Category: Central NY

  • Time To Reflect Back On The 2015 Great NY State Fair

    As the dust settles and we begin to experience a last surge of heat for the season during this balmy November, it seems like the perfect time to reflect back and savor the amazing week of events, shows, and spectacular activities and eats offered this year at the 2015 Great NY State Fair.  After all, the week immediately preceding is generally so busy with back to school running around, Labor Day celebrations, etc… you don’t really get an opportunity to sit down and digest what an amazing week (twelve days really) we really have right here in New York State.  After all, it was voted the fifth best State Fair in the nation by USA Today in 2015. Nothing to sneeze at.  We also can bolster that we hold the prize and honor of being the first State Fair ever.  So take that Minnesota. Wait till next year, you’ll be looking up to us as we sit at number one.

    Breaking records on Day One with more than 16,042 above last years opening day,  it was a great start for the Fair, as crowds visited throughout the twelve day event.  With gorgeous weather, stellar performers scheduled each day, and special $3 Thursdays, and $1 Labor Day, attendees were able to take advantage of the fun at an affordable family price. Day One’s attendance record could possibly be attributed to the first of only a few final Grandstand shows scheduled.  With the new Lakeview Amphitheater opening across the street, it’s exciting to be able to offer patrons the best in the business with state of the art equipment once again in this region.  But, it also was bittersweet to be part of the final days at this venue before it’s demolition this year.

    Over the thirty eight years the Grandstands at The Great New York State Fair hosted shows to fair goers.  Memorable acts such Whitney Houston, Garth Brooks, Frank Sinatra, Neil Young, James Taylor, Ted Nugent, Rihanna, Brittney Spears, ZZ Top, Justin Bieber, Alicia Keys, and so many others graced the stage and filled the seats bringing Central New Yorkers some of the greatest names in the business while Chevy Court attendees were treated to free shows.  Over the years the tide turned and the free concerts became the place to be.

    As larger names were brought in to Chevy Court, records began to be set, with this years Steve Miller Band hailing the largest crowd ever at Chevy Court with approximately 36,900 attendees.  Nonetheless, all good things do come to an end, while some have bright new beginnings.  Next year fair goers will sadly reminisce about those days at the Grandstands, but will return to a brand new Chevy Court as national acts will once again treat those patrons to free entertainment with state of the art equipment and stage.

    So as we reflect back on the final shows at The Grandstands this year, it was only fitting that country favorites Eric Church and Hank Williams Jr. held the last hooray and gave it a final farewell, fittingly deserved of those thirty eight years.  The throw back ticket pricing for all acts including legendary Patti LaBelle and comedian Jim Gaffigan, and was a proper thank you to all attendees as they enjoyed the final moments at was once Central New York’s summer venue place to be.

    Eric Church started the party off right with special guests Cadillac Three on Day One.  This group of long haired rowdy boys, set the bar high with their country rock and roll and introduced those newcomers to their Cadillac Three style of in your face hard core rock with an edge of country thrown in.  Eric Church, well of course this handsome mysterious country star shone bright as he filled to near capacity once again a venue paying homage to those before him.  Playing hits such as “Cold One,” “Talladega,” “Give Me Back My Hometown,” “Drink In My Hand,” “Smoke A Little Smoke,” and of course the hot and steamy song, “Like A Wrecking Ball.”  Yep, this down home country boy did this crowd proud and started this party off right.

    Hank Williams Jr. brought his rowdy friends to the Grandstands on day four of the fair and kicked up some some dust with his Honky-Tonk hits. The Louisiana born country star brought some of his most well-known songs such as Neil Young’s “Are You Ready for the Country,” “All My Rowdy Friends,” “The Blues Man,” “There’s a Tear in My Beer,” and “A Country Boy Can Survive.” The audience was ecstatic to have Hank visit Syracuse, and Hank was equally happy to be performing to grateful audience. Among the crowd favorites in the set, was an impressive collection of his father’s songs including “Move It On Over,” “Kaw-Liga,” and “Your Cheatin’ Heart.” Adding even more intensity to the show, were a few unforgettable mash-ups, the greatest one covering “Outlaw Women” > “Dinosaur” > “There’s A Tear In My Beer” > “All My Rowdy Friends Have Settled Down” > “Good Ol’ Boys” > “I Walk The Line.” Of course, the evening would not have been concluded without an epic sing-a-long version of “Family Tradition.”

    While Hank was bringing down the house over at the Grandstands, Chevy Court had a few shows to bring in the crowds themselves on Day Four.  Up first for the 2p.m. show was country favorites The Swon Brothers.

    The Swon Brothers are perhaps known by most as the lovable country brothers on season four of The Voice.  On team Blake, these two siblings made their way to third that season, but are number one with all their country fans.  Singing their hits “Later On” and “Pray for You,” Colton and Zach revved up the crowd and had them singing along in no time.  In fact, the crowd even became part of the show with a sound of cheers as to which brother they liked best.  Like a good mother always says, I love you both the same.

    As the evening began to roll around Chevy Court was filling up with eager fans awaiting the amazing Nate Ruess.  Best know perhaps as lead singer of the indie group Fun, it seems like every song he touches becomes a hit.

    With his new band the Romantics, their set list was ridden with hits from both his bands Format and Fun with songs “Oceans” > “We Are Young” > “Some Nights” > “Carry On,” to some songs from his new solo album Grand Romantic (“Great Big Storm” > “You Light My Fire” > “What This World Is Coming To” > “Nothing Without Love” > “Harsh Light” > “Ahha”), and covers (Prince’s, “Let’s Go Crazy”). This amazing musician may be best known for his strong vocals, but don’t count him out as his songwriting abilities are top notch as well.  As part of a collaborative effort, Ruess partnered with Pink in 2014 on the number one billboard song “Just  Give Me A Reason” which was nominated for two Grammy Awards in 2014. Yes, the NY State Fair surely brought in the big guns on day four, for sure.

    On Tuesday, Day Five, Chevy Court once again welcomed Bowzer’s Rock & Roll Party back to rock out the afternoon crowd.  This lovable 50’s icon, known to most as a member of the popular 50’s Doo Wap group, Sha Na Na, has entertained us with not only his humor and personable demeanor, but his musical talents for more years.  Jon Baumann, his real name, is a native of Brooklyn, New York and studied classical music at Juilliard at a very early age, and whether it was playing Mozart or with Sha Na Na, his mothers greatest moment was seeing her son at Carnegie Hall.

    One Day Six, Chevy Court was packed with fans awaiting their favorite new 2015’s ACM New Artist of the Year, Cole Swindell.  With such an amazing group of new artists this year to be nominated, what was it about Cole Swindell that stood out above the rest? One quickly learned it was his stage presence.  He had the ability to draw an audience in like no other.  Perhaps it was the eye contact, the waves, or the pointing to individuals that made you feel like he was singing right to you.

    An accomplished songwriter way before releasing his self titled debut album, Cole Swindell, Cole was no stranger to the music business.  Penning hits for other country artists such as “Roller Coast,” “Get Me Some of That,” and “This Is How We Roll,” to name only a few, Swindell had made his mark in country music and touching souls of those his words spoke to.  Singing his hits “Chillin It” > “Ain’t Worth The Whiskey” > “Hope You Get Lonely Tonight” > “Let Me See Ya Girl,” he had this crowd in the palm of his hand.  With a mischievous smile and a country charm, this down home country boy was definitely a crowd favorite at the Fair this year.

    On Tuesday, September 6th, Day Six, country was once again represented by country favorite Joe Nichols at Chevy Court.  Joe’s smooth country sound is clearly what some critics consider “traditional country” music and not the new “Bro Country.” His vocal comments against the turn of the tide has not gone unheard by many in the business and he even joked about it this year at the Fair. Singing Sir Mixx A Lot’s, “I Like Big Butts,” as only Joe could, the audience loved his countries version of rap as it confirmed why he is best suited for the country genre.

    On Wednesday, September 7th, Day Seven of the Fair, Snoop Dogg was scheduled to perform but was forced to cancel the night before. To everyone’s surprise, the fair was able to bring in rapper Nas as Snoop’s replacement. The fair on Wednesday didn’t seem as packed as it had been the last week but that didn’t stop an estimated 30,000 people from coming to Chevy Court.

    On Thursday, Day Eight, R&B superstar Jason Derulo performed for a packed crowd at Chevy Court. Derulo put on an excellent performance that included a backing band and a group of dancers. For a night that featured two other major artists at the Grandstand and the new Lakeview Amphitheater, Jason Derulo filled Chevy Court with no sign of any competition. As someone who just played at the fair last year, Jason Derulo drew an estimated 25,000 screaming teenage girls.

    On Saturday, Day Ten, Chevy Court welcomed home many local talented artists right from our own back yard.  At the 2pm Chevy Court Show, crowds welcomed Amanda Lee Peers; Syracuse native, Josh Batstone; and season eight’s winner of The Vocie, Sawyer Fredericks.  It was heartwarming to be able to welcome all our hometown heroes to the stage and celebrate their music.

    The 8pm show on Day Ten welcomed Motown greats, The Jacksons.  Consisting of original members, Jackie, Tito, and Marlon Jackson, the crowd went wild as they danced and sang along with hits “Can You Feel It,” “Rock With You,” “2300 Jackson Street,” “ABC,” “Dancing Machine, ” Shake Your Body (Down to the Ground)” and many, many more.

    It’s hard to believe that this marks their 50th anniversary tour, but still today fans went crazy, dressed in costume, and got up on their feet to sing and dance along to all their favorites.  For me, it was a walk down memory lane watching video clips of live shows and interviews and clips of their Saturday morning cartoon that I watched so many years ago.  A fun evening of music, those guys still have the moves for sure.

    The Steve Miller Band came to the Great New York State Fair on the second to last night and brought along a record 37,000+ (the largest crowd to date). As the quintet hammered down on Syracuse with their hits from the last five decades, the performance got better as the crowd sang louder to each song. Opening the show with “Jungle Love,” gave a great representation of the fair with how all of the fun, food, crafts, and entertainment can sometimes feel overwhelming. The show included major plays consisting of “Take The Money,” “Shubada du ma ma,” “The Joker,” “Fly Like and Eagle,” and “Keep On Rockin’ Me.” Little Walters’ own “Blues With a Feeling” made an appearance during the show and despite Millers’ tender age of 71, he showed some animation during a rendition of “Loving Cup.” Before the crowd knew it, the enhanced encore had arrived with the group playing “The Stake,” a very bouncy “Swingtown,” and ending the high ride with extended “Jet Airliner.”

    As the final day approached, I knew that an early arrival was mandatory to secure my seat amidst the Millennium generation that was sure to have already staked out the best seats available awaiting teen heartthrob, Nick Jonas.  Arriving at 11 a.m. I realized that I was in for the longest day ahead, on what was to prove to be the hottest day of the fair.  Surprisingly enough, the crowd of Nick Jonas fans remained upbeat with little to no complaints, and by midday the NY State Fair staff began handing out free waters to those who refused to budge from their seats, lest give up the prime real estate while in absence.  The refreshing donation hit the spot and spoke volumes on what a great event and what great folks work to bring this event to everyone.

    As the time neared and Nick Jonas came out to the stage, he set right out playing his number one song “Chains” following it up “Numb” > “Levels” > “Wilderness” > “Good Thing” > “I Want You” > “Santa Barbara” > “Under You” > “Roses” > “Teacher” > “Take Over” and for an encore, “Jealous.”  How he managed to wear that jacket through half the show was beyond me as I was literally melting into my seat.  Jonas’ first solo tour, and one of the first times out by himself, it was a great ending to the Fair, and great beginning for his new upcoming tour to get his footing on stage with his ultra hip band.

    Okay, so we’re number five in the top ten best state fairs in the nation.  Perhaps you can see why this twelve day event becomes the traditional ending to New Yorkers summers’.  Whether you come for the rides, the events and competitions, the exhibits and opportunity to buy some Ginsu knives, the food (you know you do), or the music, it proves each year to raise the bar and bring in what fairgoers want.  Looking forward to the 2016 Fair, they will once again raise that bar, and hopefully continue to bring in the biggest names in the business to their ultra new and state of the art Chevy Court.  I predict that next years shows will exceed this years, they’ll book much quicker than years past, and once again the Great NY State Fair will prove to be the place to be to end our summer on the highest note possible.

  • Giant Panda, The Simpkin Project, Haewa and Ocular Panther Groove at the Westcott Theater

    An impressive crowd turned out for All Hallow’s Eve at the Westcott Theater October 30. Giant Panda Guerrilla Dub Squad usually lures a sizable slew of reggae lovers, affording The Simpkin Project an opportunity to bask in the splendor of a well attended venue for the last stop of their east coast debut. Haewa and Ocular Panther appetized the quickly growing crowd with more abstract instrumental compositions.

    Ocular Panther, a self proclaimed organic/electro band featuring Jason Gilly (bass), Collin Jones (guitar/synth/samples), and Michael Pantano (guitar), kicked the night off. Despite an optimistic concoction of notes culminating in a highly danceable jam beat, the crowd was not loose enough to dance in response. By the end of their short-lived set, the crowd had already grown to roughly seventy participants.

    Rochester band Haewa followed, again utilizing Jones for his guitar work and vocals, plus Brendon Caroselli (drums/percussion), and Ben Chilbert (bass). For Caroselli’s second time playing with the band, he fit into their musical puzzle quite comfortably. Jones’ grungy fashionableness matched his Kurt Kobain-flavored vocals, adding some dimension to their  instrumental, at times face melting musical offerings.

    The Simpkin Project marked the third band of the evening paying no mind to the looming holiday by sporting a discernible Halloween costume. Phil Simpkin (guitar/vocals), Shawn Taylor (B3 organ/vocals), Sergio Sandoval (percussion) and Jules Luna (guitar/vocals), were joined by Giant Panda members and long time fans of the band, Chris O’Brian (drums) and James Searl (bass). The Simpkin Project’s mild mannered, warm presence conjured that satisfying sensation of joy akin to tearing open a homemade cornbread muffin hot from the oven before slowly savoring each textured, spongy bite.

    Their mid-set song, “Everything You Want” professed a deep rooted love. Simpkin sang sweetly, “You are the shelter that protects me from the storm/The vindication for the reason I was born/I want to be everything you are to me/The center of my being.” Such enamor called to mind more than the simple indulgence of nibbling on a plain jane cornbread muffin. The slow-roasted, pan seared passion steaming out of this lyrical love plate was piled high with mashed potatoes, gravy and roast beef (ethically slaughtered of course).

    Throughout their set, O’Brian and Searl happily mouthed the lyrics to many of the songs, fully immersed in the experience of playing alongside their musical heroes. Members of The Simpkin Project mirrored their gratitude, announcing towards the end of their performance, “This was a life changing experience, and what it taught us: we’ll be back.”

    Giant Panda opened up with Searl soothingly offering the crowd, “This is a group meditation, please enjoy yourself,” following it up after the first song with “The first step to positivity is moving your body,” spoken like a true music yogi. Searl stood front and center, flanked by Dylan Savage (guitar/vocals) and Dan Keller (guitar/vocals), with Chris O’Brian (drums) and Tony Gallicchio (keys) rounding out their sound.

    They covered a lot of ground, playing a range of older material from their 2006 debut album titled Slow Down, and mixing in a collection of everything since then including tracks off their May 2015 release Bright Days. Searl, Savage and Keller stood in a row, gatekeepers of reggae revolution, harmonizing before a crowd of mostly humans, mixed in with a few dancing pandas, princesses and superheroes, cuz ya know, Halloween.

    As Giant Panda flowed into the marijuana-endorsing number “Mr.Cop,” the crowd dutifully sang along, to the delight of Searl and Savage who exchanged toothy grins as they strummed along. Before the next song, Keller divulged his entertainment from earlier in the day which consisted of flying a stunt kite. This anecdotal story was most certainly not followed by any references to how elevated the kite or any persons involved may or may not have been.

    Known for effortlessly blending from one song to the next in a continuous swell of sound, Giant Panda transitioned from “Pockets” to “Healing,” followed by “Steady” and “Move” in a nonstop reggae rumble. Toward the end of the evening Simpkin reemerged as a guest vocalist. Sandoval added his percussive expertise to the high energy “O.K.” with Keller briefly adding some saxophone work to the lively tune. Leaving the audience buzzing with energy, Searl bid them farewell bellowing, “Peace, Panda and good night!”

  • Bass Legend Jaco Pastorius’ Documentary to Premiere in Syracuse

    The Palace Theater in Syracuse is the place to be this Black Friday, Nov. 27, with the premiere of the new Jaco Pastorius documentary, JACO, at 8 p.m. (doors at 7).

    Not only that, the Sound Garden in Armory Square will host a DVD release event at 2 p.m. that will feature the film’s executive producer, Robert Trujillo, world-renowned bassist from Metallica and Rock & Roll Hall of Fame member. There will be a signing opportunity and an exclusive limited edition of the JACO DVD packaged with a CD of music from the film, interspersed with Jaco’s voice and a track from Trujillo’s Mass Mental project.

    Trujillo, who is known world-wide, didn’t pick-up a bass until he heard Pastorius play. While his own playing took a different path, the flamboyant Pastorius had his influences on him and many, many other bassists including Flea and Sting, to name just a few. Pastorius was larger than life and a iconic player — he may well have changed the direction of modern music single-handedly.

    The day marks the official world-wide DVD release of JACO, and the two events have much traction behind the tour de force of Sound Garden GM Eric Brush, Syracuse Jazz Fest founder Frank Malfitano, The Palace Theater GM Paul Valenti and The Syracuse International Film Festival founder Owen Shapiro and Executive Director Mike Massurin. The organizers stated, “This Northeast National Premiere screening of the JACO documentary in Syracuse is a ground-breaking event that has come together because music, film, locally-based arts, cultural organizations and institutions have come to recognize the value that this kind of collaboration can bring to the community.”

    JACO-speakers
    left to right: Christine (Owen) Shapiro and Mike Massurin/ Syracuse International Film Fest, Frank Malfitano/ Syracuse Jazz Fest Sound Garden GM/ Host Eric Brush.

    Brush met Trujillo a few years ago at the N.A.M.M. convention, where they discussed indie record stores and the movie; this is what led Sound Garden to be selected as location for the DVD release. Out of all independent stores, nationwide! The event is also giving a big nod to Record Store Day, another incredible get for Brush and The Sound Garden. Malfitano’s long history with The Jaco Pastorius Big Band and the Pastorius family made him a natural, so much so that he was invited to be master of ceremonies at Jaco’s 20th Anniversary Celebration at The Broward Center of The Performing Arts. Add to them the cache of The Syracuse International Film Festival and the beautiful Palace Theater, and the team was complete.

    JACO is produced by Robert Trujillo in association with Passion Pictures (Searching For Sugar Man, Project Nim), and the film is co-directed by Paul Marchand and Stephen Kijak. Together they tell the remarkable and tragic tale of Pastorius’ much too short life with never-seen-before 8mm film, photos and audio recordings including exclusive material from the Pastorius family archive.

    This may well be the only big-screen viewing of JACO, ever. Do not miss out. Even better, go to the DVD Release Event at The Sound Garden, buy a DVD and get a free ticket to the screening later that evening! (This offer stands for the first 200 people taking advantage of it only.) This guarantees you a seat because the screening is FREE, yes, free, but there is limited seating. Trujillo will not only be at the signing event, he will introduce the film at The Palace Theater as well.

    More info available at The Palace Theater’s website and The Sound Garden website.

    Photography: Sandra Jackson/ Sublunar Studios

    https://youtu.be/nI0znixksZs

  • Joan Baez Announces Ithaca and Albany Performances February-March 2016

    Joan Baez, one of the most recognizable and beautiful voices in folk music will be making two appearances in early 2016 in Upstate New York as part of a tour spanning January through March.Joan Baez

    Now 74, Joan Baez has reeled over 50 years of a memorable music career intertwined with activism in social and political movements, from the 1960s civil rights movement through the Iraq War and more recent Occupy Wall Street movement. With her first record released in 1960, she has released 23 more studio records and about half of that number in live recordings. A Staten Island native, Baez began her career spreading out from Cambridge, Massachusetts, where her father took a position at MIT before her professional career took root at the 1959 Newport Folk Festival.

    Baez has recently announced several tour dates in early 2016. Her first New York stop will be at the State Theater in Ithaca on Feb. 26. Tickets are available in a pre-sale now, with a public on sale starting at 11 a.m. Nov. 6. Her second New York performance is March 25 at The Egg in Albany.

    Baez also has a few other performances scheduled for the northeast including New Hampshire, Connecticut and Vermont. Check out her tour website for more information on her other performances.

  • Utica Music and Arts Festival 2015 – A Destination Fest

    The Utica Music and Arts Festival has quickly become a must-do summer ending activity in Central New York. The 8th Annual version of UMAF, was held at various venues throughout Utica the weekend of September 11-13. The biggest problem involved with attending this festival is being able to fit in all the great music available throughout the weekend.

    Going in without a plan is probably the best way to attack this weekend. Doing it this way, one can experience such pleasant surprises as the young brother and sister combo of Jocelyn and Chris Arndt, who played a Saturday mid-afternoon set at Nail Creek Pub, in the process winning over those in  attendance.

    Jocelyn Arndt
    Jocelyn Arndt

    Joceyln is slight in stature, yet huge in vocal talent. She has a soulful, bluesy voice backed up with power; think Bonnie Raitt channeled through Grace Potter with a visit from PJ Harvey. Jocelyn’s animated vocal delivery commands attention. Her brother Chris, who is also her co-writer, delivers a solid and crisp sounding blues-rock style guitar that is the perfect accompaniment to Jocelyn’s voice.

    The band’s tour itinerary is scant during the school year, as both are students at Harvard, but they will be hitting stages across New York in the coming weeks.  Check here for dates.

    Spending the weekend bouncing between Lukin’s and Nail Creek Pub seemed to be what many people were doing but to do so is to miss out on many of the other acts. Tiny’s hosted several jazz influenced bands, including Notified and the Carmen Caramanica Jazz Trio, while D.A. Bentley’s entertained the EDM crowd with sets from DJ D.A., Vongel and Phungeye among others. Harlee’s Pub & Grille was geared towards the metal. Local favorites Nineball and Street Rock Mafia provided Friday crowds with high energy entertainment at Harlee’s. Nineball is also festival producer, Joe Sweet’s main project.

    Lukin’s hosted Conehead Buddha on Friday night. The Albany-area band has been on the jamband circuit for twenty years and showed no signs of wear this weekend. While the band has taken a hiatus here or there within that time, on this night it provided a sharp mix of reggae, ska and jam that has endeared Conehead Buddha to the northeast scene all these years. Also saxophonist Shannon Lynch provided much of the theatrics throughout the set, anchoring the big horn sound Conehead Buddha is known for.

    Conehead Buddha
    Conehead Buddha

    Female artists took ownership of this year’s Utica Music and Arts Festival. In addition to Lynch and Arndt’s performances; on Saturday, the festival faithful were treated to the eclectic mix of jangle pop of Sirsy. Lead singer and stand-up drummer, Melanie Khramer and her partner, guitarist Rich Libutti, had the Nail Creek crowd, the biggest one of the weekend to this point, dancing and singing along. Khramer has the uncanny ability to engage the crowd with humor and powerful vocals with lyrics that may take you to a darker place. The fact that the music is typically so upbeat and Khramer so quick-witted with her banter, may disguise some of the darkness in the lyrics but it also gives the listener pause.  Krahmer’s Ella-like voice and stage presence added a terrific touch to the band’s final song of the night, a cover of Black Sabbath’s “War Pigs.” 

    Melanie of SIRSY belting it out.
    Melanie Khramer of SIRSY belting it out.

    Sirsy will be in Utica again on Dec. 8, performing an all-ages show at The Tramontane (known familiarly as The Tram). The show begins at 8:00 p.m. and will be a celebration of the band’s new EP to be released the week prior.

    Exploding onto the Nail Creek stage after Sirsy’s set was Brooklyn’s Shinobi Ninja. With an elaborate and energetic stage show led by lead singer, Baby G, clad in an Iron Maiden t-shirt. It was clear from the start that this wouldn’t be your typical rock show. The band’s uniqueness has been described as being “like the Beastie Boys, Slayer and Lauryn Hill all mixed together.” After witnessing the band’s performance, that is an appropriate description. The following video gives a good impression of a Shinobi Ninja experience. Mix in some metal, reggae, rap, a little punk and a whole lot of jumping and you get this. 

    The uninitiated looked on in puzzling disbelief once the Ninjas took the stage, however in the short time they performed for the UMAF crowd, most of the leery were won over. The true venue to witness Shinobi Ninja is a live one. If this band doesn’t make some noise on the national scene in short order it will be a surprise.

    UMAF faves Hank and Cupcakes followed Shinobi Ninja to a welcoming reception. Also based in Brooklyn, this duo is all about the performance. The husband and wife duo originally began performing together while serving in the Israeli Army at the age of 19. Colorfully dressed and highly animated, lead singer Sagit “Cupcakes” Shir isn’t afraid to get into the face of the audience while performing. In addition to pulling off vocal duties, Shir also drums and plays piano while bassist Ariel “Hank” Scherbacovsky keeps the beat and uses samples while safely tucked away stage right.

    Hank and Cupcakes deliver a performance that begs to be seen and the elbow to elbow crowd in front of the Nail Creek’s outdoor staage proved that on a rainy Saturday night in Utica.

    Hank and Cupcakes rockin' the Nail Creek
    Hank and Cupcakes rockin’ the Nail Creek

    The other Saturday night headliners performed nearly simultaneously up the street at Lukin’s. Floodwood, a bluegrass based band comprised of moe. bandmates Al Schnier and Vinnie Amico, as well as Jason Barady, Nick Piccininni and Zachary Fleitz, put together a two set show that, unbeknownst to all in attendance, would turn out to be one of the band’s final performances with this lineup. Schnier and Fleitz announced their departure from Floodwood in a release just a few weeks ago.

    Floodwood
    Floodwood

    The band packed the house at Lukin’s, playing right up to the 2:00 a.m. hour, performing Floodwood originals mixed with some moe. covers, Dead covers and other bluegrass.  A Floodwood show is always a good time. Varick Street Legend, Rainbow Young even made an appearance opening the set with a rousing version of the “Star Spangled Banner” that included maximum audience participation. Rainbow’s presence was seen at Lukin’s throughout the weekend, cementing the festival as a true Utica tradition.

    UMAF NYS-0060
    Rainbow Young, Varick Street Legend, performing the National Anthem prior to Floodwood’s set.

    If you’re in a music glut and looking for something new to listen to, the Utica Music and Arts Festival is the perfect venue to get you out of that funk. Festival organizer Joe Sweet and his booking crew go out of their way to include a huge variety of music to the festival each year. The 2015 edition was no different. And at a cost of $10 for a weekend bracelet, the music lover in you simply cannot go wrong attending this destination festival.

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  • After Funk and The New Daze Support Each Other at Funk ‘N Waffles Downtown

    A stately stuffed zebra proudly greeted guests from the front of the stage as they entered Funk ‘N Waffles Downtown Saturday Oct. 24. The zebra, fondly known as Uncle Stremnf, abided as the reigning mascot for electro-jam band The New Daze, who opened for progressive soul group After Funk. Uncle Stremnf gazed longingly into the crowd, his soft muzzle begging to be pet by those dancing near the stage. A few patrons obliged, feeding into the mystique of Uncle Stremnf’s presence.

    after funk til the sun comes upThough entertaining, perhaps silly to many, band members Max Flansburg (guitar/vocals), Jamie Knittel (bass/vocals), Steve Graff (drums) and Erik Hoffman (keys) take Uncle Stremnf’s existence very seriously.  They harbor as much affection for their equine affiliate as they do for eccentrically accessorizing. Knittel dapperly sported a pair of vintage 100% acrylic grey plaid trousers he’d purchased at a thrift shop for a mere six dollars. Though a bit baggy, he paired the look with an equally loose-fitting grey beanie that would periodically either fall over his left eye or slide off the back of his head depending on the trajectory of head thrashing. Hoffman opted to rock a gold medallion imprinted with a cheesy smiley face. The bling nicely complemented his thick mustache that might at any moment take on a life of its own and flutter right off his face.

    While expressive in their dress, the members of The New Daze were also extremely emotive in their musicianship. Flansburg and Knittel, equipped with instruments affording them greater mobility, were free to bounce around and animate their guitar and bass playing. Flansburg frequently flaunted a charming toothy grin, jumping up and down in place as he played. His buoyant expression was counterbalanced by Knittel’s straight-faced, almost scowling visage. With feet spread apart, he took on a wide, commanding stance, body rocking side-to-side rather than mirroring Flansburg’s vertical movement.

    Speaking of fancy moves, a quick glance through the crowd revealed the rather zebra-like persona of a woman dressed in black and white striped leggings and matching tank top. With arms outstretched in front of her, they danced up and down to the music like a rearing horse might paw the air. Emulating her inner zebra, she danced on behalf of Uncle Stremnf, whose decidedly inanimate disposition prevented him from joining in.

    The New Daze performed sequences seeking to take listeners on a journey, drifting between funk, jazz and experimental rock. Delivering a high energy set from the start, the crowd wasted no time breaking into a swell of swaying and head bobbing. The band’s last three songs featured the sexy saxophone playing of Robert Araujo, who added a warm dimension to their sound. Knittel thanked him on stage, perfectly demonstrating the band’s playful demeanor by stating sarcastically, “Thanks for coming here instead of the Nickelback concert.”

    After Funk perpetuated a playfulness, with Yanick Allwood (keys/vocals), Jaime Rosenberg (drums), Justin Bontje (bass) and Phil Tessis (guitar) flashing an array of overstated facial expressions and synchronized dance moves. The band members instantly resigned themselves to lovable dork mode. They matched their efforts in humor to entertain the surprisingly thinned out crowd by serving up a musical feast of progressive techno funk. They soldiered through a mix of original songs including those off their recently released Til the Sun Comes Up, along with some old school funk covers.

    Throughout the set, Allwood repeatedly contorted his face into looks of seemingly utter confusion, staring off at the ceiling while furiously tapping away at the keys. Despite his confused looks, the sounds he produced made it clear he knew exactly what he was doing: which was communicating with aliens. Tessis’ animated smirks and grimaces often seemed in direct response to either his own wicked guitar playing or Allwood’s key work, appearing to be in near constant bewilderment at the magic developing on stage.

    Adding to the crisp, golden soufflé of sound were Allwood’s savory soulful vocals. Opening their performance with an uptempo rendition of Stevie Wonder’s “Signed, Sealed, Delivered I’m Yours,” set the stage for what drives their inspiration.

    During a cover of Parliament’s “I Call My Baby Pussy Cat,” Bontje snapped a string in his furious bass picking. Knittel of The New Daze was quick to the rescue, offering his own bass to Bontje from the side of the stage. Bontje accepted the act of camaraderie with an appreciative nod, waiting until the end of the song to switch instruments.

    Towards the end of the set, Rosenberg  embarked on a heart rattling drum solo, momentarily vanquishing his bandmate’s worthiness to remain on stage. Allwood recoiled to the stage steps, staring back in appreciation and shaking his head in disbelief. Tessis walked off stage altogether, guitar in hand to grab a beer before the end of the solo. Their overplayed actions added an element of comedy to the obvious respect they have for each other as musicians. Before ending their set Allwood made sure to give a shout out to their opener, exclaiming, “Bass sponsored by The New Daze,” once again illustrating the sense of mutual support and companionship prevalent throughout the evening.

  • Giant Panda, The Simpkin Project, Ocular Panther and Haewa Play the Westcott Halloween Weekend

    Friday October 30 will spotlight a collection of reggae and jam-based music, delivered by the musical intertwining of Giant Panda Guerilla Dub Squad, The Simpkin Project, Ocular Panther and Haewa at the Westcott Theater on Halloween weekend. Giant Panda and The Simpkin Project fall more into the reggae and americana genre, while Ocular Panther and Haewa will be showcasing their more instrumental experimentations.

    Giant Panda, hailing from Rochester, are continuing along their Fall Steady tour spanning October 22-30. Concentrating in the lower New England area, the tour began in Washington, DC and will conclude in Syracuse. James Searl (bass/vocals), Chris O’Brian (drums/vocals), Dylan Savage (guitar/vocals), Dan Keller (guitar/vocals) and Tony Gallicchio (keys) will be pulling from their eclectic mix of reggae and a more recent divergence into the sphere of americana/folk. Their heartening brand of country-bred tunes comprise their newest album Bright Days, released May 2015.

    Indigenous Californians Phil Simpkin (vocals/guitar), Shawn Taylor (B3 organ/vocals), Sergio Sandoval (percussion) and Jules Luna (guitar/vocals) will nicely complement Giant Panda with their own reggae rhythms and folksy harmonizations.Giant Panda’s own O’brian and Searl will be providing their instrumentation to complete the ensemble and support The Simpkin Project, a band which Giant Panda has adored for years. With a noticeable Jack Johnson influence, The Simpkin Project will bring a warmth to the Westcott Theater.

    The New York natives of Ocular Panther perform as an all instrumental trio featuring Jason Gilly (bass), Collin Jones (guitar/synth/samples) and Michael Pantano (guitar). Their free-flowing jams will give listeners a chance to contemplate the universe or any last-minute Halloween costume changes they may need to manufacture. Rochester-based Haewa, also soliciting the guitar work and vocals of Collin Jones, along with Brendon Caroselli (drums/percussion) and Ben Chilbert (bass) will open the show with a splash of psychedelic funkiness. Like an old pillow case bulging with the winnings of a blood thirsty trick-or-treaters plunder, the collection of sounds at the Westcott Thursday will provide something for every taste.

    Westcott Halloween Weekend doors open at 8:00 pm, show starts at 9:00 pm. Get tickets here.

  • Luke Bryan Will Return to Syracuse on his 2016 Kill the Lights Tour

    Luke Bryan is set to top himself yet again with the announcement of his 2016 Kill The Lights Tour. He will be supporting his number-one album of the same name, Bryan’s fifth studio album, by bringing along special guests Little Big Town and Dustin Lynch.luke bryan kill the lights

    The first leg of the tour will start in mid February and will roll through the Carrier Dome in Syracuse on April 9, 2016. No official date for ticket sales have been set but, according to his website, they will start to go on sale in November.

    This tour announcement comes on the heels of his current single “Strip It Down” taking the number-one spot on the country music charts and on his two ACM Award nominations.

    Bryan’s Kick The Dust Up tour is wrapping up this week, but you can still catch him live on Thanksgiving during halftime at the Dallas Cowboys game at AT&T Stadium.

  • String Cheese Incident Brings It To F Shed

    I have always liked cheese, whether it’s a nice Brie, Jarlsberg, smoked Gouda, or even NY Cheddar; after all who doesn’t love cheese.  Only made sense I would like a band named String Cheese Incident.  Thought to myself, “wonder where that ‘incident’ part came from?”.  Guess I would quickly learn, as off I went to my first String Cheese Incident show at Syracuse’s F-Shed, Oct. 21.

    String Cheese - 20151021_195946 copy

    Normally covering rock, country, and bluegrass genres mainly, I was a little apprehensive if I would be able to do a review justice.  After all these guys have been around for 22 years and have a huge following.  Come on, selling out Red Rocks numerous times, who wouldn’t be a little bit nervous?  I’m sure journalists over the years have written extensive bios, talked about recent releases highlighting just the right musical points, and critiqued their shows with expertise.  If that’s they type of review you’re expecting, let me apologize now.  This is a review through the eyes of a newcomer.  These random thoughts and observations often go unnoticed to those that have been desensitized to their surroundings.  So let me share with you, what this country gal noticed throughout the night at her first incident.

    • Merchandise sales begin in the parking lot.  Bowls and pins, something for everyone. How enterprising.
    • String Cheese 20151021_194959 copyMy first friend I met inside was holding a stuffed cat named Kathy B.  Really?  (my maiden name was Kathy B!) #karmic
    • Lots of beards – ahhh.. not so different than country and bluegrass shows.
    • Lots of headbands – I like headbands.  I should buy more headbands.  I could pull off headbands.
    • Hey, I could have worn my glow in the dark devil ears too. #hindsight
    • I really should have worn pajama bottoms and my poncho – little overdressed in my dress slacks and work blazer.
    • Oh wow, a pink cowboy hat – feel at home now for sure.
    • Hey, there’s Jake the Dog from Adventure Time! Seriously, a guy is wearing a Jake the Dog costume – sweet – now I’m really overdressed.  Hope he doesn’t have to pee half way through the show as he’s standing right by me.
    • Okay, any band that starts off with a fiddle solo is okay in my book – Love them already.
    • Holy shit they can pick and fiddle.
    • Okay, they have framed photos of their wife and kids on the amp – really love these guys even more now.
    • Light Show is amazing!!! Good thing lights don’t bother me or cause seizures of any kind. #dontchangeathing
    • Shit…reggae mannn!  I want my flip-flops and a Corona now.
    • Bongos too?  Be still my heart.
    • Fiddle players must all wear Bob Marley shirts!! I’m making it a law.String Cheese - IMG_1277 copy
    • Did I mention he could really pick?
    • Oh hell yeah, 70’s funk is still cool.
    • Drums Baby.
    • Wow, thank you so much for putting both drum kits up on platforms.  Photographers want to photograph you too.
    • Wow everyone behind me is jumping, should I be jumping? I would probably hurt myself if I jumped.  #notcoordinatedenough
    • Every instrument is as strong as the other, nothing overpowers the other.  Sweet.  These musicians rock baby.
    • Okay, these lights that look like snow are as much snow as I want any time soon. #supercoolthough
    • Random cobweb making rounds in the crowd.  Hope I don’t get caught in it.  I am blonde you know.
    • Boy does Kyle look like my first boyfriend! Nah, couldn’t be.
    • I swear I just saw Russell Brand taking photos at this show.  Wait, is Russell Brand now a photographer?
    • Tiny triangles make beautiful music.
    • Wonder what the crowd looks like from up on stage jumping up and down?
    • Sick guitar riff…wow. #mindblown
    • Slide Whistle?….OMG that was awesome. I could take up that instrument.
    • Never heard such smooth seamless transitions between genres in my life.  Beautifully done guys.
    • Even sound board dude is jamming. Love when soundboard guys jam too.
    • Hey that one song has a Richie Vallens vibe.
    • New random friend “J” from north country – I was not taking dinner orders with my notepad but I will definitely have to try fries with mayo now.
    • Oh hell yeah you definitely pulled off those bell bottoms Mike Kang. #crushing
    • And I like that belt too.
    • I now want a Bob Marley playing soccer shirt.
    • Yeah, red and purple lights suck even worse when trying to take cell phone photos.
    • Hard rock riffs too?  Heavenly guys.
    • Yep that synth sound was totally back to the futur-ish. Nice.
    • Uni pod for photos?  Wonder if they are worth it to get those crowd shots?
    • Glow in the dark devil ears man playing a mean air guitar.  Should have dressed up in devil glow-in-the-dark ears too.  Wonder where he got them, as I really don’t have a pair.
    • Hats are in.  Why don’t I wear hats more?
    • Kathy B. the cat is dancing so much.
    • I don’t care how blonde I am, I’m dancing.
    • Love how Kyle mimics each note he plays – makes me smile.
    • Yeah, bongos always make me dance – yeah total turn on.
    • So glad your first concert was Santana in Syracuse because all these years later, we got to see you.
    • I have been Incident-ed.

    So I understand the ‘incident’ now. Incident means; likely to happen because of; resulting from.  It is very likely that I once again will see another String Cheese show, causing many more ‘incidents’ to occur.  Resulting from my first show, I will happily enjoy this band from this point further.  Such a happy incident. Note to self, must find glow-in-dark devil ears and Bob Marley shirt before the next incident.


    Set 1: Valley of the Jig, Eye Know Why, San Jose’*, Doin’ My Time > Chameleon, Love Is Like A Train > On The Road

    Set 2: Colorado Bluebird Sky, Rhythm of the Road > Blackberry Blossom#, Stay Through, Joyful Sound, Colliding, Rollover

    Encore: Rolling In My Sweet Baby’s Arms

    * = last time played 8/2/13 (88 Incidents)
    # = featuring “Back to the Future” Jam
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  • Wilco Treats The State Theatre to a Gem

    Upon mention of the name Wilco, for some, the term “Dad Rock” immediately comes to mind. This term has become ubiquitous over the past year and a half; used to describe music that appeals to an older generation that resembles music from an earlier era. It was originally used as a put-down in a 2007 Pitchfork review of the band’s Sky Blue Sky album.

    While Wilco’s music can sometimes echo the Super Sounds of the 70s, witnessing the band live reveals  a band that is out to rock you regardless of your age. If your only exposure to Wilco is from its studio releases, you’re missing half the experience. Wilco is a band that begs to be seen live to fully appreciate its talent.

    Jim Houle Wilco State Theatre Ithaca, NY 9-23-15-2

    Whomever decided it was a good idea to preserve the old theaters throughout Upstate New York, despite all of the urban renewal efforts of the 70s and 80s, deserves a huge pat on the back. Upstate has a plethora of gorgeous old theaters perfect for hosting shows such as this — from the Palace Theatre in Albany to the Stanley in Utica, the Capitol in Rome, the Landmark in Syracuse to this gorgeously renovated old theater in Downtown Ithaca — beautiful venues are bountiful in this area of the state.

    The assemblage at the sold out State Theater in Ithaca on Sept. 23 was treated to four shows in one. Nashville native William Tyler opened with a brief, but impressive, four song set of solo acoustic and electric songs. Tyler, throughout his set, made no secret of his extreme appreciation in having the opportunity of opening for Wilco.

    While he was seated for the majority of his set, Tyler quickly had the audience standing and appreciating his slick guitar style on songs reminiscent of old school country, Delta Blues and Clapton. Tyler’s appreciation for the city and venue was apparent when he stood to show off the Grateful Dead t-shirt his sister had bought him pre-show. He also made mention of the Dead’s legendary Barton Hall show at Cornell in introducing his new duds to great applause.  This talented man put on an impressive set and if he doesn’t become a household name in the near future, it will be a surprise.

    Wilco took the stage promptly at 9:00 p.m. and ran through their latest release Star Warsan album sprung upon an unsuspecting fan base as a free download this summer, in its entirety. It was a fairly straight forward run-through of the album and was politely received by the audience, if not yet entirely familiar to them.

    The “third” part of the show finally brought the crowd to its feet, as Wilco dropped the A Ghost is Born track “Handshake Drugs” featuring the classic melancholy line “I was chewing gum for something to do…” This is where the headliner truly took the stage and had the fans hooked.

    Jeff Tweedy
    Jeff Tweedy

    A distorted run-through of “Camera” moved smoothly into the techno-beat intro of “The Art of Almost” from 2011’s The Whole Love. It was at this point that the audience was truly all-in on this show. Seat numbers no longer held any meaning as people began to make their way from the back of the cozy theater to stand at the front of the stage to witness the Wilco madness. Tweedy recognized those who made the move while playfully scolding the front row ticket holders for not jumping at the opportunity sooner.

    Fan favorite (then again, almost all are), “Via Chicago” didn’t disappoint as the acoustic turned cacophonous with drummer Glenn Kotche and guitarist Nels Cline’s break out mid-song creating a frenzy of sound and light behind a seemingly oblivious Tweedy maintaining the soothing tone of the lyrics.

    Wilco recently re-released a special vinyl version of its debut album A.M. and has been dipping into some of those songs on this tour. This show was no different, with the appearance of “Box Full of Letters,” the Pat Sansone-helmed “It’s Just That Simple” and the subdued, yet still rocking, version of “Casino Queen,” which was done acoustically during the second of two encore sets.

    When attending a Wilco show, the true show is in witnessing Cline. Equal parts shredder, jazz aficionado and honky tonk slide guitarist, he leaves it all on the stage every night. It isn’t uncommon to see the remains of what used to be perfectly fine guitar strings dangling from Cline’s head-stock at the end of a particularly nasty “Impossible Germany.” And while his strings remained largely in tact on this night, Clines, commanded the attention of the State Theatre crowd, drawing roaring ovations throughout the show.

    Nels Cline
    Nels Cline

    Following a well-received “Impossible Germany,” Tweedy had some words with a few ambitious amateur photographers at the front of the stage; imploring them to enjoy the show in front of them rather than through the screen of their smart phone.  After offering an apology for his dislike of the cameras, he joked about the bands new favorite place to play…Montreal (where they had played previous to Ithaca) to laughter from the crowd. The twenty-five song set concluded with another A Ghost is Born track, “The Late Greats.”

    After a brief break, the band came out to a scorching ten minute version of “Spiders (Kidsmoke)” that had the crowd dancing along and Tweedy performing a “kitty cat dance” with “paws” in a defensive posture.

    Another break had the stage crew assembling an array of acoustic instruments for the finale of this four-part show. Sansone switched over to banjo, Clines to slide guitar and pianist Mikael Jorgensen downsized to a melodica.

    “Misunderstood,” the Woody Guthrie-penned “California Stars” and “Shot in the Arm” all engaged the audience in a sing-along. The close stage set-up made for an intimate small room feel for the remainder of the show, all that was missing was the campfire.

    Jim Houle Wilco State Theatre Ithaca, NY 9-23-15-47

    After twenty years and several line-up changes, Wilco is a band that still enjoys doing what it does. To see fire in the eyes of Jeff Tweedy and smoke from Nels Cline’s fret board after all these years,  is truly a joy to behold.  A joy that will continue  into the new year with a fresh slate of eastern U.S. tour dates beginning in Pittsburgh on Jan. 25. This brief tour will make a few New York stops, including a two-night stand at the Capitol Theatre in Port Chester and two sold out shows at Brooklyn’s Kings Theatre.  Go for the music, stay for the show.

    Setlist:

    Wilco
    September 23, 2015
    Ithaca, NY | State Theatre of Ithaca

    01 – More…
    02 – Random Name Generator
    03 – The Joke Explained
    04 – You Satellite
    05 – Taste the Ceiling
    06 – Pickled Ginger
    07 – Where Do I Begin
    08 – Cold Slope
    09 – King of You
    10 – Magnetized
    11 – Handshake Drugs
    12 – Camera
    13 – Art of Almost
    14 – Via Chicago
    15 – Box Full of Letters
    16 – Hummingbird
    17 – Forget the Flowers
    18 – Red Eyed and Blue
    19 – I Got You (At the End of the Century)
    20 – Heavy Metal Drummer
    21 – I’m the Man Who Loves You
    22 – Dawned On Me
    23 – Jesus, Etc.
    24 – Impossible Germany
    25 – The Late Greats
    Encore:
    26 – Spiders (Kidsmoke)
    Encore:
    27 – Misunderstood
    28 – War On War
    29 – It’s Just That Simple
    30 – Casino Queen
    31 – California Stars
    32 – A Shot in the Arm

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