Category: Reviews

  • The Whirlwind of Wanderlust: Stratton, VT

    Wanderlust Yoga & Music Festival was four full days of enlightenment and adventure. The weather was perfect all weekend long, creating an amazing environment for attendees to experience the very beginning of summer while enjoying their journey!

    wanderlustThe music and entertainment was happening all over the festivals landscape the entire weekend-from the Rue Boheme in the center of the village, to the campfire at night by the slack-lining pond, to Stratton’s well known late night music venue ‘Grizzly’s’. A broad spectrum of musical tastes resonated throughout the beautiful Vermont mountains, including: Elijah Ray; a solo performer, bringing the Hawaiian-island sound, Michael Franti & Spearhead; a powerful group that spreads the message of unity and peace through their upbeat, high-energy performance, Morley; a solo artist with incredibly strong vocals, who sings about justice and equality, and many others.

    The over-all festival experience was more than fulfilling. There was such a diverse variety of classes offered, opening up many opportunities to learn and take home fresh perspective on what yoga truly means. Wanderlust is known for a high-quality learning experience, surrounding physical well-being, mental clarity and community building. It far exceeds what one could ever expect to receive from a typical festival. I already can’t wait for the next, and strongly recommend checking this one out!

  • Whitesnake Fills Artpark For A Night Of Greatest Hits

    On Tuesday, June 28th, Whitesnake and special guests Whitford/St. Holmes rolled into Lewiston, NY for an unforgettable night at Artpark.

    The evening started off just after 7PM with Whitford/St. Holmes. For those who were unfamiliar with the band, they surely put two and two together once the two legends took the stage. Nearly 40 years ago, Brad Whitford left Aerosmith to team up with Ted Nugent vocalist Derek St. Holmes to do an album and a tour. Now in 2016, the duo have another album and are getting the crowds ready each night for Whitesnake. Together, Whitford and St. Holmes cranked through 6 songs off their new album Reunion and ended with a mix of Aerosmith/Nugent tracks. For fans of that pure rock/blues rock genre, Whitford/St. Holmes truly bring it. As an added bonus, immediately after their set, both Whitford and St. Holmes stopped by the merch booth to sign copies of Reunion and meet fans.

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    After a quick stage change,  the sound of “My Generation” by The Who came over the PA. This sound meant it was time to start the show and out walked the man everyone came to see, David Coverdale. Forming Whitesnake in 1978 after leaving Deep Purple, Coverdale has been the front-man ever since. Joining Coverdale in Whitesnake on Tuesday, were Tommy Aldridge on drums, Reb Beach and Joel Hoekstra on guitar, Michael Devin on bass and Michele Luppi on keyboards.

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    The set kicked off with the track “Bad Boys” which was off the 1987 release Whitesnake. From that point, the crowd knew that the band was there for business. Labeled as “The Greatest Hits Tour”, Coverdale and the rest of Whitesnake surely delivered that to Artpark. Fans probably could have guessed what Whitesnake was going to play that evening but that wasn’t the point. It’s not often an iconic band such as Whitesnake comes to Lewiston, NY to play the beautiful Artpark. Judging from the turnout, everyone seemed to agree and bought tickets for the show. Artpark always offers great prices to their shows and at their concession stands.

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    One of the highlights of the night was watching Reb Beach and Joel Hoekstra on guitar. The two went back and forth all night trading guitar licks and ripping solos. The two of them play with such ease and know how to perform. Both Beach and Hoekstra have great résumés. Beach has worked with bands such as Winger, Dokken, Alice Cooper and more. Joel Hoekstra, on the other hand, played for Night Ranger and was a member of the Trans Siberian Orchestra.

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    Fans both young and old were spotted throughout the crowded amphitheater. Parents, who’ve been listening to Whitesnake for what seems like ages now, brought out their kids to see the show. Seeing generations rock out together to songs like “Slow an’Easy”, “Is This Love” and “Here I Go Again” goes to show how timeless these songs are. Whitesnake’s legacy is one that is surely going to last forever.

    Coverdale and the rest of Whitesnake ended the night with the hard-hitting track “Still of the Night” off their 1987 self-titled album. Coverdale, for being 64 years old, still sings the classic hits, like this one, incredibly well and left the audience standing begging for more.

    Whitesnake Setlist

    Bad Boys, Slide It In, Love Ain’t No Stranger, The Deeper The Love, Fool For Your Loving, Sailing Ships/Judgement Day, Guitar Solo, Slow an’Easy, Bass Solo, Crying In The Rain, Drum Solo, Is This Love, Give Me All Your Love, Here I Go Again, Still Of The Night.

    Whitford/St. Holmes Setlist

    Shapes, Rock All Day, Hell Is On Fire, Gotta Keep On Movin’, Shake It, Hot For You, Dayjob Medley (Last Child/Train Kept A-Rollin’/Stranglehold)

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  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.

  • 24 Songs and a Monster Chalkdust Torture Keep the Energy Flowing at Phish’s First Night at SPAC

    Phish made their triumphant return to SPAC for the first time since 2014 and brought with them a boatload of energy for a top show of tour thus far. The rain and tornado warnings peppered the pre-show with downpours and lightning, but a break in the weather gave the fans a chance to stroll Shakedown in the West 50 lot and catch up with friends new and old before heading into the venue for the band’s only three-night run on the east coast, and it’s a highly anticipated run at that.

    Opening the night with “Stealing Time From the Faulty Plan,” “The Birds” and “NICU,” Phish brought in the high energy from the outset, followed by “Cities” > “David Bowie,” which recalled the Ventura 98 “Bowie” > “Cities” > “Bowie,” if slightly short on replicating the magic from that sandwich.

    “Free,” “Uncle Pen” and “Halfway to the Moon” followed, which kept the energy rolling prior to “Let’s Go,” the sole debut of the night and a new tune penned by Mike Gordon with the most promise thus far. It could easily stand out as the single off the forthcoming Bob Ezrin-produced album expected later this year. First impressions and a few relistens give a JGB funk vibe mixed with Gordon’s “Andelman’s Yard”; fans will definitely be clamoring for “Let’s Go” throughout the tour.

    “Waiting All Night” dropped the tempo down slightly before a 10-plus minute “Bathtub Gin” took the reins and stood out as a highlight Type I jam of the set. A brief “Golgi Apparatus” seemed to be the set closer, but Trey let the crowd know “We’re gonna do one more,” leading into the perfect set closer, “The Squirming Coil.” A better first set in terms of song selection and maintaining energy could not have been scripted. Any dwelling on the memory of the storm that preceded the show had effectively been erased.

    The new light rig for Phish this tour is an upgrade visually and aesthetically, and it will get even better given how lighting designer Chris Kuroda evolves through each tour. The depth of the screens plus regular lighting mixed in accents the band in a different manner but accompanies the new material perfectly.

    #Phish @magicofspac Night 1

    A photo posted by pete mason (@phanart) on

    The second set of SPAC didn’t wait to get rolling, jumping out with “Sand” > “Carini,” two songs that signaled a stepping off point for Type II jamming. It was the “Chalkdust Torture” though that reigns supreme as the jam of the night and thus far of the tour, clocking in at more than 22 minutes and featuring intense, exploratory jamming, Trey on the Marimba Lumina, Mike on keys and a tone that derives from the drive-in set at Magnaball last August. Phish picked a great song to get weird during, rivaling the Randall’s Island “Chalkdust” from 2014 and creating its own moniker “SPACDust” almost immediately.

    Trey on the Marimba Lumina during a huge Chalkdust Torture jam at #SPAC #phish

    A video posted by NYS Music (@nystatemusic) on

    A mellow “Prince Caspian” and “Bug” followed and while not nearly as high energy as the 45 minutes that preceded, there was no drop off from the crowd response and thus, no complaints. “Shine a Light” by the Rolling Stones made its first debut of the tour, as did “My Sweet One,” thanks to a banner hanging in the balcony before the song. Trey pointed to the fans and led the band into the bluegrassy love song for a short two minutes. “Sleeping Monkey,” always welcome, teased Destiny’s Child’s “Say My Name” in the intro, and eventually jumped into “2001” out of the blue, dropping funk late into the set ahead of a set closing “Fire.” The band returned to the stage to close the show with “Character Zero,” not relenting on the energy one bit.

    Phish is having a lot of fun at SPAC, and it was only the first night. Given the extensive song selection already this tour, rare covers, new Phish songs and tour debuts, we could be looking at the best three-night SPAC run since 2012, if night one is any indication.

    Setlist via Phish.net

    Soundcheck: Alaska, Let’s Go, Unknown Trey Song, Unknown Mike Song
    Set 1: Stealing Time From the Faulty Plan, The Birds > NICU, Cities, David Bowie, Free, Uncle Pen, Halfway to the Moon, Let’s Go[1], Waiting All Night > Bathtub Gin > Golgi Apparatus, The Squirming Coil
    Set 2: Sand > Carini > Chalk Dust Torture[2] > Prince Caspian > Bug, Shine a Light, My Sweet One, Sleeping Monkey > Also Sprach Zarathustra > Fire
    Encore: Character Zero

  • Miranda Lambert Brings the Sass to Darien Lake

    Keeper of the Flame is Miranda Lambert’s 2016 tour, and she brought some friends with her to Darien Lake on June 23. Brothers Osborne kicked things off, but didn’t kick things off right. They did not get the crowd engaged, and more so, their commentary was rather off-putting. Regardless, some of the crowd loved it and that’s what matters, making your fans happy.

    Kip Moore doesn’t quite fit into the country genre per say. He’s got the looks and charisma a country star might have but the raspy pipes of rocker. Regardless, he fit in and blew the opener away. He’s still in his infancy only being signed four years ago by MCA Nashville. Moore already has quite following and had some diehard fans singing along to almost every song. He belted some well-known songs like his very first single “Something ‘Bout a Truck” and his most played on the radio “Running for You.” Give him a few years and he’ll be ready to be the headliner of the shows.

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    As the lights went down the crowd began to scream, and a video that flaunted girl power featuring history icons from the decades sprawled across the screen, while Beyonce’s “Run the World” song played over the speakers. As the old saying goes, if you got it, flaunt it — and Lambert did just dazzling with a set that included each of the hits that have kept her name high atop the charts for the past decade, along with some new never heard before songs. Given that she writes much of her own music, Lambert let her songs do the talking from the stage and treated fans with tales of hard living, lost love, hope and happiness that made for an alluring evening of music.

  • Dave Matthews Band Gets Sexy With Sold Out Lakeview Amphitheater

    Dave Matthews Band brought an eclectic mix of its unique catalog of songs and covers to an enthusiastic crowd of 17,500 at the Lakeview Amphitheater in Syracuse on Wednesday June 22. The show marks the first sold out show at the newly opened amphitheater.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-1

    Fans were a bit apprehensive about the traffic, the no tailgating policy and the venue’s ability to handle the large crowd, but the venue seemed to do a good job managing traffic. Shuttles were running constantly to and from alternate parking locations as far away as downtown Syracuse. The no tailgating policy was generously overlooked. People were having a good time enjoying a few drinks but it didn’t appear that anyone was out of control. However, a no pop-up tent and no grill policy was strictly enforced. Some lighting could be added to improve visibility toward the exits and in the parking lots and they definitely need to add some additional porta-potties. The sound quality and the views are the best I’ve experienced compared to other amphitheaters in the northeast.

    Dave Matthews Band took the stage around 8:30 and opened with their classic tune “Warehouse,” followed by “When the World Ends” and mega hit “Crash Into Me.” It seemed as if every single person in the audience knew every song as they belted out the words with every breath. The audience continued singing and dancing through “Don’t Drink the Water.” The band slowed things down with “Stay or Leave” and immediately got the crowd revved up again with fan favorite “#41,” where Boyd Tinsley had the audience cheering as he showcased his awe inspiring violin skills.

    As the band is currently on tour celebrating their 25th anniversary before they go on a hiatus in 2017, they had no problem celebrating as fans jumped up and down, pumped their fists and occasionally took the lead singing parts of songs. At one point the fans lead a chant of “Thank You For Letting Me Be Myself,” to which Matthews took a step back and treated the audience to his trademark impish grin and eyebrow raise.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-2

    Between songs, Matthews was relatively quiet, thanking the audience and remarking about the beauty of the venue. He did leave fans hopeful by stating, “I hope we can come back here and play for y’all again sometime.” The celebration continued as the band paced through a nineteen song set. Stefan Lessard rocked a beautiful six string bass for the occasion. Carter Beauford, smiling as always, pounded the drums so fast at some points it looked like his hands were vibrating. Guitarist Tim Reynolds zipped up and down the fret board, producing intricate and unique sounds while making it look completely effortless.

    Jeff Coffin (saxophone) and Rashawn Ross (trumpet) were joined by saxophonist and old friend, Sam Kininger. Kininger has played with Ross in Lettuce and Soulive’s Shady Horns Section. The horn section showed they are more than just an accompaniment as they blared in perfect harmony through “What Would You Say” and “Jimi Thing.”

    Matthews showed his silly side as he borrowed a party hat from an audience member and wore it through the band’s almost hilarious version of Prince cover “Sexy Mother F*cker” to end the main part of the set. You would think that after almost two and a half hours that the fans would start to fade, but instead they roared, cheered and many chanted their “wish list” song hoping the band would oblige and play it during the encore. Shouts of “Two Step,” “Halloween,” and “Watchtower” rang out over the deafening cheers of the crowd. It is this intense level of excitement and anticipation that proves why Dave Matthews Band is a summer ritual for so many fans.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-3

    The band took a short break and ended the evening with a two song encore that included “The Song That Jane Likes” and fan favorite “Tripping Billies.” Carter Beauford tossed out buckets of drum sticks as fans roared and begged for more.

    Set list:

    Warehouse, When the World Ends, Crash Into Me, Sugar Will, Don’t Drink the Water, Stay or Leave, #41, Samurai Cop, Grey Street, Satellite, Break Free, Lie in Our Graves, Shake Me Like a Monkey, Typical Situation, What Would You Say (with Sam Kininger), Jimi Thing (with Sam Kininger), Sexy M.F. (Prince cover) (with Sam Kininger)

    Encore:

    The Song that Jane Likes, Tripping Billies

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  • Hearing Aide: Dentist “Ceilings”

    Dentist is an Asbury Park-based indie rock band whose catchy sound blends the best of surf, punk and pop. Think: dreamy vocals, fuzzy guitars and beachy jangle. The band’s 2014 self-titled release received much positive attention, and the four-member group has shared the stage with a variety of national acts, including Jeff the Brotherhood, Laura Stevenson, Television, Screaming Females and many more. And on June 24, Dentist debuted their follow-up album, Ceilings.

    A first listen through the 10-track record might leave listeners not knowing what to think — but, after a few additional run-throughs, the album certainly comes to life. Vocalist Emily Bornemann can be compared to Stevie Nicks, and the rest of the band (Justin Bornemann, Nick Kaelbein, Rudy Meier) nicely gels with her signature styling.

    There are a few standout tracks on Dentist’s new full-length album. The opening song, “Climbed Too Many Trees,” kicks the record off with a sense of what is to come ahead, offering a great blend of vocals and driving guitar and drums — this song really sets the pace. The second noticeable track, “Over and Over,” slows the album down to an almost complete stop, but after how driving the first few songs are this one is perfectly placed for a nice mid-record breather; and the sheer brilliance of this song coupled with its beautiful melodies might bring on the tears for some. The third ear-catcher is “Joel,” and it seems that this song details a bad breakup with a long-term boyfriend; but, it ends up being more of a feel-good piece once the beat picks up.

    Ceilings is definitely worth a listen, as this band has a lot of potential and upside, and any chance to see Dentist live now in intimate hometown settings would be highly recommended before this group bursts through to bigger venues — plus, their tunes provide a perfect soundtrack for summertime escape.

    Key Tracks: Climbed Too Many Trees, Over and Over, Joel

  • Grace Potter Proudly Returns to Saranac Brewery

    Grace Potter brought an eclectic mix of pop, dance and soul music to an enthusiastic crowd at the Saranac Brewery on Friday, June 17. Potter, who parted ways with her band the Nocturnals, has been forging ahead as a solo artist this past year with her album Midnight. Potter and the band’s set covered several songs from Midnight, but also included hits from the Grace Potter and the Nocturnals catalog and covers of upbeat tunes like “Do Ya Think I’m Sexy?” by Rod Stewart and “When Doves Cry” by Prince.

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    Photo by Chris Besaw

    Potter opened with “Hot to Touch,” followed by “Turntable” and “Empty Heart,” causing the totality of the audience to dance and sing-along. Fans continued singing and dancing through “Apologies” off the Grace Potter and the Nocturnals album This is Somewhere.

    Potter was energetic throughout; she danced and engaged the audience the entire show. She often describes her shows as “a dance party” and invites the crowd to move up front to really get the party started. Potter showcased her vocal talents and range in the songs “Delirious” and “Stars.”

    Between songs, Potter joked about her days at St. Lawrence University in nearby Canton. “Some of the best nights of my life happened right here in Utica,” she laughed. Potter ended the evening with a four-song encore that included “When Doves Cry” (Prince cover), “Stars” and the fan-favorite “Paris (Ooh La La).”

    Set list: Hot to Touch, Turntable, Empty Heart, Your Girl, Apologies, Nothing But the Water, Alive Tonight, Do Ya Think I’m Sexy (Rod Stewart cover), Delirious

    Encore: When Doves Cry (Prince Cover), Stars, Instigators, Paris (Ooh La La)

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  • Frank Turner Gets Buffalo’s Canalside to its Feet

    Fans couldn’t have asked for a more beautiful day in Buffalo on June 16. Canalside hosts free concerts every Thursday evening, and they bring some big-name acts to town. And this night was no exception, as event-goers had the honor of seeing Frank Turner and July Talk on the same bill at Canalside.

    Uncle Ben’s Remedy was the chosen show opener; this group has been making a name for themselves around town, whether it’s winning voting-based competitions or playing for fundraisers. UBR got the crowd engaged and started a good ole fashioned hoedown. While most of their lyrics may be slightly shallow and not have much depth to them, the enthusiasm the band gives off is contagious.

    July Talk has built their band on contrasts. Case in point: their sound blends the raspy, alpha-male roar of Peter Dreimanis’ vocals that graze the honeyed sounds of Leah Fay. During the show, Fay appeared onstage with a plastic red tray that was full of cannolis; she was gracious enough to hand some to the photographers, then proceeded to throw a few into the crowd. Any hesitation that may have been felt about July Talk’s live show appeared halfway through the set. Their radio hits “Guns + Ammunition” and “Summer Dress” was played with much intensity, but then they seemed to lose their enthusiasm when it came to the lesser-known songs like “Blood and Honey.”

    Frank Turner and the Sleeping Souls are quite the crowd pleasers. There was no pause, no downbeat, no breather in any moment of the show. A 22-song setlist blew by like the steamy yet refreshing breeze that precedes a train, as it rushes toward the station — in all the right ways, in this case. The audience was fully engaged, and almost everyone in the room knew the words to every song. Turner’s banter was expeditious and friendly. He demands your attention and demands that everyone be nice to each other and treat each other with respect; he stressed it even more given the recent tragic events in Orlando. The vast majority of the floor had hands high, clapping or first-pumping, and bodies moving the entire time.

  • Hearing Aide: Darling Valley “Crooked Orchards”

    As the latest album from the newly re-imagined folk quartet, Darling Valley, falls into our laps, there is quite a bit of substance undetermined. With this double wife-husband duo, we get all the warm feelings of family and hospitality, even in the freezing climates of Upstate New York, where the four band mates first originated. From their distant years under the name Accents, this group has numerously reshaped their genre, band members and multi-instrumental capabilities to land them where they are now —releasing Crooked Orchards on June 24 through Sounds and Tones Records. The real question is, where, in their transition from Accents to Darling Valley, was their musical peak as an ensemble? To some, it may not be in this new release.

    Featuring a plethora of emotional roller coasters, instruments and vocal timbres, this 11-track record was the first step in pulling together what is now Darling Valley. They made their first appearance online competing in the NPR Tiny Desk Competition, where they performed “Widows and Revolutionaries,” which eventually made its way to this album. Their other hit singles are featured on this album as well, including the adorable “Graces” and the uplifting ode to growing pains, “You’ll Go Far, Kid.”

    Multi-instrumentalists TJ Foster, Ashleigh Whitfield, Lauren Foster and Jordan Stewart are testaments to a premier ensemble. Their songs are uplifting, while featuring an array of instruments, from mandolin to trumpet. They have the most warming videos, including their newest video release of “You’ll Go Far, Kid,” which was directed by an 8 year old and features the bandmates dressed as animals.

    With the stories they portray through songs like “Widows and Revolutionaries,” there is no doubt that the 1,186 likes they have on Facebook are truly devoted fans. However, there is still something missing from Crooked Orchards. One theory would be its overall lack of contrast, featuring nothing new enough to bring to the table of 2016’s top charts. That being said, there is a market for folk-pop lovers on the Internet, and there is no doubt that they will eventually find Darling Valley, and that will be all the fans they need. Listening to Darling Valley will also provide three things you didn’t know you needed: tight vocal harmony, a variety of instruments and an overwhelming mix of heartbreak, encouragement and joy. And for that, we are grateful for Crooked Orchards

    Top Tracks: Graces, Widows and Revolutionaries, You’ll Go Far, Kid