NYS Music 20​16

Category: Reviews

  • A Matured Jimkata Blows the Roof off the Hollow

    One of the greatest things about seeing a band numerous times is the ability to witness the progression they make over the years. And if you see the band frequently, it will feel gradual and natural, but if it’s been a while since you’ve seen them, the improvement can be striking. Case in point: Jimkata’s performance at the Hollow on May 20.

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    The Ithaca-based electro-rock band tours nationally and is a festival frequenter. For years, Albany has had the pleasure of watching them grow. But for some of us who hadn’t seen them in awhile, their show at the Hollow Bar and Kitchen on May 20 was like seeing a long-lost childhood friend all grown up. The resemblance is there, but they’ve metamorphosed into an adult.

    The “party-funk” duo the Hornitz kicked things off at what would be a night of exceeded expectations. These two, known as “Friendship” and “Stoo,” use loops to create the sound of a full band. The tenor sax and bass trombone made for a funky throw down. Fans were more than willing to sing along to “Overnight Success” (Dance with Anyone) as well as a playful rendition of Biz Markie’s “Just a Friend.”

    When the three men comprising Jimkata took the stage, it was clear from the first note that this is not the young band we once remembered. The vocal strength of frontman Evan Friedell has matured, and the sincerity in his demeanor and relatable lyrics are enough to create goosebumps. While in general Jimkata is not known for lengthy jams, Aaron Gorsch was given several opportunities to really let lose. And although the group certainly does not need to rely on the jams (and doesn’t), Gorsch shows that they’re more than an electronic, pop-infused rock band—there is talent on both the song and the ability to improvise. The analog synthesized tones recalled the sounds of the ’80s (without the corniness); the bass was heavy and the lights pulsating, and drummer Packy Lunn beat fire, adding to the intensity—the experience was thrilling.

    They played favorites from years ago off of their 2012 fan-funded album, Die Digital, including “Nightshade,” “Chain Store” and “Electronic Stone,” all of which left old fans with a rush of emotion; some with their eyes closed, but still grooving to the music. Having just released their latest album, In Motion, the band played several tracks from it like “Innocence” and “Wild Ride,” (see the official music video above) a song that gives goosebumps and might make you put your arm around your best friend and say, “I love you, man,” as seen firsthand during this Albany show. After the crowd begged Jimkata to return to the stage with the syllable-pointed chant of “Jim-Ka-Ta, Jim-Ka-Ta,” they returned for a three-song encore that featured “I Won’t Let You Down” off of the new album, “ Electronic Stone” that got serious crowd engagement and “Roll with the Punches.”

    Having gone from four members to three has not hindered their performance. What was once a “pretty good” electronic rock band has grown into a beautifully powerful, multi-layered core of matured musicians. If you haven’t seen these guys in awhile, make a point to do so in the near future. You’ll be proud.

  • ADTR, Halestorm, Anthrax and Others Rock Day Two at Rock’N Derby

    Rock’N Derby continued Saturday at the Schaghticoke Fairgrounds, and  saw a comfortable but cloudy day, with a small 10-minute rain shower during Halestorm’s set. The music started at 1:30 p.m. at the Upstate Concert Hall Arena Stage with New York City area band Streetlight Circus.

    Saturday’s lineup was jam-packed with bands, and boasted the biggest lineup out of the three days. The turnout of fans looked, considerably larger than Friday’s crowd. Fans who packed the fairgrounds saw the likes of Anthrax, Halestorm, Hollywood Undead, Sebastian Bach, Beartooth, Chevy Metal, All That Remains, Avatar, Cilver and A Day To Remember, who were the headliners for Saturday.

    A Day To Remember had the longest set time of any band in the three-day festival, with an hour and a half of playing time. ADTR headlined the Derby Stage, and their set had the most crowd surfing fans of the weekend to that point.

    After giving props to the security team for catching fans surfing over the rail all day, frontman and lead vocalist Jeremy McKinnon then asked the crowd if they had ever surfed a crowd surfer. He said to fans, “So during this next song, I’m gonna start this off by saying, you don’t have to participate in this shit cause its wild. We were playing in Wisconsin or some shit, on the Warped Tour one time, and these two guys did something that I will literally never forget. And I dubbed it ‘crowd surfing on top of a crowd surfer.’ Now let me explain this shit to you, somebody crowd surfs on top of the crowd as normal, and then your friend stands on top of you, like your a fucking surf board, and surfs all the way up to the front to the [security]. Please guys don’t do this, but have a fucking good time New York.” The band then played “Better Off This Way.”

    As the intro played for “Have Faith In Me,” McKinnon asked where the ladies were in the crowd. After many screams from the ladies in the lawn, the singer then said “Wow, that’s a lot of you.” He then dedicated the next song to them.

    In a hilarious moment, ADTR was next to notice the birthday girl in the front before the song “Sometimes You’re the Hammer, Sometimes You’re the Nail” and told the crowd they only had 3 songs left.

    McKinnon and lead guitarist Kevin Skaff had fun with the crowd and randomly started playing “Faith,” by George Michael. After two lines of the song, Skaff then joked “That was one song out of three.” The crowd laughed and McKinnon replied, “That’s one song down. What else we got Skaff?”

    Skaff started singing “Happy Birthday” to even more laughter. This prompted McKinnon to ask the crowd if anybody had a birthday. As the two’s eyes combed through the crowd, Skaff noticed a fan that said they turned sixteen today. He said back “You just turned sixteen and you already have a beer? That’s weird.” The crowd erupted again with laughter.

    McKinnon then noticed the 5-year old girl and asked if she wanted to come up on stage. The frontman then said to the crowd “Everybody out there tonight, this is this girls first show and she turns five years old today.” After cheers from the crowd, he asked the girl her name, then the band and the crowd sang “Happy Birthday” to the girl. After they sang to the girl, McKinnon said, “That should work for a first concert.” Skaff then interjected “That’s some good footage, put it in the archives. I was a Teenage Mutant Ninja Turtle for my fifth birthday.” That made McKinnon and the crowd laugh. The band got down to business and asked the crowd how many of them checked out their latest album Common Courtesy.

    A lot of bands could take note when being a headliner from ADTR when it comes to how many songs a band puts in their set. McKinnon recalled a story that happened from the beginning of their current tour. McKinnon stated, “I gotta to tell you a true story. We started this tour, and we were playing fifteen songs … and this girl got on Twitter and she was like, ‘Yo, I waited eight years to see your band, and you only played fifteen songs?’ And I got to tell you, she was not wrong, and I felt guilty. So we’re gonna play some extra songs for you tonight. Is that cool?” The fans at Rock ‘N Derby went crazy. McKinnon finished by saying, “So if this song right here meant anything at all to you in your life. If this song is your shit…you owe that girl.” ADTR then played “It’s Complicated.”

    ADTR closed out with “The Plot to Bomb the Panhandle.” McKinnon introduced the last song by saying “We are A Day to Remember from Central, Florida, and you’ve been fucking amazing tonight. Thank you for sticking around. This is going to be our last song for the night, and this is what I need from you. I wanna see everybody out there jumping up and down with us on this next song. That means everybody across the back, everybody on the fucking sides and especially all my people down fucking front. New York are you with me? I wanna feel the earth fucking shake.” What a way to close out the second night. ADTR’s set was really fun and energetic and wild. Multicolored streamers shot through the sky during the last song in the set. Set Time 9:30-11 p.m.

    Anthrax headlined the Rock’N Stage on Saturday night. Huge turnout of fans to take in their set. Joey Belladonna, an upstate New York native and the band’s lead singer, shouted out to the crowd after a couple songs saying, “Oh yeah, how we doing out there? Everybody good? I know we got a lot of people from New York here tonight. Good evening to you. It’s nice to be here. This is the first time I’ve seen this show out this way. It’s nice to see everybody here. You all having a good time? Fuck yeah, lets get this going, alright?” Anthrax then played “Madhouse.”

    After a couple more tracks, guitarist Scott Ian had the crowd laughing as he took the time to talk with the crowd about how the name of the town is hard to say and to give Belladonna a small break from singing. Ian stated “Upstate New York, how the fuck are you Rock’N Derby? Someone told me how to pronounce the name and where we are and I all heard was Shitty Coke!” The crowd erupted with laughter and started a “Shitty Coke” chant. Ian then apologized saying “Excuse me if I’m saying it wrong.” He then yelled “Shitty Coke, New York! We have a new album called For All Kings. I got a question, my friends. Do you love thrash metal? You’re welcome. This is ‘Evil Twin’.”

    During the intro to “War Dance” drummer Charlie Benante stopped the song making Scott Ian state “Why did you stop? I have to watch Game Of Thrones. You wanna know why he stopped. Cause Charlie is very concerned that some of you aren’t having as much fun as you should be having. Now check it out, don’t take this the wrong way. We love those dudes in Extreme. They were up here earlier. But this ain’t “More Than Words” now. This is some demolition derby shit. Let’s see you fuckers move one more time tonight. Let’s try the ‘War Dance’ again.” Set Time 9-10 p.m.

    This was the part of the night where the crowd segregated from one another. Everyone over 35 was there to watch Anthrax, while everyone under was watching A Day To Remember.

    Halestorm got the many fans taking in their set right into it by kicking things off with the song “Apocalyptic”. Frontwoman Lzzy Hale yelled to the crowd, ‘Rock ‘N Derby, are you ready?” After cheers from fans, Lzzy pointed to her brother on drums and replied “Arejay, give it to them.” Arejay let out a big “yeah,” then started the intro to “Love Bites.”

    After the band finished “Love Bites,” Lzzy took a minute to get acquainted with the crowd, she said “Rock’N Derby.” Then Lzzy shouted the name of the town Schaghticoke, correctly. She asked if she pronounced it right then went on to say “So how many of you are actually from Schaghticoke?” After almost silence from the fans Lzzy said “That’s like ten people.” After some laughs, Lzzy then got serious and introduced who they were and what they are about. She stated “Thank you so much for allowing us to be here tonight. We are Halestorm. My name is Lzzy Hale, and for the next 70 minutes or so I’m gonna be bossing you around alright. So, we got two rules, number one, we are all here to have a fucking fantastic time tonight. And number two Schaghticoke, when I say scream, you fucking scream, alright? Ready?” Halestorm then performed “Scream.”

    Lzzy then talked about how she is a a freaky chick. She said there’s some stuff up here that just ain’t right, pointing to her head, then told the crowd to ask any of her ex-boyfriends. She then said to the crowd “I feel like I’m not alone tonight, Schaghticoke, I’m not alone. Sing this one if you know it.” Halestorm then went into “Mz. Hyde.”

    If you know the lyrics, Lzzy picked the perfect time to perform the song, “Rock Show.” She noticed the birthday girl and said “Happy fifth birthday darling.” Lzzy then said to the crowd “This is what its all about right here. We have a future leader of rock and roll, right front and center. Young lady’s fifth birthday, first rock concert. I’m gonna be looking for you for lyrics alright.” The frontwoman the went on to sing freestyle asking the fans in attendance if they wanted her, if they loved her, cause she loves them too. Lzzy then asked the crowd “Schaghticoke, are we in church? Schaghticoke, are we in a classroom right now? Hell no. Schaghticoke, are we at a boring dead end job right now? Schaghticoke, give me one more, are we at a fucking rock show tonight?”

    After the song, Lzzy asked the crowd if anyone watched the demolition derby that went on earlier in the day. In a funny moment, she then shared her experience with the crowd “So something pretty cool, I was watching the derby over there. Fucking demolition derby. I was watching through the fence and I was like, what does it say on the side of number 33, it said fucking Halestorm, that’s what it said. So I’m rooting for this truck, I’m rooting for it the whole time, I’m like kill him, finish him. And then what do you know? Number 33 Halestorm won the friggin derby today. So this one goes out to all the drivers, this is called “I Like It Heavy.”

    After Arejay’s drum solo, Lzzy asked the fans if they could do something for her because she has never been to Schaghticoke. She the said “We decided that there’s only about 10 people actually live here. So I kinda wanna know something. I need to know what you can do. I need to know how crazy you motherfuckers are. I need to know, I need to know what kind of freaks showed up at a rock show in Schaghticoke, New York tonight. Are you ready?” Halestorm played “Freak Like Me.” Set Time 7:45-9 p.m.

    Avatar, a Swedish rock group, performed on the Rock’N Stage and put on one hell of a live show. Their costumes and frontman Johannes Michael Gustaf Eckerström’s gestures and mannerisms are silly but fun to watch. He had the whole crowd rocking and laughing at the same time. It’s really a feel-good time watching this band. It’s like a show inside of a show.

    As the intro for the band’s song “Hail The Apocalypse,” Eckerström asked the crowd to raise their horns in the sky and join us as we burn the house down. The band had a really good fan turnout ready to take in Avatar’s set. Set Time 3:30-4:10 p.m.

    All That Remains followed Avatar on the Rock’N Stage. Singer Philip Labonte stopped after a couple songs to ask the crowd, “You guys got some energy out there, huh?” Not liking the fans’ response, Labonte yelled to the crowd, “C’mon, I know you can do better than that, make some noise. In case you’re not familiar with All That Remains, we’re one of those bands who like to do some heavy stuff and some not-so-heavy stuff. The two songs we just played, they fall under not-so-heavy. And I think you gentlemen out there on the floor, out there in the pit. You guys ready for something heavy? Again not feeling the response from the crowd he wanted, Labonte yelled ‘Bullshit,’ then screamed “Are you ready for something heavy?” ATR then played “No Knock.”

    Labonte wanted to bring things back down for a bit. After asking fans if they were having a good time, he sat on the stage and said to the fans, “We don’t have a lot of time left so we’re gonna do a few more, and like I said earlier, we’re one of those bands that likes to play some heavy stuff, and some not-so-heavy stuff. A couple records back we wrote a song, that’s really not heavy at all, and if its cool with you guys, were gonna do it for you, alright? Here’s the deal, now’s the time to cuddle up next to your girlfriend or boyfriend if you expect to get laid tonight. Well you should expect to get laid, you’re at a fucking show, and everyone is drinking and shit. If you know the words, c’mon and sing along. This ones called “What If I Was Nothing?” Set Time 4:30-5:10 p.m.

    Hollywood Undead, an L.A. rap and rock group, had fans over at the Derby Stage bouncing and jumping through their whole set. Hollywood Undead has a unique stage show. If every member wearing their own individual masks on stage wasn’t enough, every member of the band plays an instrument and has vocal duties throughout their sets. Band members even rotate singers and musicians during their songs.

    Jordan “Charlie Scene” Terrell called up the little girl who was celebrating her fifth birthday at Rock ‘N Derby on stage to introduce the band’s next song. After asking her name, Terrell then asked the girl what her favorite song was. She replied “Let It Go” from the Disney movie Frozen. Terrell replied to the girl “Holy shit, we definitely don’t know that one. How about you introduce this song. Check this out. Let’s have you help me introduce this song. I’m gonna tell you what to say.” Terrell held the mic in front of her and whispered in the girls ear as he held another mic with his back turned. Terrell then said in a little squeaky voice, “This song is called ‘Comin’ in Hot’ motherfucker.”

    George “Johnny 3 Tears” Ragan stopped to talk to the crowd before the song “Day Of The Dead.” He made fun of the name of the town by pronouncing it Schnananananacoke.” Terrell replied “Did somebody say coke?” Ragan finished his speech by saying “You guys are fucking awesome. Thanks for having us, thanks for coming and support. It’s our pleasure to be here and do this Derby. We love it so fucking much. We had a record come out last year. We will play a song from it. This song is called ‘Day Of The Dead.’” Set Time 6:30-7:15 p.m.

    Former Skid Row frontman Sebastian Bach, rocked the Rock ‘N Stage. After the first song in the set “Slave To The Grind,” Bach said to the crowd, “I see you in the back, what the fuck’s going on New York? Lets go back to the first album. What do you say? Bach then played “Big Guns.” Bach played many Skid Row classics, ending the set with “Youth Gone Wild.” Bach really exceeded my expectations of him. It was going around that he was not feeling well, and his meet and greet with RND Vip’s was cancelled. Bach performed pretty good on stage vocally and showed a ton of energy. Set Time 6:35-7:20 p.m.

    Beartooth rocked out the Upstate Concert Hall Stage. I was kind of let down here, but it may not have been all their fault. They had bad sound quality, and I actually think they may have been too loud for the building they were in. There seemed to be an echo at times during their set depending on where you stood in the venue.

    Singer Caleb Shomo asked the crowd, when he says “1, 2” he wants them to say back, “1, 2, 3 ,4,” before the song “Dead.” He said to fans “We’re gonna do this one more time. When you say one, this whole room, barn, thing, is gonna be one giant mosh pit. Everybody moves. I need mass organized chaos. This ones called ‘Dead.’”

    Before the band played their new single “Aggressive,” Shomo said to the crowd “We kind of feel like we’ve been playing the same old shit for a little bit too long. We’re gonna change that one. We have a new record. Were gonna play a new one for you now, is that O.K.? This is the title track of our new album. This song is called “Aggressive,” Let’s go.” Set Time 8:45-9:30 p.m.

  • Five Finger Death Punch, Lamb of God, Clutch and Pop Evil Kick Off Inaugural Night at Rock ‘N Derby

    Last weekend, upstate New York hosted the first-ever Rock ‘N Derby, which kicked off May 20 at the Schaghticoke Fairgrounds. The Capital Region has been buzzing for months with anticipation for the Rock on the Range style three-day festival. Along with thousands of local diehard rock enthusiasts, fans from across the northeast and Canada made the hike on a beautiful early spring evening.

    Day one of the inaugural affair saw the likes of Lamb of God, Clutch, Parkway Drive, Wolfmother, Pop Evil, Scott Stapp, Corrosion of Conformity, Red Sun Rising, Wild Throne and the first band to ever headline a Rock ‘N Derby festival, Fiver Finger Death Punch. Friday night also saw Tool cover band Schism play on the Upstate Concert Hall Arena Stage, during the after party for fans who wanted to rock on into the late night hours.

    From Grand Rapids, MI, Pop Evil, had the honor to be the first group to not only play the Derby main stage, but the first band ever to perform at Rock ‘N Derby period. To everyone’s amazement, Pop Evil is now sporting a blond female drummer behind the kit. It’s been news that current drummer, Josh “ChaChi” Marunde, was departing the band for new opportunities that would keep him closer to home. At show time, no one was sure who she was, or if she will end up being a permanent replacement for Marunde, all I can say is that the girl is a total badass behind the kit. However, it has now been reported that the band has welcomed Hayley Cramer as their new drummer.

    Pop Evil came out and set the mood for the day. Fans went wild once the band started the first song in the set “Deal With The Devil.” Before playing the band’s current single “Take It All,” frontman Leigh Kakaty shouted out to local rock radio station Q103 for playing the new single. Kakaty went on to say to the crowd, “For everybody who just wanted a little, but now you want the whole damn thing. This song is called ‘Take It All’.”

    Kakaty then picked up a guitar and asked if there was any old-school Pop Evil fans out there tonight. After cheers from the crowd, Kakaty said, “Well here’s one off our first record for you guys then.” He started off the song “100 in a 55.” After completing the first verse, Kakaty asked the crowd, “If you still believe in rock-and-roll bands, make some noise,” which made the crowd roar with cheers.

    Kakaty gave a small heartfelt speech before moving into the next song, “Trenches.” He said, “I just wanna say, what an honor it is to be amongst real people who come to rock shows early. All these little kids I see, I wanna thank you parents for not raising them on any of that Justin Bieber bullshit. I didn’t know it was so fucking complicated. We are a rock band, we play rock music for brothers and sisters like you.” He went on to say that the band is currently on tour with two of the greatest icons, Rob Zombie and Disturbed. He then relayed a message on behalf of them, telling fans Zombie and Disturbed said to “fucking rock and roll tonight.” Kakaty’s speech went on to thank another band who was playing that night: ” There is one more band on this bill that I have to give a special shout out to, cause back in the day, they were one of the first bands to take a chance on us. You guys know them as Ivan and Zoltan and everybody at Five Finger Death Punch.”

    Fans sang along with the frontman during the last song in the set, “Footsteps.” Kakaty was so impressed it prompted him to sincerely say to the crowd, “Are you fucking kidding me? Wow, there’s no greater feeling on this planet than when your fans, excuse me, your friends, sing your songs back to you, God bless you. God bless you, New York, we love you.” Pop Evil showed a lot of fire and Kakaty was pretty good on vocals. Set Time 5:50–6:30 p.m.

    Neil, Jean-Paul, Dan and Tim, better known as Clutch also rocked the Derby Main Stage. Going into this show, I knew about the band, but never really followed them until recently. I was really impressed by how good this band performed. These guys are talented live musicians that anybody could go and see and enjoy themselves.

    Early in their set, singer Neil Fallon lightly slipped walking onstage. This made Fallon say, “I will tell you right now, at some point in the next 45 minutes, I will fall on my ass on this stage. It’s gonna be legendary. Did you spray this thing with WD-40 before we got up here? Set Time 6:50–7:45 p.m.

    Red Sun Rising performed over on the Rock ‘N Stage. Before the band played “My Muse,” frontman Mike Protich, who was not sure how to pronounce Schaghticoke, asked the crowd, “So what should I call you cause I can’t pronounce the city I’m in right now….. Albany?” (This became an eventual theme for all of the bands on the bill throughout the weekend.) As Protich looked to the crowd for answers he said, “I love all these New Yorkers. People here just shouting shit. We’re red Sun Rising from Akron, Ohio. It’s a pleasure to be here with you today.” Set Time 6:55–7:35 p.m.

    Lamb of God performed while the sun went down on the Derby Stage, and brought fans into the night. Frontman Randy Blythe was super pumped up during Lamb of God’s set, as he was constantly jumping around and moving. I swear, Monster Energy drink has to run through his veins.

    Blythe was next in line to ask the crowd how to pronounce the village Schaghticoke. Blythe said, “What the fuck is up upstate New York? Look at all you motherfuckers out there. Let me get a big Ric Flair Wooooooo.” The crowd “wooooooooed” back at Blythe, which made him say, “Fuck Yeah. Holy Shit. For those of you who do not know, and for those of you who drank too fucking much before you got here and don’t know where the fuck you are….We are Lamb of God. We come from Richmond motherfucking Virginia. I know we are in upstate New York, but I’m not going to attempt to pronounce the name of this fucking town. I fucked it up like 50 times.” Blythe then went on and tried to say the name of the town, even calling it Shaggy 2 Dope ( from Insane Clown Posse), which made the crowd laugh. He then asked the audience to pronounce the name the town on the count of three. The crowd shouted “Schaghticoke” in unison.

    About midway through the band’s set, Blythe acknowledged what would become another theme over the weekend.  There was a five-year-old girl celebrating her birthday during the three-day festival down in the front row. After asking the crowd if they were having a good time, Blythe said to the crowd, “Somebody down there has a fifth birthday.” He pointed at the girl and said,  “Don’t get squished sweetheart.”

    The frontman then turned his attention to the next song in the set list. He dedicated the next song to the little girl in the crowd and all the armed forces in the United States. He stated, “This song goes out to some people who don’t get the recognition I feel they deserve most of the time. These people do a hard, fucked-up job. They do it from a long ways from home. Most of the time they don’t even get a fucking thank you for this. I speak of the men and women in the United States armed services. This next song is for them.” The band then played “Now You’ve Got Something To Die For.” The crowd was insane for Lamb of God. Set Time 8:15–9:15 p.m.

    Parkway Drive was one of, if not the best, performers of the night. Parkway Drive headlined the Rock ‘N Stage Friday. Singer Winston McCall was going so insane onstage, I thought he was going to give himself a heart attack. He was jumping, bouncing and waving his arms so much, it was like he was teaching an aerobics class, while putting on a kick-ass rock show.

    Winston asked fans if they picked up the band’s new album, Ire. He then told the crowd that they are going to play a song off that album. Winston then said to the crowd, “You guys are doing great. One thing, one thing only. Just keep that vibe up here [raises hand above head]. Don’t let that energy drop. Keep it coming, keep it coming. If you haven’t crowd surfed yet today, you’re obliged to on the rest of this set. This one’s called ‘Vice Grip;’ step it up another notch.”

    Before the next song in the set, Winston screamed to the crowd, “That’s it. Keep it up here [motioning his hand above his head], keep your energy up here. Bring it in, sing with me. This one’s called ‘Idols and Anchors.’”

    Impressed with the fans’ reactions toward the band, Winston had to ask the crowd something before he continued: “Has anyone seen us before?” After minimal cheers, he replied, “A couple. Hi again.” He then asked for the first-timers to many cheers. Winston then welcomed everyone and said that he was just checking out the stats of the crowd, then thanked everyone for their time. Winston said, time is a precious thing, and that he appreciated fans spending some of it on them tonight.

    The frontman asked the crowd if they still had enough energy left in them, because he knows they must be fucked after Lamb of God’s set. He then asked if they had a little bit of energy left, because they were going to play another heavy track. Winston then said, “If you can hear my voice, get your hands up. Here’s the deal. If you have the energy to get your hand in the air, when this one drops, I need to see you get your feet up as well. That includes you guys in the stands.” The band then played “Bottom Feeder.” Parkway Drive will head back to the their native country of Australia for a tour after their RotR performance on Saturday. Set Time 9–9:45 p.m.

    Five Finger Death Punch was ready to close out the inaugural first night on the Derby Stage. FFDP got fans pumped with the first song in the setlist, “Lift Me Up.” After the second song in the set, “Hard to See,” Ivan Moody said, “Holy shit,” and called the crowd “motherfucking crazy.” Moody then asked the crowd to do him an honest favor and protect all the kids that were there enjoying the show. On that note, Moody then said to the crowd, “Front to back, side to side. When I jump up, you jump up. Now you know what to do.” FFDP then played “Burn it Down.”

    After bassist Chris Kael took over the vocal duties for the song “Got Your Six,” next on the setlist was the band’s cover of “Bad Company.” Moody asked the crowd, how many men and women have served, or are still serving for the United States military, and asked them to put their hands up. He then said to the fans with their hands down, “You guys see those fucking hands… you shake them, you thank them and you buy them a beer for our fucking freedoms. Thank you so much.” This of course prompted a big U.S.A chant from fans. Moody then brought the song in by saying, “I don’t know if you guys heard, but there were a couple of, um, I’ll call them corporations, that were talking shit about us online. What they didn’t understand is that we’ve got Bad Company [points to the crowd].”

    FFDP did their usual routine and brought up various kids onstage to join them for the song “Burn MF.” Moody pointed to the kids and told the crowd to make some noise for the next generation of heavy metal. Moody went on to say, “You guys wanna show them how the big kids do this? Then give me the biggest circle you’ve got right now. If you don’t wanna get hurt, now is the perfect time to get the fuck out of the way.”

    Guitarist Jason Hook and Moody did an acoustic medley of “Wrong Side of Heaven” and “Battle Born.” Moody then stated to the crowd that there are strict curfew rules here and that the band could only play one more song. Five Finger Death Punch then closed out the night with “The Bleeding.”

    I felt a small letdown here, and expected way more from these guys. If this was your first time ever seeing the band, you may have a slightly different opinion of the band’s set. It seemed the boys were a little off the mark onstage, and frontman Moody sang out of key and didn’t have his usual intensity. The thing that was most noticeable was the band’s set list. Fan-favorite track “Burn it Down” seems to always b one the band’s setlists, but it was missing along with the two current singles off their current studio album. Overall, everything seemed repetitive and overly rehearsed. Set Time 9:45–11 p.m.

  • Show Review: Lamb of God, Clutch and C.O.C. Magic City Music Hall

    The deep rumblings of bass notes, screams and the rhythmic pounding of drums that were heard resounding from the Magic City Music Hall on May 16 were the sweet sounds of what I am calling the best metal lineup of 2016. From the moment opener Corrosion of Conformity took the stage to the final note of headliner Lamb of God, this show was incredible.

    Up first was Raleigh, NC’s own Corrosion Of Conformity. They blasted out a perfect selection of songs from their 30-plus year career with such precision and ferocity that they set the tone as an opener. They kicked off their set with “Paranoid Opioid” off of their 2005 album In The Arms Of God. It wasn’t long before they tore right into one of the songs that got me hooked on them, “Broken Man.” Pepper took time to thank the fans who continue to support the band. He let the fans know that they keep doing what they do because of them. The crowd went crazy as they played an incredible version of “Vote with a Bullet.” They wrapped up their set with the hit that launched them into “metal legend status,” “Clean My Wounds.” After their performance, Pepper came out to hang and chat with fans.

    The lights dimmed and Chuck Brown’s “We Need Some Money” filled the PA system. The crowd was already excited, warmed up and feeling good, and then Clutch took the stage and began tearing through “Who Wants to Rock,” which they haven’t played live since 2013 Honestly, this was the perfect song to start their set, because their diehard fans went wild. Clutch played a flawless mix of old and new tracks that included “Cypress Grove,” “A Quick Death in Texas” and the crowd truly appreciated them breaking out “Sucker For the Witch” from the classic album Psychic Warfare. If you haven’t seen them live, I don’t know what the hell you are waiting for. Seriously, this band has been around since the early ’90s and they are remarkable. They bring together a unique blend of rock and metal and throw in a fun-loving blast of funk that creates a very satisfying, heavy-groove metal sound. I can’t do them justice with any description. You just need to get out and hear it for yourselves.

    The Magic City Music Hall went dark; the video screens on the stage began to flicker and came to life. Images of destruction, including buildings crumbling, explosions, war and fire, set the stage for the heavy-metal onslaught about to be experienced. The first chords rang out as the drums pounded and Randy Blythe exploded out onto the stage as the band ripped into “Walk With Me In Hell.” The crowd erupted into a mass of bodies moving, flying and crowd surfing.  Lamb of God also played a pleasing mix of old and new, obscure tracks and well-known hits. They slashed through songs like a well-oiled machine, with a set list that featured “Ruin,” the heart-pounding shred fest “Now You’ve Got Something To Die For,” “Still Echos,” “Desolation,” “Laid To Rest” and “Redneck.”

    If the combination of a capacity crowd and more than three hours of metal music wasn’t enough to get your heart pumping, then you probably should have checked your pulse to make certain you were alive. As the lights came back on and the smoke cleared, the fans I saw slowly making their way toward the bar, merch booths or the exits, all looked totally satisfied.

  • Rising Popstar Jacob Whitesides Brings Lovesick Tour to Darien Lake

    Eighteen year old Jacob Whitesides is taking the pop music scene by storm. Originally a kid who uploaded covers to YouTube, he’s completely captivated the audience similar to that of Justin Bieber.

    Jacob WhitesidesAnd this talented musical artist and young entrepreneur is ahead of his time in the best way possible, stealing the spotlight and not taking it for granted. His headlining U.S. tour began on May 18, and we had the opportunity to catch up with him, while preparing for his first stop in Washington, D.C. And on May 28 you can catch him at 6 p.m. at Darien Lake, which will be his last show in the Empire State during the Lovesick Tour. Read on as Whitesides opens up about his roots and where he plans on taking them.

    NYS Music: Your headlining tour kicks off in D.C. tonight. How are you feeling?

    Jacob Whitesides: I’m very excited. I’ve been getting ready for this tour. We had rehearsals for 12 hours a day and it’s all worth it. I love that it’s a headlining tour.

    NYSM: What are you looking forward to the most?

    JW: Being able to perform new music from the album that comes out in September. I really look forward to the feedback from the fans. I have a full band with me and it’s going to be great. My tour manager is playing the keys for the shows and it’s going to be a lot of fun.

    NYSM: Speaking of new music, you released a new single last month called “Lovesick.” How did this song come about?

    JW: I was in Europe for a month and a half doing nonstop promo and the frustrations of being that far from home, from my family and my girlfriend, just resonated a lot. I would journal everything. When I got back I flew into Nantucket and I sat there talking with my producer and manager; I was able to collaborate with Alex and Mark from Magic. They had this song idea and we worked together. I wanted to mix the singer-songwriter with pop elements and in the end we were able to create the single. I looked toward musical influences like John Mayer and Justin Timberlake. Having found the single so early on helped guide the album production.

    jacob whitesidesNYSM: Let’s go back to how it all started. You began covering songs on YouTube and then auditioned for the The X Factor, so how did being a YouTuber help your career?

    JW: I’m going to start from the very beginning. My dad was into music and I wasn’t really that interested at the time. It wasn’t until he took me to a bluegrass festival when I was 13. I was listening to Chris Stapleton and Steel Driver, and I started to really become inspired. A few weeks later I got my first guitar and joined my dad’s band. After a bit I realized that I didn’t want to keep playing performances like this—I wanted more. I looked at Justin Bieber and Austin Mahone and saw how they were doing, and I decided to jump on the YouTube wave. I posted a few videos and would respond to comments and eventually it spread. I still like to look at my own videos and respond to the comments and interact with everyone as much as I possibly can. I believe that everything happens for a reason and this one just happened to work out.

    NYSM: How did auditioning for The X Factor impact you professionally?

    JW: I was on The X Factor for a really short period of time, but it was one of the most important. I was super unprepared and not really ready for it, but it was worth a shot. I made friends and it was my first experience in the industry. I had this super unrealistic picture in my head of what the industry was like, but as I slowly watched my friends sign to labels and have these labels tell them who they should be and what they should do, I saw them losing passion. The record labels tried to mold them into what they wanted, and I realized I didn’t want that; I wanted to be able to mold my own career. Now I have this great deal and I work with amazing partners. I am able to to have control over my music and being a part of The X Factor gave me a better understanding of the industry as a whole.

    NYSM: You’re only 18 and you’ve already created your own record label, Double U Records, and partnered with BMG to mold your career. What made you decide to take such a big this early?

    JW: BMG presented a deal to partner and the social media waver really helped me. I was able to get a bigger team and the opportunity to go to radio, and when it’s time, I get to make a lot of the big decisions. I wanted to be able to have control of who I was as an artist and thankfully, I was able to. A lot of it is because of the fans’ response.

    NYSM: You’re always interacting with your fans; it seems they’ve had a lot of good things to say about you.

    JW: Yea. My relationship with the fans is so special. They’ve helped me create so much and I’m so thankful.

    NYSM: Where do you want be five years down the road?

    JW: In five years? I’m really enjoying the pace right now. I really just want to keep building and get better as an artist. I want to keep growing as a person, and hopefully, I’ll be doing the same thing I am now, but bigger.

    Jacob Whitesides will definitely be playing larger stages in five years. He most recently performed at the Marlin Room at Webster Hall in New York City on Sat., May 21. The crowd was full of girls screaming and singing along; these girls hung onto every word that came out of Whitesides’ mouth. It was incredible to see these fans interact with him; some of them had even followed the tour from D.C. and planned on going to as many shows as possible. Whitesiders are passionate and dedicated fans, and are no doubt helping this talented 18-year-old from Knoxville, TN, dominate the pop charts.

  • Local Limelight: Seymour – Indie Rock from New Paltz

    Anyone whose life revolves around music, seeks out new ear candy as often as possible. The most difficult thing is to find something that really piques your interest, especially a complete album. During my third listen through the new self-titled album by Seymour, my interest was certainly piqued.

    seymourIn a recent phone conversation with Steve Geary (rhythm guitar, bass, vocals), who co-founded the band with Avery Maracek (rhythm guitar, bass, vocals), I was able to learn quite a bit about the up-and-coming band from New Paltz. Steve and Avery met their bandmates, John Morrison (lead guitar) and Brandon Bera (drums), while they all attended SUNY New Paltz. As is common among college friends, they all hail from different places around New York State; Steve and John grew up in the Capital Region, Avery is from Western NY and Brandon is from the Westchester area.

    They came together and melded their influences, which range from Avery’s exposure to jazz guitar via his father, to Steve’s adoration of ’90s indie rock and mixed it all with John and Brandon’s love of jam bands. The final product? A mixed sound of Weezer and Fountains of Wayne (circa Utopia Parkway) pumped into your ears from headphones, reminding you of your teenage years. Steve explained that he and Avery share the songwriting duties. He feels that with both of them writing they are able to create a symbiotic relationship, which generates a more than gratifying result.

    seymourWhen you press play to listen to the new album, you are instantly hit with the meta tune “Seymour,” their self-titled song off of their latest release. Although this is their first full-length album, these boys have an arrangement that shows just how much work they’ve put into the last two years since forming April 2014. While listening through the record, other earworms present themselves; the somber love song “Bleeding Heart” shows how there isn’t just surface feelings built into Seymour’s music, and this depth is further accentuated in their short but introspective song, “Tethered.” As mentioned before, this first Seymour album is truly easy to listen to on repeat.

    To check out Seymour’s new self-titled album, you can visit their Bandcamp page. Also, be sure to check out their Facebook page and website. You can also catch them live at their upcoming show at Bearsville Theater in Woodstock, NY, on June 18.

  • Hearing Aide: The Macpodz “Underwater Encounters”

    The MacpodzThe jazz-fusion, disco-funk band from Michigan, the Macpodz, recently dropped their latest release, Underwater Encounter, and this album will light up a room. “Leijah’s Victory Lap I” eases listeners in with a breezy jazz tempo, while introducing the album via electronic voice. “Cities, Highways” is the perfect song to listen to while stuck in traffic, as it gives the feeling of moving beyond the bottleneck at that one exit, only to proceed to step on the pedal and floor it to 70. This jam is not sorry about bringing the funk with a continuous build.

    The jazzy “Until the Next Time Around” is filled with smooth moves, organ slams and bursts of trumpet that demand attention. Between tracks, a quick “Quiz” from a children’s electronic toy is in store; listen carefully, and see if you can decode the answer. “$5s & $10s” is crammed with sexy tones that aren’t afraid to let loose during the slow and easy flow of this track.

    A groovy “Bouncin’ Off Satellites” creates an infectious tone, and dancing is the side effect. There’s no avoiding the need to get up and bounce around the room to this track. With intense energy exerted from dancing, “Hitchhikers Love Song” is the breather halfway through the album. Sleepy trumpet notes dance through this relaxed tune before sliding into the jazzified “Put Some Stank On It.”

    “No Dead Air” keeps the chill vibe rolling with hints of Frank Zappa, while “N Congress” brings a supercool rhythmic flow. “Sammy’s Reprise” is heavy on organ and spoken word, a spiritual nod to the musical influence on life. The soulful “Temesgen’s Homies”  is packed with slapping guitar strokes and down and dirty brass, coupled with keys that aren’t afraid to dance around the other instruments.  The album wraps up with the outro of “Leijah’s Victory Lap II,” bringing a clean close to Underwater Encounter.

    Overall, this record is the perfect playlist addition to an evening with friends, when attempting to capture the heart of a woman, or when in need of something funkadelic. Crammed with musical surprises, beats that take you way up high and then back down for a cool break, Underwater Encounter will surprise and delight even the most discriminate music fan.

    Key Tracks: Cities, Highways, Put Some Stank On It, N Congress

  • Hearing Aide: Eric Clapton “I Still Do”

    Eric Clapton released his twenty-third studio album, I Still Do, on Friday, May 19, in what may be a farewell to a storied career as the blues and rock legend interprets his own musical heroes and peers across 12 well placed tracks. If this is goodbye to a 50+ year musical legacy, it is a fitting tribute to his career and those of friends who have passed in recent years and given him food for thought as he retired from the road in recent years.

    The songs selected by Slowhand on I Still Do read like a life reflection, opening with youthful, bluesy and upbeat numbers “Alabama Woman Blues” (Leroy Carr) and “Can’t Let You Do It” (JJ Cale), and wrapping up with songs that reference aging quite bluntly: “I Dreamed I saw St. Augustine” (Bob Dylan), “I’ll Be Alright” (traditional) “Somebody’s Knockin’” (JJ Cale) and “I’ll Be Seeing You” (best known by Billie Holiday). Overall, the album is about as good as studio Clapton gets, bringing together originals, songs from familiar influence Cale and Johnson, as well as deeper cuts from Skip James and Carr. With producer Glyn Johns, whom Clapton worked with on 1977’s Slowhand, this possibly final album is one of Clapton’s best.

    “I Will Be There” (Paul Brady) is the good vibes sing along of the album, with supportive lyrics “If you need someone to help you through, just call my name, and I will come running to your side. Don’t be afraid, I will be there,” one that gives casual fans a connection to the many sounds of Clapton, a combination of “Tears in Heaven” and “Change the World.” Of note is the credit to Angelo Mysterioso, denied by Clapton as being a posthumous George Harrison cameo but speculation that it may be the late Beatles’ son Dhani Harrison.

    Two originals, “Spiral” and “Catch the Blues,” are the meat of the album, the former grittier and the latter smoother with a shade of Bossa Nova mixed in. Skip James’ “Cypress Grove” is a fierce number, true Delta blues style. A lullabye, “Little Man, You’ve Had a Busy Day” changes the tempo of the album to a more calm, acoustic, before Robert Johnson’s “Stones in My Passway” reflects on losing power over body and soul. The cover art to I Still Do brings to mind Robert Johnson’s classic image, one legend paying tribute to another: a straightforward, no frills bluesman looking right at you.

    There is a lot of life left in Clapton, make no mistake, and a smattering of shows each year will be a staple of his as old bluesman are wont to do – they never seem to go out quietly, nor fade away slowly, but instead be ever present even as performances decrease in number.

    Key Tracks: Can’t Let You Do It, Cypress Grove, Stones in my Passway, Somebody’s Knockin’

  • A Night Of Smooth Jazz and So Much More in New Haven

    The Lilly’s Pad was low-key but very much alive with Rohn Lawrence and Friends lighting up the intimate venue as they do every Monday night. The venue, found above Toad’s Place in New Haven is the epitome of a jazz lounge; soft lighting, a few tables and sectional couches lining the walls of the room, drinks in hand and people enjoying a relaxing night of incredible music

    Lawrence on guitar, Jay Rowe on keys and Trever Somerville on drums brought a huge sound to the small venue that captured the whole audience. It was a diverse crowd, a few students, a family or two, some regulars and good friends of the band members, and they loved every second of the show.

    Smooth yes, but just jazz? No. This was a night of everything smooth: jazz, funk, blues, soul. They had it and mastered it all.

    All of these genres require one to pour plenty of emotion and feeling into the songs and everyone on stage was obviously lost in their sound. Lawrence was perched on a stool for the night but by no means was he stagnant. Every note he hit was an emotional decision and you could see it in his face. His eyes shut,  head rolling and bobbing on his shoulders and body twisting.

    Somerville was in the same seated predicament but that didn’t stop him from moving around in his throne and pumping out some intriguing and driving grooves off of his four piece set. He was tight, technical throughout the whole night and brought a big sound from the tiny set.

    Rowe was just as into it as the others while managing to play bass on his upper board and mess around with his lower synthesizer to add a unique color to the already gripping performance.  All of the band members were working double time like Rowe, with Lawrence singing and working a plethora of pedals below him and Somervillie accompanying the band with backup vocals.

    The night started out with an energetic piece “This Is Where You Belong” off his second album Hangin’ On a String. It instantly drew the crowd in from the bar with Lawrence’s unique guitar tone and the intricate drumming from Somerville. It had a very jazzy tone to it but managed to be fairly aggressive and that was very prominent when Rohn soloed. One could even say it he was shredding away, not an adjective associated with smooth jazz. The night continued with a variety of smooth tones and took a shift when Rohn introduced his guest star, Wallace Gary.

    Lawrence brings on a guest musician every Monday, and this week the venue was treated to a very emotional Gary who fit the sound of Rohn and friends flawlessly. With his bright red leather jacket and acid wash jeans, Gary brought more than one type of color to the stage. His voice was very fitting and diverse, singing a few covers from Chaka Kahn’s “Tell Me Something Good” to Prince’s “Kiss” and absolutely nailing every note.

    The four of them made for a unique, powerhouse team that had everyone in awe at the unexpectedly big sound from a small band in an even smaller room. Rohn Lawrence and Friends play every Monday night for five bucks at the door and is definitely a friendly and inviting place for anyone to try once.

  • Heartless Bastards and Old 97’s Bring Texas Rock to Buffalo

    IMG_1291An unadulterated evening of Texas-style and Texas-sized rock and roll with Heartless Bastards got started with a little North Carolina folk music. American Aquarium’s BJ Barham played a set of his new songs, commanding the audience at the Tralf in Buffalo, with just his voice and sparse acoustic guitar. The material was inspired by the attacks in Paris last year, during which Barham happened to be about an hour outside the city.

    But then the rock came. And later the roll.

    Austin’s Heartless Bastards blasted out of the gates with “Gates of Dawn” off of their latest release, Restless Ones. Their music is like a silly putty replica of classic rock. They’ve mashed the putty down, lifted up the image of rock as it was, and pull at it, distorting it into a creation that is all their own. They stretch it out until it slows almost to a standstill, bringing out the beauty of every nuance.

    Drummer Dave Colvin controlled the putty, shaping and forming the rhythm with master strokes and splashes of cymbals and brilliant fills. Bassist Jesse Ebaugh accentuated the drawn out pace, while still managing to enter in some full-on lead bass lines into the mix. Mark Nathan’s guitar crunched out some good old anthemic rock lines slowly building into epic soars as Colvin and Ebaugh drive the beat forward. Kyleen King filled in the empty spaces when and where they existed, playing guitar, percussion, keys and backing vocals. Above it all, and lending as much to their signature sound as anything, was rhythm guitarist and lead vocalist Erika Wennerstrom. In a different era, Wennerstrom’s voice would be on every radio in America, a one-of-a-kind marvel of a sound that perfectly melds with the oozing power of the Heartless Bastards.

    Heartless Bastards hit upon all eras of the band, and peaked throughout the mid-set trio of “Hold Your Head High,” (from 2009’s The Mountain) “The Fool” (off Restless Ones) and “Down in the Canyon” the epic closer of 2012’s Arrow.

    [embedyt] http://www.youtube.com/watch?v=ykaOEsndnRY[/embedyt]

    Rhett Miller (lead vocals and rhythm guitar), Ken Bethea (lead guitar), Murry Hammond (bass) and Philip Peeples (drums) have been touring together as the Old 97’s for 23 years. After 10 studio albums and countless shows, it’s been the same guys sticking together through it all, a rare feat to say the least. But in fact, on the road, the lineup changes on a nightly basis. The crowd is undoubtedly the fifth member of the band. The audience was singing every word to every song, hitting all the right emphases, stomping, clapping, hooting and hollering the whole way through. They added an energy and excitement to the proceedings that wouldn’t be the same with just the same four guys onstage.

    With song titles like “Stoned,” “Wasted,” “Smokers,” “Let’s Get Drunk and Get It On” and an opening number that dropped more than a few none-too-subtle F-bombs, you might expect a stage full of brutish hard partiers. They appeared, however, to be a group of pretty easygoing guys that life has been pretty kind to. When Hammond took a swig of his bottled water he joked it was filled with straight liquor. But there was no alcohol to be had on this stage. Just earnest songs with a rockabilly bent and a lot of twang, staying true to their alt-country roots, much to the delight of their fans.

    [embedyt] http://www.youtube.com/watch?v=sACWvgFQ5t8[/embedyt]

    Miller sang, “I’m gonna play my guitar ’til my fingers fall off; sing till my voice is gone.” Through a 22-song career-spanning set amidst a lengthy spring tour, truer words may never have been sung. Or perhaps maybe they had hours earlier, when Wennerstrom belted, “I know whenever you are feeling down, you gotta have, gotta have, you gotta have rock and roll!” Those Texans seem to know a thing or two.

    Setlists:

    Heartless Bastards
    Gates of Dawn, Got To Have Rock And Roll, Black Cloud, Into the Light, Blue Day, Hold Your Head High, The Fool, Down in the Canyon, Only For You, Parted Ways, Nothing Seems the Same

    Old 97’s
    Nashville, Rollerskate Skinny, Melt Show, Stoned, Wasted, Crash on the Barrelhead, Dance With Me, Big Brown Eyes, Won’t Be Home, Longer Than You’ve Been Alive, Wish the Worst, Valentine, Barrier Reef, Victoria, Give It Time, Smokers, Nineteen, Every Night Is Friday Night (Without You), Most Messed Up
    E: Question, Let’s Get Drunk and Get It On, Timebomb

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