Aqueous will be changing drummers after this week.
The band’s current drummer, Ryan Nogle, will be leaving due to health issues. He will be replaced by Tom Vayo, who the band calls an “INCREDIBLE musician/multi instrumentalist.”
Today, we bring you some important news from camp AQ- Ryan Nogle will perform his last gig as Aqueous’ drummer this week at Peach Music Festival (strangely enough, the same location that he began his career with us one year ago)- Ryan has a medical condition that is preventing him from continuing on with the band any further; He’s got severe carpel tunnel and nerve damage in both arms, and for the sake of him being able to play drums AT ALL later in life, it will require him to step down from his position as AQ’s drummer. We’ve been aware of this issue since February of this year, and have in turn been auditioning drummers with the help of Ryan and our previous drummer Nick to find EXACTLY the right fit for our sound; We are very in tune with the fact that our friendships offstage directly dictate the quality of our music, and have searched high and low for someone who not only has the chops, but also fits within our cannon of friendliness, drive, and creative vision that we care so deeply about- I’m happy to report that we’ve all come to agree that Buffalo’s own Tom Vayo will replace Ryan as Aqueous’ long term drummer. Tom is an INCREDIBLE musician/multi instrumentalist, and shares our same drive, passion, and commitment to putting on the best shows possible every night, and to writing the best music we can for you guys- He was a natural choice after auditioning many different drummers, and we are thrilled and excited to have him join our family! That being said, it’s important that we take a moment and appreciate how much Ryan (and his family) have done for Aqueous both offstage and onstage for YEARS. Although Ryan has only been performing as a full-time member for one year, he is behind ALL of our studio and live releases, has repaired and or built half the equipment we’ve used since our inception, been our live audio engineer for many shows, and has been a close friend and supporter of the band for nearly a decade. Even though the scenario is tough, we here at AQ headquarters all feel incredibly grateful that our friendships are stronger than ever and that we can all move forward with each others’ help- Our new drummer Tom has been spending time with us on the road and at shows, and is working directly with Ryan in multiple facets to come in strongly as he steps up to the huge task of filling Ryan’s shoes. We’re all confident that he’s the man for the job, and we look very forward to the exciting future ahead. We appreciate everyone’s sympathy and understanding with this situation; it was absolutely beyond any of our control, but we feel poised to welcome in the next chapter of our already exciting story. We wish to truly thank Ryan for his dedication and his incredible talent, and to thank you good folks for sticking with us through the obstacles over the years- We really, really do appreciate it. Here’s some words from Ryan himself: “It’s hard for me to comprehend that a year has already passed since I joined Aqueous. All the shows and people I’ve met; it’s almost like a blur. August 15th we’ll be playing at Peach MusicFest in Scranton. Right back where I started from one year ago. It was a spectacular experience. My second show since officially joining the band. What I had longed for, and worked toward for so long had finally come to fruition. I was touring with a band playing drums. Not just any band though. The band that I wanted desperately to be a part of since the first time I mixed sound for them at a dumpy little theatre back in 2007. My patience had paid off. The transition was easy. These guys were already my best friends. There was no awkward “get to know you” phase. Just four friends on a stage making some heavy duty music. I’ve jammed with these guys in various formats over the years but nothing compared to actually being part of this well-oiled machine. As time passed and more shows were performed, it just kept getting better. The music expanded and became more adventurous. Chances were being taken. It was phenomenal. Now we fast forward to a year later. Heading back to Scranton for another go round. It’s hard to imagine that this will in fact be my final performance with Aqueous. Leaving this band is the last thing I ever thought I’d be doing. This past year has been one of the most enjoyable and fulfilling years of my life. I’ve met the most incredible people on the road and have played some of the coolest gigs I could have ever imagined. I have friends all over the country now that I would always look forward to seeing at shows. That aspect is one of the most difficult parts to come to terms with. Those we meet in our lives help define who we are as humans and help shape and create these experiences. Interacting with all of you who I have met on the road have contributed to some of my favorite memories. I thank every single person who I’ve met on this journey for your kindness and support. I have experienced so much love from this community. I also thank Mike, Dave, Evan, and Josh for giving me the opportunity to be thrown into this unique life and truly “live the dream.” Without you guys, I would have just been some chump making noise in his basement. I appreciate everything that life has given me and bare no negative feelings about how things have played out. I loved every moment of this experience and those memories will last a lifetime. Thank you for those memories.” Ryan J. Nogle Much love everyone, see you out there- Mike, Dave, Evan, Ryan, and Tom
Ryan will definitely be missed. Here’s a video of him rocking out “Don’t Do It” last week in Buffalo:
And another of one of his great solos at Buffalo Ironworks last year:
Dark Star Orchestra celebrated a milestone playing their first stadium show while also setting an attendance record for themselves July 28, when they played Rochester’s Frontier Field. Set up on the third base line and facing the seats with no access to the field, DSO recreated the 1987 Dead show played at Rochester’s Silver Stadium on July 2, 1987.
Fans of the band took to social media shortly before the show began to spread the word that Frontier Field had announced they were not allowing concert goers on the field. Word spread quickly and people wondered how the stage would be set up.
All anybody had to do to squelch that concern was enter the venue and see the stage facing the third base seats. Concerns fell to the way side, the crowd was a cohesive body of dancing and celebration.
The unique set up allowed for an intimate feel of an indoor show, in a stadium, accompanied by a beautiful summer night with clear skies. They were dancing in their seats, on the grass and at the concession stands – ‘The music never stopped.’
As at all DSO shows, concertgoers scrambled to figure out which set list the band would choose to play at their first stadium show. Once “Bertha” began just after a rockin’ “Hell In A Bucket,” we all knew they had chosen the July 7, 1987 Silver Stadium show. A show that was near and dear to the Rochester Deadhead community, as it was part of a pair of shows played here by the Grateful Dead in 87′ and 88′.
Rochester couldn’t have asked for a more beautiful night of music and Dead tunes. The show was a family event for many in attendance with babies and big kids dancing and hula hooping by the sides of their mamas and papas, all glowing with happiness. DSO not only recreates the shows of the Grateful Dead but they embody the energy of the band and the community that surrounds them. Dark Star Orchestra is no cover band, they are an extension of the ones who played before them.
Dark Star Orchestra, recereating 7/2/87 Silver Stadium, at Frontier Field – Rochester, NY
Set 1: Hell In A Bucket > Bertha, Walkin’ Blues, Dire Wolf, My Brother Esau, When Push Comes To Shove, Tons Of Steel, Me & My Uncle > Mexicali Blues, Brown Eyed Women, Cassidy, Deal
Set 2: China Cat Sunflower > I Know You Rider, Samson & Delilah, Looks Like Rain, He’s Gone > Jam > Drums > Space > Goin’ Down the Road Feeling Bad > All Along The Watchtower > Stella Blue > Sugar Magnolia, E: Black Muddy River
Singer/songwriter/multi-instrumentalist Keller Williams is gearing up for another tour, now celebrating his 20th year creating music. His fall tour will start at the end of August and will feature the brand new Keller Williams Trio with friends Bob Wasserman and Rodney Holmes.
When not playing with the trio, Keller will be performing with some of his side projects including Keller and the Keels, Keller Williams’ Grateful Gospel, and funk project Keller Williams with More Than a Little. His bands will be making stops at festivals such as Lockn’ Festival, Luna Light and Magnolia Fest, among others. As if that wasn’t enough, Keller will also be solo headlining clubs along the way.
Over Thanksgiving weekend, Keller will host an all-star lineup of bluegrass friends for “Thanksforgrassgiving” on Nov. 27 and 28. Joining him will be Travis Book and Chris Pandolfi (The Infamous Stringdusters), Larry Keel, Jason Carter (Del McCoury Band) and Jay Starling (Love Cannon). Catch this bluegrass extravaganza at The National in Richmond, Virginia on the 27th and the 9:30 Club in D.C. on the 28th.
Fans in Buffalo can see the Keller Williams Trio on Sept. 26 at The Tralf. For tickets, tour dates and other information, visit Keller’s website.
After the very first verse of the very first song, there is no doubt that Grace Potter is the real deal. I have seen some female fronted bands where the incredibly pretty woman is scantily clad, she barely sings, she strums the same open note on her guitar over and over again and struts around the stage much to the delight of the men in the audience.
Take that pathetic image and reverse it completely and you have Grace Potter. Potter is beautiful in a tasteful, sultry way, when she opens up her lungs, it’s similar to a pipe organ filling a church with flawlessly designed acoustics, she absolutely rocks her Gibson Flying V guitar and she dances in her heels or barefoot in a delightful free spirited way that evokes the crowd to join her. Did I mention she has the best rock n roll howl in the business?
I enjoyed every minute of the two hour set that Potter and her current back-up band performed Sunday night at the Constellation Brands-Marvin Sands Performing Arts Center (CMAC). Potter took the stage to a roar of applause despite a rather light crowd. The amazing thing about Potter is the amount of time she spends singing with no break. She ripped right through a sixteen song set list with little reprieve. When she wasn’t singing her heart out, she was wailing on her guitar, hammering away on the piano, shaking her tambourine or shaking her booty. She was working hard up on the stage but managed to make it look effortless.
Potter and company played a variety of genres of music from what sounded like modern country, a bit of blues, love ballads and good old rock and roll. I am convinced that with Potter’s range and vocal ability that she can pull off just about anything. She showcased her vocals in “Timekeeper,” “Stars” and “Delirious” a cut off of her upcoming release Midnight. My favorite song of the evening was “Loneliest Soul” off The Lion The Beast The Beat. With its unusual riffs and almost whiney beats combined with Potters melancholy, symphonic voice, it created almost a spiritual effect. It gave me goosebumps.
Other highlights of the evening included fast paced “Medicine” “Hot Summer Night” and a moving version of “Nothing But the Water.” Grace Potter is known for throwing in a hodge podge of cover songs in her live performances. She has run the gamut from Rod Stewart’s “Da Ya Think I’m Sexy,” to Johnny Cash’s “God’s Gonna Cut You Down.” The crowd at CMAC was graced with Potter’s version of The Rolling Stone’s “Gimme Shelter” that was sure to make Mick Jagger proud. Potter ended the evening with fan favorite “Paris (Ooh La La).”
I don’t often make recommendations when it comes to music, but if you have not listened to Grace Potter, please take a moment to go check out some of her live stuff. There’s plenty on YouTube. I was blown away by everything about her. Also, don’t forget she has her new solo album titled Midnight being released at midnight on August 14, 2015.
Music. It evokes feelings, transports me back in time and recharges me almost as though it’s a battery pack. Music for Nashville’s newest sensation, Chase Bryant, is the same. It’s in his blood.
Coming from a musical family in small town Texas, Chase heard Jerry Lee Lewis’ “Lewis Boogie” and that was all it took. From that point on, his course was set. Learning to play the guitar at a very early age, he jokes that there were 20 guitars in his hometown, and he owned all of them. After seeing Chase perform recently at The Taste of Country Music Festival, his hard work and dedication to learning his skill showed as I was floored by his shredding ability and how he made his guitar sing.
Chase Bryant – Taste of Country Festival 2015
As Chase and the Shotgun Rider Tour comes to town Thursday, July 3o to Darien Lake, Chase will open for Nashville favorites Billy Currington and Tim McGraw. He graciously agreed to speak with our readers and share some details to what makes him tick.
Kathy Stockbridge (KS): Hi Chase, thank you so much for agreeing to speak with NYSMusic. You have taken Nashville by storm since your arrival and your fans and our readers just love you.
Chase Bryant (CB): Why thank you.
KS: Music seems to be something that has always been in your blood. For those that aren’t aware you grew up in a family of musicians. Share a little about what that was like for you growing up.
CB: Well it was definitely a loud household. My grandfather was a keyboard player for Roy Orbison, and he played along side him throughout high school and right up until the summer my grandfather bowed out of the band because his mom said he couldn’t play rock and roll music any more. After that he went on to college and played with Waylon Jennings, and then on the Glen Campbell television show in Lubbock Texas, and then my two uncles played in a band called Ricochet and had the hit “Daddy’s Money” back in 1996.
KS: I remember that song! So it was in your blood, you were destined. You were born to do this.
CB: Yep, there was nothing I could do about it, and I’m glad there was nothing I could do about it, because I love it.
KS: Share with our readers a little about your relationship with Barbara and Alex Orbison and how that relationship played a role in your career in Nashville.
CB: Alex I used to say was one of my best friends, but I think he’s now more like a second brother to me. He’s been great to me and we’ve built a really great relationship when it comes to music and life in general. He’s been so supportive of my music and his mother Barbara as well has been one of my biggest fans. I couldn’t thank her enough for signing me. She was a great lady and I was her last signing at her company before she passed away. So that was a pretty awesome experience.
KS: When you came to Nashville, Benny Brown — founder of BBR Music Group — was so taken back by your talent as a producer of your demo tapes, he allowed you to co-produce your album with Derek George, which I must add is not something he does often. Share with us a little about how you taught yourself the production end of recording and how you have grown since those early days as a producer.
CB: I was on a panel the other day and I was asked how do you teach someone producing, and you really can’t. If your ears aren’t there and you can’t hear the music then it might not be for you. There are some great artists that never produced their own records or played on their own records, or maybe even wrote the songs. But they were great records and ones I definitely looked up to. I got lucky and sometimes I think that maybe what I do isn’t always right, but Benny sure has given me an opportunity to expand on it. Whatever my name is or the sound that goes along with it, Benny Brown and Broken Bow and Red Bow Records have really let me carve that path and let me become who I really want to be. I’m thankful for that. I was able to write all the songs on this record, co-produce the record, and I played all the guitars. I didn’t produce it by myself either. I co-produced with my best friend Derek George. We had a blast making that record.
KS: Well the finished piece was amazing and you have a great ear for it.
CB: Well thank you.
KS: In addition to producing, you also write your own music. You say that you wrote 400 lousy songs before you wrote your first good one…what was that one song that caught the attention of Nashville manager, pluggers, and publishers? Did you know when writing that one, it as the one?
CB: I think “Take It On Back” was the first really organic, not left of center or anything that had never been done, but it was one of those songs that defined who I was and that sound that people know me by now. I think it was that, and a song called “Change Your Name,” and probably another one that did it, called “Wish I Was A Plane” was another one that set the radar for the label and set the tone for the record. Now “Wish I Was A Plane” is one we play live (isn’t on record). You have those couple of songs that lead to other songs, and those three definitely lead to probably 15 or 16 songs to be on this record that I would like to say are collectively my best pieces of music I could make at the moment.
KS: Yeah, “Change Your Name” is my fav.
CB: Well thank you. I’m hoping that’s a single in the near future. We’ll see what happens.
KS: It will definitely be a hit. You also are an amazing guitarist. You are a left hand guitarist that plays a right handed guitar upside down. It’s not something you notice either. I shot your set at Taste of Country Festival this past June, which by the way you killed it, and after I read that you had this unique talent…I went back to study the photos and sure enough…you rock that guitar left handed, upside-down! Wow…how did you manage to learn that skill?
CB: I don’t know, I’m still learning. Everybody always says “how do you do that, how do you do that?” There’s times I look at and go “why am I doing it this?” But it just happened. I think a lot of people told me no, and a lot of people thought that I would never play it like that, so I was a stubborn kid growing up and therefore I had to do it. It also saved my mom and dad a lot of money buying me my first right handed guitar because left handed ones are way too expensive. I know my mom thinks I have way too many guitars but in the end it ended up saving us a ton of money.
KS: You recently had the opportunity to do a project with Kia Motors and Michael McDonald in their ground breaking digital series Rediscovered. Share with my readers a little about that project and what that experience was like for you.
CB: Oh gosh! Ya know, I listened to the 70’s records a lot, whether it be Fleetwood Mac Rumours, or The Doobie Brothers Minute By Minute or Takin It To The Streets, any of those records defined who I wanted to be as a singer. Musically I thought Michael was just an absolute genius. The sounds that he had coming as a keyboard player and the tone of his voice; there is no way you could ever hear that voice and undoubtedly not think that was Michael. Nobody else you could think of, could it be. With modern technology today people hit their phone and ask Siri “who is this on the radio?,” and I think that is the quickest response from Siri is Michael McDonald because it’s one of the most recognizable voices of all time.
KS: I have to say when I watched that four part series (which I strongly urge my readers to watch the entire series) you nailed it. I could tell he was genuinely impressed as well. Now in that series you talk about your experience of playing at the Opry. Share with me what it was like for you the first time you performed at The Grand Ole Opry.
CB: Playing the Opry is one of those things that every time I play there I quote “there is no bigger religious experience for a country musician…than standing in that circle”. It’s just one of those things as a country artist, when you step in that circle you don’t know what to expect. I took a friend out to my last performance and the first time they toured the Opry they don’t know what to expect. It’s the same when you are standing in that circle; you don’t know what to expect. It’s one of those venues that are full of people who love country music. It’s not a crowd that’s going to walk into the show and scream and yell your whole entire set. They are there to listen to great music, and I’m just a proud part of that and I’m very glad that they asked me to come back again and again.
KS: Your first EP Chase Bryant charged out of the gate with its hit “Take It On Back.” We love that song and I love that video. How did the setting at the Tennessee Railway Museum for the video come about?
CB: I’m a huge train fan. My grandfather, who was a big influence of course, a huge huge huge influence musically but he and I were both obsessed with trains. When Wes Edwards threw out the idea, I didn’t know who was shooting the video, I just knew that “BAM” that was the one. Especially for my first single.
KS: Your newest release Little Bit of You is racing up the charts right now and grabbed the attention of Rolling Stone Magazine as they labeled you as one of it’s “10 New Country Artists You Need To Know.” That must have been awesome to see your name in Rolling Stone Magazine. Do you find yourself pinching yourself at moments saying…can this be really happening?
CB: There are some great names in that article and some of them I moved to town with, people I’m really really rooting for, and people somewhere down the road we’re still together in this. I grew up reading Rolling Stone and was a big fan, and once again it’s one of those things to know I’m a part of it is an honor to be included.
KS: Your music is what I consider feel good, toe tapping, smile making music. Your live show is amazing and full of the same energy. I get the impression that you are a very positive person from your music. Do you find that when create music, your wanting to send a message with each song or do you want your audiences to find their own meaning in the songs?
CB: My message in my music is who I am and who I’ll always be. I don’t know if there’s another way of saying it. I just know that whoever Chase Bryant is, and whatever you see live, and whatever you hear on the radio; that’s me and who I am.
KS: I love your philosophy on music. You said that “I’m just the guy with the guitar. If I wasn’t, I’d be the guy on the front row with his arm around his girl raising a glass to the guy onstage. No questions, it’s just who I am. Music is everything.” I think this philosophy truly defines you and why we adore you. You are in it for the music and sharing that passion with your fans, thank you. One final comment and question — you hands down win for best hair in country music!!! What’s your secret for keeping it perfectly in place as you are moving around on stage. That’s difficult…I know…my son struggles to keep his hair styled like that!
Chase Bryant – Taste of Country Festival 2015
CB: Well that’s actually funny, as I went through a few different hair cuts when I came to town, and thankfully I had a label that was very good and very patient with me getting my image correct. Who knows if it’s correct now but it’s nothing more than blow drying the thing up in the air and putting some paste in it. It’s a pretty simple process. It’s nothing tough or too hard to happen; and sometimes it happens when I wake up on the right side of the bed.
KS: Well you have that image down pat. Thanks again Chase for taking the time to speak with us and we can’t wait to see you at Darien Lake July 30th!!
As I ended the interview I could not help think what a nice young man he was and how well his music fits his personality. He is an upbeat, positive, fun loving young man who loves what he does, and it shows. He’s the next generation of country. With so many critics out there today picking apart country criticizing the new sound, I find Chase Bryant the perfect example of how the next generation is taking the roots of country, that he was whole heartedly immersed in as a child, and giving it the spin to generate new fans from this generation. As a role model, he’s definitely my choice, and again, hands down he wins my “Best Hair” award.
I’m truly looking forward to seeing his set again, and I strongly urge all of you to not miss this show as Chase, along with Billy Currington, and Tim McGraw will blow your socks off for a fun filled evening of country entertainment.
Dark Star Orchestra has one more stop to make in New York state before they head to Gathering of the Vibes this weekend in CT. Following a JGB set in Saranac Lake Sunday night, the band will return to Rochester for their first ever stadium show at Frontier Field tonight.
The band that seeks to recreate the set list of past Dead Shows is excited to share this moment with the Rochester Dead Head community and we plan to show them how excited we are to be a part of it. With the celebration of Jerry Garcia’s birthday fast approaching, they have been heating up shows all tour.
Tickets are still available for $15 and will increase to $18 at the door. This is an all ages show so bring the family for what should be a beautiful summer night of Dead tunes.
STS9 has announced its 2015 Fall Tour, and highlighting the 22-show trek are two stops in New York. On October 25, the jamtronica act will headline the Town Ballroom in Buffalo before weaving its way through the Ohio, Pennsylvania and Maryland before landing back in the Empire State for a November 5 show at the Best Buy Theater.
STS9 Fall Tour 2015:
October 22 – Minneapolis, MN – First Avenue
October 23 – Madison, WI – Orpheum Theater
October 24 – Detroit, MI – The Fillmore
October 25 – Buffalo, NY – Town Ballroom
October 28 – Cleveland, OH – House of Blues
October 29 – Columbus, OH – LC Pavilion
October 30 – Pittsburgh, PA – Stage AE
October 31 – Silver Spring, MD – The Fillmore
November 01 – Live Oak, FL – Suwannee Hulaween
November 05 – New York, NY – Best Buy Theater
November 06 – Boston, MA – House of Blues
November 07 – Philadelphia, PA – The Fillmore
November 08 – Richmond, VA – The National
November 11 – Charlotte, NC – The Fillmore
November 12 – Raleigh, NC – The Ritz
November 13 – Knoxville, TN – Tennessee Theatre
November 14 – Nashville, TN – War Memorial Auditorium
November 15 – Columbia, SC – Music Farm
November 18 – Birmingham, AL – Iron City Music Hall
November 19 – New Orleans, LA – Joy Theater
November 20 – Austin, TX – Austin Music Hall
November 21 – Dallas, TX – House of Blues
It’s hard to come across a band from the Western New York area who hasn’t played a show at Broadway Joe’s Bar and Grille. At the same time, it’s hard to attend a show in the Western New York area without hearing at least one person talking the venue down. “It’s too small”, “It’s poorly run”, “It’s shit”, are the usual complaints I overhear from various show goers. But I respectfully disagree with just about every bit of criticism I’ve ever heard about the place. That’s why I’m appointing myself the public defender of Broadway Joe’s in the Buffalo, New York metal scene’s courtroom.
With venues shutting down left and right in this area, both national and local metal acts in and around Buffalo are left with very few options. But for many years now, Broadway Joe’s has been there to host the shows that no one else will. Hundreds, probably thousands of metal acts by now have graced their stage and had successful shows. Over the last ten years, I’ve personally performed there in multiple bands as a drummer, guitarist and vocalist. Never once, have I had an issue with the staff or the venue itself. Sure, the room capacity is only 300, but if no other promoters are biting and the other venues in the area are either already booked or nonexistent, then why the hell wouldn’t you just appreciate what you can get and move on?
In recent years, I’ve seen both Soilwork and Shadows Fall play that room and realized that I prefer seeing bands of that caliber in a more intimate setting anyway. How many times have you gone to a show to see your favorite bigger band and had to deal with overpriced drinks, guard rails, huge crowds, a distant stage and constricting set times? At Bways, the drinks are cold and reasonably priced, the service is friendly, the headliners never get ordered off stage (unless they’re being big dicks), and the stage (your favorite band) is right in your face.
Furthermore, shouldn’t the band members who come and go from the venue be the only critics with any merit? It’s kind of interesting how most of the people I hear trash talking this room aren’t in bands, nor do they have any experience working in, with or for bands (at least none that I’m aware of). I’m not saying I know the life story of every last show goer in this area, but I definitely keep track of who I see in bands and who I see working the rooms they play in. If you think you can put on a better show for a band coming through the area, then where’s your venue? Where’s your offer?
Now, there’s nothing wrong with wanting to play in a bigger room in front of a bigger audience, but when the going gets tough, deal with it and make the best of the situation. Would you rather the shows not happen at all? Just this past Sunday night, I saw Psycroptic, Arkaik, Ovid’s Withering and The Kennedy Veil at Bways. Before that night, I had little to no experience with any of those bands. But it looked like a reputable tour with sick bands and I wanted to check it out. Evidently, the tour as a whole had been doing pretty poorly and their Buffalo date was nearly cancelled.
But the folks at Broadway Joe’s kept their promise and gave them a room to play in. The attendance was a little disappointing but those who were there had a great time and I got into some great new music. I wish more people in the scene paid more attention to bulletin boards in bars, or wherever fliers are typically found and of course, social media. Sure, people work, have kids, are married, and naturally, there are usually multiple shows booked each night in this town, especially on weekends. But I know there are more of you out there who just aren’t making the effort for whatever the reason may be. I’ve been plugging reasons to attend shows in this area on this site for months now, and I’m nowhere near done.
I suppose the last point I’m going to make about Broadway Joe’s is this: If you have no experience with bands or running a place of business, don’t badmouth this room. These are great people doing great things, and I’ve never really heard too many bands complain. Most bands that play Bways are just happy they still got to play a fucking show, which is one of the most important parts of being in a band. People like Bryan Parker (owner), Joe Tonaus (promotions), Frank Short (go-to sound aficionado), the bartenders, bar-backs, etc. are helping ensure that we still have a scene to support.
Now I’m going to post a few more clips. Here are some tunes from bigger acts who have played Bways in recent years. WARNING: The footage below displays band members and show goers having a good time in a smaller venue. “Live show elitists” are urged not to expose themselves to this level of fun.
This article was originally posted on The Metal on 7/21/15.
Not even a torrential downpour, thunder, lightning, flash flood alerts or a tornado warning can keep Breaking Benjamin fans from a show and that’s just what the weather had in store on Tuesday, July 14 at The Budweiser Summer Stage at Tags, located in Big Flats, NY.
While personnel urged concert goers to remain in their vehicles while the remainder of the storm passed, the show went on. Some came prepared with umbrellas and rain coats, others braved the elements in street clothes, standing in a line that stretched from the venue admission, out the gates and all the way to the road. Fortunately as the venue opened it’s gates, the rain ceased just as the show was about to begin.
Opening for Breaking Benjamin was Starset, a cinematic rock band based out of Columbus, Ohio. Their set was unique and their performance was out of this world. Starset’s debut album’s Transmissions was released on July 8th of 2014 and it’s definitely worth checking out. Starset consists of Dustin Bates on lead vocals/keyboard, Ron DeChant on bass/backing vocals, Brock Richards on guitar/backing vocals and Adam Gilbert on drums. Starset’s set list for the evening is as follows: First Light, Rise and Fall, Down with the Fallen, Antigravity, Halo, Telescope, Dark on Me, Carnivore, It Has Begun, The Future Is Now and My Demons.
Even with the weather conditions, the venue was packed full with Breaking Benjamin fans. The Wilkes-barre natives released their first album on June 23rd after a hiatus. Dark Before Dawn made it’s debut on the Billboard 200 chart at number 1 and has been widely embraced by fans with over 140,000 album units sold. Breaking Benjamin is back and going strong with many sold out venues along their 2015 tour. Taking on some new members in 2014, Breaking Benjamin’s current members are vocalist Benjamin Burnley, bassist Aaron Bruch, Keith Wallen on rhythm guitar, lead guitarist Jasen Rauch and drummer Shaun Foist. The set list for the evening consisted of some old favorites mixed with a few cover songs in addition to songs from their new album. Much love to Breaking Benjamin and Starset for a phenomenal show!
Setlist: So Colt, Angels Fall, Follow, Break My Fall, Who Wants to Live Forever (Queen cover), Unknown Soldier, Sooner or Later, Blow Me Away, Failure, Breath, Ænima (Tool cover), Phase, Away,. Give Me a Sign, Shallow Bay, Imperial March/Schism/Smells Like Teen Spirit/Walk (A cover song medley) Polyamorous, Evil Angel, Until the End and I Will Not Bow
Encore: Lights Out, Dance with the Devil, The Diary of Jane
The German House in Rochester, N.Y. has recently released their fall concert schedule kicking off on September 12. The historic western New York concert venue, promoted by Up All Night Concerts, has six performances scheduled from a variety of genres this fall.
Opening the concert series on September 12 is Ani Difranco, Buffalo native and a prominent folk-rock singer-songwriter. Difranco has been nominated for 9 Grammy awards, winning for Best Recording Package in 2004 for her album Evolve. Difranco is a world-wide icon in the feminist and LGBT communities, known for her outspoken participation in social movements and her lyrics about progressive social issues.
Taking the stage on October 10 is David Bromberg, a bluegrass and folk performer known for his proficiency on a multitude of instruments. The 69-year old from Philadelphia has played with Jerry Garcia, Bob Dylan and George Harrison in his career.
On October 31, Halloween night, Driftwood will perform at the German House. The 4-piece Binghamton folk band has recorded three studio albums and has a well-known presence in the Upstate New York music scene.
Donna the Buffalo will play on November 13, with Peter Rowan performing as a special guest. Donna the Buffalo is a Finger Lakes group that embraces the southern Zydeco variant of Louisiana bluegrass. Rowan is a Boston bluegrass guitarist and yodeler who has been active in music since 1963.
On December 4, Max Creek will perform. The Boston-oriented rock band was influenced by Grateful Dead and plays many psychedelic jam tunes. Phish bassist Mike Gordon has referred to Max Creek as one of his favorite bands.
Concluding the fall concert series is Delbert McClinton, the rugged blues player from Lubbock, Texas. McClinton has had four blues albums reach number 1 on the charts, and also has had some success on the country scene as well.