Category: Central NY

  • Grayak and Yankee Blood Offer a Genuine Connection

    The feathery, jazz-infused voice of Yankee Blood singer/bassist Ruth Kelly, supported by guitarist/vocalist James Karp and drummer Adam Verone, filled downtown Funk ‘n Waffles Thursday, September 3, with a lighthearted yet full sound that would never suggest they were short a keyboardist. A healthy crowd had gathered even before Yankee Blood got the show started, who were opening for local band Grayak. All three musicians casually donning t-shirts and jeans, the lazy, bluesy feel of their second song, “Sioux City” got the crowd swaying in an almost dream-like state.

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    They performed a brand new song titled “Savage,” which will be included on their EP coming out in October. The track started off as a slow rock number, but carried out a heavy instrumental buildup with head bang worthy beats. The egg crate stuffed into the bass drum quivered in approval. After their performance of “Blue Eyed Lover,” Kelly divulged how she normally plays the tune on upright bass, but winged it (very successfully) on her red lacquered Gretsch hollow-body electric bass.

    Yankee Blood’s second to last song, “Beekeeper,” will also be featured on their EP. Kelly made sure to alert the crowd of Karp’s ironic fear of bees before adding that once the EP is out, copies will be distributed with jars of honey. Her witty quips between songs revealed an endearing and sharp sense of humor, painting the trio as the sort of people that would be fun to hang out with and share a few beers. Softly crooning the line “I want someone to love,” during “Beekeeper,” followed a theme present in several Yankee Blood songs concerning an honest yearning to share such tenderness with someone.

    The five members of Grayak, who had been mingling in the crowd during Yankee Blood’s set, coalesced on stage to commence part two of the evening’s entertainment. Frontman Phil Grajko, sporting suspenders and a metal canteen slung across his torso, looked ready to embark on an intense musical expedition. Thinking logically, he opted to set the canteen by his feet rather than trying to rock it while simultaneously playing guitar. With Hannah Grajko assisting on vocals, Brendan Gosson on fiddle and mandolin, Blake Propst on upright bass and Tyler Dattmore on drums, they opened their set with a bouncy, optimistic tune titled “Seek It Still.” It describes a personal quest of persistence and determination to find truth and meaning in the world even if the path is rough.

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    The song functioned as a fitting kickoff for Grayak, a project which Grajko has been nurturing for quite some time, often playing solo, but finally able to showcase with a full ensemble. The crowd, heavily speckled with friends and fans whom have seen Grajko develop and transform his musical repertoire over the years, welcomed the distinctive guitar/fiddle intro to “Have a Beautiful Now,” quickly getting into a flowy dance groove and happily singing along to a song many audience members share a personal connection to.

    The more reggae-style instrumentation during “Maya” provided a slight divergence and nice addition to the folk-centered genre Grayak largely falls under. The playful fiddle part literally chases the lyrics “I run, I run, I run…” adding an intriguing audio element that emphasizes the vocals. Before beginning “Together” Grajko announced, as he always does, “This is a love song but it’s also sort of about the apocalypse.” The introduction usually provokes people to smile and possibly feel slightly confused. After the song concluded, Grajko noted his musical troupe has only been playing together for a few weeks, adding to the impressiveness of their collaboration. The band polished off their set with Grayak’s title track, “Made of Light.” Opening with a low-key bass solo, the lyrics speak to the connectedness of humankind. It slowly builds with up-tempo guitar and runaway fiddle parts that might make someone wish they were standing in a breezy meadow on a warm summer’s day.

  • This is the Moment that We Lived for: GhostxShip Farewell Show

    In the midst of the hot August sun, there were a number of events happening in Syracuse. The New York State Fair was well into its fourth day and Hank Williams, Jr. was performing at the Grandstand. Just a few miles from the Fairgrounds at the St. Clare Annex, Syracuse’s own GhostxShip was getting ready to perform their final show. The band announced this past spring that they would be parting ways to pursue other projects. However, they promised their die-hard fans that they would have one hell of a memorable finale show.

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    GhostxShip’s, Keith Allen, Sean Mott, Chris Smith, Kyle Howe and Matt Travers kept their promise by pulling together a day-long celebration of music that included 13 bands, pool toys, dodge balls, air guitars and more hardcore riffs than you could shake a fist at.

    Some of the day’s highlights included the band Caverns, kicking off the day’s festivities with a very intense set of music that included an awesome cover of “Caboose” by Snapcase. If you haven’t heard their version, check it out on YouTube. If you missed the performance by Brick by Brick from Albany, NY, then I feel sorry for you. They delivered an astounding set of powerful, blow you away hardcore songs. The band As This Body I Exist, was also celebrating their final performance together. They definitely went out kicking and screaming and leaving the audience wanting more. I would be remiss not to mention one of the fan favorites, the madcap marauders from Syracuse, NY, 40 Dead Men. They delighted the audience with their ultra-violent, “droogy style” performance.

    A single light shines on the stage; the crowd is getting anxious as one by one the members of GhostxShip take the stage. Lead singer, Keith Allen, pauses for just a moment to express his gratitude to the fans who came out to their farewell performance, the feedback rings through the amps and the band explodes into “Burden to Bear” off their final album Cold Water Army.

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    The party begins: The fans erupt into a whirlwind of bodies everywhere, inflatable pool toys fly in the air, air guitars are blazing and watch out for the dodge balls. It’s all good fun. The fans make sure they take care of each other even in the midst of the chaos.

    GhostxShip takes a moment between each song to express their undying thanks to the fans for all of their support. They also take the time to thank each other. It is a very emotional and intense set. The band acknowledged two ‘super fans’ who traveled all over to support the band and were there for them since they started in 2009. They honored them by inviting them on stage to help sing their favorites song, “Cold Truth.”

    The set culminated with all of the fans piling on stage to help wish the band members well and close the evening in style with everyone singing along to the “Here and Now.” The evening ended with a barrage of bear hugs and well wishes. This true sense of camaraderie is why I love Syracuse Hardcore! The feeling can best be summed up by “These are the Moments That We Live For.”

    Thank you GhostxShip for a phenomenal show and for giving us “moments to live for.”

    R.I.P. GhostxShip 2009-2015

  • Great NY State Fair Kicks Off Rocking All Venues

    The Great NY State Fair is one of the most highly regarded and visited fairs in America, providing fair goers with an enough crafts, food, rides, entertainment, musical performances and competitions to last 12 days. Each year, the first day is held high with expectations as staff look forward to seeing large crowds and hosting some of Americas’ best musical performers to fill the first day. This year was no exception, inviting ’90s rock group Everclear and singer/actor Rick Springfield to the Chevy Court along with rising country star Eric Church to the Grandstands to cap off the night.

    Everclear has been traveling the world for many years, performing their hit singles such as “Santa Monica,” “Father of Mine,” “Everything to Everyone,” and “Wonderful” to name a few. With the release of their new studio album Black is the New Black this past April, the band has been on tour supporting and sharing their new songs with audiences all over the world. Their set, which was supposed to start at 2pm, kicked off late but rockin’ as the band came out in all black clothes with instruments in hand. The group played just a few select songs from their most recent release, but stayed strong with their hits and crowd pleasers.

    Once the sun had nestled into the horizon, the Chevy Court had again filled with folks waiting to see the next performer. As 8pm approached, the audience kept growing by the large numbers, thus enhancing the excitement. Soon, the stage lights dimmed and a brief video began, showing a collage of video clips of highlights throughout Rick Springfield’s’ career. With the video screen flashing on a dark stage, to a crowded audience, Rick and the band quietly made their way onto the stage preparing to burst into song. This particular performance was filled with top hits and sing-a-longs including “Affair of the Heart,” “I’ve Done Everything for You,” “Don’t Talk to Strangers,” “Human Touch,” and “Love Somebody. During the evening, Rick even brought up some very young kids to help sing the chorus’ of “Don’t Talk to Strangers.” The quintet of rock stars took a short break to chug some water and let the anticipation of the encore increase. As cheering echoed in between the buildings, Rick and the gang boarded the stage yet again to end the “Opening Day” show with his top hit “Jessie’s Girl” and “Kristina.”

    While Chevy Court was rocking to some good ole fashioned rock and roll from Rick Springfield, the filled to capacity Grandstands were preparing for what was to be the first of the last three shows to be performed at the venue.  First up on the billing was Eric Church, one of country music’s biggest names in the business.  The country music equivalent to Hollywood’s James Dean, this jean clad, sunglass wearing young man is definitely a rebel, but with a cause.  Making his own music his own way and not apologizing for following his dreams, he has won the hearts of country music fans all over the world with his unique musical style.  As the crowd began to fill in, it was apparent that the grandstands would be filled to capacity for the first of the last of shows here.

    First up for the evening was opening act The Cadillac Three; three long-haired hell raise’n dudes that rocked the stage like a seasoned rock and roll band.  Although they may appear to resemble members of Duck Dynasty, don’t let their appearance fool you as they are some of the most talented rockers in the business today.  Playing their style of country with a southern rock and roll flare, it was the perfect pairing for the main event to follow and had the crowd a rocking when they came a knocking.

    As Eric took the stage, he started us of with a “Cold One”, followed by a chaser or “Creepin”, and then eased into “Guys Like Me”.  Contining to mesmerize the crowd, Eric played all of this girls favorites, including his newest “Like  Wrecking Ball”, sentimental favorite, “Give Me Back My Hometown”, and even threw in a little Springsteen with “Dancing In The Dark”.  How can you not love someone who plays “Dancing In The Dark”? Seriously.  With a catalog of hit after hit, it was no wonder the crowd loves this hell raisin country bad boy.  It was the largest “church” service I had seen in a while.

    As Day One closed it’s gates, it was apparent that they definitely had set the bar high Day One and set the pace for the rest to the week to follow suit.  If they continued to rock both venues, beat first day attendance crowds with their $3 Thursday promotions, it was going to be one memorable 2015 Great NY State Fair.

    Set List:  Creepin , Guys Like Me, How ‘Bout You, Talladega, Pledge Allegiance to the Hag, Jack Daniels, Livin’ Part Of Life, Drink in My Hand, Like a Wrecking Ball, Lotta Boot Left to Fill, That’s Damn Rock & Roll, Give Me Back My Hometown, Homeboy, Smoke a Little Smoke, Over When It’s Over, These Boots, Dancing In The Dark/Springsteen.

    Encore: Loves Me Like Jesus Does

  • Roots Reggae Groups Root SHOCK and Mosaic Foundation Dig Deep and Bare Their Souls

    The room was swarming with movement Saturday, August 29, at Funk ‘n Waffles downtown with Root SHOCK and Mosaic Foundation. The quintessential roots reggae mixture of djembe and melodica tones reverberated throughout the cozy, recently carpeted space. Lead vocalist Yao Foli of Mosaic Foundation expressed an exuberant passion for social issues close to his heart, proclaiming how the power of love is an important mechanism for effecting positive change.

    Combining sequences of fluid dance moves with strings of powerful words, Foli’s band mates melodically bolstered his noble messages, adding a grace to a performance whose content could easily be formatted as a stripped down, straightforward public speech calling citizens to action.

    Between songs, Foli offered positive pearls of encouragement to his audience. “To free Africa we must free ourselves” and “Love knows no boundary my brother.” Foli knows how to make his audience feel welcome and powerful all in one breath. Working up a decent sweat through all of his dancing, Foli brandished a small white towel to pat his face dry during song breaks, a testament to his hard work and dedication on stage. Mid-performance, Foli stepped to the front of the stage, grasping the mic with his other arm outstretched, getting as close to the crowd as possible, standing not only before them, but with them. Foli is not just a showman, but a leader and organizer in his own right, as his spirit brings people together to share a love of music and spread positive messages.

    Following Mosaic Foundation, Root SHOCK delivered their own high-powered compendium of positivity. Bringing uplifting messages to an already revved up crowd. Opening their set with the always awe-inspiring love ballad to lead vocalist, Jessica Brown’s mother, “Sweet Reunion.” Prompting fans to reflect on and cherish their own familial relationships. Brown’s striking, soul-grasping vocals and incredible range continued to command the crowd. Daring them to dance harder and cheer louder during a bouncy performance of the upbeat “Sunlight of a Brand New Day.” The lyrics challenged listeners to “Live the life you want to live, love to live the life you want to give. Give the love you want to feel, the kind of love that empowers and heals.” The high-energy atmosphere fostered a connectedness and comfort level allowing several liberated spectators to remove their shoes, showing off some fancy footwork, toes unrestricted.

    A crowd favorite cover of indie pop group Miike Snow’s highly danceable “Animal” continued to sustain movement as Brown took to the tambourine with guitarist Phil Grajko assisting on vocals. A rendition of “Rough Cuddle,” a song Grajko recorded with fellow reggae group Morning Sun & The Essentials, describes a dreamily mysterious and thought-provoking woman figure who asks, “what’s stopping you from seeing more?” This question is perhaps meant to awaken listeners and remind them to be more aware and present in their own lives.

    A Stevie Wonder cover of “Master Blaster” followed, during which Grajko is known for sporting a set of shades as an ode to the beloved musical legend. Root SHOCK finished off their set with the more reflective Stephen Marley cover of “Pale Moonlight,” which tenderly recounts a love that has since been lost. Both reggae groups took the room on an awakening emotional journey where observers could connect more with themselves, the people around them, and reflect on their relationships with society as a whole.

  • Chase Rice Drives Crowd ’50 Shades of Crazy’ at the Wayne County, PA Fair

    Renee-Clark-Rice-5676Chase Rice is currently on Kenny Chesney‘s The Big Revival tour, but that didn’t stop him from taking the night off to make a stop to shake up the Wayne County Fair in Honesdale, PA.

    Chase Rice has built up a phenomenally large and diverse fan base in a short period of time. His latest album Ignite The Night debuted at #1 on Billboard’s top country album chart. His first single “Ready Set Roll” may of only peaked at #5 on the charts but it garnered him a platinum certified single. His latest single “Gonna Wanna Tonight” is also on its way to be a success with its rising top 20 status.

    Rice is a well known song writer in Nashville and has co-written hits such as Florida Georgia Line’s “Cruise.” Which was the most downloaded song in the history of country music to date. He also co-wrote all but four of the 19 songs on his current release, Ignite The Night.

    The crowd at the Wayne County Fair was just as diverse as his fan base. Young and old were seated impatiently as they awaited Rice’s set to begin. Before the lights went out you could see the band gather together on the side of the stage to give each other words of encouragement. Once they were ready the lights went down and the intro music began, forcing everyone to their feet in excitement. Rice’s band came out one by one then when they began playing “Do It Like This,” then Rice took the stage and immediately captivated every audience member’s attention. And he didn’t let go of it until the very end.

    Audience members were able to contain themselves at their assigned seats for about a song, but after Rice started into his second song “50 Shades Of Crazy,” the people on the track all rushed the stage to get closer to their current obsession. Rice reveled in the crowd’s “rebellion” and told everyone to come on up. This invitation was exactly the right thing to do, because the closer his fans were to him, the more Rice lit up with excitement and joy.Renee-Clark-Rice-5661

    Rice reigned the stage for over an hour. He stuck to songs from his latest album “Ignite The Night” but also threw an older song “I Like Drinking, Cause Its Fun” from his “Dirt Road Communion” album. Rice rounded out his set with crowd favorites from Ignite The Night including, “Going Out,” “Look At My Truck,” “U Turn” and “Carolina Can.”

    Renee-Clark-Rice-5638He slowed it down and sat on stage alone with just him and his guitar to play “Jack Daniels & Jesus,” a song that he wrote when he lost his father. He then brought a young lady on stage to serenade her with his cover of Somo’s “Ride,” in which during the song he joked with her and how her boyfriend was going to be so mad he didn’t come to the show. Towards the end of their set, Rice and his band went into a montage of covers. Garth Brook’s “Low Places” was among one of the songs, Rice of course threw in the popular third verse. They also did a few Blink 182 covers and a snippet of Puddle of Mudd’s “She Hates Me.”

    When Rice came back for the encore people were expecting him end with “Ready Set Roll” but he threw in a surprise performance of his song “Cruise” that he co-wrote with Florida Georgia Line before closing his set with it.

    Rice captivated everyone from the grandstand down to everyone in the front row at the Wayne County Fair that night. He held their attnetion the entire duration of his set and never stopped interacting with them. His ability to work the crowd, plus his energy and pure happiness of being there made this country concert one for the books for everyone who was in attendance.

    Chase Rice will continue his tour with Kenny Chesney through the remainder of the summer and then he will begin his headlining JD and Jesus Tour this fall with The Cadillac Three. Get more info on his website here.

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  • Lee Terrace and Steep Stepped it Up for Farewell Show

    Progressive rock groups Steep and Lee Terrace may not be familiar names to many, but they left a hearty impression on the calm and collected crowd Friday August 28 at the Westcott Theater.

    Steep was up first, with guitarist Dylan Lundgren front and center sporting a lime green guitar and infectious smile, full of pep as he intermittently bopped his head in beat with the music. After their first song concluded, Jack Jarvis, drumsticks in hand, offered the sparse crowd a small witticism, “One fish in a tank says to the other, ‘How do you drive this thing?’” Those not clustered around the makeshift beer keg tables in deep conversation happily chuckled in response.

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    Steep declared their next track, “Brain Fuel,” a dance tune, but the night was too young and most attendees weren’t loose enough to get their feet moving quite yet. “Brain Fuel’s” dynamic ebb and flow faded between genres, beginning as a moderate tempo rock jam before mellowing out into a jazzy breakdown where Elliot Jarvis’ metallic bass parts slyly hinted at the Seinfeld theme song, before the song intensified toward fast-paced rock.

    As Steep finished their set, the crowd had filled in considerably, largely composed of a more mature demographic, the type that stand solidly in place and mindfully contemplate the instrumentation rather than dance like wild banshees near the front. A crew of four grey-haired audience members had camped out in matching green lawn chairs, just a half a shade off from Lundgren’s guitar hue. A few young rogue dancers did have a mind for letting loose and flailing freely to the music, and luckily for them the entire front half of the room was open for them to flit and bounce at will. The rest of the crowd clung to shadows, observing with keen eyes.

    Fellow Futurama fans may have glimpsed the Zoidberg figurine resting pensively atop the amp next to the drum kit as members of Lee Terrace took the stage. Exposing a small glimmer of their inner nerdiness, the potent jam that quickly blossomed from the group of five musicians heightened their “cool factor” as obviously talented musicians and science fiction sitcom aficionados.

    Playing a mix of originals and covers, a rendition of MGMT’s “Electric Feel,” sung by bassist Michael Sloan, appealed to younger attendees. Front man Kevin Metzger entertained the crowd with an anecdotal explanation detailing the origin of the title “Goldie’s Song,” and publicly exposing the time his father took the family cat to the vet and couldn’t recall it’s name. Bringing vocalist Nina Pelligra on stage to cover Led Zeppelin’s “The Song Remains the Same” created an exhilarating rendition worthy of a rambunctious round of applause at the end. Saxophonist August Cook and trumpeter Nick Coggiola and percussion accompanist Jon Kane enhanced a string of Michael Jackson covers including “Don’t Stop ‘Til You Get Enough,” “Billie Jean” and “Thriller,” which energized the room before Lee Terrace polished off their set with a crisp performance of their title track, “Deep Blue.” And for the encore? How about Black Sabbath’s “War Pigs.” Yeah, it was a great night.

  • Funky Jam Benefit Party Presents Mixture of Talent to an Intimate Crowd

    Funky Jam at the Westcott Theater Friday August 14 saw the Syracuse music locale transform into a collaborative art space of opportunity for local crafters and musicians.

    Painter Yegor Mikushkin planned the benefit show to raise money for supplies to execute a mural on the outer rear brick wall of the theater. The dark inner walls of the theater were brought to life with an array of Mikushkin’s vivid paintings, which were scattered throughout the 700-person venue. The tall canvases stood sentry, attesting to the skill and aesthetic the painter will be bringing to the mural, while also daring attendees to splurge and take home a Mikushkin original. Other crafters also sold their wares, including screen printed t-shirts, paper lamps and art books.

    Photo courtesy of Jonathan Pankau
    Photo courtesy of Jonathan Pankau

    To give the audience a taste of Mikushkin’s work style, he live painted a canvas on stage with help from fellow painter and musician Sara Potocsny, while local musicians serenaded the unfavorably sparse crowd composed primarily of friends and family. The stage supported various acts of artistic expression including performances by musicians Phil Grajko, of Grayak, Morning Sun and the Essentials and Root SHOCK, Jessica Brown of Root SHOCK, Christopher Woods of Root SHOCK and The Sauce, drummers Tyler Dattmore and Adam Ast, guitarist Chris Chiesa, violist Sara Potocsny, DJ Leonard Adams, Jamie Knittel of The New Daze, and freestyle vocals of Eric Dwyre. An on stage devil stick demonstration by local artist Breeze tied into the tangle of performers who came out to support Mikushkin’s cause.

    Photo courtesy of Jonathan Pankau
    Photo courtesy of Jonathan Pankau

    Even in a room replete with talent, some of the musical collaborations were disjointed. Musicians who have played together before, including Grajko, Brown and Woods, were able to deliver a more cohesive and satisfying performance. Grajko, performing several songs he has recorded with different bands, relied on Tyler Dattmore’s percussion skills on the cajon to backup a stripped down version of Grayak’s “Have a Beautiful Now,” which traditionally incorporates a more diverse accompaniment including elegant fiddle and upright bass parts.  Mid-song, Grajko and Dattmore transitioned to a rendition of Morning Sun and the Essential’s uplifting number, “Love Agenda” before seamlessly returning back to “Have a Beautiful Now.”

    Photo courtesy of Jonathan Pankau
    Photo courtesy of Jonathan Pankau

    As the song title, “Have a Beautiful Now” suggests, audience members and performers alike, all whom have personal ties to Mikushkin, relished in the splendor of the evening, soaking up the joy of filling the Westcott Theater with love and beauty, even in lieu of a small turnout.

  • UPDATE: Nas to Replace Snoop Dogg at Canceled NYS Fair Appearance

    UPDATE: Master lyricist Nas has been announced as the replacement for Snoop Dogg by New York State Fair officials hours after Snoop’s cancellation announcement.

    Nas has been frequently named as one of the best in the game and will no doubt satisfy many fans who were hoping to see Snoop Dogg at Chevy Court on Wednesday.

    ORIGINAL CONTENT:

    Snoop Dogg’s performance for tomorrow, Sept. 2 at the New York State Fair has been canceled due to illness.

    New York State Fair officials were informed late this afternoon by Snoop’s management that he was ill and unable to perform. Fair officials are hopefull of finding a replacement and are for schizzle searching for last minute alternatives to fill the 8 p.m. slot at Chevy Court.

    Salt-n-Peppa are set to perform at the matinee show at 2 p.m.

    Snoop Dogg’s tour is set to continue at Riot Fest on Sept. 13 in Chicago.

    Keep an eye on NYSMusic for all your NYS Fair updates.

  • Hearing Aide: Milking Diamonds ‘Migratorius’

    Milking Diamonds is an indie/alternative duo formed in 2007 by husband and wife team: Katherine Scholl, vox/keys, and Sam French Jr., vox/guitar. Their new EP, Migratorius follows up their debut release, 2009’s SAMMY nominated Surface When It’s ClearMigratorius was recorded at WAAV Studios in Syracuse and mastered by the magic hands and ears of Jocko (Jason Randall) at More Sound Recording Studio, also in Syracuse.

    Milking Diamonds MigratoriusTheir Bandcamp page reminded me of a genre-splitting name from the nineties, dream pop. I discounted it at the time because it was always coat-tailed with shoegazer, to me that wasn’t a match. Dream pop works well when you have a duo creating sounds like these. There’s a distinctly atmospheric feel that runs through all of it, counterpoint with guitars, keys, and voices, all leaning on the “echo” modulations and layers.

    “Obvious” opens with a staccato guitar line that quickly takes the role of a beating heart in a “new love” song that won’t say the word. Katherine and Sam’s voices fit so well together, it’s almost as if she’s telling the story and he’s following her lead, just slightly behind. It’s wonderful. Katherine’s voice is ethereal and emotive while Sam’s is rich and strong like so many new romantics were. While the couple chooses a “wait and see” attitude against the majority, they’re allowing time to grow and seem quite happy in doing it their own way.

    Sam takes the vocal lead on ‘The Sway” setting another clear path, it’s somewhat Bryan Ferry with splashes of New Order or Interpol. The airy space given to the vocals here is amplified by the sustaining guitar lines, each reaching out only slightly, just enough to accent until the build at the end. Very impressive. The keys do a lot of the heavy-lifting overall, providing beats, textures, and some bass, definitely adequate considering the vocal leanings and melodic richness of the songs.

    “Scars” may be my favorite track, it’s focused and well mixed, the call/response vocals are almost like Kate Bush with The Edge riffing behind. The keys fill and lift the harmonies in a way that makes the listener question the number of musicians contributing to the whole. Katherine’s voice soars on the orchestral string sounds while Sam counterpoints the melody on the guitar and harmonizes through the swelling close.

    The penultimate song, ‘Tracks,” embodies the statements — “Dream pop tends to focus on textures and moods rather than propulsive rock riffs” in the view of Simon Reynolds, dream pop, “celebrates rapturous and transcendent experiences, often using druggy and mystical imagery.” This is anthemic to Milking Diamonds throughout this EP and even their previous release. Especially here with the upbeat drum pattern and Sam’s guitar seamlessly switching moods for Katherine’s poppy reading.

    With the flair of The Raveonettes and White Stripes, “Human Cannonball” is relentless in its beat and topic, railing against the norm while establishing their realities. It yearns and strives for more, from here it seems there could be a long way to go for them. You can feel the heart of the songs, while each has a level of familiarity, they also possess individuality while leaving room for listeners to relate.

    The many strengths of Milking Diamonds are evident, their style is ear-candy to any lover of 80s and 90s post-punk romantics and more. While the drum programming provided in the keyboards works, it would be remarkable to hear these tracks pushed by a live rhythm section. You can see, hear and buy music from Milking Diamonds on their Facebook page, Twitter, CDBaby, and their aforementioned Bandcamp page. Give ‘em a spin and check ‘em live, my plan is to do the same.

    Key Tracks: Obvious, Scars

  • Root SHOCK and Mosaic Foundation Will Take Root at Funk ‘n Waffles Downtown

    Anyone yearning for rhythmic, hearty roots music, should grab a shovel and start digging their way to Funk ‘n Waffles downtown and get there on Saturday, August 29 for Root SHOCK and Mosaic Foundation to soothe their soul. It has been a productive summer for local Syracuse reggae soul band Root SHOCK, who have kept themselves busy playing gigs all over New York State, and were specially requested to headline the Critz Farms Blueberry Jam mid-August. September will bring another round of excitement as the band begins recording their first album. The whole crew, including Jessica Brown on lead vocals and percussion, Bill Eppel on bass, Nick Czarkam on keyboards and electronics, Dan Valvassori on guitar, Phil Grajko on guitar and vocals and Fafa Fain on drums and vocals will be excited to return to their stomping grounds surrounded by friends and a growing fan base.

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    Rochester-based roots reggae group Mosaic Foundation will be joining Root SHOCK. Lead vocalist and percussionist Yao Foli aka Cha Cha has a vibrant stage presence that will energize the room and get people smiling and dancing without hesitation. Joining Foli are his musical comrades John-Paul Nawn on drums and vocals, Michael Corey on lead guitar, Aaron James Sprague on bass, Ken Luk on keyboard, melodica and vocals and Bryan Davis on percussion. Mosaic Foundation has also been heavily touring the great state of New York and will be making their first Syracuse appearance in quite a while. It would be a mistake to miss out on this double header of regional reggae talent. Get tickets here