Tag: Phish

  • PhanArt Presents “A World Café Live One” In Philadelphia

    World Café Live in Philadelphia will host PhanArt’s “A World Café Live One,” an art exhibition inspired by the music of Phish, on Aug. 12. Show time starts at 11 a.m. and will conclude at 4 p.m. With more than 20 artist appearing at the event, PhanArt and A World Café Live One will surely bring you some of the best Phish-inspired art, with some exclusive pieces available for the Philadelphia and Magnaball shows only.

    PhanArt

    Admission to the event is free and will act as a warm-up for those who plan to attended the second show of Phish’s two-night stay at The Mann Center for the Performing Arts, which is just a 10 minute walk from World Café Live.

    Artists appearing at this one-of-a-kind art show will include Isadora Bullock, The Art of Ryan Kerrigan, Tripp’s Prints, Dr. Wookles, StuPINdous Creations, Jampanties, Setlist Tees, Josean Rivera, Pins by CZ, The Overhead View, Pin Me Down, Graphic Translations, Pinsanity Designs, Fred Sutter, Zenster Designs, S.A.W. Family Creations, Whole Phamily, [Brendan/LoPorto Studios], Blueskaithreads and Dogmatagram Designs. Fans will see a variety of Phish-inspired posters, pins, shirts and unique wears.

    The Mockingbird Foundation will debut eight prints from their upcoming book, “The Phish Companion Third Edition.” The foundation has awarded more than 800,000 in grants over the past 15 years for musical education.

    San Francisco-based pianist Holly Bowling will play a special performance throughout the show. Each set will feature Phish songs, including a complete rendition of “Tahoe Tweezer,” during the final hour starting at 3 p.m.

    If that wasn’t enough for PhanArt fans, a curated beer list of Phish-inspired local craft brews will be on hand and selected by Beeradelphia director Michael Lawrence.

    Creator, producer and promoter for the event Pete Mason is the founder of PhanArt as well as the author of PhanArt: The Art of the Fans of Phish. Previous PhanArt exhibitions since 2013 have been held in cities such as Atlantic City, Chicago, Las Vegas and Miami.

  • Phish Notes: MagnaBall Update, LiveBait 11 Released

    Just ahead of its Summer Tour opener in Bend, Oregon, tonight, Phish has released a few updates on MagnaBall and also the band’s annual pre-tour sampler download, LiveBait 11.

    Photo by Andy Hill
    Photo by Andy Hill

    MagnaBall, a three-day festival at Watkins Glen International from Aug. 21 to 23, is Phish’s 10th festival. In a second wave drop of news, it was announced that the JEMP Record Store, which was a big hit at Super Ball IX, will return this year. Rift will be released on vinyl for the first time. On 180-gram water-blue vinyl,  it will only be available at the JEMP store.

    In an effort to help the environment and keep the grounds clean, Phish announced its MagnaWater Program, where attendees can bring up to 32-ounce, refillable bottles and top them off with cold, filtered water for $1 per fill. Each dollar goes to the WaterWheel Foundation. There will also be stations throughout the festival to fill up with regular drinking water.

    The band also released LiveBait 11, a sampler of live songs for free download. Highlights include a 24-minute “Runaway Jim” from Shoreline Ampitheater on 7-31-1997, a raucous “Tweezer” from Pauley Pavillion on 12-1-1996 and the “Prince Caspian>Light” from Dick’s Sporting Goods Arena on 9-1-2012.

  • Family, Freedom and Phish: Mike Gordon Melds it all Together

    Life is good for Mike Gordon these days, with Phish coming off arguably one of the most creative years in its 32-year history and his solo band gaining steam across the country.

    On top of that professional success, the 50-year-old bassist says he has a wonderful family life, one that allows his wife and daughter to travel with him when he’s on tour. This time spent with his 6-year-old daughter has changed his perspective on a bevy of things.

    “I waited until I was older to have a child,” Gordon said. “And I was so ready for it. I spend time with her every day and I don’t tour as much as I used to. It’s cliché, but I get to see the world through young eyes. It’s a unique and whimsical perspective.”

    Gordon, who is in the middle of a tour with his band, treks through New York this week, stopping in Buffalo on Tuesday and Syracuse on Thursday, before stopping at the Egg on Friday in Albany. Accompanying Gordon is Max Creek guitarist Scott Murawski, Craig Myers on percussion, Robert Walter on keyboards and John Kimock on drums. This is the second tour Gordon has done since he released Overstep, an 11-song LP featuring songs such as “Say Something,” “Yarmouth Road” and “Tiny Little World.” Gordon and Murawski wrote all the songs over a handful of trips to places in New England, such as North Adams, Mass., where Gordon’s mother, Marjorie Minkin, owns a loft.

    “With Overstep, our goal was to rock and display a lot of raw energy,” Gordon said. “Moving forward, we don’t want to stop that, but we want to be more experimental, maybe a bit thrashy. We’re exploring all sorts of themes.”

    mike gordon phishGordon added that his daughter has been a big inspiration for a lot of the lyrics he’s written lately, and added that Tessa also influenced some of the writing on Phish’s most recent album, Fuego.

    This band has become Gordon’s personal artistic outlet. Trey Anastasio and Tom Marshall are the “chief” songwriters in Phish, and this band gives Gordon the ability to do what he wants. Full creative control, if you will. He spoke of seeing the Trey Anastasio Band recently.

    “Trey is great about running a tight outfit and I admire it a lot,” Gordon said. “I saw them recently and the horns really work great in the band.”

    Seeing as how Phish fans are highly critical of just about everything anyone in the band does, it’s easy to draw comparisons between Gordon’s band and TAB, but none of that seems to affect the bassist.

    “I want to be edgy, to push the limits further,” he said. “I love it when we’re tight and loose at the same time. I don’t have much to prove — we take chances, especially with the strange, angular parts. We try to just live in the moment.”

    Gordon has been a fan of Max Creek for many years, and recalled the first time he saw Murawski and the band.

    “It’s pretty cool,” he said. “Not just his playing, but his whole vibe. Seeing Max Creek play a long time ago – people say they sound a lot like the (Grateful) Dead. I see them as a tweaked version of country rock. Scott smiles so much and is always in control, yet he’s humble at the same time. Before I knew him, I noticed that he always looked so comfy (on stage) and I really like that influence.”

    mike gordon phishSo in his two bands, Gordon plays with two different guitar monsters in the jam band scene in Murawski and Anastasio. On the surface, both guitarists share some similar themes and styles in their playing, but Gordon did his best to explain the differences between the two.

    “Scott is very clever about outlining chord changes as they happen,” he said. “Trey is the opposite. He’s good at flowing over the changes, creating textures. Sometimes he sounds like a movie soundtrack in the way he flows. But I definitely think there is some cross influencing going on between them.

    “One week after I met Trey, we went and saw Max Creek. Not long after, Trey got his Ibanez. Maybe it was just a coincidence. And Scott now owns a Languedoc. Trey is great at melody, and I’ve noticed Scott bring some of that in. Every connection is based on another connection.”

    Gordon went on to conclude the topic: “Scott and I spend so much time together, it’s just organic. Scott is the one who wants to jam as long as possible and stretch things out. So I guess it’s apples and oranges.”

    While Phish is lauded for the light show that accompanies its marathon concerts, Gordon’s band takes stage production to the next level. He and Murawski had special guitars built for last year’s tour, and they are all black with sensors on them that reflect the light, making them appear luminescent.

    Gordon also revealed that he is going to debut another new bass sometime soon, which he dubbed it the “2.0 version” of the bass he had been playing in his solo band. The concept was designed by Gordon, who said it looks like a Modulus, but is a hollow body, which gives the appearance of a 3D effect. He said it has an EMG/Modulus sound. The guitar was built by Ben Lewry of Visionary Instruments, which Gordon gave high praise.

    “This is very organic,” he added, saying Murawski’s guitar has basically the same concept. He didn’t specify when he will be debuting the new bass, but said it will happen on this tour.

    Back in 2011, Gordon played The Egg, a venue nearly universally applauded for its stellar acoustics, uninhibited sight lines and friendliness to performers. It ended up being one of the few official Mike Gordon Band releases, and Gordon said he is quite excited to return to the venue.

    mike gordon phish“I loved that show,” he said. “The sound at the venue is conducive to what we do and it’s very technical. A lot of times there are different challenges at venues like unpredictability and that can make a lot of things pretty hard. We already have enough to think about and the Egg is just so easy to play. I can hear it all, both the loud and the soft, and it all resonates in a very controllable way.”

    As for his work with Phish, Mike Gordon said that he’s mostly focused on his work on this solo tour, but did give a glimpse into what Phish has been up to recently.

    “It’s hard to think about, because I have so much going on with this band, but I’ll tell you this: The guys in Phish all got together two months before our tour is starting, and this is the first time in a long time I can remember us practicing so much, this early before a tour,” he said. “Who knows, we may even have a handful of new songs.”

    He even shared a brief thought on the upcoming Fare Thee Well shows, celebrating 50 years of the Grateful Dead.

    “The Grateful Dead have obviously been a big influence, and it’s really nice they feel proud enough to commemorate the 50th,” he said. “All four of them still have the fire.”

    Over the past two years, Gordon has been sharing his own version of Couch Tour with fans via his Facebook page, posting photos of him on various couches, often with a funny look on his face.

    Is the couch tour going to continue? More importantly, has Gordon settled on a couch?

    “Yes, I am going to continue it and yes I found a couch, but … it needs a little work,” he said.

  • Phish to Release Amsterdam 97 Box Set

    Much like World War veteran grandfathers in the 1940s, Phish completed two tours of Europe in 1997, including three shows at the famed Paradiso in Amsterdam, Netherlands. The three shows from February 17, July 1 and July 2, 1997, will be featured in an 8-disc box set to be released in June through JEMP Records.

    Amazon notes on the show include: An all new 8-CD Box Set from Phish’s infrequent European shows. Full shows from 2/17/97, 7/1/97 and 7/2/97 at the Paradiso, Amsterdam, The Netherlands. On February 17, 1997 Phish first played Paradiso, a converted former church turned rock-club/cultural center with a capacity of about 1500. Over the next four months, Phish logged three breakthrough shows at this historic venue where the intimate setting pushed the music to new heights again and again. From the Soul Shakedown party opener and fluid, psychedelic improvisation-clinic-of-a-set II (Down With Disease > Carini > Taste > Down With Disease) on 2/17/97 to the “back of the worm” Ghost opener, Reba and another peak transcendent Set II [Fish Keyboard Jam > Timber (Jerry) > Bathtub Gin > Cities] on 7/1/97 through the Mike’s Groove Sandwich and must-hear Stash > Llama > Wormtown Jam plus the double encore of 7/2/97, these three shows spread over 8 CD’s comprise some of the most experimental music Phish ever played. The three shows on the Amsterdam box, the only Phish shows to-date at Paradiso, combine to deliver the full impact of a shared peak experience in an exotic locale seamlessly integrated and sizzling with creative intensity. The shows were recorded by Paul Languedoc to multitrack tape, mixed by Jon Altschiller and mastered by Fred Kevorkian. Pick up this set and prepare for transport to the canals of Amsterdam…to the back of the worm.

  • Phish to Trademark ‘Donut’ Pattern of Drummer’s Dress

    As reported by PhanArt, Phish has filed paperwork to trademark Jon Fishman’s iconic donut dress pattern.

    From PhanArt: “While the dress Fishman wears has been a staple of quite literally every performance in the past 30 years, the filing of the trademark is interesting. This is being done either to protect current interests in use of the red circles on a blue background, or to prevent the pattern from being used by anyone other than Phish for commercial use, comparable to the Phish logo and words Gamehendge, among others.”

    phish dinner and a movie Phish Donuts“The description of the pattern in the filing states, “The mark consists of a series of red circles with holes in the center, placed in pattern against a blue background, where each circle is equidistant from the other.” What that means is up to interpretation, should the Trademark be approved, a process that can take many months.”

    What does this mean for Phish fans making shirts, posters and more with the ‘Fishman Donut’? Stay tuned for more on this breaking story.

    Phish would of course go on to perform the ‘Baker’s Dozen’ in 2017, a run of 13 shows, with not a single song repeated, each with a donut theme for the night. Read more on the entire run here.

  • Holly Bowling to Record Album of Phish Jam Transcriptions ‘Distillation of a Dream’

    Pianist Holly Bowling, known for her transcription and performance of Phish’s “Tahoe Tweezer” announced today the recording of an album of Phish originals, Distillation of a Dream.

    Distillation of a DreamMelding her classical piano chops with a dedicated love of the music of Phish, “Distillation of a Dream” originates from Bowling’s obsession with Phish’s rendition of “Tweezer” from their 7/31/13 Lake Tahoe show. Bowling transcribed this 37-minute improvisational masterpiece note-for-note and arranged it for solo piano. The process, both painstaking and fulfilling, inspired Bowling to transform other Phish songs and well-known live jams into solo piano interpretations as well.

    The dual experiences of studying classical piano since age five and attending close to 300 Phish shows have allowed Holly to unite elements from two divergent musical worlds and synthesize them into a creation all its own. Having transformed several notable Phish jams into solo piano works, Bowling has been fastidious in her commitment to note-for-note renderings of unique live performances of Phish’s music.

    When asked the goal of her recorded album, Bowling stated, “I think it would be really amazing if ‘Distillation of a Dream’ influenced people who listen to Phish to expand their musical tastes into some of the solo piano music out there…and on the other side, for people who listen to classical music and would never dream of going to a Phish show to hear the band’s music in a different setting and maybe fall in love with the incredible music and compositions that this band has created.”

    “Distillation of a Dream” includes two discs, the first highlighting Phish’s intricate songwriting, and the second a tribute to the spontaneous improvisation Phish creates during their live performances.  The second disc, consisting entirely of “jam transcriptions”, contains three piano reinterpretations of standout live performances, including the “Tahoe Tweezer.”  All tracks will be released as a double album on CD and the “Tahoe Tweezer” will also be released on 180 gram vinyl. A portion of the proceeds from sales of “Distillation of a Dream” will benefit The Mockingbird Foundation.

    The album is available for pre-order exclusively through PledgeMusic.com.  Every order includes an Access Pass, which provides videos of the transcription and arranging process, footage from the studio, updates on the album’s progress and a sneak peek at Bowling’s latest jam transcription. Pre-order for the album is available at www.pledgemusic.com/projects/distillationofadream

    Disc One (55 minutes)
    Wingsuit
    The Squirming Coil
    Fly Famous Mockingbird
    The Inlaw Josie Wales
    My Friend My Friend
    Talk
    Sleep
    The Horse
    Silent in the Morning
    Waste
    Harry Hood
    A Song I Heard the Ocean Sing

    Disc Two (67 minutes)
    Tahoe Tweezer
    Mystery track – jam transcription TBA
    Chicago Wedge

  • New LivePhish Release Celebrates The Spectrum in Toronto, December 12, 1992

    Phish has announced an archival release of 12/12/92 – The Spectrum in Toronto, Ontario. This 1000 capacity venue got quite a treat with a set chock full of Phishy goodness. Check out the announcement below for more details:

    On December 12, 1992, Phish crossed the border to play The Spectrum in Toronto – a dance club with a capacity of about 1,000. Anyone with a LivePhish+ subscription can stream the show right now from the LivePhish App or you can purchase from LivePhish.com and stream via the free App (in your Stash). Downloads are also available at http://livephi.sh/ph921212

    In the year surrounding this show, they released four albums on Elektra and their “Hey-Hole” improvisation exercises were yielding increasingly transcendent excursions onstage. This was Phish’s only performance at The Spectrum, their second Canadian gig, and the 20th show on a 21-date tour.

    Set I featured Foam, Reba, Split Open And Melt, and All Things Reconsidered, which was deftly woven into both “Bouncing Around The Room” and “Run Like An Antelope”. Set II highlights included a “Maze” opener, “The Curtain” > “Tweezer”, and the Davy Crockett “You Enjoy Myself”. The Toronto “Tweezer” deserves special mention for its multiple themes – from full shred to soaring melodies and bent dissonance. The encore was a rare “Ride Captain Ride” in its only pairing with “Tweezer Reprise” until 2012.

    12/12/92 was recorded to DAT by Paul Languedoc and mastered by Fred Kevorkian. To download the show or to listen via the LivePhish App, go here.

    Setlist via phish.net

    Saturday, 12/12/1992
    The Spectrum, Toronto, Ontario, Canada
    Soundcheck: Funk Jam, Uncle Pen
    Set 1: Llama, Foam, Sparkle, Cavern > Reba, The Landlady, Split Open and Melt, Poor Heart > All Things Reconsidered, Bouncing Around the Room > Run Like an Antelope[1]
    Set 2: Maze, Glide, The Curtain > Tweezer > Rift, Guelah Papyrus, You Enjoy Myself, Hold Your Head Up > If I Only Had a Brain > Hold Your Head Up, The Squirming Coil > Golgi Apparatus
    Encore: Ride Captain Ride > Tweezer Reprise
    [1] Simpsons, Random Note, and All Fall Down signals.
    Teases:
    · All Things Reconsidered tease in Bouncing Around the Room
    · All Things Reconsidered and Jean Pierre teases in Run Like an Antelope
    · The Ballad of Davy Crockett tease in You Enjoy Myself

  • Phish vs. WWE

    Since the inception of Phish and their unique setlist styling, there have been many games played, fantasy setlists written and a fascination with show stats. There are a few fun things that haven’t been done though. With Wrestlemania 31 held this weekend at Levi’s Stadium in Santa Clara, CA, here are a few fun takes on set lists, comparing them to wrestlers, wrestling matches and historic landmarks.

    Various wrestling superstars across the eras of WWE have been matched up to Phish songs that would represent the best Wrestlemania ever.

    1. Carini/Ultimate Warrior: Two entities that when the first note hits you know you are in for a mighty bout of energy. It wont last the longest, but for the time it does it will be non stop adrenaline!


    2. The Horse>Silent in the Morning/ Koko B Ware (and his bird Frankie): There was not a kid who grew up in the 80’s who didn’t see the Birdman come out flapping his arms holding a parrot. He had arenas across the country cheering when they saw this and they were always together, just like “The Horse” and “Silent in the Morning” (at least traditionally). When Trey strums the first note of “The Horse” the crowd goes nuts and it’s a fun pairing. It’s not the jammiest song, as Koko wasn’t the best wrestler, but everyone always had a great time seeing him.

    3. Sneaking Sally Through the Alley/Repo Man: Who the hell is the Repo Man and is he made up? Nope. He was a wrestler, Barry Darsow. This is a pairing that is based strictly on title. The Repo Man was a sneak. He would slither in the ring and threaten to repo your stuff. Not the best gimmick but still…


    4.Maze/Bret Hart: Maze starts out where the character is lost unable to find his way out. Wishing he was able to start over and not get stuck in the rut that is the Maze. Bret Hart was like this early in his career, wrestling for his father Stu in Calgary, and just getting lost in the shuffle of being another Hart brother (there are a lot of them). As Brett kept going and working hard, his ability in the ring became more concise and technically sound that any wrestler in his time. Coining the phrase “The best there is. The best there was and the best there ever will be,” is similar to the jam in “Maze”: you don’t know where it comes from but once you are hearing it, much like when you watch Brett wrestle, you know they have both accomplished what they set out to.

    5. First Tube/ The Undertaker: When the lights go out and the big gong goes off, everyone shivers as the Undertaker makes his way to the ring. Not only is the Arena dark, but the feeling and the aura are dark as well, just as it is when the first bass line of “First Tube” drops. You can feel your heart jumping in your chest. The song and the wrestler do a superb job at setting out what they set out to achieve: a jaw dropping spectacle leaving the fan in spooky place for an amount of time, yet having a blast while its happening.

    6. Run Like an Antelope/The Rock: When The Rock started his wrestling career he didn’t start right at the top. He slowly worked his way up, but when he got to the top he didn’t just stay there, he espically did it in a fashion that no one had ever done before him and no one has or will ever do again. The way Antelope starts out is similar, slow and little silly gimmicky riffs until that break down and we get down to business. As The Rock did, Antelope ends in a completely different place than where it was in the middle, when it was kicking ass.

    7. Slave to the Traffic Light/Stone Cold Steve Austin: On paper the two seem very similar. The lyrics to “Slave” could have been written by a 10 year old and Stone Cold’s plain gimmick of a bald beer drinker could have been picked out of, well anywhere. It’s in the meat these comparisons are being made. Neither may look like they can pack a punch but as the each progresses the stronger each becomes. Whether it’s wailing guitar riffs or middle fingers and getting your head knocked in, both are serious parts of the annals of Phish and wrestling history.

    8. Harry Hood/ Triple H: “Hood” takes the fan on a journey through many different catacombs as Triple H has had many different characters until he found his niche. Both of the subjects however end with a power unparalleled to any other song in the Phish library or any other superstar in the locker room. “Hood” with its in your face guitar slamming telling what to feel good about and Triple H marrying the bosses daughter and having run of the company.


    9.Divided Sky/Hulk Hogan: There are no two other entities that pack more of a punch for so many years than theses two. Hulk hogan has been a staple at the top of the wrestling ladder forever as “Divided Sky” has been for Phish. Although you may have seen or heard both of these iconic figures a million times it still will not be enough. The energy both posses are larger than life. The institution that is Phish and that of the WWE would not be the same without these two in their respective potions.

    10. You Enjoy Myself/Andre The Giant. With Andre being the most iconic figure in wrestling history and “YEM” being the most epic song by Phish, it is clear these two should be matched up.

  • Phish Festival 10 is Magnaball Aug 21-23

    As we all have expected Phish will perform a three day festival – #10 overall – on Aug 21-23 at Watkins Glen Speedway in Watkins Glens NY. The site just popped up on the Phish homepage minutes ago. This is the same site as 2011’s Superball Fest. Stay tuned for more information shortly.

    Rene Huemer 2 phish

  • Phish Announces New Archival Release: Raleigh, December 1999

    Phish has announced their latest archival release with their show from December 16, 1999 at Reynolds Coliseum in Raleigh, NC. This is the first release from Fall 1999, performed at N.C. State University, and one of the final shows before Phish performed before their historic millennium concert at Big Cypress just two weeks later.

    Phish Raleigh 199912/16/99 was recorded by Paul Languedoc to digital multitrack, mixed/mastered by Jon Altschiller. You can order the album at LivePhish.com or with the LivePhish App 

    Setlist via Phish.net

    Set 1: Wilson > Chalk Dust Torture, Lawn Boy, Limb By Limb, Horn, Back on the Train, Roggae, Heavy Things, Camel Walk, Possum

    Set 2: Sand, The Mango Song, Wading in the Velvet Sea[1] > Tweezer > Runaway Jim

    Encore: Bittersweet Motel > Tweezer Reprise

    UPDATE: Phish today announced a SiriusXM listening party for this release – check it out below. 

    This Thursday & Friday, Phish archivist Kevin Shapiro guest hosts “Gone Phishin” and will share with listeners a behind-the-scenes tour of Phish’s newest archival release Raleigh ’99. Sets start at 9pm ET each night exclusively on SiriusXM Jam_ON, Channel 29.