Category: Regions

  • Aqueous is My New Jam

    Aqueous – a four-piece out of Buffalo – has been making waves recently in the ever crowded and continually diversifying jam band circuit. Those waves hit my ears finally on a frigid night at the Flour City Station in Rochester.

    Flying out of the gates with a beautifully soaring slide guitar, and some heavy driving beats on Don’t Do It, Aqueous grabbed hold of the waiting audience and buckled them in for rocking ride late into the night. The rock assault was fairly relentless, each song flowed seamlessly together with hardly a let-up. But even for the uninitiated like myself, the switches were well-marked and never left you lost or disoriented. This speaks both to the quality of the songwriting, and the pointed-ness of the jamming. It didn’t veer off into aimless noodling, chugging always ahead.

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    My internal running commentary was devoid of the usual thoughts on the talents of the individual musicians – not that there wasn’t plenty of it to notice. It was also devoid of the usual they-sound-like-this-band comparisons. Aqueous is that rare band that blends it’s myriad influences into a wholly unique sound, while also blending its individual components into a singular force.

    They seem to be caught squarely at a juncture of heavy groove and heavy rock. Perhaps best exemplified in their exploratory vehicle Origami, which lulls you with a quasi-reggae groove, before blasting you away with a heavy rocking assault, and back and forth it went from there. And the heaviness kept rearing its head throughout the set, culminating in a climactic set closing cover of Metallica’s “Master of Puppets” that had the band and crowd alike banging heads and saluting the altar of rock with devil’s fingers. Impressive through and through.

    Pigeons Playing Ping Pong – another band quickly on the rise – was also on the evening’s jam-heavy bill. On the surface, a pretty standard funk outfit, they cracked open each song to reveal a glowing improvisational interior featuring the phenomenal guitar work of Jeremy Schon. I never knew that’s what funk looked like from the inside! While mostly funky and jammy, songs later in their set like Horizon and Julia showcased a poppier side, with instantly likeable hooks and melodies. As their name might imply, this is a band that brings a playful energy to the stage that can’t be contained, seeping generously into the crowd.

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    Ocular Panther, a two guitar and bass trio out of Rochester, got the evening started with some long instrumental prog rock explorations. They recently found themselves without a drummer and made effective use of electronic beats managed by one of the guitarists. Though with the complex improvisational nature of their music, a live drummer almost seems a necessity to bring their incredible visions fully to fruition.

    Setlists

    Aqueous:

    Don’t Do It > What’s the Connection, Complex > Fame* > Origami, Underlyer > Dave’s Song > Master of Puppets**

    ENCORE: Mosquito Valley Pt 1 > Gordon’s Mule

    * David Bowie

    ** Metallica

    Pigeons Playing Ping Pong:

    Upfunk, Time To Ride, Whoopie, Pop Off, Horizon, Burning Up My Time> The Liquid, Julia>Rugrats>Julia

    Ocular Panther:

    Marking Houses, Compartmentalizations, III E III, Protactinium, Insistences, I Feel Love * , Stairs

    * Donna Summer

    Review by Eli Stein

    Photos by Darren Kemp

  • 2015 Rochester Xerox International Jazz Fest Headliners

    Rochester music loving denizens know that the ultimate week in town is the annual Xerox Rochester International Jazz Fest. With hundreds of musicians expected every year playing street, theater and outdoor shows ranging from free to black tie affairs – the fest typically attracts in the 100’s of thousands over the course of 9 days. While the 2015 full schedule for Rochester’s Jazz Fest has yet to be announced – including the street held free concert series – some of the Kodak Hall headliner schedule has been announced.

    Canadian jazz legend Diana Krall will be performing a matinee 4PM show June 19. Multiple Grammy winning trumpet player Herb Alpert will toot your socks off on Jun 20. Herb will be joined by the brilliant and well known singer Lani Hall.

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    Hendrix scribe Gary Clarke Jr. will bring his screaming blues licks into town on Jun 23 with vocalist Beth Hart. Another Grammy winner – also well known as the winner of American Idol season three – Jennifer Hudson is up June 24. The Trucks/Tedeschi band along with Sharon Jones and the Dap Kings will be a part of this years festival on June 25.

    Finishing things off June 27 is the return of the Steep Canyon Rangers. The ever popular bluegrass band will be on their own this year – last year they performed alongside legendary comedian and banjo player Steve Martin.

    Select tickets have already gone on sale and it’s likely that all of these shows will sell out, if you want in – visit the website now for purchase. The ever popular nine day club passes are also available now for $194 – no club shows have been announced thus far.

    Stay tuned for all things Jazz Fest as more is announced!

  • Hearing Aide: Castle Creek ‘The Only Life’

    Central NY based Castle Creek is a duo composed of singer-songwriter/multi-instrumentalists Kim Monroe: vocals, guitars, Rhodes, organ, bass, percussion, cello and Chris Eves: vocals, guitars, Rhodes, organ, bass, drums. This is their first full-length CD, The Only Life, released in November 2014 and is solidifying the path they’ve been creating from the northeast to Austin, Texas and to the west coast at the NAMM Show in Anaheim, CA. in January. They’ll have the honor of performing at the Dinosaur Bar-B-Que in Syracuse following the sold-out SAMMY Award Hall Of Fame Dinner on March 5.

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    As if that wasn’t enough, the CD is self-produced and engineered, with all song-writing credits to Kim and Chris besides track 6 which is a Monroe/Mark Doyle composition. Bruce Monroe contributed lap-steel to track 1. Matt Mangano at Southern Ground Studio, Nashville is credited with the mix, and Independent Mastering, Nashville with the finishing touches. All of these facets together make for a dynamic and soulful blend of what the duo describes as alternative blues. It’s fitting as the elements of snarl and bite mix intricately with the bluesy rise and fall of their emotive vocals, each voice standing easily alone or perfectly complimenting the other.

    The duo first met at a mutual friend’s wedding where Kim sat in with Chris’ band that was performing there. They talked afterward about songwriting and their own solo projects, eventually writing “Brand New Blues”, that is on this release, that day. Before Castle Creek, Chris attended Berklee and had been a national touring/session guitarist, writing and recording his own songs along the way. Two of those are featured here, “New Normal” and “Bigger Than the Two of Us”. Kim is a multiple SAMMY winner for her two solo albums recorded with Mark Doyle in Syracuse, she credits him for, “Essentially teaching me how to rehearse with a band, how to record music in a studio, introducing me to Soul Music and pushing me to be a better performer.” She then performed in a Buffalo area musical collaboration with Robby Takac of Goo Goo Dolls, called Amungus. After building a reputation around the northeast under their own names as a duo, they took the name Castle Creek for this, their first full-length release.

    Before reading their answers to my questions and while listening to their disc the first time, I had a good idea where some of their influences came from. It’s one of my favorite parts of writing reviews, and it’s always interesting to see where those influences take them. Kim lists Bonnie Raitt and Jackson Browne, I had both, even before seeing a picture of Kim placing her left hand in Bonnie’s left handprint at Grauman’s Chinese Theater in Hollywood. Chris’ were evident watching him rip the slide guitar during a Vinyl – Albums Live performance of The Black Crowes, “The Southern Harmony and Musical Companion”, he lists The Allman Brothers as well among others. Both he and Kim have diverse musical tastes, something that holds true with many great musicians, they appreciate, listen to and learn from all genres of music from classical to pop to metal.

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    The opener, “The Only Life I’ve Ever Known” gives a deep expression of what’s to come throughout this whole offering. The counter-point between Monroe’s growl, the plaintive wail of Greg Monroe’s lap steel and Eves’ slide work illustrate the emotion pouring from the lyric. You can almost hear Raitt split into two personalities and doubled through the mix, it grabs at your heart and pulls hard. “Brand New Blues” straddles a similar line with Eve’s blues riff coloring Monroe’s grit and determination. The way their vocals compliment is noteworthy as well, Eves’ tempered soul softens Monroe’s edge at just the right moments while allowing her natural twists and turns to come through in a searing fashion. She’s telling you a story, it’s real, heartfelt and emotional, commanding your attention.

    “Dragging My Heart Around” lets Eves come to the front vocally and the tune rolls to the rock side of blues embellished by the Hammond swirling. The depth of their instrumental abilities is remarkable, Chris hits ‘em hard here, he could easily be a drummer and that’s a lot to say. Many attempt this and it ends in tears, here he does that and more as he answers with a ripping guitar solo to top it off, amazing stuff! You can almost hear The Black Crowes on “Burning Bridges” with it’s swampy slide and rhythm until Monroe kicks the vocal in and it becomes all Castle Creek. The driving beat and quality of the mix provide a platform for Monroe to tell another incredibly personal tale from. Her vocal range and consistent quality are exemplary and allow the song to rise and fall with each new verse supported by and accentuated with Eves’ brilliant guitar work.

    “New Normal” brings Eves to the forefront again and Castle Creek keeps showing different levels and voices they have in their arsenal. This tale of triumph is well written and expressed as kindred spirits find each other. While tales of being outcast and alone can sometimes wear heavily, disaffection becomes something of the past to reflect on and rise above here, uplifting while the sadness slips away. “New Reality”, the Monroe/Doyle composition, is straight-up blues and self discovery. Monroe shreds an exposition of growth away from small town entitlement to the heights available to her through herself. “Glass Heart” is a classic moving on song, the difficulty of doing so and the disillusion of love gone bad. The analogy is strong and the lyrical turns ring true.

    “Brace For The Heartache” shows how the blues turns so easily to rock, the rave-up guitar tracks push Monroe along, “I could see this coming from miles away, We bend until we break, All that I could do is hold on and brace for the heartache”. The Hammond solo fits so perfectly and segues into the big guitar riff that takes you to the close, brilliant rock music right here.
    “Bigger Than the Two of Us” has a Buckingham/Nicks self-exposure kind of feel, after all, the best of songs come from personal experience. The guitars are big and the groove is solid, when Kim and Chris sing together it’s very easy to believe everything they say. This is single material for sure.

    “The Saddest Long Song” brings the tempo down and Kim’s bluesy vocal evokes an image of a smoky club and a single spotlight shining as she pours her heart out to a silent audience hanging on every note. The blistering guitar solo only heightens the tension in the room until it softens and ushers her story back in. Cue the audience standing and cheering. “Warpaint” spins the disc back into overdrive, flexing the muscle of a determined woman expressing her self-confidence and her undeniable charms. When this band rocks, it hits hard and wonderfully counters its softer side, but I believe it’s where the band soars. The closer, “Flown Away” acoustically brings the set to an end. Chris’ lead and Kim’s harmonies combined with the string parts are stunningly somber, yet beautiful at the same time. When it’s a song of hope, there’s always a chance for another chapter in the story.

    Key Tracks: The Only Life I’ve Ever Known, Bigger Than the Two of Us, The Saddest Love Song

    Kim and Chris have deep appreciation for their families, friends and supports. From Chris: My parents who are very supportive. My Brother Travis. My teachers growing up in the area- Ed Vollmer, Carmen Caramanica, Rick Balestra. From Kim: My Mother Liz and Father Bruce who both introduced me to the music business in different ways. My Step-Father Greg for introducing me to off the wall music I never would have heard. Mark Doyle for essentially teaching me how to rehearse with a band, how to record music in a studio, introducing me to Soul Music and pushing me to be a better performer. Chris for making me the performer/musician that I currently am. And it seems obvious but of course to everyone who has bought our music, come to our shows, loaded our gear, made us look/sound good on stage, given us places to stay on the road and musicians who have learned our music and been a part of a band with us. Castle Creek will give you many opportunities to experience their musical magic live and I highly suggest you do that, after you purchase this cd of course. You can follow Castle Creek on Facebook and on their website.

  • Fred Gillen Jr. Debuts New CD ‘Wage Love’ in a Homestyle Fashion

    It seemed as though a town meeting was mustering at EMBARK@EMC as the locals, family, and friends poured in from the clammy cold street to help Fred Gillen Jr. celebrate the release of his ninth studio album Wage Love on Feb. 8. From the outside, EMBARK’s space at the Energy Movement Center is just like any other small-town storefront, that evening decked out with posters and artwork for the show and a well-placed portrait of Pete Seeger to greet folks as they came in.

    The show started off with a few songs from Philadelphia based street performer, Laura Bowman, who contributed vocals to the album and joined Fred and his band (also composed of contributors to the recording) later in the evening. It was the first time for many at the show to hear Bowman but its a name they’ll remember for years to come – her beautiful dynamic singing and accompanying guitar work fueled by an engaged audience is something to not be taken for granted.

    A performance like this made for an exciting and enjoyable first listen to the album through a live re-enactment of it. The CD itself is skillfully composed, and hearing it first through a live performance adds a connection with the spontaneity of Fred’s style and jest – something liner notes cannot do. The first impression of Wage Love is much more vivid than that of listening at home. Fueled by a potluck-spread of snacks and goodies, the audience fed a communal energy into the room – singing along with and becoming engaged in the music – in feedback to the lyrics, soul, and music generated from the auspices of the American flag hung on the curtains behind the band.

    Joining Fred was the same crew that backed him up on the album – Laura Bowman on vocals, Paul Magliarli on drums, Matt Turk on guitar and mandolin, and Jeff Eyrich on bass.

    The album itself is political yet not dreary. Fred’s style, which throughout his compositions brings a fresh sound to the traditional folk and Americana music setting, lends a net of optimism to topics (worker’s rights, war, government) that tend to sometimes stir a sense of gloom. As a token to the lesser-sung songs of the working American and undermined heroes the album starts off with “Walking Down That Freedom Highway” – written to the tune of Woodie Guthrie’s “This Land Is Your Land” – and ends with “I Dreamed I Saw Pete Seeger” – a hymn to the unparalleled spirit we lost in 2014 sung to the air on part of “We Shall Overcome,” a staple of Seeger’s songbook.

    The setlist included Wage Love from start to finish and an encore of two songs from previous albums – “This Old Car” and “Devil’s Bluff.”

    Key Tracks: Killing Machine, We The People, I Dreamed I Saw Pete Seeger

  • Winter Carnival 2015: Formula 5 at the Waterhole

    It was a flying groove rather than a race, with Formula 5 performing at the Waterhole for Winter Carnival in Saranac Lake. The music flowed, the jams extended, the people danced. This band is composed of four talented young musicians from the Albany Area;  Joe Davis on Guitar, Mike McDonald on Keyboard, James Woods on Bass and Greg Mark on Drums.

    formula 5 winter carnivalThey have funk, improvisation jams and sound larger with a higher level of groove reminiscent of bands like Phish.  Their songs are original with instrumental breaks and an underlying trance/dance rhythm. Nominated for ’s 2014 Bands on the Rise as well as Upstate Album of the year with“Edging on Catastrophe.”  Formula 5 is a band that is accelerating fast, sure to be on the festival stages this summer and definitely not to be missed.

  • Winter Carnival 2015: The Blind Owl Band at The Waterhole

    The Blind Owl Band is Adirondack Grass music. Five bearded dudes with strings and electricity, howling down the mountains to put the final finis on Winter Carnival at the Waterhole in Saranac Lake NY. This band is composed of Eric Munley, picker of mandolin, Arthur Buezo sliding on guitar, James Ford rolling on banjo, and Christian Cardiello playing at breakneck speed on bass. And their performance at Winter Carnival 2015 was quite the treat.

    Winter Carnival The Blind Owl BandAll transplants to the area, they now define progressive bluegrass in the Adirondacks. But with two album’s, Rabble Rousing and This Train is Made of Wood and Steel, they have been spreading their blind owl wings to festivals and towns throughout the Northeast. Their musical style is blue-streak fast and furious tempos with impressive instrumental dexterity, then fall back into old-time string band  stanzas.   Experienced live, they move, twist and turn, fingers a flying, bass a spinning and the audience pressing closer to the stage, dancing and feeling the joy of what is The Blind Owl Band. Hoot!

  • Winter Carnival 2015: Moon Hooch

    Two saxophonists, Mike Wilbur and Wenzl McGovern with a drummer James Muschler make up the phenomenal band Moon Hooch, who performed at Winter Carnival 2015. They call it “Cave Music” I call it the best new jazz out there, aka Rashim Roland Kirk.  Hold on to your drum hat and start your cyclic breathing,  this band will make you dance.

    Winter Carnival 2015 Moon HoochFunky, wild, free yet so organic is the groove that the only primal thing you can do is move. Let other bands do covers, this band has captured a unique sound that has propelled it from busking on subways to hitting the top numbers on Billboards jazz charts and packing dance halls around the country. Picked up by Mike Doughty (formerly of Soul Coughing) when he saw  them play in the subway and liked them so much that he had them open for him on a national tour. The Moon Hooch phenomena has just grown from festivals, to pastures, to museums, to cooking vegan in the van, to inducing alpha brain waves in the audience.  They just released their second Album, This is Cave Music, and they are an act not to be missed. Photos from their show at The Waterhole at the Saranac Lake Winter Carnival as well as prior to the show,with a giraffe.

    And yes, they tore the house down and all were dancing to…..jazz.

  • Photo Gallery: Railroad Earth Visits a Frozen Niagara Falls

    Railroad Earth played to a solid crowd during a very cold Sunday night at Rapids Theatre in Niagara Falls.

    The band played through a number of songs stretching through their growing catalog. The band seemed to hit on all strides providing some great jams and hearty Americana rock. The New Jersey band continues to give New York state some love as they make it out this way whenever they can and will be continuing their tour with a stop in New York City with three dates this weekend at Brooklyn Bowl.

  • Hard Soul to Celebrate Successful Kickstarter Campaign at The Hollow on Feb. 20

    Upstate New York rock band, Hard Soul, have successfully completed their Kickstarter campaign in raising over $12,000 to fund their latest EP, Fairer Shores and touring needs. The local Albany band had over 150 backer’s support them on this mission proving the dream of Rock n Roll is far from dead. Kickstarter is a crowd based, fund-raising site for creative projects that helped Hard Soul and millions of others reach goals from the help of friends and supporters.

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    “The outpouring of support from all the fans has been absolutely incredible and very humbling,” said Hard Soulfront-man Johnny Salka. “We’re beyond excited for the opportunity to hit the road and share our music in front of new faces and cities later this month.”

    Hard Soul consists of guitarists Johnny Salka, Steve Thompson and Nick Kossor, bassist Ryan Klaeysen, drummer Mark Podbielski, all contributing to vocals of original heartfelt lyrics. The band’s LP Heart of Plaster from 2014 grabbed regional attention as the Albany Times Union placed them on the “Best Records of the Year” list. The first single off their latest EP “The Sweetest Heart” was released on January 20th with a laid back music video. Fairer Shores drops on February 24th on CD and digital formats with limited-edition vinyls later this year.

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    Eager to share their new music with loving fans, Hard Soul is kicking things off at The Hollow in Albany on Friday Feb. 20 where they will be opening for Frank Iero (formally of My Chemical Romance) to start their Winter Tour of Upstate NY and beyond. The show starts at 8pm with $15 in advance and $18 at the door. Get there early to support local music from Hard Soul as they bring their modern-day rock with vintage soul to Pearl St.

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  • Rock n Roll Resort v5: ‘Electric Avenue’, First Wave Lineup

    Wicked Cool Productions is proud to present Rock n Roll Resort v5: Electric Avenue welcoming in its first wave lineup: Fishbone, Easy Star All-Stars, Twiddle x2, Consider the Source, The Werks x2, Organically Good Trio (featuring Paul from Slightly Stoopid), The Skints (UK), Beau Sasser’s Escape Plan,  Adam Ezra Group, Dangermuffin, The Kind Buds, Frank Viele, Formula 5, Gaslight Tinkers, Relative Souls, Strange Machines, Sprocket, People with Instruments, Demise vs Cheatcode & DJ N.E.B., Digital Storm, Political Animals, and The Mary Jane Jones. The Rock n Roll Resort v5 takeover happens April 30 – May 3, 2015 at the newly renovated Hudson Valley Resort & Spa, Kerhonkson, New York, in the heart of the Shawangunk Mountains in the gorgeous Catskills.

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    Tickets are on sale Monday, February 23 at NOON at rocknrollresort.com

    The v5: Electric Avenue installment of Rock n Roll Resort will showcase an inspired mix of super talent with over 60 hours of musical entertainment, collaborative live art, activities including a disc-golf tournament and mini-golf tournament, workshops and theme nights, cyberistic euphoria, delicious catering and even a festival vendor row; all at an affordable price and within the conveniences of the Hudson Valley Resort & Spa. Many artists will take the stage multiple times throughout the weekend, and many more artists will be announced for the second wave lineup.

    “For Electric Avenue, I wanted to blend a few concepts together. There’s The ‘Road to The Resort’ competition for up and coming bands, there’s the indoor vending that will be fashioned as an electric avenue, and there’s our continued relationship with the creative folks at Magic Hat Brewing,” says Shannon Plaquet, producer of Rock n Roll Resort. “It’s going to be one of the most diversified lineups of old school meets new school that we’ve ever had. We’ve dialed in pretty much everything in previous events and this one should be the best event yet.”

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    The full immersion Rock n Roll Resort experience is inviting and intriguing, expansive yet intimate, as fans, artists and craft vendors take over the grand resort. With music running from the afternoons until well past sunrise each day, super fans can dance into a frenzy, then walk back to their hotel rooms to re-energize or head to the dining hall for catered lunch or dinner. Rock n Roll Resort fans leave their tents at home and kick off the festival season in style!

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    Check out our past coverage of Rock n Roll Resort here.