Category: Western NY

  • New Year’s Eve Across New York State

    Don’t have plans yet for New Year’s Eve? Music fans across New York State have got plenty of choices this Thursday. NYS Music helps you get there with the short list of NYE activities.

    Albany

    Moe. at the Palace Theatre. Tickets start at $42 in advance/$50 day of show

    Rustic Overtones at the Hollow with Special Guests Mirk. $10.27 in advance/$15 at the door

    Buffalo

    Funktional Flow at Buffalo Iron Works with special guests Adam Bronstein’s Freehand Band. Tickets are $10 in advance/$15 day of show.

    Lazlo Hollyfeld, Rhubarb, Intrepid Travelers, and Folkfaces at Nietzsche’s. $5 at the door only.

    Ithaca

    Big Mean Sound Machine and Grey Gary at Upstairs at Lot 10, DJ ha-MEEN and Weazildust Downstairs at Lot 10. $20 in advance

    New York City

    DIIV at the Bowery Ballroom with special guest Tamaryn. $40

    Macy Gray at the Iridium Jazz Club. Tiered pricing tickets are currently available.

    Snarky Puppy at the Irving Plaza with special guests Breastfist. Tickets start at $50

    The Disco Biscuits and Consider the Source at the Playstation Theatre. Tickets starting at $69.50

    Port Chester

    Trombone Shorty & Orleans Avenue at the Capitol Theatre with Soulive. Tickets range between $59.50 to $160

    Rochester

    Giant Panda Guerilla Dub Squad at the Historic German House with special guests Danielle Ponder & Tomorrow People and Funknut. Three Heads Brewing Tasting Party start at 7pm with an acoustic jam featuring members of GPGDS and Extended Family. Late night the party continues with Subsoil and Level 7 Hip Hop DJ Set. $20 in advance/$30 day of show.

    Mikaela Davis at the Bug Jar with Harmonica Lewinski and The Temptators. $10 in advance/$12 day of show

    Saratoga Springs

    Eastbound Jesus and Lucid at the Putnam Den. $15 in advance/$20 day of show.

    Turning Stone Casino in Verona

    Showtime, Gridley Paige, and Last Left at The Gig

    Ryan Brooks Kelly, The Beadle Brothers, and DVDJ Biggie at the Tin Rooster

    DJ Dread, Caroline D’Amore, and Joe Maz at Lava

    Isreal Hagan and Stroke and The Swooners at the Turquoise Tiger

    Syracuse

    Sophistafunk & Root Shock at Funk ‘n Waffles – Downtown.  $20 in advance/$25 day of show.

     Erie

    Aqueous at the Kings Rook Club. Two sets. $10 at the door only.

    Burlington

    Gang of Thieves at Nectar’s with The Tenderbellies. Gang of Thieves will be performing Are You Experienced by the Jimi Hendrix Experience in its entirety. $10 in advance/day of show

  • Best of NYS Music 2015: Staff Picks for New York State Festivals

    Nothing compares to experiencing live music. But when it comes to packing up and leaving the world behind to immerse in a weekend of musical debauchery with a community of like-minded souls, well, that’s the stuff that dreams are made of for music festival fans.

    From one-band to multi-artist events and crowd sizes from 2,000 to 50,000, New York State hosts a bevy of festivals annually in some of the most beautiful settings imaginable, and let’s face it, our state knows how to throw a proper fest, as it is ingrained in New York’s rich musical history having put on one of the biggest rock festivals of all time, Woodstock. Here we’ve rounded up our favorites from NYS Music 2015, so sit back, relax and relive some of the festival magic that happened throughout the Empire State this year, because we all know what it’s like to experience those post-fest blues.

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    Best Small Festival: Buffalove and Disc Jam

    The third installment of Buffalove Music Festival saw a venue change from Cole Farm, Panama, NY, to North Fork Music Park, Warsaw, NY, with the new location offering four stages, a private beach, disc golf and wooded-area camping, and a record attendance that doubled previous years. With an impressive lineup including Kung Fu, Pink Talking Fish, Funktional Flow, Particle, Formula 5, Mister F, Space Junk, Dopapod, Aqueous and Aquapod, the three-day June 2015 festival created to celebrate Western New York’s emerging music scene was one for the books, according to Jen Foster and Thomas Sgroi:

    Buffalove came through. Co-founder of Buffalive Productions and Founder of Buffalove Cody Conway clearly had one goal in mind: keep the energy as high as possible. Every single band had heads turning and jaws on the ground. There was never a lull, never a band that just played to fill space. Every minute was dance-worthy. If you missed out this year, we can highly recommend you don’t make that mistake next year. Without any problems or unruly attendees, this festival made its mark at North Fork Music Park in Warsaw, NY. The amount of talent coming out of Upstate New York is only paving the road for more incredible shows. Buffalove, you certainly were lovely.”

    Another summer fest that saw a venue change was the fifth annual Disc Jam Music Festival, which moved from Massachusetts to New York State—and promoters recently announced that the event will return to Gardner’s Farm in Stephentown for its sixth year in June. Throughout four days of music, camping, disc golf and Flow Tribe, festivalgoers experienced live performances from more than 50 acts, including Lettuce, Electron, Dopapod, Aqueous, Brightside, Kung Fu, Consider the Source, Cabinet, Soule Monde, Roots of Creation, Formula 5, The Hornitz, Soul Rebel Project, Broccoli Samurai, Krewe de Groove and Relative Souls. According to Dave DeCrescente, the festival’s last day culminated with a “healthy dose of guest sit-ins” with jamband Twiddle, noting that:

    One of the highlights of the set was the massive guest sit in with DJ Honeycomb, James Woods, and Joe Davis from Formula 5, Scott Hannay of Mister F and Todd Stoops for the ultimate mega jam on “Apples.” The Disc Jam Flow Tribe was out in full force with fire spinners and hooping entertainers that were almost as mesmerizing as the music. The weekend ended just as it started, with mind blowing music and a close knit community who continue to make the Disc Jam Festival special. Tony Scavone and crew did a suburb job of organizing the 5th annual Disc Jam with a new location but still the same friendly, loving festival experience that keeps fans coming back each year.”

    Best Mid-Size Festival: Catskill Chill

    While Catskill Chill is speculated to make a move to Lake George in 2016, the festival’s last waltz at bucolic Camp Minglewood in Hancock, NY, this September was a success, selling 5,000 tickets, according to Chill promoter Dave Marzollo. Headlined by moe. who kicked off their fall tour at the festival and including other bands like Lotus, Zappa Plays Zappa, Lettuce, Twiddle, Turkuaz, Dopakuaz plays Studio 54 and The Motet, the sixth annual installment of Catskill Chill featured on-site cabin rentals, daily yoga, live art, a farmer’s market, craft and food vendors, a communal bonfire nightly and an open mic. The three-day event was packed with guest sit-ins and collaborations like Dopapod and Turkuaz joining forces to play as Dopakuaz, which Chill organizer Josh Cohen noted is the type of community mindset that sets this festival apart from others its size or larger by creating an environment where rising bands can experiment and grow in a unique setting:

    Point is that when comparing us to larger festivals, we’re at this cool stage attendance-wise where in many band’s cases we have the best ‘music’ out there in our prime slots. I love tons of bands who’ve been around since the ’90s or earlier but there’s nothing like seeing musicians in their youthful stages, when creativity is just exploding and you can feel it dripping off the stage as opposed to later-in-their career bands who are playing mostly songs they first wrote and fell in love with decades earlier.”

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    Best Large Festival: Magnaball

    It’s no surprise that Magnaball takes the cake for this category. During late August more than 30,000 phans invaded Watkins Glen International race track for Phish Festival 10. And while the three-day event took place at the site of their 2011 Superball IX festival, this time around the setup featured many upgrades, including local and regional food vendors, the five-course restaurant Festival Ate, MagnaWater Program, speciality Phish-themed cocktails and coveted craft beer from Lawson’s Finest Liquids and Hill Farmstead. (And let’s not forget to mention the interactive Glurt Institute, Drive-In movie theater, JEMP Record Store and cornhole tournament.) The Vermont quartet majorly delivered throughout the weekend’s eight sets busting out rare tunes like “Mock Song” and jamming out typical breather ballads such as “Prince Caspian” to uncharted territory, but perhaps one of the highlights was the Saturday festival tradition of performing a late-night set, which according to Pete Mason raised expectations for future secret sets:

    Magnaball’s foray into the history of Phish’s special festival sets was the Drive-In Jam and it raised the bar while putting forth a performance on par with the ‘Storage Jam,’ if not exceeded this established upper echelon of improvisation. On a 183-foot movie screen, a wide array of visual treats combined with a progressively growing ambient jam that eclipsed the Lemonwheel by a longshot and morphed into a full on jam for 50 minutes. The Drive-In Set raised the bar for surprise performances and gave fans a treat after the music on the main stage ended an hour prior.”

  • All Them Witches Fire Up the Cauldron in Rochester

    Nashville’s All Them Witches played an hour-long set at The Bug Jar in Rochester that got started with a couple songs off their latest release, Dying Surfer Meets His Maker. Lead vocalist Charles Michael Parks, Jr. played the opening pair on the guitar, giving the band a heady two-guitar assault and leaving the low-end duties mostly to keys player Allan Van Cleave.

    all them witchesThe band’s full force though came forth once Parks picked up his bass. His hair-raising blasts to open “The Death of Coyote Woman” powerfully proclaimed the band’s intention to beat the audience down to a pulp. Shirtless, dreadlocked, and bearded, drummer Robby Staebler pounded the music onward through its peaks and valleys. With Parks committed to the bass the rest of the set, Ben McLeod’s guitar stood stronger and Van Cleave’s work on the electric piano shone through more brightly. After a superb slide guitar solo and keys-led jam section, “Death of Coyote Woman” evcntually calmed to a standstill before rising again for a glorious finish. When the dust had settled, the song’s companion “The Marriage of Coyote Woman” rose from the ashes. Both songs appear on their 2014 release Lightning at the Door which they sampled from amply throughout the evening. “Marriage” showed off the bands blues leanings, and resulted in another quality improv session.

    all them witchesThe heavy fuzzed-out “When God Comes Back” was a huge crowd pleaser, and played like the Devil’s rendition of “Young Man Blues.” Spoken word lyrics over a psychedelic guitar and keys accompaniment had the band channeling the Doors, but again, darker and eviler, on “Blood and Sand / Milk and Endless Waters.” The set came to a close with more bluesy rock and slide guitar on “Charles William.”

    Setlist: Call Me Star, Open Passageways, Death of Coyote Woman, Marriage of Coyote Woman, Mountain, When God Comes Back, Dirt Preachers, Blood and Sand / Milk and Endless Waters, Charles William

    New Madrid, out of Athens, GA, played an opening set of diverse indie-rock songs. Led by vocalist/guitarist Phil McGill, the band made the best use of their time, leaving little dead air and taking almost no time to address the audience. The music spoke plenty though. A mellow laid back rocker hinted at Mac DeMarco, a beautiful down-tempo instrumental was reminiscent of Explosions in the Sky, while an 80s style pop-rock tune saw McGill engaging in a whammy bar solo and exhibiting some freak-out dance moves. The quartet finished with a pair of major key fist-pumpers, the first featuring some inventive vocal looping while the closer played bright and bouncy.

    From Athens to Nashville, it was a night of Southern rock of a different sort, on this Saturday night at the Bug Jar in Rochester, NY.

  • Borg Party Heads to Buffalo and Rochester

    Buffalo and Rochester won’t be short of something amazing to see this holiday season as Borg Party invades both cities just days before the Christmas Holiday. The super group spearheaded by Dopapod’s Rob Compa (guitar) also features Mike Gantzer (Aqueous– guitar), Mikey Carruba (Turkuaz – drums), James Searl (Giant Panda Guerilla Dub Squad – bass) and Willy O’Riley (The Niche – keys). Borg Party will take over Buffalo Iron Works in Buffalo on Dec. 22 before moving to Flour City Station in Rochester on Dec. 23.

    The music looks to take on a festive atmosphere with a mix of covers and improvisational rifting. Compa, who grew up in Rochester, told NYS Music that he wanted to create a project that was less about creating something new and more about playing music that is enjoyable. “I was planning on coming home for the week of Christmas to visit my parents, so I figured I would call up some people who’s playing I really love who are from western New York and put together a couple shows just to have some fun and blow off some steam. That is really pretty much the whole point. Every one of the guys doing this with me is one of my favorites on their respective instruments, so I really wanted a chance to play with all of them.”

    It’s not the first time that Compa has played with several of the musicians in various incarnations. This summer Dopapod and Aqueous highlighted the Buffalove Music Festival as Aquapod. At Catskill Chill, Dopapod and Turkauz joined forces for the Dopakuaz featuring the music of Studio 54. Gantzer has also made appearances on stage with both Dopapod and Turkauz at various shows in Buffalo.

    https://www.youtube.com/watch?v=yr-90SLkSl8

    But for Compa, it’s also another opportunity to play with a musician that was an enormous influence on him as a teenager. “I used to go see Willy O’Riley play with his band the Niche when that venue [Flour City Station] was called Milestones,” he noted. “I was young and hungry to play, and was a huge fan of that band. They were incredibly cool to me and would let me sit in with them from time to time at that club. Willy in particular is a huge influence over who I became as a musician, and this will be our first time playing together in that room in almost ten years. I’m really excited to play with him again.”

    Borg Party is currently only planned as a two night engagement. Tickets for both shows at Buffalo Iron Works and Flour City Station are currently still available.

  • Arkells Play to a Sold Out Town Ballroom

    DSC_6095-2The Arkells performed an extensive high energy set to a sold out crowd at Town Ballroom this past Friday. Not before vocalist Max Kerman and guitarist Mike DeAngelis played an intimate acoustic set to fans who brought a toy valued at 10 dollars or more to donate to local children who are less fortunate and otherwise would not have presents under the tree this Christmas.

    Pentimento was direct support for The Arkells, they are a local band right here from my city of Buffalo. I have not had the pleasure of seeing them perform before so excitement came over me as they walked onto the stage. My first reaction was wow, how are these guys not headlining their own tours yet? They swept fans off their feet with Jeremiahs smooth voice and guitarist Lance Claypools catchy riffs. These guys gained plenty of new fans that night and I am proud to say that I am one of them.

    The Arkells took the stage and got the fans jumping to their feet and screaming lyrics at the top of their lungs from the opener Cynical. The set continued with songs from High Noon; such as Come To Light, Dirty Blonde, and Leather Jacket. They also played songs off their older albums “Michigan Left” and “Jackson Square.” A fan favorite that night was 11:11, once they started singing that the crowd seemed to lose control. The encore started off with acoustic version of Kiss Cam, followed by young Turks and their biggest hit to date Leather Jacket.

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  • Tom Hamilton’s American Babies Wail in Rochester

    Tom Hamilton’s American Babies closed out a lengthy fall tour at Rochester’s Flour City Station. The 31-date tour lasted seven weeks and visited 29 cities spanning 17 states. That’s a lot of miles logged and a lot of notes played. They could have either come out tired and road weary with a just-get-it-done attitude or tighter than ever, ready to finish off 2015 strong. Luckily for us it was the latter.American.Babies.Roch.16

    The band, currently consisting of Hamilton’s long-time partner Clay Parnell on bass, Justin Mazer on guitar, Al Smith on drums, and young singer-songwriter Raina Mullen on guitar and backing vocals, played a set spanning their entire existence and beyond.

    Late in the 80 minute set, Hamilton pulled out “Boy,” one of the first songs he ever wrote, originally for Brothers Past. Earlier in the evening though they introduced the audience to a couple of new songs that will likely find their way on their next recording. Each expanded on their unique universe of Americana-based rock. “What Does It Mean To Be” added in an interesting blend of reggae and grunge rock that developed into a long improvisation where some of Hamilton’s electronic history shined through. Eventually the jam wound around to a funked up cover of Bob Dylan’s “Tangled Up In Blue” that was more a cover of Jerry Garcia Band’s cover of the tune. A long and rocking two guitar assault petered into a beautifully mellow segment that picked up steam again only to find its way back into “What Does It Mean To Be” to complete a delicious sandwich.

    They followed with another new tune called “Synth Driver,” with hints of the Doobie Brothers and Steely Dan fell into more of a 70s rock vibe. Things darkened up quickly with some heavy guitar effects through the middle section.

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    Jerry Garcia’s influence came back in a cover of Jimmy Cliff’s “The Harder They Come,” again a cover that was more influenced by Garcia’s version than the original. Some very Dead-like sounds emerged in some of the bands older tunes, particularly on takes of “They Sing ‘Old Time Religion’” and in a beautiful intro to “Invite Your Friends.” Perhaps a carry over from Hamilton’s involvement in Joe Russo’s Almost Dead, or perhaps exactly the opposite? Either way it sounded great, and the American Babies maintained an original and enjoyable take on rock music.

    In only their second show ever, Buffalo’s Band of Peace, fronted by Big Leg Emma’s Steve Johnson, opened the show. Guitarist Joe Muffoletto channeled Dickey Betts to great effect, while the band romped through a rousing set of country and jazz infused rock.

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  • Photo Gallery: Stevie Wonder at First Niagara Center, Buffalo

    Legendary Stevie Wonder performed to a packed house at Buffalo’s First Niagara Center. The “Songs In The Key of Life” show was a nearly four hour concert to the delight of the crowd.

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  • Blinded By The Price: New York Questions Springsteen Ticket Reselling

    Every music fan has endured the online ticketing rush; when the clock strikes on-sale time, it’s a frustrating game of repeatedly hitting refresh, chancing each click until that next one successfully  unfreezes the screen to show items in your cart. But in truth, most concertgoers stick it out to avoid being forced to pay for high-priced resale tickets, or missing out on the show entirely.

    While the secondary market has improved with the creation of fan-based campaigns and startups on a mission to embrace the face value, professional ticket brokering is still finding a way to flood the resale market. And New Jersey’s blue-jean boss Bruce Springsteen is the latest artist to fall victim (again) in the never-ending battle against ticket scalping.

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    Tickets for Springsteen‘s 2016 tour will be released at 10 a.m. today through Ticketmaster and Live Nation, but the New York Times reported Tuesday that hundreds of seats were already listed by resellers online with single-ticket prices beginning at $5,000.

    Thankfully, these eyebrow-raising listings led New York Attorney General Eric Schneiderman to send the involved sites letters that questioned the act of false advertising under state general business law, since sellers could not yet have the tickets in possession.

    The NYT also said that the sites in question — StubHub, TicketNetwork, Vivid Seats — either remained confident in their refund policy for invalid tickets or removed listings for concerts in New York until the public on-sale date. Schneiderman’s office called the removal of listings a victory for consumers and pledged to continue to work on the issue.

    Springsteen and the E Street Band are set to tour the country, making stops for two nights in New York City (Jan. 24 and 27), Albany (Feb. 8), Buffalo (Feb. 25) and Rochester (Feb. 27). Springsteen is touring in support of the box-set release of “The Ties That Bind: The River Collection,” and this run is a nod to the Boss’ career-making 1980 “The River” tour.

  • See All Them Witches at the Bug Jar On Saturday

    Amidst a seemingly non-stop tour, Nashville 4-piece psych rockers All Them Witches make a stop at Rochester’s Bug Jar on Saturday night. The band is touring in support of Dying Surfer Meets His Maker, released somewhat appropriately the day before Halloween, and it’s scary good. Dig this video they released for “Dirt Preachers” that looks something from a far dark corner of the Adventure Time universe. Then come dig them live on Saturday night.

    All Them Witches Bug JarIt’s a full bill of quality rock jams, with Rochester’s own King Buffalo getting the night started at 9pm, followed by New Madrid out of Athens, GA. As if that weren’t enough to sate your heavy riff fix, DJ Professor will be spinning more stoner rock before, after and in between sets.

    It’s all going down this Saturday, December 12 at the Bug Jar. Tickets are available now at their site for $10, with prices increasing at the door to $12 for the over crowd and $14 for the younger set.

  • Members of SCI and Turkuaz, Plus Holly Bowling, to Perform with Joe Marcinek Band (Updated)

    The Joe Marcinek Band will play five shows in early December with a very special lineup. The brief tour brings the band to Syracuse and Buffalo on Dec. 4 and 5.

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    The current incarnation of the Joe Marcinek Band features Reed Mathis (Tea Leaf Green) on bass, Pete Koopmans (Family Groove Project) on drums and Holly Bowling on keys. Joe Marcinek, of course, will be on guitar. Jason Hann (String Cheese Incident, EOTO) will cover percussion the first two nights, with Michelangelo Carubba (Turkuaz) taking over the final three. ROAR, formerly Yojimbo, will open each night.

    Marcinek has a new album in the works. He is funding its creation through a crowd-source campaign. From his website:

    We are going out to Colorado to record at Scanhope Sound with Joey Porter from the Motet producing. Most of the money raised will go towards covering the studio time, musicians, mixing, master, manufacturing and anything left over will go towards advertising!

    I’ve put together a great package of perks for all those that pledge! Not only will you get a copy of the new CD once finished but if you let us know your email address you will recieve a digital copy of our first album “Both Sides” and the unreleased recording of the show from last month where JMB opened for Moe. The JMB lineup included Jim and Vinnie from Moe as well as Borahm Lee from Break Science on keys! 

    Tickets for all shows are currently available.

    Joe Marcinek on Facebook

    Joe Marcinek on Twitter

    Tour Dates

    Dec. 2 – Scarlet and Grey Cafe, Columbus, OH
    Dec. 3 – Madison Live!, Covington, KY
    Dec. 4 – Funk ‘n Waffles, Syracuse, NY
    Dec. 5 – Buffalo Iron Works, Buffalo, NY
    Dec. 6 – Beachland Ballroom, Cleveland, OH

    Correction: Michelangelo Caruba will no longer be joining the Joe Marcinek Band for this run. Jason Hann will be covering percussion for the first three nights, with Ryan Nogle, formerly of Aqueous, on the fourth night. There will be no percussionist on Dec. 6.

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