitruls and Todd Celmar (drums), Chris Bolognese (bass) and Fritz Chrysler (mp3 Player). St. Lenox is a smooth mixture of jazz, classical music and electronica. Andrew Choi’s will surely bring some depth to the stage with some powerful lyrics from his debut album Ten Songs About Memory and Hope released on January 20, 2015. Andrew hopes to release their newest album titled Ten songs from my American Gothic in the Spring of 2016.

    Doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • A Conversation With New York Blues Hall of Fame Singer Sari Schorr

    New York Blues Hall of Fame singer and Brooklyn resident Sari Schorr is gaining a lot of momentum as a solo artist. After being a member of Joe Louis Walker’s band in 2013 and then Popa Chubby’s band in 2014, Schorr met legendary producer Mike Vernon in 2015, who upon hearing Schorr’s original work came out of retirement to produce her debut solo album coming out later this year.

    Sari SchorrSchorr will be performing at the Lead Belly Festival taking place on February 4 at the fabled Carnegie Hall in New York City, where she will be joining Buddy Guy, Eric Burdon, and many others to pay tribute to renowned New York folk-blues musician Lead Belly. Her other New York performances include shows at The Falcon in Marlboro on February 7, Turing Point in Piermont on February 12, and The Cutting Room in New York City on February 17. NYS Music spoke with Schorr on topics ranging from working with Mike Vernon to performing at Carnegie Hall.

    Nicholas Cho: Before singing the blues, I heard you first started in opera. Is that correct?

    Sari Schorr: Yeah I was studying with a Julliard opera teacher. That was really the best thing that I ever did because it allowed me to learn how to use my voice properly, which is why now I can put a lot of demands on my voice now, and I don’t have a problem with my voice at all. I’ve been really lucky.

    NC: When did you switch to the blues?

    SS: I was doing a lot of jazz singing, and I wanted to make an album for a friend of mine who had a successful label here in New York. He had come to one of my shows and said, “Honey, you’re a blues singer. Why are you fighting this?” And I was, “Because I love the subtlety of jazz and the nuance.” It was kind of like a self-awareness thing—realizing that my voice was just so well-suited for blues and it was really the vehicle to use my voice to its full potential.

    I had always loved the music from my early influences of Ella Fitzgerald and Billie Holiday and Sarah Vaughan. When I went back to discover who were their influences, I discovered Bessie Smith and Ma Rainey and Big Mama Thornton. What I loved about the music that they were singing was that it was very honest, and it was this genre that would allow such honest communication between performer and audience. I loved this dialogue that the blues allowed.

    NC: What was it like having Mike Vernon as your producer for your debut album?

    SS: He’s a legendary producer—a pioneer—and he is the truest form of an artist I’ve ever worked with. He is so generous with his talent and with his energy. Working with him is perfect. I’m doing the next album with him and the one after that. We’ve already agreed to do two albums together.

    We adore each other—he’s family to me. He brings out the best in everybody he works with. The musicians loved being with him in the studio. He’s got boundless energy and enthusiasm, and he has a vision so clear in his head on how to make the best possible album in keeping line with what the artist wants.

    NC: How far into the recording process are you for your debut album?

    SS: Well we just finished mixing, I would say, 80% of the album. There are two new songs on the record that we just added, so those will be getting mixed in the next couple of weeks.

    NC: How did you get involved with the Lead Belly Festival?

    SS: There is a terrific guy from Norway who is the manager of one of the venues I work at, and he talked me up to one of the producers of the show. That producer happened to be at the venue with an artist, and this manager, who is always promoting me in any way he can, told the producer, “There’s this singer, Sari Schorr—you’ve got to see her,” and that was the introduction.

    The thing is, is that this venue is one that usually takes me two hours to get to from Brooklyn, and there were many times where I was exhausted coming back from overseas and jet-lagged, and I still went out there consistently, and that’s how it happened.

    Sari SchorrNC: What influence did Lead Belly have on you?

    SS: Lead Belly was a phenomenal storyteller, and learning how to tell stories through music and use a lot of symbolism and imagery—that’s the influence Lead Belly had on my songwriting—this incredible honesty and simplicity in the lyrics that’s really deceiving. He’s speaking a lot under the surface of the lyrics.

    NC: What is it like for you to be performing at Carnegie Hall?

    SS: It’s an honor because it’s such a historic venue. It’s an honor because of the other artists that are going to be performing—Buddy Guy who I met when I did a co-bill with Joe Louis Walker and him up in Canada, and then with Eric Burdon and Walter Trout, who is going to be on my album. It’s really an honor to be a part of history in this way, and also being able to honor such an important man who contributed so much to blues music.

  • Rick Nelson & Friends – A Priceless Free Show

    By way of a suggestion I stopped at my friend’s restaurant, Nanola, to see Rick Nelson & Friends on my way home from the North Country Thursday, January 28.  The key catch was Rick Nelson from the High Peaks Band.  I’ve always known him to be a talented, well balanced guitarist, so stopping on my way home seemed like a less than daunting task.

    12650209_10208559739575401_251757604_n

    When I arrived, they were just breaking into their first set with a fan favorite and something I’m never sad to hear, “Up on Cripple Creek,” by The Band.  Rick & Friends moved through the first set as though they had been playing for years, although this was only their second show together.  The sets were completely comprised of covers, but if you closed your eyes during “The Weight” it didn’t matter who you thought you were listening to, your mind and soul were singing along.  The only thing that made my mind jump higher after that was the Ween cover “Roses Are Free.”  From there, the first set moved with smooth measure through the Stones’ “Sneakin’ Sally Through the Alley” and finished with a solid and welcome “I Know You Rider.”

    Rick, Bob McKeon (Garcia Project), Mike Cassels (Stone Revival Band), and Joe Bodden (Antelope), joined the crowd enjoying a free show put on by Shane Spillenger (Sugar Productions) at Nanola, in Malta, NY, between the sets.  They were greeted by a group of people thanking them for such a solid first set.  Their overwhelming response: make sure you stick around for the second set.  They were not wrong.

    They started off with an ever recognizable theme song of the popular show, “Shaft.”  From there they grooved into “Shakedown Street,” which caused even the most skeptical of attendees to start shaking their butts.  Towards the end of the Dead favorite you could start to hear that resounding chord progression of “2001.”  And then it started.

    Suddenly my toes were dug back in the sand in Mexico.  “2001” led back into the hip-wiggling “Shakedown” before the beach came back into full view with “Shine a Light.”  The Friends orchestrated “The Shape I’m In” and “Psycho Killer” before melding “Chalkdust Toruture,” into “Gotta Jibboo,” which led to “Eyes of the World,” and back into “Jibboo.”

    These brazen cover artists finished off their sets with a rendition of “Suzy Greenberg,” which almost made people beg for them to not stop.  By the end of that song there was a full feeling of satisfaction; a feeling always desired at the end of a show.  There is nothing more that can be said other than that the next time these guys play, do not miss them.

  • Jefferson Airplane’s Paul Kantner Dies at 74

    Iconic San Francisco musician Paul Kantner died Thursday, Jan. 28, of multiple organ failure and septic shock.

    A founding member of the Jefferson Airplane, Kantner, 74, suffered a heart attack earlier this week, reported the San Francisco Chronicle, adding that he had experienced many health problems in recent years.

    Paul Kantner

    With Jefferson Airplane, Kantner defined the mid-1960s psychedelic sound and created hits like “Somebody to Love” and “White Rabbit” featuring Grace Slick’s narcotic vocals. Most notably, the band was the first headliner at Bill Graham’s legendary Fillmore Auditorium and performed at Woodstock. Kantner and Slick transformed the group into Jefferson Starship in 1974; Kantner departed 11 years later, although the couple had a daughter together.

    S Malinski - Jefferson Starship - Ridgefield Playhouse-17

    In 1996, Kantner was inducted into the Rock and Roll Hall of Fame, and he continued touring up until his death. Most recently, Steve Malinski witnessed Kantner perform with several bandmates for a 50th anniversary celebration at the Ridgefield Playhouse in Connecticut this past August:

    The Starship’s presence on stage was bold and cohesive – original members of the Airplane Paul Kantner and David Freiberg kept the sound true and original to the Airplane along with longtime Starship drummer Donny Baldwin, keyboardist Chris Smith and guitarist Jude Gold. The animated and exhuberant Cathy Richardson fulfilled the big-shoes role created by Grace Slick’s powerful vocals, to whom she gave a tip of the hat to near the end of the set. Together they made the performance feel engaging to the audience with down to earth, unscripted banter and humor between songs, which has been a consistency for the group through the past several years.”

    Paul Kantner at the Woodstock 40th Anniversary Concert, Bethel Woods Aug. 15, 2009
    Paul Kantner at the Woodstock 40th Anniversary Concert, Bethel Woods Aug. 15, 2009

    Paul Lorin Kantner is survived by three children: sons Gareth and Alexander, and daughter, China. At press time, funeral arrangements had not been released.

  • Hearing Aide: Sly Fox and The Hustlers “American Gypsy”

    Sly Fox and The Hustlers released their new, full-length CD, American Gypsy at The Hollow in Albany on January 9th. Well known in the Capital District and beyond, they’ve found a place opening for touring Nationals around the region and doing incendiary shows, large and small, since 2010. The band consists of Sly Fox: guitar/vocals, Dylan Storm: bass/vocals and Sean Ireland on drums. Collectively they’re a three-piece blues-rock outfit, individually, they’re highly accomplished at their craft, sharing a passion for live performance. This is the domain of blues-rock, its strength lies in presence along with the music, the more difficult part is translating that to recording.

    sly fox american gypsyThe opener and title source, “American Gypsy” skips the formality of introduction and goes straight to the point. It has a defiant, swampy feel of movement and searching that echoes Steppenwolf with its drive and instrumentation. It’s a tribute to the hit tv show “Sons of Anarchy” and the video illustrates it well. “Home By Morning” speaks to the blues leanings Sly obviously lives by. The guitar is down and dirty, the harp accentuates and the organ fills are well-placed. Then there’s the rhythm section, make no mistake, a soloist is a soloist, but blues-rock lives on the drive underneath and these cats are tight. It reminds me a bit of Foghat when they jam and just about any other 70s era outfit from their cut, like J. Geils.

    “Forever Young” is a tribute to the memory of a friend shortly before his passing. It’s soulful and spiritual with a reading that moves from Hendrix to Martha Davis in its gut-wrenching emotion. It’s blues with a spiritual longing, raved-up into expression. Followed by “Smooth”, contrasting the prior with a cock-sure upbeat rock tune. The mandatory clap and response section is a pitfall of trying to studio record a live action. “Angels Can Fly” strikes on another aspect of Sly’s musical personality and voicing. It’s softer, emotive and wanting, the guitar solo is crisp and clean, the string-feel adds that heavenly lift to the lyric.

    “Revolutions 2012” is a straight-up rocker spitting against the overwhelming injustices and practices of our times. It’s a rallying cry to the masses for revolution, it’s heavy on all counts and may well hold the best guitar work of this release. Sly flips another switch and turns on a Texas-Blues feel on “Let Me Down Easy”, his influences flying freely from Hendrix to S.R.V., a twist of Morrison in the vocal and the simplicity of ZZ Top in the roll. This is another road song, there are many here, but this one excels, highly.

    sly fox american gypsy
    Photo by Bryan Lasky

    “My Name Is Jimmy” tries to reach into the punk attitude jar, but gets its hands slapped with over-zealous imagery. It has its moments, but is disconnected and over-stated. “Jessica’s Song” is an acoustic guitar song, strumming out a Page-like melody. It’s just slightly dissonant, short and bittersweet, leading back to his and their strength with the closer, “Heart & Soul”. It’s got all of the pieces shining brightly, the organ holds such importance and is easily under-mixed, but not here. Sly meters out his thoughts, rips a few licks and rides on the driving rhythm, reaching into his basket of tricks for the soul aspect. “Got ta, got ta, feel it!”

    Sly has put together a solid release, exhibiting the many facets of his musical personality and life-experiences. It’s well done with maximum energies applied, at moments forced, but it’s damn hard to translate this style to the studio. Get out and catch these cats live, there’s plenty of evidence here that they’ll rip it up. Check them out on their website and on Facebook for news and upcoming tour dates.

    Key tracks: American Gypsy, Home By Morning, Smooth

  • SPAC Jazz Fest Announces Lineup, Tickets On Sale

    As of 10 a.m. today, tickets for the 39th annual Freihofer’s Saratoga Jazz Festival are on sale to the public. The two-day weekend event is scheduled for June 25 and 26 at the Saratoga Performing Arts Center (SPAC).

    spac jazz fest ticketsThe festival’s 2016 lineup will feature Motown miracle Smokey Robinson and jazz fusion pioneer Chick Corea headlining the SPAC mainstage on Sunday, while Saturday’s headliner is still to be announced.

    Several acts performing this year will make their SPAC and jazz festival debut, including drummer and vocalist Jamison Ross, blues guitarist Eric Lindell, 12-year-old Indonesian jazz pianist Joey Alexander Trio, New Orleans funk ensemble, Jon Cleary and The Absolute Monster Gentlemen, and jazz-soul vocalist Alicia Olatuja, who performed at the 2013 presidential inauguration. Last year’s showcase included Sheila E., Erykah Badu and Snarky Puppy, among others, and since the festival was founded in 1978, jazz greats like Miles Davis, Dave Brubeck, B.B. King and Ray Charles have headlined the event.

    Celebrating 50 years, the 25,000-capacity venue sits in the historic Saratoga Spa State Park. Camping is not permitted on the grounds (free parking opens two hours before the event), but the town of Saratoga offers many options for nearby lodging. The typical concert rules apply for SPAC — no drugs, open water bottles, guns or pets — but for the jazz festival, the venue does allow food, alcohol, coolers and the use of small personal cameras.

    Festival goers can also shop fine arts and crafts on premise, bring home autographed CDs and fill up on Southern-style barbecue, plus other amenities. Stay tuned for jazz fest to announce the June 25 headliner.

  • John Mayer Confirms Trio Back in Studio

    Last week, John Mayer made news when he confirmed his self-titled blues-rock trio would be reuniting.

    As reported on Jambands.com, the singer-songwriter casually posted the picture below on Instagram with bassist Pino Palladino and drummer Steve Jordan, captioned “In the studio, day one.”

    john mayer trio

    Mayer most recently wrapped a tour with Dead and Company, and although official dates have not been confirmed, the promise of future collaborations with the remaining Grateful Dead members was leaked by Dead guitarist Bob Weir in a Periscope interview.

    The John Mayer Trio released their last album, Try!, in 2005, and made their last televised performance together on “Late Night with Seth Meyers” in 2014. The album was nominated for a Grammy, and included “Vultures” and “Gravity” from his then-forthcoming album Continuum. JMT has not announced an official album release day or tour dates.

    john mayer trioThe “Your Body is a Wonderland” crooner was recently spoofed in a Star Wars audition skit on “Saturday Night Live” with other celebrities like Shaquille O’Neal and Wynonna Judd screen testing for roles in Star Wars: The Force Awakens. And this year marks the 10th anniversary of his Grammy-winning pop tune “Waiting on the World to Change.”

    In a video captured last July, Mayer self-described the sound of his possible next album as a mix of his records and explained why he is taking his time with it:

    If you have an album that really saturates, then you can have it out for a long time. One of the ways to find out if a song has legs is you have to write it, then step away from it.”

    Stay tuned for news of the album’s drop date.