Category: Central NY

  • Tyler Farr Rocks The F Shed

    What can be better than seeing two of Syracuse’s favorite bands, Castle Creek and Country Swagg? Just follow them up with country’s newest favorite bad boy, Tyler Farr, and you’ve got one hell of a rocking show.

    Opening the show this evening was Sammy Award winners Castle Creek, whose soulful rock sound reverberated throughout the venue as they played both original music and covers. Their cover of the Beatles “Come Together” mashed up with Pink Floyd’s “Another Brick in The Wall” was hands down one of the best covers I have ever heard! Having seen both Kim Monroe and Chris Eves play once before at a local festival, I looked forward to once again catching their set and congratulating them on their new award.. Blown away yet again, I sat there trying to pinpoint a reference of sorts to describe them to my readers. At a loss for adjectives that described their style, I feel as though perhaps certain influences of musical greats such as Bonnie Rait, Johnny Cash, Jack White, Pat Benetar, Muddy Waters, and so many others could very well have helped to direct their musical style.  Their distinctive uniqueness melded together perfectly while one never over shadowing the other at all. This deserves mentioning as they both display such very strong vocals and instrumentation. The fact that they can play and sing the same instruments simultaneously without becoming one sound and over powering the other is what makes their sound so unique, so soulful, so bluesy, and gets to me every time I see them. Just love them.

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    Country Swag, took the stage next. Was the first time I saw this band and was thoroughly impressed by lead singer Mike Johnson who sings lead vocals and acoustic guitar, Gabe Infantino on bass, Tim Horst on lead guitar and Rob Trout on drums. Belting out rocking covers together with a few originals they certainly had the crowd warmed up by the time the main act took the stage. Appropriately named…they brought some foot stomping, party rocking, swag to the stage and had the crowd primed for the main event.

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    As Tyler Farr took the stage, he welcomed everyone to and joked with the crowd there at the FShed. Yes, I too wonder Tyler what the “F” could stand for. I can speculate…but sometimes mysteries are much more fun. Having covered this band before I am always impressed with Tyler’s stage presence and interactions with his audience.

    Appealing to all audiences members, don’t let his sexy raspy voice fool you in thinking he’s just another good ole boy singing country music. Well, he is a good ole country boy, however, he’s much more than what you see on the surface. This good ole boy enjoys his hunting, four wheeling, and fishing for sure, but what fans may not know though is that he is also a classically trained opera singer. Studying music throughout high school and college while attending Missouri State University, Tyler’s talent is far-reaching beyond what you see on stage. He also surrounds himself with some of the best musicians in the business as well. His traveling family consists of Tracy Goode on bass, Mark Poiesz on drums, Gary Jannaman on electric guitar and Dirk Weaver on acoustic guitar. These four guys round out the Tyler Farr experience bringing down the house each and every time. Playing all sides of the stage and taking the time to say hello to fans, are just a few of the things I love about Tyler’s band. The are fan friendly and approachable. Oh, and I love photographing them. I may or may not have numerous photos of Gary’s spiky hair. What?!! He’s a fun subject and his hair is rocking!!

    Tyler Farr - FShed Syracuse
    Tyler Farr – FShed Syracuse

    The one thing I’ve noticed about Tyler’s shows, he’s extremely personal with his fans giving them a new show each and every time. He makes his audiences part of the show whether it’s through conversation or just coming out into the audience and shaking hands and taking selfies. With a similar set list night after night, he has a way of making each show unique to each audience. As he performed a mix of rock and roll country hits throughout the night, it was his acoustic numbers that truly impressed me. He gave the audience a glimpse into his vocal range in numbers such as “Hello Goodbye”. Then there was Mark’s drum solo. I’m leaving it at that..trust me it’s a must see. #spoilalert #awesome The entire show flew by before I knew it, and although I have seen him now three times, it’s still a new show each and every time he comes to town. Pretty remarkable feat.

    So in summary I wonder myself Mr. Tyler Far what the F stands for. Perhaps it was for the full venue of fans. Perhaps it was the folksy, bluesy sound that Castle Creek brought to the stage. Perhaps it was the foot stomping rocking set Country Swag performed warming the stage for you. Maybe it stands for your fan friendly disposition you and your band share with fans, demonstrating your appreciation for their support. However, I think it was a combination of all of those things that made the entire evening fantastic. Whatever the F stands for, Tyler FARR brought the party, and we all had FUN at the FShed.

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  • Next Best Thing – ZBTB Takes Over Nicole’s of Camden

    When I learned that a new venue in Camden, Nicole’s of Camden, would be featuring a Zac Brown Tribute Band (ZBTB), I knew I had to take the drive to check out this new venue and this cover band. So glad I did. The venue is amazing. Nicole’s of Camden offers great acoustics and awesome lighting with plenty of space to dance. For a small venue it’s the perfect setting for bands and attendees to enjoy enough room to dance and play comfortably. The completely revamped restaurant/bar offers patrons the perfect spot for a night out. With a full menu and bar, I highly recommend you taking a drive to Camden to take in one of their many shows and some good eats.

    Every once in a while you just need a dose of your favorite bands live? What do you do if they are in the studio recording, or touring overseas, or just not coming anywhere within earshot of you? You do the next best thing, you catch a cover band.

    Zach Brown Tribute Band - Nicole's of Camden
    Zac Brown Tribute Band – Nicole’s of Camden

    Every musical photojournalist has a “bucket list” of sorts. This list includes the names of bands that they must cover as well as ones if they come to town they would like to cover. The difference between the two lists is simple. The must cover shows will include ungodly amounts of travel, with little to no sleep for the following day, only to stand on a bucket and shoot 30 seconds of a song, to capture a shot they hope when cropped, is still in focus and not too pixellated. The ones they would like to cover require less travel, usually no bucket is involved, and if they are tired they may just miss it if they have something pressing the next day at their day job. I’m happy to say that I have had the opportunity to check a few off my must cover list. However, there is one band still on my list I’m hoping to check it off real soon. Until then, a good cover will suffice. What band would I be referring to? Well the Zac Brown Band my friends.

    ZBTB - Nicole's of Camden
    Zac Brown Band

    We all love them. Since the first time we heard “Chicken Fried”, we’ve tapped out toes and raised a glass to “salute the ones who died, those ones that gave their lives, so we don’t have to sacrifice all the things we love; like our chicken fried”. Come on, you know the words, don’t be shy. Well this may have been the first song that captured my attention, but what held it has been the diverse mix of music they’ve created since that first tune hit the charts. There’s something unique about the Zac Brown Band that makes them so very special. I love their blend of sounds. This mix of Caribbean flare with country bluegrass, and a touch of seventies and eighties rock gives them their unique sound.  It hooked me and keeps me on the line following them as they amass their catalog of music and fans worldwide.

    Opening the evening were locals Mad River Junction. This band brought the party with their renditions of some Stray Cats, Jerry Lee Lewis, Tom Petty, and Johnny Cash. Any band that plays Stevie Ray Vaughn gets my automatic stamp of approval. Describing themselves as the love child of Cyndi Lauper and Muddy Waters, who ultimately is raised by Prince, Neil Young, and Bret Michaels, I totally can see that love child(ren) becoming Mad River Junction. Kudos to band members, or love children, Matt Chalifoux on drums/percussion, Nick Pulizzi, on guitar and vocal, Greg Owens on guitar, bass, and vocals. And Kenny “The Demon” Swavely on harmonica. Really enjoyed this set.

    As the ZBTB took the stage and began to play, it was crystal clear that this cover band recognized the one key quality that makes the original Zac Brown Band special, the individual instrumentation brought to the sound by each original band member. The ZBTB recognized how to replicate that sound and bring their audiences the musical magic they would expect to see from their beloved original band by providing a full band to back up some amazing vocals. Pete Frank fronts the group with his spot on vocals and acoustic guitar. If you closed your eyes, you would be hard pressed to tell a difference. I was super impressed. Joining him on vocals and guitar was Matthew Stephens who rocked the crowd as he shredded some amazing Metallic “Enter Sandman”  towards the end of the evening, setting the crowd over the top. For those of you that know me well know I’m a sucker for a fiddle, and Mike Kedley is one of the best in the state. Joining in on fiddle and vocals, Mike brings that down home country bluegrass sound you come to expect from the Zac Brown Band. Also on vocals and guitar we had Jeremy Laursen who with his harmonies take these songs to a new level. On that background beat we had Tim Hull on bass, and Joey Saliceti on keyboards pounding out the tunes and undertones. And keeping the whole lot of the bunch in time we had Danny Roelle on drums/percussion. With this full band playing Zac Brown favorites such as “Knee Deep”, “Sweet Annie”, “Whatever It Is”, and “As She’s Walking Away”, I felt as though my need for a bit of Zac Brown Band was satiated by this cover band, and could totally fill my need any time I couldn’t see the real deal.

    ZBTB - Nicole's of Camden
    ZBTB – Nicole’s of Camden

    Starting their set list with Zac Brown Band favorites and covering some of the most popular covers the band played two full sets of music covering all of my personal favorites and then a few more. Dancing the night away was a full house of patrons who concurred with my sentiments fully. Overall, I wholeheartedly gave a thumps up to this cover band for doing the original Zac Brown Band justice and suggest you check them out soon in a venue near you.

    Set 1

    Natural Disaster Let It Rain
    The Wind
    No Hurry
    Let It Go
    Midnight Rider
    As She’s Walking Away
    The Night They Drove Old Dixie Down Jump Right In
    Ants Marching/Frankenstein Whiskey’s Gone
    Sweet Annie
    Make This Day
    All Alright
    Can’t You See
    Times Like These
    Colder Weather
    Toes

    Set 2
    We’re An American Band Day For The Dead Comfortably Numb
    Knee Deep
    Settle Me Down
    Whatever It Is
    Keep Me In Mind
    Sic ‘Em On A Chicken
    One Way Out
    Highway 20 Ride
    Enter Sandman
    Free/Into The Mystic
    Chicken Fried
    Uncaged/Kashmir/Devil Went Down To Georgia Killing In The Name

  • Primus and the Chocolate Factory to Sweeten up Syracuse’s Landmark Theatre April 21

    That’s right folks, for one night only those mad capped musical magicians Primus will be making a stop here in Syracuse at the historic Landmark Theater. The evening’s offerings will include two magnificent sets: set 1 features all of your favorite classics performed by the trio; set 2 includes the band’s brilliant and unusual interpretation of the “Willy Wonka and the Chocolate Factory” soundtrack brought to life with the help of the Fungi Ensemble. So hurry up and grab your Golden Ticket because you’re not going to want to miss this limited engagement.

    “Ladies and Gentleman, Boys and Girls, the Chocolate Room”

    Primus and the Chocolate FactoryPrimus is:

    Les Claypool – vocals and bass

    Larry “Ler” LaLonde – guitar and backing vocals

    Tim “Herb” Alexander – drums and backing vocals

    The Fungi Ensemble is:

    Mike Dillon – marimba and percussion

    Sam Bass – cello

    Show Details:

    April 21, 2015 7PM Doors 8PM Music. All ages.

    Landmark Theatre, Syracuse, NY

    Tickets are $25-65$ Buy tickets.

    primusandthechocolatefactory

  • The Perfect Get Away for an Adult Night Out – Turquoise Tiger Featuring Devin Bing

    Looking for a new and different place to spend a quiet evening away from the kids? Looking for a unique place just brimming with a romance, beautiful music, and specialty drinks on hand to round out the perfect setting to take your special someone? Whether it’s making a first impression or showing that someone how special they are to you, I have the perfect setting; The Turquoise Tiger at the Turning Stone Exit 33.

    Turquoise Tiger - Turning Stone Casino
    Turquoise Tiger – Turning Stone Casino

    This venue has been fashioned after 1940’s Film Noir. It features the sexiest specialty drinks around, classic 1940’s period art deco design, photos of the jazz and standards greats, and featuring some of today’s most sought after musicians to entertain you. Seated by a dapper young man decked out in a zoot suit, it’s as though you are transformed into a different era the moment you step inside the doors.

    Turquoise Tiger - Turning Stone Casino
    Turquoise Tiger – Turning Stone Casino

    I recently had the opportunity to visit the venue and meet one of the regular musicians, Devin Bing. Devin hails from New York City and his blend of sultry crooning, and jazzy beats of the great standards bring a toe tapping mix t0 some of my all time favorite tunes.

    Devin Bing - Turning Stone
    Devin Bing – Turning Stone

    In between sets of his show, Devin so generously sat down to talk with us recently about his music, his inspirations, and his future plans.

    Kathy Stockbridge (KS):  Hi There. I am so super impressed with you. With your talent. You are so young to love this genre of music. Tell me how did you come to play this type of music.

    Devin Bing (DB): I know right. I am a product of my environment. My mother is a cabaret singer and actress, and my father started a live theater off-Broadway, very off-Broadway in Long Island. So I grew up with Gershwin, and all that music. So the music again, was a product of my environment as I heard it all the time.  It was just so beautiful to me. I also am into instrumental jazz. Once I heard Miles Davis “Kinda Blue”, I was like “WOW”, love the art of improvisation. That’s why I do the trumpet sound.

    KS: That was amazing, I was blown away by your vocal talents beyond just the singing.

    DB: When I was growing up and studying music, and I was evolving as a musician and singer, fascinating to me was George Benson and Ella Fitzgerald’s scatting and their vocal improvisation. I been lucky enough to learn an instrument to improvise on, but to the take the vocal instrument and emulate and turn it into a horn player or something more has always been a passion of mine.

    KS: When making note of it I titled it “vocal trumpet”.

    DB: You know what I call it? A “Trumouth”. You know a Trumpet + Mouth? It actually has brought me attention for gigs as people see it online and want to book me because of it. But seriously, Miles Davis was a big influence and bridging that vocalist/instrumental thing has always been a passion of mine.

    KS: You mentioned you studied music. Did you study through high school, or did you go to a musical college?

    DB: Yes, yes I did. I went to University of Miami. Not sure if you are familiar with it, but it’s one of the top 5 jazz schools in the nation. What happened was all the studio musicians from the 60’s and 70’s had a big studio explosion at that time down in Miami. So in the 70’s when all these studio cats, who were jazz players doing studio sessions for the Bee Gee’s and artists like that, got together they decided to stay down there and start a program. And then from the late 70’s on it just grew. So I went down there as a vocalist, but I ended up double majoring in both vocals and piano. It actually was the first time they had someone do that.

    KS: After graduation you returned to NY?

    DB: Yes. I was living in Miami hustling the scene. But there really wasn’t a scene for me there. It was very club heavy. Very Latin Band. There really wasn’t the cultural scene for what I did. So being from Long Island, I decided to come back home because it was better for what I had decided to do.

    KS: So who are your musical influences? I can guess just by listening to your first set list, but I want to hear from you.

    DB: No…no I want to hear who you think.

    KS: Nat King Cole, Frank Sinatra, Miles Davis, Dizzy Gillespie…maybe Ella….who am I missing?

    DB: No you did great…in fact the list goes on and on. When I was younger, when I was 13 or 14 and all my friends were listening to Back Street Boys, I was listening to Miles Davis and Mel Torme. I was an anomaly. I wanted to be the next Harry Connick Jr. Harry Connick Jr. was someone I listened to an it’s funny how when you grow up you emulate artists and you are trying to figure out your sounds, I emulated Harry Connick Jr. Then I got into Stevie Wonder. I was like oh my God, that was like great. I wanted to sing like that. But do it in jazz. I kinda had this soul and Motown meets jazz. In fact my second set of my act features Stevie Wonder. It’s a part one and part two kind of show.

    KS: Well I have to say, you blew me away with part one of the show. You sang one of my all time favorites songs, “Nature Boy”. And I loved your jazzy soulful rendition of it. Normally it’s a really slow song, but you breathed a new life into it.

    DB: Oh good, and that’s really what’s happening to me in New York where I’m carving a new niche of jazz singing even the standards. Where I’m taking all these traditional songs and turning them on their heads giving them a younger hipper sound.

    KS: Do you see a younger crowd coming to your shows? Tonight you have a mix of 30’s, 40’s, 50’s all here appreciating your music. Do you find you audiences getting younger?

    DB: Absolutely, I have been headlining a club down in NYC called the Metropolitan. It’s off-Broadway, so being off Broadway there are a lot of cabaret singers and I’m very different. I’m not a cabaret singer, I’m straight jazz and pianist. But I sing a lot of the same songs they sing. We all sing “My Funny Valentine”, we all sing “Nature Boy”, and the Gershwin tunes, but no one sings them the way I do. I did a show at Lincoln Center and it was a show with a lot of cabaret singers. I came out and sang “Fly Me To The Moon”. And all 1,200 people were like…. It’s been really exciting to be able to do music that I love and to be able to keep it alive and give it this fresh facelift.

    KS: Do you have any projects going on? Don’t you have a new album you’re working on?

    DB: Yes, yes I do and I’m glad you want to hear about it, because I love talking about it. It’s an album called Shaken Not Stirred. Now I wanted to develop a concept that brought back the art of the LP which is a full album. So many people are making mixed tapes of just single songs and whatnot.  I wanted to create something that was not just a collaboration of single songs.  So I wrote this album to tell a story from beginning to end. I wrote and produced every composition, and I wrote it cinematically so that you are almost listening to a movie. It takes you through this epic love story about a crooner/night club singer, that meets this mysterious woman and goes on this search to find her. After searching for her he finally finds her and asks her to surrender to loving him.  They get together only to discover there’s the opposite side of the love where he finds out she’s not exactly everything he had imagined.  Then the torment begins. It goes through this element of I want it all or nothing at all. I actually throw the song All of Nothing At All in there where it goes through that part; the addiction of love and how you need it.  Then you go through the ultimatum where it’s me or nothing, and then ultimately the last song is about coming to the realization of his destiny.  A lot of it is based on Paulo Coelho’s book The Alchemist in the sense of how it focuses on finding your destiny.  The moral of it is, whatever love it is you are pursuing, never give up and follow your destiny.  There is a lot of layers to it, but ultimately when you listen to it from beginning to end, it’s this love story with beautiful arrangements, and again it’s got this cinematic style.

    KS:  When can we expect the release of this album?  I can’t wait to hear it.

    DB:  We’re finishing it up and expect a release in early part of 2015.

    KS:  Are you planning on going out to tour with it?

    DB:  Absolutely.  We’re doing some things in Brooklyn and some throughout NYC, and then after that we’re hoping to be out touring with it.

    KS:  Well I can’t wait for its release and hearing your new music!

    As the interview concluded and he returned to get ready for the second set of the evening this extremely talented young man-made a lasting impression on me. I love to see the music of some of the greatest performers and entertainers of all time continue today with a flair from this new generation. Often compared to Michael Buble’ and Harry Connick Jr., Devin Bing is definitely making a name for himself, while continuing to honor traditional standards in a new soulful way.

    I highly recommend a night out at The Turquoise Tiger for a relaxing evening of fine drinks, a timelessly classic atmosphere, and some of the best music around.  To catch Devin this month at The Turquoise Tiger, don’t forget to mark your calendars for April 10th and 11th at 9pm when he once again returns.

    Devin Bing - Turning Stone Casino
    Devin Bing – Turning Stone Casino

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    Devin Bing - Turning Stone Casino
    Devin Bing – Turning Stone Casino
  • Twiddle talks to NYSMusic about the Dirty Dozen Tour

    The twelve night ‘Dirty Dozen’ co-headlining run with Twiddle and Kung Fu kicked off last night in Buffalo at Iron Works, and continues tonight in Syracuse at the Westcott Theater.  Along with the Buffalo and Syracuse dates, there is a stop at Albany’s Upstate Concert Hall, teaming up with local favorites Mister F. The tour is full of surprises, with no set times being announced, which is exactly the kind of antics fans anticipate with two powerhouse bands such as these two artists. The two bands teamed up for a sold out show in December to benefit Toys for Tots and have both been touring extensively since then.

    Bryan-Lasky-Kung-Fu-11

    NYSmusic sent some interview questions to the Twiddle guys, and they all chimed in with their answers below. Be sure to catch them while you can!

    Jen Foster: First off, how excited are you for a no-holds-barred tour with Kung Fu?

    Twiddle: We’re always extra amped for any gig with Kung Fu.  They are role models for us in the scene, and have been amazing mentors/frends for Twiddle as we continue to grow.

    Jen Foster: When you imagine this kind of tour, what do you hope for more than anything?

    Twiddle: We don’t have any expectations. We are leaving the set times and schedule very open ended so anything can happen. We hope to do some really fun collaborative stuff with Kung Fu that everyone digs. The idea is to have as much fun as possible.

    Jen Foster: What will happen when Ryan Dempsey and Todd Stoops create the ultimate keyboard spaceship?

    Twiddle: It’s gonna get weird, in a really good way.  Expect that dirty alien funk.

    Jen Foster: The term Kungwiddle has been flying around like wildfire. Do you foresee this one of many co-billed shows and band crossovers?

    Twiddle: Yes. We especially love our annual Toys for Tots show with them in CT. It always feels good to play with incredible musicians, and help kids at the same time.

    Jen Foster: Twiddle just finished the “Donde Esta Norb?” tour, and now you’re headed to Costa Rica for Jungle Jam. It has already been a very successful start to the year. Are you at all surprised with the amount of success in the past year?

    Twiddle: We’re always blown away by our fans. They are building an amazing community that is turning into a family. As far as success is concerned, Madison House is doing a great job of getting us on some amazing show/festival bills. Especially Red Rocks with S.C.I.

    Jen Foster: Fans of both Twiddle and Kung Fu are over the moon about this upcoming tour. What kind of hijinks can we look forward to?

    Twiddle: The idea of not announcing set times is to send a message for fans to get there early and stay late. Anything is possible. We have a few filthy tricks up our sleeves but where would the fun be in telling anyone?

    Jen Foster: NYSMusic’s readers are very excited for the upcoming Upstate shows in Buffalo, Syracuse and Albany. Once the Spring tour is behind you, what summer music festivals are you most looking forward to playing?

    Twiddle: The upstate NY markets are slowly becoming marquis/anchor cities for us. Castleton, where we met, is literally on the NY border with Vermont. We love New York. As for the summer, we are making repeat appearances at big fests like Summer Camp, Wakarusa, The Peach and Gathering of the Vibes.  It is always humbling to see our name next to big time artists.  However, the smaller fests like Disc Jam and the Frendly Gathering allow us to see all of our New England frends and family. The Frendly Gathering is in Vermont and we spend the whole weekend there. It is home.

    Dirty Dozen Tour Dates:
    4/1 – Buffalo, NY | Iron Works
    4/2 – Syracuse, NY | Westcott Theater
    4/3 – New York, NY | Irving Plaza
    4/4 – Clifton Park, NY | Upstate Concert Hall
    4/8 – State College, PA | Levels
    4/9 – Pittsburgh, PA | The Rex Theatre
    4/10 – Philadelphia, PA | TLA
    4/11 – Baltimore, MD | Rams Head Live
    4/12 – Richmond, VA | The Broadberry
    4/14 – Greensboro, NC | Blind Tiger
    4/15 – Charlotte, NC | The Chop House
    4/16 – Atlanta, GA | Terminal West

  • Michael Bolton Swoons the Showroom

    True to form, Michael Bolton brought his classy performance to his fans at the Showroom at The Turning Stone Casino.

    MichaelBolton3-(1-of-1)kricher

    With a full band and rich sound, he commanded the stage. His fans, of all ages, sang along with every song. Performing hit songs “Sittin on the Dock of The Bay” and “Said I Loved You But I Lied” just started the show. Bolton sounded amazing live. His voice so smooth, yet raspy. I could have listened to him all night!

    The Showroom is the perfect setting for a show as personal and intimate as Michael Bolton’s performance. Hoping he comes back again soon.

  • Twiddle and Kung Fu Team up for ‘Dirty Dozen Tour’ With Four Shows in New York

    The Dirty Dozen Tour features 12 massive performances from Co-Headlining musical acts of Twiddle and Kung-Fu. Syracuse will be their second date of the run, following Buffalo, before traveling to Albany, New York City and making their way for Atlanta. Due to the fact that both bands will be headlining the tour, fans will have to arrive early to the venue to see who will take stage first. These two groups have been dedicated to their growing fan base and the music community by scheduling non-stop tour dates, as well as planning to release soundboard audio of their live shows this spring and summer. Fans can also see both bands in June at the Saranac Brewery in Utica, NY opening for moe.

    Twiddle-City Bisco 2013
    Twiddle-City Bisco 2013

    Since emerging onto the music scene, Kung Fu has single-handedly redefined what it means to “bring the funk.” These gentleman have brought their own unique sound, fusing the unlikely genres of funk, electronic, jam, jazz and much more. Kung Fu has become a staple at many big name festivals as well as the smaller festivals, home town bars and venues. Seeing this band live is more than just a performance, but an experience. Kung Fu’s live performances have been referred to as “jaw dropping” and “musically mesmerizing.” Taking stage with the equally talented Twiddle will just mean that you’ll have to really brace yourself for a fantastic night of live music.

    Twiddle has taken the jam band music scene by storm, completely dismantling any preconceptions and notions on how far a group of guys from a small town in Vermont could really go. Over the past few years Twiddle has acquired a following to (no pun intended) beat the band. Fans of Twiddle travel far and wide to enjoy their live performances. Much like Kung Fu, Twiddle has also masterfully blended a unique array of genres including funk, reggae, jazz and bluegrass. The band has a very  unique understanding of each other on stage and off so their performances are nothing short of amazing. Each performance within the Dirty Dozen Tour will showcase two phenomenal bands who have redefined genres within their own respects and also made great strides for genres which may have been otherwise overlooked.

    Dirty Dozen Tour Dates:
    4/1 – Buffalo, NY | Iron Works
    4/2 – Syracuse, NY | Westcott Theater
    4/3 – New York, NY | Irving Plaza
    4/4 – Clifton Park, NY | Upstate Concert Hall
    4/8 – State College, PA | Levels
    4/9 – Pittsburgh, PA | The Rex Theatre
    4/10 – Philadelphia, PA | TLA
    4/11 – Baltimore, MD | Rams Head Live
    4/12 – Richmond, VA | The Broadberry
    4/14 – Greensboro, NC | Blind Tiger
    4/15 – Charlotte, NC | The Chop House
    4/16 – Atlanta, GA | Terminal West

    Tickets are expected to go quick so don’t wait to buy them at the door.

  • Rock & Roll Hall of Famer Don Felder Brings The House Down at Turning Stone Casino

    It doesn’t matter if you were a child of the ’60s, ’70s, ’80s, ’90s, or the new millennium, you will be hard pressed to find someone who doesn’t know who the Eagles are. There are only a handful of rock songs that I catalog as classic rock and roll. These are the ones that have had the ability to pass over generation to generation only gaining popularity and momentum each time played. “Hotel California,” written by Don Felder, Don Henley, and Glenn Fry is one in this category.

    don felder
    Don Felder Turning Stone Casino

    It was with eager anticipation that together with a packed audience on March 24, The Turning Stone Casino welcomed Don Felder and his star-studded band to the Showroom. As I awaited the show to begin, you could feel the audience’s excitement and eagerness to begin their evening. After all they knew they were in the presence of a musical legend.

    Don Felder, best known as lead guitarist of The Eagles, is one of rock and rolls leading guitarists of all times. Inducted with his bandmates in 1998 in the Rock and Roll Hall of Fame, Don Felder has been recognized as one of the elite musicians and songwriters of all times. When talking with a friend recently about The Eagles, he stated that in all of their music, “there was not one throw away lyric”. I agree wholeheartedly. As I sat listening to the music this evening I couldn’t help but notice the lack of pomp and circumstance on stage. There were no fancy sets, no logo backdrops or drum kits, no fancy lighting, and not even a merchandise table set up outside the doors. Tonight’s show wasn’t about anything but music. I contemplated this, how indicative of this generation of musicians and songwriters. At the time their music was popular and their tours crossing continents, it was only the lyrics and composition of music that brought the feelings. Visual effects were nice, but not necessary. Lyrics had a message, musical composition featured the talent of each instrument, and the combination of the two together evoked emotions. So as I sat there enjoying this show, I became part of the music in a new way that today’s audiences don’t often see. It’s a shame really that many will not see or appreciate music without all the visual effects to carry the point across.

    With that aside, for those of you unfamiliar with Don Felder, shame on you. Don began his musical journey at the age of 10 when he traded a handful of cherry bombs for a used guitar. I do believe he got the better end of that trade, or should I say, we did. You see, this trade was prompted by, who other than, Elvis Presley as Don watched him on The Ed Sullivan Show. Mental note, I wonder how many of today’s artists began their musical journey after seeing an artist on the Ed Sullivan show?

    Growing up in Gainesville, Florida, Don learned guitar and played throughout his teenage years with his childhood friend Stephen Sills and Bernie Leadon. There must have been something in the water down there in Gainesville. In Don’s high yearbook his band’s photo was featured along side his friend Tom Petty’s band. In fact, Don actually gave Tom Petty guitar lessons. It was also during this time he learned slide guitar from friend Duane Allman of the Allman Brothers. Forget the Fountain of Youth, I want to drink from their musical water fountain.

    After graduation, Don found himself in Boston with good friend Bernie working in a recording studio. It was working with Bernie that he was introduced and hired to accompany The Eagles on slide guitar for their new song “Good Day In Hell”. That’s all it took. Immediately following that session, Don Felder became the new Eagle. With a country sound at that time, Don’s input helped to bring the band new audiences with his added rock and roll edgy style in their new music.

    As both composers and writers, the team of bandmates churned out hit after hit. How could they not with each and every member having such talent. Individually they each were a storm of musical genius, however together they were a musical tornado. Shortly after Don’s joining the band, they wrote and produced their legendary album Hotel California. Coming to the guys with his musical demo of Hotel California, they sat down and gave lyrics to what would become one of rock and roll’s most memorable songs of all time. With Don and Joe Walsh’s guitar solo at the end of Hotel California, it is no wonder they have been considered one of rock and rolls greatest guitar teams ever. The lyrics evoke a sense of mystery and drama that metaphorically represented to them a time in the music business that sucked them in, however as much as they may want, they could never leave. Well at least for a few more years that is. In 1980 The Eagles broke up. Working individually on successful careers, it was in 1980 after “Common Thread” was made that we saw the original bandmates reunite for the “Hell Freezes Over” live performance for MTV. It was on this live performance we get a glimpse into Don’s original Spanish flavor in his guitar solo at the end of the Hotel California. A live rendition that is absolutely one of my favorites.

    This reunion became short lived however as differences still continued, and amongst lawsuits and hard feelings, the band split for a final time. This however hasn’t held Don back. Working in the industry with legendary musicians like the Bee Gees, Diana Ross, Barbara Streisand, Stevie Nicks, and Kenny Loggins to name a few, Don’s music continued to find it’s way to the recording studio, movies, and television. He is known for his work with Gibson and in 2010 they honored him with two signature reissues of the Don Felder Hotel California 1959 Les Paul and the Don Felder Hotel California EDS-1275 guitars. This avid guitar collector has never sold any of his guitars, and this photojournalist would love an opportunity to one day see this extensive collection and photograph it. A girl can dream!

    Moss has not grown on this rock and roller however, touring extensively over the years with bands such as Styx and Foreigner, and even penning a New York Times Bestselling book, “My Life in The Eagles (1974-2001). This therapeutic non-fiction allowed Don to tell his side of the story as well as move onward and upward, which he has so graciously done.

    As he and the band took the stage last evening, I couldn’t help feel as though I was in the presence of greatness. Joining him was an elite group of the most talented musicians in the world. On bass we had Shem von Schroeck who played with Kenny Loggins and Ambrosia, on drums/percussion was Chris Ralles who played with Pat Benetar, on keyboards was Timothy Drury who played with The Eagles and Whitesnake, and last but not least was the one who helped keep Don on his toes on guitar, Greg Suran. Greg was lovingly referred to as the “young whippersnapper” and who has played with Joe Walsh, the Goo Goo Dolls, and the B52’s. Yes, the stage was peppered with some of the most amazing musicians in the world.

    As Don began his set with Already Gone and One of These Nights, the crowd began to warm up. It was the third song into the set though that took me by surprise. Don asked, who in the audience liked Stevie Ray Vaughn? Hello, who doesn’t like Stevie Ray Vaughn? It was at this moment I realized this man’s extensive vocal and musical talent far exceeded what I expected, as he rocked the crowd playing Pride And Joy. I could have left at this moment completely satisfied, however I’m glad I didn’t because as the night went on, and the songs played on, he only got better and better. In fact I must make note and tell you this. Sometimes a musician sounds wonderful on an album and then live his voice can be strained and not sound quite a clear. This was the exact opposite for Don. I cannot tell you how impressed I was with his vocals. His voice is so very smooth, so very strong, and so very melodic that I’m shocked he wasn’t front/lead vocals on more numbers for The Eagles.

    As if my musical crush couldn’t get any larger, the man has a sense of humor to boot. That’s the equivalent to a musical hat trick for me; voice/musicality, stage presence/audience attention, and humor. Yep, I was over the moon happy to be covering this show and bringing this to my readers, as Don teased how he wrote the song Tequila Sunrise about his new friend Jose’. Jose’ Cuervo that is. It was on this particular song that I took note of how well this group harmonized together. Then came Seven Bridges Road. For anyone who has seen Don’s live show, you will know exactly what I’m talking about here. Originally as a warmup song vocally for the group, I would say that they surpassed warm up right to red-hot. Wow! Again, did I mention how well these men harmonize together? Thank you. That is all I can say about this song. Thank you.

    I sat listening to these songs, one right after another, of hit after hit; Those Shoes, Witchy Woman, The Long Run, Heartache Tonight, and Life In the Fast Lane. Let me tell you, it was a set list of some of the most famous rock songs of all times. However it was an original call Girls In Black that really impressed me. This song truly rocked. Was one of my favorites of the night.

    As the crowd cheered for an encore, the band took the stage for one of my personal favorites “Take It Easy”. I found myself amongst those standing and singing along like a teenage groupie. Then out to the stage came the double neck guitar. Yep, we all knew what was coming, and deliver he did. Was a highlight in my career, I must say, to see Don Felder with that double neck guitar performing Hotel California within a few feet.

    As the song ended, and the crowd came to their feet chanting and clapping, I knew that this show was truly special. Don brings his passion of music to audiences sharing with them one heartfelt performance. No matter how many are in the audience, he brings you an intimate performance without pomp and circumstance. This toned down, music first approach showcased not only the songs sang, but the musicians singing them.

    For more information on Don’s Tour Calendar, please visit donfelder.com to see if they will be coming to a venue near you.

  • FESTY NEWS: 5th Annual Strawberry Jam Family Reunion and Food Drive

    Shake off those winter blues and get ready for Festy season. One of the first fests of the 2015 season is the 5th Annual Strawberry Jam Family Reunion and Food Drive at Edgewood Mountain in Laurens New, York. This family friendly event takes place May 1517. Tickets are on sale now for $65 presale or $75 at the gate for the entire weekend including on site camping and room for RVs. There is an additional Pre-party on Thursday May 14 for $15. VIP tickets will be announced in two weeks and stay tuned for some surprise guests on the bill. The festival includes jam bands from NY in addition to several bands from the Virginia Beach area. Headlining the event is central NY favorite SLUG who is preparing to embark on a national tour over the 2015 summer festival season.  A full weekend of activities are also planned in typical festival style – bonfires, spinning and fire dancing, a Kiddie Camp and family village with interactive arts and crafts for all ages. In conjunction with the event a food drive will be conducted to benefit local food banks and any profits from the event will also be donated to them as well.

    FULL LINEUP

    SLUG
    NEW CORDUROY COMMANDERS
    WHISKEY REVERB
    SPACE CARNIVAL
    UNIVERSAL TRANSIT
    DR. SLOTHCLAW
    APPALACHIAN GYPSY TRIBE
    SUBSOIL
    HANNAH’S FIELD
    HUNTER MURRAY
    NOAH MUNRO LEHRMAN
    CHRIS JAMES and MAMA G BAND
    THE QUANTUM
    EXPERIMENTAL SANDWICH
    THE SUNSHOWERS
    GYPSY HOLLOW
    MS D and CASEY BLOOM
    ENAJYRAM
    THE GRATEFUL HILLBILLIES
    PLEASANTVIEW PROJECT
    MOLLY EVELYN HAY
    OUT CHASING LIONS
    BARK EATERS
    BEAN
    FOXY

  • A Night at the Stanley Theatre Recreated with The Todd Hobin Band

    Three Bands from the early ’80s reunited to recreate a fundraiser for the Stanley Theatre in Utica, NY March 21. Headliner The Todd Hobin Band, were once again joined by opening acts the Justice McBride Band and Dust Devil Band.  This recreation of the original billing from back in 1981 came together to help save the historic Stanley Theatre who was in financial straights at that time.  The past success was once again created by this trio of bandmates as they came together to raise money to help keep their beloved landmark open.  The enthusiastic crowds rocked once again to a mix of originals and covers of each band throughout the evening.  Even though 34 years had gone by, age had not slowed any of these bands down, or their following as the energetic crowds enjoyed their evening while supporting a good cause.