Category: Regions

  • Great Gig in The Chance: The Machine Comes to Poughkeepsie

    For more than a quarter century, The Machine has been recreating Pink Floyd experiences across the world with spectacularly produced light and video shows and tight musical performances. On Friday, March 6, they bring their Floydian touch to Poughkeepsie’s Chance Theater.

    Photo Courtesy of The Machine
    Photo Courtesy of The Machine

    The New York based quartet has built its reputation as one of the finest cover bands touring. Critics laud The Machine’s precision and fans praise the experiential nature of each show. They play a diverse mixture from Floyd’s extensive catalogue and each show provides something new. On any given night, they might take requests from fans, play entire albums, or share the stage with entire symphonies. The Machine has played festivals such as Bonnaroo, sold out large arenas, and they bring their renowned gig to Poughkeepsie’s historic Chance Theater on March 6.

    The show is at 7:30. Tickets for The Machine at The Chance can be purchased here.

  • Exclusive: Mister F Celebrate 2nd Anniversary With New Videos

    Two years ago today – brothers Matt and Ben Pickering and axe man Andrew Chamberlaine came together with multi-instrumentalist/sit-in wizard Scott Hannay to form Albany’s Mister F. Despite their short tenure – the F have grown exponentially – building crowds up and down the coast and deep into the mid-west. They are also attracting some top name attention with Umphrey’s Joel Cummins sitting in at a recent F show.

    Mister F Videos scott hannay joel cummins
    BDL Photo

    Mister F is celebrating the occasion by releasing three brand new videos to say thanks to their fan-base – known as F-Squad. The first is “Don’t Lose Your Watch”. NYS Music caught up with keys man Hannay who shared the thought process behind the song’s creation:

    When we were writing and had the song pretty much put together, we decided it would be cool to lay down vocoder vocals for this one. I ended up getting hooked on the game Portal 2 that same week, and there is an omnipresent computer talking to you the whole game, taunting you and playing mind games with you. I thought to write it from the perspective of a similar computer, as the human is trying to get it to understand music based in 5 beats per measure (most of the song itself). The computer is basically saying “yeah, not gonna happen. doesn’t really matter, I’ll still be around when you’re gone” but encounters some frustration when it really tries to figure it out. In the end, the computer doesn’t really need to understand it, because it’s a computer, and tells the human to stop wasting its time with such a futile endeavor – “Don’t lose your watch, your time is wealth” – Scott Hannay

    Check out the new tune below and watch for two new videos the next two Sundays. After all three videos are released the songs will become available on the F bandcamp page as a new EP titled: The Snow Day Sessions. 

  • St. Vincent Headed to Rochester March 5

    Thursday March 5, St. Vincent takes the stage at a sold out show at Water Street Music Hall in Rochester, NY. This is one out of only two stops in upstate New York during this tour. St. Vincent just won the 2015 Grammy Award for Best Alternative Album. Congratulations to her for the award on the self titled album.

    st vincent rochesterSt. Vincent is multi talented singer songwriter with an established reputation. Her distinctive electric sound intrigued David Byrne, of the Talking Heads, leading to a great collaborative album back in 2012. It is nice to see and hard to believe that tickets were originally on sale for 25 dollars. Even though Water Street is sold out try to pick up some tickets. Do not miss out.

    http://www.youtube.com/watch?v=fY-WAu_SqWs

    Doors at 7pm show starts at 8pm.

    St. Vincent’s next stop in New York state is Clifton Park on March 7.

  • Finale at The Palace Theatre: Umphrey’s McGee Closes Out Winter Tour in Albany

    As they closes out their Winter Tour, Umphrey’s McGee wrapped things up at The Palace Theatre on February 21 alongside TAUK, a great pairing of bands both rising and established. For the first time, Umphrey’s was brought to the Palace and out of the doldrums of Upstate Concert Hall, and finally, Jefferson Waful’s lights could properly shine and the band could show they could fill a theatre in Albany-proper.

    umphreys mcgee winter closercOpening up was the instrumental funk of TAUK, who only a year ago were playing Parish Public House to 100 or so fans. The growth of this band over the past year was remarkable and now a tour with Umphrey’s has only solidified their ascendance among the jam world. To cap the set, TAUKwas joined by Joel Cummins, Ryan Stasik and Andy Farag during “Mindshift”. TAUKis incredibly talented and worth seeing in any capacity.

    Umphrey’s dove in deep for their tour closer and resurfaced only briefly for air in what was an entire rocker of a show. After an introductory “Dump City” the relatively light “Piranhas” and heavier “Educated Guess” off Similar Skin mixed the set up early, as well a shredding “Atmosfarag”. A 14 minute “Plunger” was a clear highlight of the first set, dropping into an exploratory jam that segued into “Andy’s Last Beer”. The fluidity exhibited by Umphrey’s is one of their musical trademarks amid what some may perceive as musical chaos and overly complicated compositions; what they are missing is the core of this prog-rock jam band and soaring peaks and valleys of songs and jams that few bands can come close to replicating.

    “Wappy Sprayberry” with TAUK’s Alric Carter (keys) and Isaac Teel (drums) sitting in was a chance for these incredibly talented musicians to shine under a brighter spotlight. A clean segue into “Pay the Snucka” with a shredding ending capped a superior first set.

    An abbreviated “All in Time” opened up the second set, seguing into the lyrically and musically powerful “Hajimashite” which launched into a great expanse of a jam, one not seen too often in “Haji”. The jam that ensued worked off of Pink Floyd’s “Breathe” and dipped into the funk of “Day Nurse” accented by Joel Cummins’ airy synth framework.

    “Phil’s Farm” took some huge swings and had a great pay off, with a bonus of the drummer from local band moe., Vinny Amico, sitting in on drums. Working back into August and into the closing of “All in Time” made for a filling second set sandwich and capped off a monster set from start to finish. A big “Bad Friday” encore was the icing on Umphrey’s first ever performance at the historic Palace Theatre, a perfect venue for them for the foreseeable future.

    Set 1: Dump City, Piranhas, Educated Guess, Atmosfarag > Plunger > Andy’s Last Beer, The Weight Around, Wappy Sprayberry* > Pay the Snucka

    Set 2: All in Time > Hajimashite > Day Nurse, Ringo, Phil’s Farm^, August > All in Time

    Encore: Bad Friday

    * with Isaac Teel and Alric Carter of TAUK

    ^ with Vinny Amico of moe.

    Download the show on Archive.org or at UMLive.

    After the show was over, fans flooded Pearl Street looking for their late night fix and a sold out crowd found just that at The Hollow. With Mister F performing, friends stopped by for a few songs, including Joel Cummins’ sitting in next to Scott Hannay on “Answer the Dog”, and an extended “Vocoder” jam featuring Alric Carter and Isaac Teel of TAUK as well as Justin Henricks of Beau Sasser’s Escape Plan.

    Joel Cummins sitting in with Mister F @thehollowalbany #postumphreys #umphlove

    A video posted by pete mason (@phanart) on

  • Here’s the Plan: An Interview with Beau Sasser about his Escape Plan

    The newest and funkiest beep on the musical radar of the NY scene is Beau Sasser’s Escape Plan. The high-powered collaboration is led by the one and only Beau Sasser on the Hammond organ, vocalist Mary Corso, dueling guitarists Justin Henricks from Way Down/The Chronicles and Danny Mayer from Alan Evan’s Playonbrother with drummer Bill Carbone from Max Creek, fusing together rock ‘n’ roll attitude with a strong funk foundation. The funky five piece has been traveling across the country and back to bring a fresh, explosive sound that drops jaws and blows mind with serious guitar shredding, fierce rhythm and soulful key pounding.

    Check out Beau Sasser’s Escape Plan TONIGHT Feb. 27 at The Putnam Den in Saratoga Springs with The Nth Power. Doors are at 8:30 pm with music starting at 9:30pm and a cover charge of $15 at the door for the 18+ event. Click here to buy tickets in advance and to guarantee that you won’t miss out on a great show. The last stop for the Escape Plan of their winter tour will be Saturday Feb. 28 at the historic Nectar’s in Burlington, VT.

    I was lucky to catch up with Beau Sasser to talk about his escape plan, covering rock classics and highlights of their winter tour.

    Susan Rice: What are you escaping from and what’s the plan?

    Beau Sasser: The show is an escape for the audience for a little while, our goal is to create art through music and connect with the crowd and share in that journey, and its an escape for us too! The plan is make the world a better place through feel good music. The band has such a great vibe, we just want to share that with the audience.

    SR: How did you come to assemble the Escape Plan band members?

    BS: I’ve played with our drummer Bill Carbone in various bands over many years. We played together in the Melvin Sparks Band and now currently in The Z3. I met our guitarist Danny Mayer 3 years ago when Alan Evans(Soulive) put together his own group Alan Evans Trio which became Playonbrother, we traveled and played together alot over that time. I’ve connected with guitarist Justin Henricks and vocalist Mary Corso more recently in the last year or so and invited them to come play Funk Night at Bishop’s Lounge in Northampton, Ma, a weekly gig we do each Wednesday. This band really came together on those gigs and we realized quickly that it was something special.

    SR: You’ve been touring heavily all over the area to promote your new sound. How have fans been responding to your new collaboration?

    BS: The response has been really incredible! A ton of buzz around this group and we’ve had alot of support and great shows, I think its fun for the fans to watch the evolution of a new band and be involved in the process.

    SR: What are three key factors for having a fantastic funk set/show?

    BS: I would say we try to keep energy, crowd connection and high voltage onstage vibe at the forefront of our live show.

    SR: When I saw your show at The Hollow in Albany on February 13th, you covered Frank Zappa, The Allman Brothers and Earth Wind and Fire. How do you pick which songs/artists to cover? Are the songs difficult to funkify?

    BS: We’ve been careful to pick some choice covers that fit in the funk vein. We love Frank Zappa and have a pretty good arsenal of FZ covers that are more from his seventies era band that really leaned on funk music a little harder than some of the other eras. Also we really try to take advantage of our double guitar situation, incorporating a few Allman Bros. tunes which lean more towards a southern rock vibe, we try to do our own arrangements to make them fit the show. “Taxman” by the Beatles is another cover we have been working on and we’ve taken more of a James Brown approach to it, utilizing two guitars in a rhythm/comping situation, making it easy to put some funk sauce on it.

    SR: Your Winter Tour is coming to an end. What was your favorite part? Would you change anything in particular? What’s next for the Escape Plan?

    BS: As the winter tour comes to an end I would have to say the highlight was our week run in California, we played House of Blues and had members of Fishbone, Pfunk, Umphrey’s McGee and Snarky Puppy join us onstage. Unbelievable vibe during the show and it was certainly a great party! The other highlight would be our show last weekend in our hometown of Northampton, MA at Iron Horse Music Hall. So many friends and family and great to play for the hometown crew here where it all started. That show was recorded and is being spread around the internet, the band played great and there is wonderful sound quality on that recording. The only changes we are making are to keep working on perfecting our set and our overall live concert experience, we’ve been using lights and lasers in the show on some choice performances and I’d like to make that a more regular part of the show. Up next is recording our new album which will come out in April, our spring tour that will bring us to jazz fest in New Orleans, and then festival season when all this snow melts!!!!

    Check out their live performance of “Love is Free” from Church of Boston on January 10 below.

  • JJ Grey and Mofro at The Egg

    The soul of the south warmed up Albany at The Egg on February 19 with JJ Grey and Mofro performing a riveting and inspired set of classic songs and new tracks from their new album Ol’ Glory, due out this month.

    Opening was The London Souls, now a duo, but still with a heavy sound that resembles a trio, even though the band didn’t seem to be as loud as they could have been. With a London rock sound and smooth blues base, they were augmented with the influence of The Beatles, The Guess Who, and especially Cream and The James Gang, particularly on the open-ended “Under Control” that closed their set.

    JJ Grey The EggJJ “50 shades of” Grey, with a slight twang in his voice from his Northern Florida home, where the accent fades a little, brought southern soul along with Mofro, a band that has been on the march for nearly 15 years and a perfect combination of forces. The stage was setup as an intimate room, inside another intimate room, The Hart Theater in The Egg Performing Arts Center. The lighting resembled a chandelier, a tapestry was the backdrop and floor and table lamps made it feel like JJ Grey and Mofro were performing in your own backyard. The band opened with “Hide & Seek” which had a hint of “Hush” by Deep Purple, followed a few songs later by the debut of “The Island,” a mellow and personal song off the upcoming release Ol’ Glory.

    “Brighter Days” displayed a building energy throughout which carried over in the back-to-back high power combo of “Orange Blossoms” and “Everything Good is Bad” to which the crowd roared with approval. The understated organ player Anthony Farrell shone on “Ho Cake” and “A Night to Remember,” the latter of which had hints of Bachmann Turner Overdrive.

    The encore was an expected “Lochloosa” starting with a dark stage and soul-filled organ and the band slowly assembling, and as Grey sang the opening line, the audience sang the second verse, knowing this heart and soul tune from 1100 miles away from its origin.

    JJ Grey and Mofro, The Egg – February 19, 2015

    Setlist: Hide & Seek, Every Minute, 99 Shades, The Island, Your Lady, Light a Candle, Brighter Days, Everything is a Song, Orange Blossoms > Everything Good is Bad, Slow Hot Sweaty, Ho Cake, Night to Remember

    Encore: Lochloosa, Ol’ Glory

    [FinalTilesGallery id=’86’]

  • Joey Eppard Streams Live Album

    Joey Eppard – Woodstock, NY singer/songwriter, front man and guitarist of progressive band 3 – made his 2013 live album Joey Eppard: Live in Concert available in full on Bandcamp nearly two years after release. Previously only four songs had been available for play.

    joeyeppard

    Eppard said that the goal of recording the set was to give far away fans the ability to hear him live. The set was performed in front of an intimate audience, mixed by Eppard himself, and includes guest spots – notably by drummer Chris Gartmann. The performance also includes some songs off of Eppard’s 2002 solo album Been to the Future, as well as a number of acoustic 3 arrangements.

    Joey Eppard: Live in Concert can be purchased through Eppard’s BandCamp page and on his web-site.

    Check it out below.

    [bandcamp width=100% height=120 album=1349531312 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

  • North Mississippi Osborne Invades Helsinki Hudson

    1nmasHudson’s Club Helsinki will be treated to a blues fusion Sunday, March 1 as members of North Mississippi Allstars unite with Anders Osborne. The performance is the fifth in five days for the collaboration known as North Mississippi Osborne and the ninth of a twenty-five show U.S. tour.

    As their name suggests, the North Mississippi Allstars, composed of brothers Luther and Cody Dickinson and Chris Chew, hail from the Magnolia State. Their debut album, Shake Hands With Shorty, was nominated for the Best Contemporary Blues Album Grammy and the band has been nominated for the same award twice more. Osborne, a native of Sweden, hitchhiked across the globe making music as a teenager before finding a home in New Orleans. Osborne’s resume includes performances with Phil Lesh and Friends, Karl Denson, and Galactic.

    In support of their recently released album Freedom and Dreams, Osborne and the Allstars have joined forces to tour the nation. Their Southern blues will shake up Club Helsinki Sunday night.

    Doors are at 6 p.m. and the show is at 8 p.m. Tickets can be purchased here.

  • Bela Fleck, Ani DiFranco, The Mavericks and Guster among 2015 Clearwater Festival acts

    This year’s Clearwater Festival will include a diverse group of acts including Ani DiFranco, Guster, The Mavericks, and Bela Fleck with his wife Abigail Washburn. The festival runs June 20-21, 2015 and will once again take place on the banks of the Hudson River, at Croton Point Park in Croton-On-Hudson.

    Other acts include Niko Case, The Mavericks, Blind Boys of Alabama, Angélique Kidjo, Shelby Lynne, Bettye LaVette, The Pine Hill Project feat. Richard Shindell & Lucy Kaplansky, The Felice Brothers, The Lone Bellow, Todd Snider, Toshi Reagon & Big Lovely, Joseph Arthur, The Klezmatics and Tom Paxton, among others. More acts are expected to be announced.

    Founded by folk legend Pete Seeger, the family-friendly Clearwater Festival, also known as Clearwater’s Great Hudson River Revival, is both a music and an environmental festival. Seeger started it as a fundraiser for an environmental organization he founded.

    20130921-PeteSeeger-01

    “Pete and (his wife, festival co-founder) Toshi both passed away a little over a year ago, but Pete’s legacy of harnessing the spirit of change through the power of song lives on at The Clearwater Festival,” reads a press release announcing the lineup.

    Early bird tickets are on sale now through March 23 on the festival’s website. Kids 12 and under are free.

    The full lineup can be found here.

  • Hearing Aide: Castle Creek ‘The Only Life’

    Central NY based Castle Creek is a duo composed of singer-songwriter/multi-instrumentalists Kim Monroe: vocals, guitars, Rhodes, organ, bass, percussion, cello and Chris Eves: vocals, guitars, Rhodes, organ, bass, drums. This is their first full-length CD, The Only Life, released in November 2014 and is solidifying the path they’ve been creating from the northeast to Austin, Texas and to the west coast at the NAMM Show in Anaheim, CA. in January. They’ll have the honor of performing at the Dinosaur Bar-B-Que in Syracuse following the sold-out SAMMY Award Hall Of Fame Dinner on March 5.

    Front Cover

    As if that wasn’t enough, the CD is self-produced and engineered, with all song-writing credits to Kim and Chris besides track 6 which is a Monroe/Mark Doyle composition. Bruce Monroe contributed lap-steel to track 1. Matt Mangano at Southern Ground Studio, Nashville is credited with the mix, and Independent Mastering, Nashville with the finishing touches. All of these facets together make for a dynamic and soulful blend of what the duo describes as alternative blues. It’s fitting as the elements of snarl and bite mix intricately with the bluesy rise and fall of their emotive vocals, each voice standing easily alone or perfectly complimenting the other.

    The duo first met at a mutual friend’s wedding where Kim sat in with Chris’ band that was performing there. They talked afterward about songwriting and their own solo projects, eventually writing “Brand New Blues”, that is on this release, that day. Before Castle Creek, Chris attended Berklee and had been a national touring/session guitarist, writing and recording his own songs along the way. Two of those are featured here, “New Normal” and “Bigger Than the Two of Us”. Kim is a multiple SAMMY winner for her two solo albums recorded with Mark Doyle in Syracuse, she credits him for, “Essentially teaching me how to rehearse with a band, how to record music in a studio, introducing me to Soul Music and pushing me to be a better performer.” She then performed in a Buffalo area musical collaboration with Robby Takac of Goo Goo Dolls, called Amungus. After building a reputation around the northeast under their own names as a duo, they took the name Castle Creek for this, their first full-length release.

    Before reading their answers to my questions and while listening to their disc the first time, I had a good idea where some of their influences came from. It’s one of my favorite parts of writing reviews, and it’s always interesting to see where those influences take them. Kim lists Bonnie Raitt and Jackson Browne, I had both, even before seeing a picture of Kim placing her left hand in Bonnie’s left handprint at Grauman’s Chinese Theater in Hollywood. Chris’ were evident watching him rip the slide guitar during a Vinyl – Albums Live performance of The Black Crowes, “The Southern Harmony and Musical Companion”, he lists The Allman Brothers as well among others. Both he and Kim have diverse musical tastes, something that holds true with many great musicians, they appreciate, listen to and learn from all genres of music from classical to pop to metal.

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    The opener, “The Only Life I’ve Ever Known” gives a deep expression of what’s to come throughout this whole offering. The counter-point between Monroe’s growl, the plaintive wail of Greg Monroe’s lap steel and Eves’ slide work illustrate the emotion pouring from the lyric. You can almost hear Raitt split into two personalities and doubled through the mix, it grabs at your heart and pulls hard. “Brand New Blues” straddles a similar line with Eve’s blues riff coloring Monroe’s grit and determination. The way their vocals compliment is noteworthy as well, Eves’ tempered soul softens Monroe’s edge at just the right moments while allowing her natural twists and turns to come through in a searing fashion. She’s telling you a story, it’s real, heartfelt and emotional, commanding your attention.

    “Dragging My Heart Around” lets Eves come to the front vocally and the tune rolls to the rock side of blues embellished by the Hammond swirling. The depth of their instrumental abilities is remarkable, Chris hits ‘em hard here, he could easily be a drummer and that’s a lot to say. Many attempt this and it ends in tears, here he does that and more as he answers with a ripping guitar solo to top it off, amazing stuff! You can almost hear The Black Crowes on “Burning Bridges” with it’s swampy slide and rhythm until Monroe kicks the vocal in and it becomes all Castle Creek. The driving beat and quality of the mix provide a platform for Monroe to tell another incredibly personal tale from. Her vocal range and consistent quality are exemplary and allow the song to rise and fall with each new verse supported by and accentuated with Eves’ brilliant guitar work.

    “New Normal” brings Eves to the forefront again and Castle Creek keeps showing different levels and voices they have in their arsenal. This tale of triumph is well written and expressed as kindred spirits find each other. While tales of being outcast and alone can sometimes wear heavily, disaffection becomes something of the past to reflect on and rise above here, uplifting while the sadness slips away. “New Reality”, the Monroe/Doyle composition, is straight-up blues and self discovery. Monroe shreds an exposition of growth away from small town entitlement to the heights available to her through herself. “Glass Heart” is a classic moving on song, the difficulty of doing so and the disillusion of love gone bad. The analogy is strong and the lyrical turns ring true.

    “Brace For The Heartache” shows how the blues turns so easily to rock, the rave-up guitar tracks push Monroe along, “I could see this coming from miles away, We bend until we break, All that I could do is hold on and brace for the heartache”. The Hammond solo fits so perfectly and segues into the big guitar riff that takes you to the close, brilliant rock music right here.
    “Bigger Than the Two of Us” has a Buckingham/Nicks self-exposure kind of feel, after all, the best of songs come from personal experience. The guitars are big and the groove is solid, when Kim and Chris sing together it’s very easy to believe everything they say. This is single material for sure.

    “The Saddest Long Song” brings the tempo down and Kim’s bluesy vocal evokes an image of a smoky club and a single spotlight shining as she pours her heart out to a silent audience hanging on every note. The blistering guitar solo only heightens the tension in the room until it softens and ushers her story back in. Cue the audience standing and cheering. “Warpaint” spins the disc back into overdrive, flexing the muscle of a determined woman expressing her self-confidence and her undeniable charms. When this band rocks, it hits hard and wonderfully counters its softer side, but I believe it’s where the band soars. The closer, “Flown Away” acoustically brings the set to an end. Chris’ lead and Kim’s harmonies combined with the string parts are stunningly somber, yet beautiful at the same time. When it’s a song of hope, there’s always a chance for another chapter in the story.

    Key Tracks: The Only Life I’ve Ever Known, Bigger Than the Two of Us, The Saddest Love Song

    Kim and Chris have deep appreciation for their families, friends and supports. From Chris: My parents who are very supportive. My Brother Travis. My teachers growing up in the area- Ed Vollmer, Carmen Caramanica, Rick Balestra. From Kim: My Mother Liz and Father Bruce who both introduced me to the music business in different ways. My Step-Father Greg for introducing me to off the wall music I never would have heard. Mark Doyle for essentially teaching me how to rehearse with a band, how to record music in a studio, introducing me to Soul Music and pushing me to be a better performer. Chris for making me the performer/musician that I currently am. And it seems obvious but of course to everyone who has bought our music, come to our shows, loaded our gear, made us look/sound good on stage, given us places to stay on the road and musicians who have learned our music and been a part of a band with us. Castle Creek will give you many opportunities to experience their musical magic live and I highly suggest you do that, after you purchase this cd of course. You can follow Castle Creek on Facebook and on their website.