Tag: Soldier Field

  • A Grand Fare Thee Well From Final Performance in Chicago

    It has been one week since the Fare Thee Well shows graced us with their presence on the stage at Soldier Field in Chicago.  Sunday’s closer was too incredible to even put into words.  Time was needed to decompress and arrange all the thoughts and musical moments of these shows before admitting defeat that the weekend has really, truly, honestly, come to a close.  Months of build up to a magical weekend slipped by quickly and before we all knew it, poof, it was gone.

    The events in Chicago over Fourth of July weekend has become more than the Grateful Dead.  The music that was so heavily anticipated has become greater than the sum of all their shows, albums and memories of the past. The energy surrounding the weekend was filled with nothing but positive vibes and bliss.  Have you ever seen so many people in one place that felt incredibly happy to be alive and living in the moment?  That’s what Soldier Field contained.  It was a gigantic stadium filled with great joy that weaved in and out of the seats, the floor, the walkways, and spilled out into the lot, to Shakedown and beyond. Smiles were everywhere, including Soldier Field staff, security and police.  The magical happiness was contagious throughout the city, including hotels, restaurants, and bars.  What other band can create a ripple effect felt far beyond the reaches of the stage?

    As for Sunday’s closer, they held nothing back for the final performance.  For the three shows, it appeared that Friday’s opener was designed to help fans release all that pent up energy they’ve been holding onto for months. Saturday’s show was a breather, a time to relax and take in the moment.  Sunday’s show was the icing on the cake, the big bang, the epic show fans have been waiting for. All the big songs came out to play.

    Trey Anastasio and Bruce Hornsby gave an incredible vocal performance with the opener of “China Cat Sunflower,” a song not often played at the starting position of a show, though maintained its familiarity by properly sliding right into “I Know You Rider.” A crowd favorite, “Estimated Prophet,” and one that has been eagerly anticipated, made an early appearance on the setlist.  When the first notes of “Estimated” dropped, the stadium went absolutely insane.  Everyone was on their feet jumping up and down, with arms in the air and ecstatic cheers of joy expressed aloud.  “Built to Last,” from the Grateful Dead’s last studio album, came right onto the set and reminded fans that their music is timeless.  “Samson and Delilah,” another heavy fan favorite showed up before going into an unforgettable, tear filled “Mountains of the Moon.” “Throwing Stones” had fans stomping their feet, creating a thunderous pounding throughout the stadium. It was an incredible way to close the first set on such an intense high.

    During set break, a surprise fireworks display was set off to the delight of attendees. There were two nights of fireworks in a row?  Again, this show was unstoppable with huge surprises in store.  No one wanted the evening to end.

    After a 45 minute set break, followed by a long trippy jam session to open, the second repeat of the five show run came into play with “Truckin’,” which made its original appearance in Santa Clara to open the first set of the first performance. How appropriate to have such a dynamic song materialize, once again, during the last set of the last show.  Fans went crazy.  The energy continued as they grooved into “Cassidy,” a tune that guaranteed everyone was jumping up and down, dancing their asses off; set two was on fire. “Althea,” a song many thought may open the show, finally emerged with Anastasio on vocals. This cruised right into the big one everyone had been waiting on.

    Credit: Jay Blakesberg

    The song that every single person wanted to hear, whether they were in the stadium, listening in their car, or watching on the webcast, finally came out to play. “Terrapin Station” crawled onto the stage and sat there to the thrill of thousands who have been patiently waiting to hear the notes begin. Teases of this tune were hinted at throughout the weekend and to everyone’s delight, finally came to light. Everyone went into a wild frenzy as this mystical melody filled the air. Not surprisingly, it seamlessly meshed into “Drums,” with the Rhythm Devils once again giving a performance that blew everyone away. The trancelike rhythms created by the duo included notes created by what’s known as “The Beam,” an 8-foot instrument that is strung with 13 bass piano strings all tuned to the note of D.  Ghost-like sounds danced from the strings when Mickey Hart strummed this unique instrument.  The very last notes of “Drums” included blasts from the locomotive horn, which woke everyone up in the stadium, before a psychedelic “Space” took over.

    An incredibly rare performance of “Unbroken Chain” appeared mid-set, having only been performed live by the Grateful Dead 10 times before this evening. The same sequence of “Space>Unbroken Chain” was last performed at the final Grateful Dead show on July 9, 1995 at Soldier Field.  Phil Lesh sang the notes to this song beautifully, and many of his emotions picked up, as fans in the audience cried tears of joy to hear this rarity being performed at the last show. Bob Weir then sang “Days Between” exceptionally well before the evening ended with “Not Fade Away.”  What a way to end the evening it was indeed.  As the performers slowly walked off stage, the Rhythm Devils kept the beat going as the audience belted out the lyrics, “You know our love will not fade away.”  Even as the drummers left the stage, the stadium kept the lyrics going.  It was only when Lesh walked back on stage to give his donor rap that the audience chant came to an end.

    The evening was brought to a close with a double encore performance that included “Touch of Grey” and the final, tender rendition of “Attics of My Life.”  Weir performed on an acoustic as Lesh and Anastasio put their instruments down to sing in tandem to this tearful, grasp at the heart performance.  The evening ended with Mickey Hart’s very last words to everyone, “Please, be kind.”

    Now that it has been a week of decompressing and digesting what was witnessed last weekend, many fans are finding it difficult to transition back into reality.  The energy and vibe felt by all wants to be held onto forever.  Something magical happened last weekend in Chicago.  There’s no denying it.  The feeling of euphoria still lingers with the phantom brush of wristbands still wrapped on an arm, the desire to check the Ticketmaster app for one more ticket drop, and that feeling of wanting to blurt out, “Anyone have extras?”  What a long, strange trip it’s been, but this is not the end of a legacy; it’s just the beginning and there are so many roads left to explore.  Until then, fare thee well…

    Set 1: China Cat Sunflower > I Know You Rider, Estimated Prophet, Built To Last, Samson & Delilah, Mountains Of The Moon > Throwing Stones

    Set 2: Truckin’, Cassidy, Althea, Terrapin Station > Drums > Space > Unbroken Chain, Days Between > Not Fade Away

    Encore: Touch Of Grey

    Encore 2: Attics Of My Life

  • Fare Thee Well Celebrates July 4th with Fireworks and Empire State Building light show

    The Grateful Dead is an iconic piece of American musical history.  It could not have been more fitting to have their second show of the three-night run on the 4th of July in Chicago.  The evening opened appropriately with “Shakedown Street”, which was loaded with extended jams.  “Liberty” followed, fitting perfectly in tandem with the holiday theme.  Bob Weir had strong vocals while the band gracefully provided a flawless backing.

    Trey Anastasio delivered a tender “Standing on the Moon” before the band picked things up again with “Me and My Uncle.”  The band strolled into a lazy “Tennessee Jed.” There was a relaxed vibe in the air and the band was super tight. “Little Red Rooster” slowed things down before closing the set with “Friend of the Devil” and an energy packed “Deal.”

    ©Jay Blakesberg

    After an hour long break, set two opened with a fifteen minute “Bird Song.” The energy took off with the classic “Golden Road.”  The crowd went crazy with their dancing shoes.  No matter where fans were in the stadium, from the pit to behind the stage, the suites, or the very top row, people were enjoying the show full of energy and bone shaking vibes.

    Mickey Hart donned a sailor cap during the gentle “Lost Sailor” but then removed it before heading into an energetic “Saint of Circumstance”.  “West LA Fadeaway” fully came onto the set, as they were dropping teases of this tune the previous night.

    Once again, the Rhythm Devils blew the crowd away with a mind blowing “Drums.”  The huge screens at Soldier Field pulsed with flashes of colorful swirls and psychedelic images as the duo created otherworldly sounds.  It felt like thunder throbbing through the stadium as they pounded on the giant drums before moving into a trippy “Space.”

    The set ended with a heartfelt “Stella Blue” before finishing with the appropriately placed “One More Saturday Night.”  With two nights of dancing  in a row, this song had the crowd jumping out of their seats and dancing their asses off.

    The show closed with a hot “U.S. Blues”.  Anything other than this song to end the night would have been a wrong choice.  Images of the Empire State Building were shown on the giant screens.  It was later learned that a light show was created in honor of the band and set to the arrangement of “U.S. Blues.”  The show ended on a glorious note with incredible fireworks going off over the stadium for all to enjoy in honor of the 4th of July.

    Set 1: Shakedown Street, Liberty, Standing on the Moon, Me and My Uncle, Tennessee Jed, Cumberland Blues, Little Red, Rooster, Friend of the Devil>Deal

    Set 2: Bird Song, Golden Road, Lost Sailor>Saint of Circumstance, West LA Fadeaway, Foolish Heart, Drums>Space, Stella Blue, One More Saturday Night

    Encore: U.S. Blues

  • Fare Thee Well Opens in Chicago on High Note

    Chicago has turned into Deadheadland.

    Fans have descended upon the city from all over the world to see the last three performances from the “core four” members of the Grateful Dead. Since Jerry Garcia’s death, the band stopped playing as a unit and have branched off into other directions.  The 50th Fare Thee Well opened with two performances in Santa Clara last weekend and those shows paled in comparison to last night’s three-day run opener.

    After a few minutes of the band noodling around, the show opened with Phil Lesh singing “Box of Rain.”  The evening took off from there.  The energy in Soldier Field was off the charts.  Fans have been waiting for these performances since the announcement of the run earlier this year.   Trying to get tickets put many on emotional roller coasters, as they were in high demand and extremely hard to find.  The first note that dropped finally released all that pent up anticipated energy from the crowd.

    The band grooved right into “Jack Straw” followed by a surprisingly early appearance of “Bertha.”  Trey Anastasio took the lead on vocals and nailed it, as the crowd went into a dancing frenzy.  The notes rolled right into “Passenger” followed by an improvisational extended jam of “Wheel>Crazy Fingers.”  The first set ended on an appropriate note with Bob Weir on vocals to “The Music Never Stopped.”

    After an hour-long set break, second set opened with “Mason’s Children” followed by the powerhouse fan favorite duo of “Scarlet Begonias>Fire on the Mountain.”   When “Drums” pops its head, many make a beeline for the bathroom, however, this psychedelic version had many running back to their seats.  The Rhythm Devils really pulled out all the stops for this arrangement.  Words can’t describe how blown away the crowd was when this flowed onto the set.

    Second set was heavy with fan-favorite jams, including “Playing in the Band” and teases of “West LA Fadeaway.” The set closed with an impressive “Help on the Way>Slipknot>Franklin’s Tower.”  Encore of “Ripple” had fans shedding tears of joy across the stadium.  Night one was just the beginning, but the three day run is off to a incredible start.

    Set One: Box Of Rain, Jack Straw, Bertha > Passenger, The Wheel > Crazy Fingers > The Music Never Stopped

    Set Two: Mason’s Children, Scarlet Begonias > Fire On The Mountain, Drums > Space > New Potato Caboose, Playing In The Band > Let It Grow, Help On The Way > Slipknot! > Franklin’s Tower

    Encore: Ripple

  • Initial Lineup Announced for PhanArt Presents: ‘In All Good Company’ Chicago July Fourth Weekend

    Whether or not you have a ticket for one of the Grateful Dead’s Fare Thee Well shows at Soldier Field -Chicago will be the place to be 4th of July weekend. The windy city will host dozens of after shows and one very special art event. Part of the mix for the Dead Head invasion of Chicago is “PhanArt Presents: In All Good Company, Celebrating 50 Years of Grateful Art.” The one-of-a-kind free art show will take place Friday, July 3 through Sunday, July 5 2015 from 12pm-6pm daily at the Congress Plaza Hotel in Chicago, IL – only a mile from Soldier Field.

    In All Good Company Logo

    Exhibited art includes limited edition posters, clothing, pins, tye-dyes, books, photography and other unique Grateful Dead inspired art from a variety of vendors and artists. Musical performances from Chicago bands Jack Straw and Under the Willow will compliment the artists throughout the art exhibition.

    The lineup of artists and exhibitors for “In All Good Company” so far includes:

    John Warner Art
    Phil Kutno
    Richard Biffle
    Rhoney Stanley
    Tye-Dye by Courtenay Pollock
    Uncle John’s Outfitters
    Tripps Prints
    Kingpin Designs Good Thoughts Printing
    Not Fade Away Artwork
    Michael Boyer
    Dr. Wookles
    Serlo Studios
    Pin Me Down Dead Images by Robbi Cohn
    Heady Teddy’s Outfitters
    Erin Cadigan
    The Shakedown Shop
    Andrew Bryant
    Pinsanity
    Get Shit Done
    Scott Harris Photo
    Eden’s Rose Foundation
    Grateful Girls Scarves
    Zenster