Category: Capital Region

  • Brian Wilson to Perform ‘Pet Sounds’ at Tanglewood

    Brian Wilson will perform Pet Sounds in its entirety at Tanglewood in Lenox, Massachusetts on June 19.

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    Founding member of The Beach Boys Brian Wilson will perform the band’s iconic 1966 album Pet Sounds. While dates for the tour, called The 50th Anniversary Celebration and Final Performance in its Entirety, are slowly dropping, a handful have been announced. His band for this tour will include Beach Boys co-founder Al Jardine along with longtime touring member of the Beach Boys Blondie Chaplin. They will be backed by the Boston Pops at Tanglewood. It is expected that other Beach Boys hits will be performed in addition to the Pet Sounds album.

    Pet Sounds was recorded after Wilson was no longer touring with The Beach Boys, but was holed up in his home and recording studio creating the album. The album, which includes Beach Boys’ hits “Wouldn’t it be Nice” and “God Only Knows,” was ranked the number two greatest album of all time by Rolling Stone, second only to The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Paul McCartney is said to have been heavily influenced by Pet Sounds, which led to the psychedelic sound of Sgt. Pepper’s. The making of Pet Sounds was documented in the recent film “Love & Mercy.”

    As part of the Pet Sounds tour, Brian Wilson will also play to a sold-out crowd at Burlington, Vermont’s Flynn Center for the Performing Arts on June 14. He will perform at Tanglewood in the Koussevitzky Music Shed on Sunday, June 19 at 2:30 p.m. Tickets for the Tanglewood show go on sale Jan. 24 at 10 a.m.

  • Darlingside Releases Additional Northeast Dates

    Rising folk quartet Darlingside will head to the Northeast this winter, with several dates in New York state.

    The indie four-piece is scheduled to play at Daryl’s House in Pawling Jan. 13, Club Helsinki in Hudson Jan. 14, Caffe Lena in Saratoga Springs Jan. 15 and two nights at Rockwood Music Hall’s Stage 2 in New York City on Jan. 16 and 17 before dates in the Midwestern states and West Coast.

    The Massachusetts-based band — Don Mitchell (guitar, banjo), Auyon Mukharji (violin, mandolin), Harris Paseltiner (cello, guitar) and David Senft (bass) — met as students at Williams College and have been playing together for six years. Their textured, collective sound is being hailed as unique and genre-fresh by music critics and the like, with much praise being given to the group’s method of performing around a single microphone.

    Paseltiner said in a release announcing the dates:

    Each song and set of lyrics are created by all of us together, a sort of ‘group stream-of-consciousness.’ So we moved away from a single lead vocalist and started gravitating towards singing in unison, passing the melody around, or harmonizing in four parts through an entire song.”

    These additional tour dates are in support of the group’s latest album Birds Say; the 13-track release dropped in September and it is the second album on Nashville company Thirty Tigers, which also manages clients like Jason Isbell and Sturgill Simpson. Darlingside’s extended string of dates come off the heels of a successful fall run, including sharing the bill with Grammy-nominated Patty Griffin. Tickets for all 2016 dates are on sale now through the band’s website. But if you can’t wait until the New Year, Darlingside is booked at Milkboy in Philadelphia this Wednesday.

  • Blinded By The Price: New York Questions Springsteen Ticket Reselling

    Every music fan has endured the online ticketing rush; when the clock strikes on-sale time, it’s a frustrating game of repeatedly hitting refresh, chancing each click until that next one successfully  unfreezes the screen to show items in your cart. But in truth, most concertgoers stick it out to avoid being forced to pay for high-priced resale tickets, or missing out on the show entirely.

    While the secondary market has improved with the creation of fan-based campaigns and startups on a mission to embrace the face value, professional ticket brokering is still finding a way to flood the resale market. And New Jersey’s blue-jean boss Bruce Springsteen is the latest artist to fall victim (again) in the never-ending battle against ticket scalping.

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    Tickets for Springsteen‘s 2016 tour will be released at 10 a.m. today through Ticketmaster and Live Nation, but the New York Times reported Tuesday that hundreds of seats were already listed by resellers online with single-ticket prices beginning at $5,000.

    Thankfully, these eyebrow-raising listings led New York Attorney General Eric Schneiderman to send the involved sites letters that questioned the act of false advertising under state general business law, since sellers could not yet have the tickets in possession.

    The NYT also said that the sites in question — StubHub, TicketNetwork, Vivid Seats — either remained confident in their refund policy for invalid tickets or removed listings for concerts in New York until the public on-sale date. Schneiderman’s office called the removal of listings a victory for consumers and pledged to continue to work on the issue.

    Springsteen and the E Street Band are set to tour the country, making stops for two nights in New York City (Jan. 24 and 27), Albany (Feb. 8), Buffalo (Feb. 25) and Rochester (Feb. 27). Springsteen is touring in support of the box-set release of “The Ties That Bind: The River Collection,” and this run is a nod to the Boss’ career-making 1980 “The River” tour.

  • Ampevene Announces Winter Tour

    Ampevene, a refreshing new band coming out of Albany, NY embarks on their inaugural Winter Tour, starting this Saturday, December 12 at Parish Public House in Albany. Ampevene has been making a name for themselves combining elements of rock, jazz, metal, funk and the avant-garde, hypnotizing and painting pictures though the wild musical ride that it creates.

    Previously sharing the stage with acclaimed nationally touring acts such as Moon Hooch, Consider The Source, and Aqueous, as well as playing popular festivals Larkfest and Bellstock, Ampevene draws influence from artists including The Mars Volta, Pink Floyd, Primus, Tool, Red Hot Chili Peppers and Fusion-era Miles Davis.

    Featuring Gabe Stallman (Guitar/Vocals/Keys), Bob Morris (Drums), Ava Smith (Keyboard), Mack Hogan (Bass), they have been called “Improv trippy jazz fusion Pink Floyd on acid” (Ralph Renna, Capital Underground), this young and funky quartet find their groove quickly and are a local talent to keep an eye on, and are a live show not to be missed.

    Ampevene Winter Tour 2016 Dates

    December 12 Albany, NY Parish Public House
    December 20 New York, NY The Delancey
    December 23 Syracuse, NY Funk N Waffles
    December 27 New York, NY Pianos

    January 24 Burlington, VT Radio Bean
    January 27 Providence, RI The Spot
    February 12 Oneonta, NY Black Oak Tavern
    February 20 Troy, NY Dinosaur BBQ
    February 25 Winooski, VT Monkey House

  • Recap: Space Carnival and Lucid at The Hollow, December 4

    As the year begins to draw to a close, local and regional acts may stick closer to home, bringing out friends and fans to end of the year celebrations and final shows before a break around the holidays. December in Upstate New York in particular leads to a great number of bands playing club shows for one last hurrah before starting anew in January.

    Starting out this evening was Space Carnival, a four piece band from Oneonta. With a flowing vibe through their set and command of the audience’s energy, they wove in and out of originals and covers with smooth transitions and improvisation with a balanced approach. Opening with a flowing and spacey “2001”, the segue into original “Filth” made it tough to discern where “2001” began and “Filth” began, as the songs crossed over musically with finesse. Bassist Chris Meier is a next generation Jesse Miller (Lotus) even though he admits to not having drawn any influence from him; the high pluck of his bass marked the start of a transition into four-on-the-floor dance propulsion at multiple occurrances throughout the set

    “Uh Oh I Slipped My Disco” found guitarist Jeremy Kraus and keyboardist Cameron Fitch syncing up for a deep groove that transitioned smoothly into “Shakedown Street”, a choice cover on the 50th anniversary of the first ever Grateful Dead show. “Moonboots” had a feel of Ominous Seapods mixed with a dash of Disco Biscuits as they shifted seamlessly into progressive sections. “Entre the Giants” features a Talking Heads vibe, which aided in the build towards the Heads’ “Stay Hungry”, where Meier set the tone with assurance, Kraus dropped an “Inspector Gadget” tease, with various eruptions out of each shift, using the bursts of energy towards a strong build. With an IndieGoGo campaign for their first studio album, Space Carnival is an exciting live show from start to finish.

    Setlist: 2001 -> Filth, Uh Oh I Slipped My Disco > Shakedown Street > Moonboots, Entre the Giants > Stay Hungry > Regal Krad

    Kings of the North Country, Lucid, gave The Hollow crowd two musical cornucopia sets that covered all the bases of blues, rock, jam, soul and funk. “Bangers and Hash” kicked the night off with speedy soul and dips of reggae, followed by “San Pedro,” with Lowell Wurster’s vocals driven in step by the beat from the wooden blocks. Meadow Eliz, who has performed with Lucid on a few occasions, and is quite an accomplished artist, joined the group for a pair of songs, “Despots” and “Gemini Eye,” adding quite impressive vocals to familiar tunes.

    “Po Man’s Blues” kicked off Set 2 and things kept rocking with “Blessed and Cursed” and the fan favorite “Whisky Dreams.” A cover of the Clash’s “Clampdown” took a few by surprise, while “Dirt”, off their latest album of the same name balanced out the Brit Rock. Among the many highlights in this set was the stand out performance of “Silhouettes,” featuring Jamie Armstrong on saxaphone, a full rocker with strong keys. Bassist Chris Shacklett took to the mic for the penultimate song of the evening, the always enjoyable “Debra,” with Chris hitting every high note seemingly effortlessly. There was little left to ask for on this incredible evening of music from New York bands both new and old.

    Set 1: 4 Bangers and Hash, San Pedro, Miles Deep, Psychedelic Circus, Lucky Dice, Mind Trippin, Despots*, Gemini Eye* > Ancient Incantations, Ground on up, Whoa Mamma, On My Knees

    Set 2: Po Man’s Blues, Blessed and Cursed, Whiskey Dreams, Black Smoke, Clampdown (Clash Cover), Dirt, Came and Went > Silhouettes, Boats, Backwoods, ***Debra (Beck Cover), Crazy Fucked up World***
    * with Meadow Eliz

  • Catskill Chill to Move to Lake George

    Catskill Chill may soon become “Adirondack Chill” with plans to move the festival to Lake George.

    The Post-Star of Glens Falls reported today that Chill promoter Dave Marzollo met with the Warren County committee that allocates money raised through the county’s bed tax and told them, “We really think this is the perfect home for our festival.”

    catskill chill lake georgeThe festival is set to be held Sept. 30 to Oct. 2 at Charles Wood Park in Lake George, and will receive $15,000 for marketing from Warren County via the county’s occupancy tax. If it moves to Lake George, Marzollo told county officials that “Catskill” will be removed from the festival’s name.

    Marzollo told the county that he sold 5,000 tickets to this year’s Chill, the sixth annual edition, which was held at Camp Minglewood in Hancock. Marzollo didn’t want the festival to leave Camp Minglewood, but he announced last year that he had to move it for reasons beyond his control.

    This year’s Chill was headlined by moe. and included bands like Lotus, Zappa Plays Zappa, Lettuce, Twiddle and The Motet, among many others.

    https://youtu.be/jOMlLBDgUHE

  • Conversation With Mike Campese, Albany Guitar Virtuoso Performing at the Madison Theater

    Albany area-based guitarist Mike Campese has an incredible resume built off of a talent he has perfected from an early age. Guitar was his academic pursuit, one that has served him well and opened doors both in opportunity and experience. Of the several big acts he has opened for or worked with, the most familiar of the Christmas season is Trans Siberian Orchestra whom he recorded and toured with for a short time.

    This Saturday, Dec. 5, Campese is performing at The Madison Theater in Albany at 8:30 pm. With a lot to talk about, Campese chatted with NYSMusic about some of his influences and experiences and about what’s in store for this Saturday’s show.

    Steve Malinski: How did you get started on the professional musician track?

    Mike Campese: My brother played acoustic guitar and my dad had been a violinist but went into engineering. My early influences were Black Sabbath and the guitar-driven bands. It went from there. I took lessons as a kid and would hang out at the music store at the mall, see all the guitars hanging up. I’d always ask the guy what the price is and they’d be so expensive. He didn’t think I’d buy it but my mom came up to the mall and helped me out. My sister and her boyfriend had gotten me a bass but I didn’t want to play bass so I traded it in the next day. But yeah, I was really into Black Sabbath and they influenced me as a kid. I moved to Los Angeles for the Guitar Institute (GIT) at the Musicians Institute (MI). It was a great experience, great school. I was exposed to all kinds of music. My teacher was a jazz guitar player. Before I went there I had already known a lot of theory but it opened a lot of doors musically for me.

    SM: You mention Black Sabbath as an influence, so I see why you went for that guitar driven style. But you really have a playing style along the lines of Eric Johnson, Steve Vai, Buckethead, and so on. How’d you ultimately settle into that groove?

    MC: As you advance as a player… even though I love Black Sabbath, their stuff was easy. Catchy, but easy. I got more into – my brother was into Al Di Meola. I would listen to his stuff, and brought some of that to my teacher. Then Yngwie [Malmsteen] came around too. So they’re the ones who started it for me.  I started listening to more of the classical stuff. My dad and I were driving in the car to school one day and I said “Why don’t you put on the rock station?” He replied with “Oh, like classical stuff?” I told him I didn’t want to listen to classical stuff but he said I should. So I started listening to Mozart, Beethoven, Vivaldi. The shred stuff – Paul Gilbert was teaching at GIT and I was in his classes. Eric Johnson – I first heard him play at MI. I remember hearing “Cliffs of Dover” and our teacher had shown us how to play the riffs. I love Steve Vai’s Passion and Warfare.

    I’m glad I grew up in the time that I did because nowadays there are so many different genres to sort through. But yeah, I’ve always been a fast guitar player after my first year of playing. And now I’m better at composing and am more well-rounded than I was as a teenager. It does take a lot of maintenance playing every day – really have to keep up with it.

    SM: Can you talk about your experience working with Trans Siberian Orchestra?

    MC: I was part of the band in 2004/2005, around the time when Lost Christmas Eve was out. I got a call from them and auditioned. Paul O’Neill – I was down in the city and auditioned and they were really happy when I played. About a week later I got a call from their manager and he said they’d like to hire me for the band. It was really cool. I wasn’t in the band for a really long time, just a couple of years, and I hope to get back to them again sometime. It was a great experience traveling and playing the music, covering both the left and right guitar parts. It was really amazing experience, incredible band. Just being picked for that, I was amazed. It was a great accomplishment – a band like that, multi-platinum band. I still talk to them. We’re on good terms and I see the guys in the band all the time. A lot of guys in the band have their own groups so I support their bands. I play a trade show in California every year and always run into them there. So at some point – you never know with these bands – there are so many musicians they work with. There’s a full east coast and west coast touring band. So we’ll see.

    After that I put out a Christmas album of my own, The Meaning of Christmas. It’s similar to Trans Siberian Orchestra but its more guitar driven and there’s some acoustic and vocal work on it. So it was right after and I thought that maybe I should do my own Christmas stuff. So I’ve been promoting that recently since it’s Christmas season and it’s really the only chance I get the chance to do that. I like Christmas music but did change it up and wrote new sections of the pieces and did a few of my own original Christmas tunes. So it wasn’t like the same traditional tune but a re-written version to basically get it out of my system.

    SM: Aside from Trans Siberian Orchestra, you’ve gotten to play with or open for some pretty big names?

    MC: Yeah, a bunch. Joe Bonamassa. B-52’s were my first opening act. Spin Doctors –

    SM: Cruefest?

    MC: Yeah! My own band, my original band played. It was Mötley Crüe, Godsmack, Drowning Pool… That was an awesome show, a great experience playing at SPAC. The cool thing is that my stuff is different that all those guys. My stuff was exposed to people who don’t normally dig into that type of sound.

    I try to play music for the crowds. I have acoustic material too, so I mix it up at my shows. And this Saturday I’m going to be doing a little acoustic segment in the middle of the show. It’s going to be mostly an electric show though, with that in the middle. We’ll be playing a variety of stuff, things off the Christmas album and the others as well. So I’m looking forward to that. At the Madison Theater, being a movie theater, they’ve got a screen behind us. I was there recently and asked the sound guy and he said we could use the screen if we want. Se we’ve got some videos and backdrops that we’ll have behind us. I’m looking forward to it because people are coming to see us whereas at a bar people are just hanging out and we’d be more of just a background sound.

  • Leftover Salmon Lays it Down at The Egg

    Twelve years after last appearing at The Egg, Leftover Salmon returned to Albany for a nearly two-hour set in the intimate Swyer Theater. Fans danced in the periphery, while others remained seated, tapping their feet to the rhythm and mouthing the words to familiar lyrics, yet rarely seen live in these parts. Going in with no expectations, this marked my first opportunity to see Leftover Salmon after 14  years of patient listening.

    Drummer Alwyn Robinson stood out immediately, not only because of his presence behind the kit in a bluegrass band, but especially because he did not overshadow his bandmates. He was not driving the songs nor was he reserved to the point of a feigned presence on stage. Robinson is the ideal bluegrass drummer.

    Giving a nod to recent corruption news from the nearby Capitol, Vince Herman introduced “Hey Woody Guthrie,” calling on the fabled folk legend to return as the good fight is still being fought. “Flight of the Durban,” led by Andy Thorn on banjo, was upbeat and a long journey through a composition that could double as a soundtrack for a travel video. “Troubled Times” and “High Country” were on the country side of things, while an upbeat version of Dylan’s “Simple Twist of Fate” was a refreshing take on a classic folk tune.

    Drew Emmitt showed masterful prowess on the mandolin and switched to electric guitar during an extended jam, following the same style of Robinson—not taking an overpowering Warren Haynes-esque solo, but augmenting the existing jam. Herman introduced “Two Highways,” a song he dedicated to his wife to-be (as of next week) in Mexico during Strings n Sol festival prior to band intros, capping off the set with a lively cover of T. Rex’s “Bang a Gong (Get it On).” The band returned to the stage with a standing ovation from the audience and performed “Gold Hill Line” for an encore, prior to signing autographs in the lobby for the ardent fans.

    Leftover Salmon performs tonight at Higher Ground in Burlington, VT, Brighton Music Hall in Boston, MA, on Dec. 4 and The Wolf Den in Uncasville, CT, on Dec. 5.

  • Dark Star Orchestra Keeps it Alive at the Palace

    On November 16, DSO barreled into the Palace Theatre in Albany, a place guitarist Rob Eaton said is near and dear to the band’s heart. There are more Grateful Dead cover bands than I can count in the Albany area alone. These groups keep the spirit of the Dead alive and well.

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    Dark Star Orchestra

    Nationwide, the number of Dead tribute acts is basically astronomic. Hell, there’s even a website to help us keep track of them all.

    But there’s only one who is universally known across the jam band scene: Dark Star Orchestra. As of November 29, DSO has played more than 2,500 concerts since forming in 1997, either recreating old Dead setlists, or creating their own from the Dead’s hefty 30-year catalog of shows.

    From the opening pair of “Alabama Getaway” and “Greatest Story Ever Told,” it seemed as if the band might be playing an early 1970s set. Then “Dupree’s Diamond Blues,” “Black Throated Wind,” “Ramble on Rose,” “Easy to Love You,” “Passenger,” “Shining Star,” “Beat it on Down the Line,” and “China Cat Sunflower?I Know You Rider” made me think the group had concocted it’s own setlist.

    dark star palaceAnd in grand Grateful Dead fashion, DSO even had an equipment issue, when keyboardist Rob Barraco lost power to his rig following “Dupree’s,” prompting Eaton to talk about how the Palace is one of the band’s favorite venues to play.

    The second set was a non-stop roller coaster, kicking off with a tender “St. Stephen>Lost Sailor>Saint of Circumstance>Terrapin Station,” before giving way to a somewhat boring “Drums>Space.” “At a Siding>Terrapin Transit>Terrapin Reprise>Hey Jude>Visions of Johanna>One More Saturday Night” closed out a fun, but at times slow second set.

    One of my personal favorites, “Unbroken Chain,” finished the night in style, sending the near capacity crowd home with one of Phil Lesh’s songs.

  • Shinedown, Breaking Benjamin and Sevendust Show Rocks Alive and Well in Albany

    Rock fans filled up the Times Union Center on November 23 as Shinedown, Breaking Benjamin and Sevendust heated up the Albany area arena with three incredible live performances by three of today’s top rock acts. Albany’s rock family was out in full force to witness the star-studded, Hall of Fame caliber rock lineup, that not only consisted of some of the best musicians in the business, but also three of today’s top rock frontmen: Shinedown’s Brent Smith, Benjamin Burnley of Breaking Benjamin and Lajon Witherspoon of Sevendust.

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    For a Monday night, some would expect the crowd to be more laid back since it’s the start of most people’s work week, but that was not the case here as the fans in the arena were pumped and ready for a rock show. Even Upstate New York’s own Maria Brink from the band In This Moment, was in attendance as a fan with friends and family. Machine Head drummer Phil Demmel was also hanging out at the show.

    First to grace the stage for the night was Atlanta, Georgia natives Sevendust. One by one each band member took the stage as the bass vibrated the whole building. Frontman Lajon Witherspoon stood front and center and asked the crowd “How y’all doing tonight?” The crowd screamed and once again Witherspoon asked the question to even louder screams from the crowd. Witherspoon then asked the crowd “Do you know who we are?” Witherspoon then shouted “We are Sevendust, let me see everybody’s hands in the air.” As the band went into the second song of the night “Driven,” Witherspoon asked the crowd if they were ready.

    Before the band played the song “Not Today,” from the bands new album Kill the Flaw, the always emotional Witherspoon stopped for a minute to have a heartfelt talk with the fans. Witherspoon stated:

    It’s a pleasure for us to be here. To be in your town. We’re a band, we go by the name of Sevendust. A lot of times, I feel like I have to build a relationship, with those that don’t know who we are. I’m not afraid of that.  I like to say ah, you can love us, you can hate us, but you can’t fucking defeat us. With that being said, Were very proud to be out here with our brothers, from a band that goes by the name of Shinedown.

    Witherspoon went on to thank everyone who helped on the tour, and those who have taken care of them by helping take situations that don’t feel like home, and that these people made them feel at home.

    Witherspoon then asked the crowd, what do you guys know about Breaking Benjamin, to screams from the fans. Witherspoon then went on to say “Can you feel the energy? I said can you feel the energy, as fans yelled back. See now I feel like this relationship is starting to build.”

    Witherspoon then asked the crowd if they wanted to hear a new song, and told fans to put their hands in the air. As the band played the intro, Witherspoon told the fans that were sitting in seats to put their hands in the air. Witherspoon then added “You get to sit down when you go back to your house tonight. Are you having a good time right now? Albany make some fucking noise.”

    Witherspoon got all choked up when he gave an emotional speech about the recent tragedies in France before the bands song “Angels Son.” Witherspoon said:

    Have you ever heard of the song ‘Angels Son?’ Tonight I’m dedicating it, because of the terrible things that have gone on in our world that we live in. The last couple of weeks, I’m talking about what happened in Paris. And I can’t believe it touched so close to home cause we had a few people that we knew that died over there, and what I’m trying to say is how very lucky, and how very blessed we are to be in this building together, and to be safe. See to me war is when you have someone on the other side and you know he has a gun, we have a gun and there’s a certain means, we have to do a certain thing. I don’t believe its a war when you go into a beautiful building (pauses as he chokes up for a few seconds) and you blow up people who have no freakin’ chance. Does that make sense to you guys? So what I have to say is, lets stay together, lets stay strong and lets not let them crazy motherfuckers scare us. Cause it’s not suppose to be like this, it’s not suppose to be like this, so we dedicate Angel’s Son to all those beautiful people that we lost.

    Sevndust closed their set as Witherspoon introduced the last song for them of the night “Thank You,” by saying the song is a testimony to everything the band and he fans have been through together. He then added when it comes to fans of Sevendust, that he feels like they don’t have concerts, they have family reunions.

    Sevendust Setlist: Black, Driven, Not Today, Angel’s Son, Shine, Thank You

    Breaking Benjamin walked on the stage to the opening theme from the movie Star Wars, which frontman Ben Burnley is a big fan of. Burnley even sports the droid BB-8 from the upcoming Star Wars movie The Force Awakens. Breaking Benjamin then went from Star Wars to the first song in the setlist “So Cold.”

    Burnley introduced the song Unknown Soldier by saying:

    Right now I wanna take this time to send this next song out to every single man, and every single woman in this audience tonight that served this country. Your bravery, your courage, and your self-sacrifice, stand above all others in the world. It is because of those things, that America is the greatest country in the world. We are all indebted to you for your service. For without the service, of our soldiers and our veterans, we would not be up here playing rock & roll, you would not be out there listening to music, and we would not be having a concert tonight. Thank you or your sacrifices, thank you for the pain you have to endure in order for us to be here tonight. 

    Burnley then said to fans “Everyone of you, has a great heart, and you are thankful for the things that you have, you are thankful for the things that you have earned, you are thankful for the gifts that you are given. You have the things that you have, and you get the gifts that you get because of the service of our veterans and our soldiers.” This broke out a U.S.A chant from the crowd with help from Burnley.

    20151123-Breaking_Benjamin-3

    Burnley decided to give his vocals a rest on the next song, and handed over the lead vocal duties to the fourth song in the set, “Sooner Or Later,” to guitarist Keith Wallen who sang the song as if was his own.

    Breaking Benjamin then went into a small medley of songs that kicked off the “Imperial March Theme” from Star Wars. Burnley, from the catwalk behind the drummer sported a red light saber and said to the crowd that there is a new Star Wars movie on the horizon and showed his loyalty to the Empire.

    In an amazing sight during the song “Give Me A Sign,” Burnley took a break to ask the crowd to pull out their cell phones and turn their flashes on. Burnley then went on to say “Alright, now were gonna do something. Were gonna turn off every light in this building, every single light on this stage, turn all of it off. Right now. Right at this moment. The only light that you see in this room, is the light that your shining yourself, and there is no other light than what you are shining right now. We are so grateful for that light. Without that light Albany, we would be in pitch black dark right now. Since you brought us into the light and out of the darkness, I want to sing this together as one. We’re gonna do this as one. And I wanna sing this so loud that we tear a hole in the roof. Can you do that Albany, New York?” Burnley and the fans then closed out the song together.

    Burnley once again, then gave away the lead vocal duties for a song, but this time to bassist Aaron Bruch. Bruch then sang the song “Believe,” from the bands second studio album We Are Not Alone.

    Burnley thanked the fans after the song “I Will Not Bow,” for their support. Burnley the told the fans that there is not a day that goes by, that he is not grateful to be up here on stage playing for you guys tonight. “You guys are so awesome. When you play for such an incredible audience, all of you fans in here, all of us up here, we’re nothing without you, we love you so much for that. Thank you so much.”

    Burnley then reminisced to fans about growing up and going to concerts.

    When I was young. I used to come to rock concerts just like this, and arenas just like this. I would stand here, I would stand there. When I went to go see my favorite bands, I would stare at this stage, and I would want to be up there so bad. I wanted to up there playing, or up there playing with my favorite band, you name it. I just wanted to be on this stage and it’s a dream come true to be on this stage. I want to thank you fans. Thank you for making all of our dreams come true.

    Burnley then asked if there was some rebels (children) out in the audience who want to stand on stage with Breaking Benjamin for one last song. Breaking Benjamin closed out their set with “The Diary Of Jane,” with a stage full of kids rocking along side them.

    Breaking Benjamin Setlist: So Cold, Angels Fall, Unknown Soldier, Sooner Or Later, Ashes Of Eden, Blow Me Away, Failure, Breathe, Medley (Imperial March, Schism, Smells Like Teen Spirit, Walk), Polyamorous, Give Me A Sign, Believe, I Will Not Bow, The Diary Of Jane

    The National Anthem started to play throughout the venue followed by Jay-Z’s “99 Problems.” Only thing left was for the black curtain with a huge Shinedown logo to drop.

    Shinedown came right out with authority. Looks like their pyro fit the fire code of the Times Union Center, as there were explosions, flames and sparklers throughout their set. Fans were ready for the bands high energy and Smith’s on stage theatrics to kick off.

    Shinedown started off with the first single from the new album Threat To Survival, “Cut the Cord.” After the curtain dropped frontman Brent Smith stood on the catwalk and sang the song elevated behind drummer Barry Kerch.

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    After the opening song “Cut the Cord,” frontman Brent Smith asked the screaming fans, what’s going on? Smith then asked , whats up? Smith then said to the crowd “It’s been far too long wouldn’t you agree? It’s such a pleasure to be here tonight. Thank you so much for showing up on this cold, cold Monday night.” After cheers from the audience Smith then asked if everyone  was in a good mood? Smith then asked the crowd if they had a wonderful week last week. After screams from the fans, Smith replied “Well we’re gonna start out with a phenomenal week, this week,” to more screams from fans.

    Before moving on to the next song “Fly From the Inside,” Smith asked the crowd to give themselves a round of applause after he told them that he was always amazed by the fans that come out to a show. Smith then turned to drummer Barry Kerch in his hypnotizing voice “Mr. Kerch, so you have the floor. So why don’t you set the tone for what’s about to happen this evening.”

    Smith told the crowd after the song “You see, you’re right about right here.” Smith held his hand flat out in front of him. Smith then added that where they need the crowd to be is right here, as Smith raised his hand and turned it into a thumbs up. Smith then added “Don’t worry, we’ll get you there.”

    Now if you never been to a Shinedown concert, this is the part where Smith makes the crowd into one big rock family. Smith said to the crowd “Ladies and gentlemen. Boys and girls. If this is you very first time ever seeing Shinedown raise your hands. Ok listen up, before we can go any further, we have to take care of something extremely important. So everybody in the building look to your left. Now look to your right. There’s a reason for this. See the person standing next to you right now. You may have never met them before tonight’s event. So we’re gonna change that. Everyone turn to you neighbor right now cause we want to see you shaking each other’s hands, giving each other high fives and telling everybody how nice it is to see them at the show.

    Smith then went on and started shaking hands with the security team in front of him, and the photographers that graced the photo pit below as fans all got acquainted with each other.

    Next song on the setlist, “If You Only Knew,” Smith told the fans that this song is for the ladies. Smith then said to the crowd “So guys, gentlemen, if your with your girl, grab her.” He jokingly added , ladies, if your with your girl, grab her, to laughter and cheers from fans. During the song Smith threw out a bunch of red roses to the ladies in the crowd.

    Smith had the arena shaking when he asked fans to jump in unison to the song “Enemies.” Before the song Smith asked, “Ladies and gentlemen, do you know how we jump at a rock shows? Smith then said that this was the fans moment to reach for the stars. Smith then stated:

    You see, there is already a ceiling on the building, but in Shinedown, we don’t believe I ceilings. They don’t exist to us. Smith then asked the fans to put their arms around each other and jump as one big family. So when I say go, we bounce as a family cause there is no such thing as a Shinedown fan. We don’t call them that. There is nothing in our world but Shinedown family, and that’s where you are tonight. That’s who is in front of you. So at this moment in time that person next to you, that’s your family.

    Before playing another new song from their new album, Smith now took the time to explain to the crowd about the bands new record and why they go in the direction musically that the band choses to go in for each album:

    So, I don’t know who wrote this down somewhere in history. Especially, the history of rock & roll, that you weren’t allowed to dance anytime like after the year 2000. Boggles my mind. On September 18 of this year, we released a record called Threat to Survival, which some of you might have. Thank you. Here’s the thing, we’re not hardwired to make the same record twice. We’ve never done it, never going too, cause that’s not growing. That’s not being artistic. When we write songs, we have to write about what we know.”

    Smith then asked for the house lights to be turned down. As the arena went black, Smith then said to the crowd “Just listen to my voice. And if you don’t mind, would you show us that there stars out there in Albany.”

    Smith went on to say “Here’s the thing. every lighter you got, every cell phone you own. Anything that shines. The whole place, and you gotta keep them up the whole time during the song and just follow us. Alright? Cause ladies and gentleman, it is officially time to dance.” Shinedown then played “State of my Head.”

    Even though fans sung word for word, with every song during Shinedown’s set, fans were most vocal throughout the song “Second Chance,” singing every word loud and clear along wit Smith.

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    Smith and guitarist Zach Myers, stayed on stage for the bands cover of “Simple Man” by Lynyrd Skynyrd. Smith and Myers kept looking at each other in amazement as the fans hit every note during the song. The way the fans sang the words “simple kind of man” back to Smith, who held the mic out over the crowd sent chills through Smith and Myers body.

    Shinedown closed out the show in style with the pyro set on all cylinders to final song of the night “The Sound of Madness.” Smith closed the show by thanking Sevendust and Breaking Benjamin and the fans. Smith then stated that Albany was the most vocal crowd on the tour.

    Class act Smith ended by saying “Thank you all so much for showing up. Thank you, thank you, thank you. Be good, be good to each other and God bless you all.”

    Smith then said his signature line “It’s never goodbye, It’s just til’ next time.” Smith told drummer Barry Kerch to lock it down and ended the show with four pyro blast as Kerch hit the drums I sync with the explosions.

    Shinedown Setlist: Cut the Cord, Fly From the Inside, If You Only Knew, Unity, The Crow & The Butterfly, Diamond Eyes, I’ll Follow You, Enemies, State Of My Head, Bully, How Did You Love, Second Chance, Simple Man, Sound of Madness

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