Category: Beyond NYS

  • JibberJazz Meeting of the Minds 8 Announces Lineup

    Close out festival season with Meeting of the Minds 8, presented by Jibberjazz Productions and taking place Sept. 25-27, 2015, in Schuylkill Haven, PA. This full weekend of music and camping will showcase 30 eclectic musical acts across three stages along with numerous workshops and scheduled activities.

    The 2015 lineup for Meeting of the Minds features Ozric Tentacles, Royal Southern Brotherhood, Skerik’s Bandalabra, Head for the Hills, The Big Dirty, Polyrhythmics, Deaf Scene, Dirty Streets, Genome, Formula 5, and many more notable acts. Jibberjazz unleashes a vast array of musical styles including jam, funk, folk, bluegrass, Americana, rock n roll, blues, world, reggae and more. Jibberjazz artists are drawn from various pockets of the USA. Tickets are $75 presale and are on-sale now through Jibberjazz.

    Meeting of the Minds takes place on a beautiful 60-acre rustic fairground, featuring outdoor and indoor stages, plenty of camping space, permanent restrooms and showers, nature trails, trout fishing waters, and electricity access for RV’s. A great deal of both food and craft vendors will be on-site for the weekend. Additionally, a full slate of festival activities is scheduled for both adults and children.

     

  • Fifth Annual Frendly Gathering

    It is almost time to pack up the camping gear and head to Southern Vermont for the fifth annual Frendly Gathering, taking place June 26th and 27th.  Set in the beautiful Green Mountains at Timber Ridge Resort in Windham, Vermont, this homegrown gathering has become one of New England’s premier festivals.

    Founders, best frends and professional snowboarders Jack Mitrani and Danny Davis have created a safe, interactive, and most of all, frendly environment to enjoy a weekend of music, camping, yoga, skateboarding and delicious food.

    The event got its start when Jack and Danny decided they wanted to throw a small festival with bands known and unknown in their home state of Vermont.  With the motto, “there is no ‘I’ in Frends,” they hatched the Frendly Gathering. With a desire to create an intimate, easy-to-navigate festival, ticket sales are capped each year to ensure short lines and the opportunity to be front row for your favorite bands.

    Fifth Annual Frendly GatheringVermont natives Twiddle have been the heart and soul of the Frendly Gathering since its birth, and continue to be the backbone in the festival’s fifth year.  Twiddle will be headlining this year’s festival alongside the inspirational international music of Nahko & Medicine For The People.  There is a little something for everyone in the lineup, with heavy-hitters Kung Fu and Turkuaz joining the ranks.   But that is just a small taste of what this small, yet powerful festival has in store.  Canadian multi-instrumentalist Mac DeMarco and singer/songwriter/multi-instrumentalist Valerie June will also be jumping on stage.  Other artists include Rob Garza (Thievery Corporation), Kat Wright & The Indomitable Soul Band, Moon Hooch, lespecial, Dead Set and Spirit Family Reunion, to name a few.

    Fifth Annual Frendly GatheringMulti-day passes are available, as well as early-arrival passes for Thursday, for festival-goers who would like to set up camp in a prime location. There is a wide array of camping, from RV/car camping to luxury cabins for rent that are fully stocked and extremely convenient for a comfortable festival experience.  A new feature this year also includes renting a campsite which is fully put together for you, so no need to fiddle around with tent poles.

    Fifth Annual Frendly GatheringAnother theme at Frendly Gathering is the power of giving back. Jack and Danny’s “Frendly Crew” pride themselves on supporting each other through the ups, and most importantly, the downs.  Through injuries and setbacks, the crew has managed to lift each other up though the power of positive thinking and friendship. When professional snowboarder Kevin Pearce was training for the Olympic Trials, he suffered a traumatic brain injury putting a stop to his dreams of becoming an Olympic snowboarder.  Since the injury, the Frendly Crew has supported Kevin tremendously, while shedding light on how much an injury can effect the lives of others. Kevin is now a Sports Ambassador for the National Down Syndrome Society and an advocate for education and research on traumatic brain injuries. Love Your Brain is an organization which was born from Kevin’s story. It is a non profit organization aimed at “connecting, educating, and empowering people to prevent brain injury, support brain injury recovery and most importantly promote a brain healthy lifestyle.”  Love Your Brain will be in full effect at Frendly Gathering, so be sure to stop by their tent and be a part of this amazing cause.

    Another charitable organization was created this year called the White Light Foundation, which was conceived about six months ago. The idea grew from a group of like-minded Twiddle fans with charitable intentions who wanted to better serve their community. Their positive energy and gigantic hearts were the base of something bigger, starting with a fundraiser spearheaded by Jay Segal with the goal of collecting clothing, toys and supplies for a Head Start school in New Haven, Connecticut. Since then, with the blessing of Twiddle (since the organization’s name is a Twiddle song title),  the idea has grown and will be officially launched at this year’s Gathering, with Jay and Steven Periah at the helm. The foundation will be auctioning off items during the festival, with proceeds being donated to charitable organizations like Kurn Hattin Homes for Children and Love Your Brain. Be sure to visit their Facebook page to see some items already up for auction, and to see what else they will be doing at the festival.

    For more information and tickets visit www.FrendlyGathering.com. There, you can also check out Jack and Danny’s web series called “Following Frendly” which documents their adventures leading up to Frendly, including some of their snowboarding escapades and the work that goes into building a festival.  NYS Music will be on site to give you recaps of the day, and a full festival review after the dust settles.

  • DelFest: The Best Fest

    There is a poignant imperceptible fact regarding DelFest – Del McCoury did not headline his own fest, in spite of being one of the very few living lifelines tracing back to the origins of Bluegrass. Del McCoury holds 31 International Bluegrass Music Awards, and countless other special music honors as well. Rather than being an envied member of the music community, he is revered as a living legend by both fans and musicians alike. The man has earned his place at the top of the pack, yet he is so gracious and gentlemanly. He steps aside and honors others in the most respectful manner — allowing today’s top festival artists to shine in the moonlight hours while he respectfully collaborates with others.

    Sometimes the songs that we hear are just songs of our own” ~ Eyes Of The World, Grateful Dead

    It is certain and true that at DelFest, everything is shared: songs, stages, meals, water, and even clean up. On a more soulful level, where the timeless music really hits, love and kindness is shared and echoed back from the mountain wall in the distance. Unity binds this community. When Trampled By Turtles performed “Hallelujah” silence and shivers rippled through the crowd before turning into a sing-along, becoming a sonic soul movement in time momentarily reuniting the crowd with Leonard Cohen, the original songwriter.

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    There were others too that reset the life button. Hot Rize bellowed out in harmony “I Am The Road, I Am The Way” as if to say every individual are on his or her own journey, but in this case, all roads led to DelFest. There is a mysterious yet binding energy about DelFest. That is, all things are connected — the people to the music to the land. Nothing is a coincidence.

    Railroad Earth closed out their set with “Mighty River,” before segueing into “Like A Buddha.” The mighty river flowed along the edges of the Allegany Fairgrounds providing solace from the hot daytime sun and just like a Buddha, the crowd smiled for what would amount to endless miles of their journeys. It should be noted that there is a distinct and definitive change in Railroad Earth’s performance; they are ever transformative. At this point, it is clearly evident that working with Warren Haynes has had an auditory effect on the band’s music.

    Many of the artists performing were either returning bands or festival staples. Old Crow Medicine Show likely presented the most transformation. From a once small, unknown bluegrass, roots band with a catalogue of songs that were widely covered to the now Grand Ole Opry show time country stars. Collectively, they present well with their adorable, sparkle shirts and Mason jar lighting.

    Jason Isbell was received well with his poetic country rock flare playing songs in support of his upcoming new release, Something More Than Free. DelFest has mastered the art of blending genres of music, giving Delavarians (aka festivarians) a variety of music they may not otherwise listen too.

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    But, wait! Bluegrass was abound and plentiful. Del and Dawg (David Grisman) played a set together and the natural progression for those two together were to share stories, as often occurs in the genre. The Seldom Scene resembled that traditional bluegrass sound, though some consider it progressive.

    The campgrounds were ripe with picking sessions. DelFest is set apart from the rest because the ideal is reversed. Other festivals have picking sessions too, but generally, it’s where pickers get their start. Not at DelFest. Big names will often be found just around the tent corner, sipping moonshine and picking until the sun comes up. The Charm City folks (from Charm City Folk And Bluegrass Festival) hosted Leftover Salmon for a late, late, late night session. Another camp, where everyone is named Del and all were fed gourmet meals, hosted a picking session with surprise guests, Cabinet as well as Eric Brumberg of the Brummy Brothers. Sometimes, the campground is where the magic happened. Cabinet also collaborated with Dead Winter Carpenters earlier on Sunday playing “Friend Of The Devil” and “Whiskey Ain’t My Wife.”

    [youtube http://www.youtube.com/watch?v=y0KskIw5PGM&w=560&h=315]

    Another presumed fact about DelFest is that if there is success of an early performance, that band will generally hold a spot in the late night slot the following year. First year performers often get the early slot on the Potomac stage. The Broomstix, a young funk band may well be on their way to discovery. Hometown heroes, Grand Ole’ Ditch found their way to the stage too, playing their interpretation of bluegrass. One year ago, they could be seen playing Cumberland’s Town Square and now DelFest, they too, are the road and the way. It is certain, both of these bands will be making an impact on the music community in the coming months and likely, next year’s late night ramble. DelFest creates the next big artist.

    DelFest is a Delebration of family too. There are children of all ages with matched activities ranging from playing with others around the parameters of the grassy field to structured playtime with arts and crafts, or workshops. Del McCoury encourages all ages, even on stage. The crowd went wild when three generations of McCoury lineage stood on stage together, the littlest being pre-schooler, Vassar McCoury. It’s not hard to figure out his namesake. With a little violin in his tiny hands, his showmanship shinned brightest. Del McCoury seems to be molding his children and grandchildren to carry the proverbial torch which is comforting to think that DelFest is here for the long haul.

    The Travelin’ McCourys may well have been the stars of the weekend, but with their rendition of “Loser,” it was easy to see why. They paid tribute to the late great BB King with event emcee Joe Cravin and Evan McCoury.

    [youtube http://www.youtube.com/watch?v=qgZRTXG2UIo&w=560&h=315]

    All things come together at DelFest. From witnessing the transformation of Jeff Austin and his rockin’ jamband to the two ladies of the soulful sounds of Lake Street Dive, it was Greensky Bluegrass that set the tone for the entire weekend playing Grateful Dead’s, “Eyes Of The World.” Just as the song says, what we hear, are in fact, songs of our own. Everyone from established musician to concertgoers, forge their own road and it becomes their own way, collectively gathering at the best festival in the country.

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  • Tipper and Quixotic at Red Rocks Ampitheatre

    Who would’ve thought. It would take the arrival a Brit with a blood sacrifice to dispel a month-long blanket of gunmetal grey skies, daily rainfall, and dispiriting gloom that settled into Colorado’s front range. The thought may seem a bit paradoxical considering England is a country so often associated with bad weather. But he is no ordinary bloke and May 16, 2015, was no ordinary night.

    Tipper

    Dave Tipper, the bloke to which I refer, is the pioneer/ wizard of electronic music from London that led the way on for a one night extravaganza at Red Rocks Amphitheatre that included transcendental artists, aerial and fire performers, and a brand new stage sound system.

    For the record, the islands that comprise Great Britain only averages 46th in yearly rainfall- well behind the U.S. ranking of 25th in the world. And Tipper reported on Twitter that he felt compelled to leave a drop of his blood on the Red Rocks stage the night before in order “to appease the rain gods.” So, it turns out that the unlikely Englishman and his blood sacrifice was just what was needed to part the roiling cloud billows like actor Charlton Heston parted Red Sea.

    Tipper Red Rocks

    From the outset, Tipper determined to make the evening different from other electronic shows. Departing from more typical stage set-ups, Tipper and fellow Brit producer, Ott did not place themselves center stage. He explained before the show that he felt the night’s attention shouldn’t be focused on the DJs or their egos. He felt that crowd’s focus should solely be directed towards the music and the surrealistic map projection art. Both Tipper and Ott placed themselves on the far ends of the stage and remained unlit throughout the night. There were no lasers or visual projections on the crowd or the stone amphitheater.

    It set the tone for a “no-frills” approach to the evening, but the performances weren’t short on spectacle. Tipper’s first down tempo set was accompanied by a giant center stage screen of fractal map projections created by Jonathan Singer. Acclaimed artists Alex Grey and his wife Allison painted on stage through the first set. For the first time ever, Tipper employed the use of a massive new face-melting sound system called Funktion One. Following his first set, Quixotic, a music/artist collective that combines aerial performance, fire dancing, and live music chewed up the scenery with jaw-dropping athleticism and ethereal melodies. The sold-out crowd lept to life with a DJ set from Ott and Tipper’s up tempo set. The big screen visuals pulsed with a flurry of morphing images by Colorado artist, Android Jones.

    With a single drop of blood, a collection transcendental art, cutting-edge electronic sound and a sold-out show became a beautiful mix of music, motion, and mountains. Some might even say it was magic.

  • Summer Camp Music Festival 2015 Recap

    Day 1: Arrival to Chillicothe, just north of Peoria, IL, took 16 hours from Albany, and while the drive may seem daunting, it wasn’t that tough of a trip. Back in the 1990s and early 2000s, if you wanted to go to a music festival or travel to see a band, you had to drive out of your comfort zone for the experience. What has become common place, seeing festivals within an hour or two of where you live, used to be far from reality. This may sound like a ‘back in my day’ mantra, but making this drive brings back the allure of the destination driving the journey, something that has become less frequent with the rise of music festivals and cost of travel. Read more

    Day 2: Friday at Summer Camp was a day to reconfigure, reassess and prepare for the onslaught of music that was ripe for the choosing. Now that your on site presence was established and something resembling a campsite had been formed among friends and neighbors. The weather was pristine: sunny skies, a passing cloud, a little dusty but it definitely felt like summer had arrived. Read more

    Day 3:  It is now Sunday morning and to recap what went down on Saturday at Summer Camp, here’s a play-by-play morning until late night.

    10am: wake up after three hours of sleep and sunrise kickball. Feel refreshed, not exhausted. Breakfast of banana, yogurt, life cereal and yerba mate and I am ready to roll.

    11am: Head to the church (media area) and get writing my review of Friday. Read more

    Day 4: The final day of Summer Camp featured some of the largest acts on the lineup and two regular contributors to the festival: Rain and wind. Even with the beautiful weather the past few days a little rain was expected, if not needed. A strong storm cell blew through around 1pm, causing minor delays in the music while cooling down the festival grounds and erasing the dust that had been ever present during the weekend. Strong winds tested the strength of tents and EZ-Ups, with gusts barely ceasing until fans began to load out on Monday. After three days of near-perfect weather, it was a refreshing change of pace. Read more 

  • Monster Energy Presents: Rock Allegiance Festival

    The “World’s Loudest Month” just wrapped up with Rockfest in Kansas City, Missouri – but rock fans have more to look forward to later this year. Yesterday the Monster Energy Rock Allegiance festival lineup was announced for Saturday, Oct. 10 at PPL Park in Chester, PA.

    The lineup consists of some of rock’s biggest names including Rob Zombie and Korn. With Rock Allegiance only being a one-day festival, fans don’t have to wait all weekend to catch their favorite bands; they get to see all of them in one day. Also making appearances at Rock Allegiance are Godsmack and Five Finger Death Punch, who were both present for many festivals throughout May.

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    Five Finger Death Punch is bringing Papa Roach, In This Moment and From Ashes To New along with them since they will be hitting the road together this fall. If that wasn’t enough, fans can get ready for sets from Bring Me The Horizon, Atreyu, and Hollywood Undead. Those who went to Rock On The Range were treated to a special guest which turned out to be the newly formed Saint Asonia, featuring Adam Gontier, formally of Three Days Grace and Mike Mushok of Staind. Saint Asonia will be playing at Rock Allegiance as well.

    There’s not going to be much time for those who like to party outside the venue before the show because there are many more awesome bands who play earlier in the day. Some of those bands are Pop Evil, Nothing More, Butcher Babies, Art Of Dying, Glorious Sons, and Temperance Movement. The earliest acts of the day will consist of sets from the Charm City Devils, Devour The Day, Unlocking The Truth, Dorothy and more.

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    If ending the night with sets from Korn and Rob Zombie wasn’t enough, there’s even an after party with Steel Panther! Best of all, tickets go on sale June 2nd at special early bird pricing! Floor tickets will start at $39.50 and will progressively rise to $79.50. Stadium Seat tickets start at $34.50 and go to $44.50 until the day of the show. There are also a limited number of VIP and Stadium 4 Pack deals. For those traveling from out-of-town, there are limited hotel packages offered to help save a couple bucks. To top off a killer lineup, festival goers won’t have to rely on lame stadium food and drinks — Rock Allegiance is bringing its fans an assortment of specialty craft beers and “Gourmet Man Food.” For more information on Rock Allegiance, check out the website.

  • Boston Calling 2015 has Something for Everyone

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    When you look around at Boston Calling 2015, the wide variety of attendees that the festival attracts is apparent. And that’s because this spring’s lineup had something for everyone.

    The festival featured crowd-pleasing heavy hitting headliners, including ‘90s alternative king Beck, indie favorites My Morning Jacket and avant-garde rockers the Pixies.

    The lineup also included female vocalists like Tove Lo and Halsey that drew crowds of young women singing along, dance tunes from Marina and the Diamonds, hip hop from ILoveMakonnen and Run the Jewels, country and folk-twinged artists the Lone Bellow and Jason Isbell, newcomers like the Ballroom Thieves and Krill, rockin’ indie from Gerard Way and TV on the Radio, and laid-back riffs and island drums with Ben Harper and the Innocent Criminals.

    And if comedy and celebrity is a universal uniter, comedian Jack Black’s band Tenacious D brought the crowd together to sing along to well-known tunes like “Tribute Song” and “Fuck Her Gently.”

    The three-day festival is held at City Hall Plaza, right in the heart of downtown Boston, each spring and fall. This spring, two stages stood adjacent to one another and alternated acts, with no overlapping music so attendees didn’t have to miss a beat. Vendors shoved free sunglasses and coozies in the hands of every passerby, local food stands served up delicious eats and Sam Adams beer flowed from the beer gardens throughout the festival grounds.

    Beck headlined the three-artist Friday night show, drawing what was possibly the largest crowd of the whole weekend. He played songs from throughout his career but focused in on tunes from his 2005 album “Guero,” including “Black Tambourine,” “Girl,” “Go It Alone,” “Que Onda Guero” and “Hell Yes.” This made for a more upbeat show than if he had featured more from his most recent album, “Morning Phase,” which won this year’s Grammy for Album of the Year.

    Bright, geometric animations splayed across the giant backdrop as Beck, donning the dark, wide-brimmed hat that has become iconic to him, sang, danced and played instruments along with his bandmates, giving the crowd everything they wanted. The set ended with two crowd-pleasers: the disco ballad “Debra” — the lyrics of which propose a three-way with the subject of the song and her sister, whose name may or may not be Debra — and one of Beck’s biggest hits, “Where It’s At.”

    Run the Jewels amped the crowd up with an afternoon set Saturday, frequently getting them jumping along to their hip hop beats. Killer Mike told the audience that he had just gotten shoulder surgery; his arm was in a sling but he still flapped it like a little chicken wing as he ambled around the stage spitting rhymes, smiling his huge, infectious smile. And his partner El-P did plenty of running around the stage for both of them.

    Swedish grunge-pop singer Tove Lo caused a stir later in the afternoon when she briefly bared her boobs to the audience.

    St. Vincent brought on the evening with a characteristically eccentric performance. She and a similarly dressed guitar player tiny-stepped around the stage in a synchronized pattern, making jerky, robotic hand and hip movements in between playing heavily distorted tones.

    Once the sun went down, Ben Harper and the Innocent Criminals played a fun, chilled-out set with lots of hand drumming. Then My Morning Jacket took over for the evening, conjuring up much of their critically acclaimed new album, “The Waterfall,” plus old favorites like “Circuital” and “Wordless Chorus.”

    On Sunday, Halsey pranced around the stage making blunt remarks about cigarettes and her nipples to the pleasure of the mostly female front-row crowd. Her husky voice crooned what seemed like two types of songs: those about women fighting to assert their power with both men and the proverbial “the man,” and turbulent hookups.

    Messy-haired Vance Joy thrilled the crowd with his smooth, romantic acoustic guitar and ukulele sounds, then Brooklyn-based indie band TV on the Radio rocked an enthusiastic audience with high-energy set. Lead singer Tunde Adebimpe poured his heart into his vocals as he slid around the stage, and the rest of the band kept the post-punk tunes going.

    Then Tenacious D stole the show. Jack Black and Kyle Glass, accompanied by a guitar player, a bass player and a drummer, marched out on stage to epic adventure music then proceeded to rock. Black and Glass employed plenty of shtick, acting out scenes from their movie, “The Pick of Destiny,” and Black even had a roadie change his T-shirt three times.

    The Pixies closed out the festival with a set that proved why Jack Black said there wouldn’t have been a Radiohead or a Nirvana without the Pixies trailblazing their way through the late ‘80s to practically create indie and alternative rock. The band, which originated right in Boston, broke up in 1993 then reunited in 2004 and has been playing ever since, though bassist/vocalist Kim Deal is no longer with the band. They entertained the crowd with an extended set that sampled from throughout their five-album discography.

    Also on Sunday, organizers announced the stacked lineup for September’s edition of Boston Calling with a video played on the screens flanking both stages. It will be headlined by the Avett Brothers, alt-J, Alabama Shakes, Hozier, Of Monsters and Men, Chvrches and Ben Howard.

    Here’s the full lineup:

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    This fall’s festival will be held Sept. 25-27, and tickets are on sale now.

  • Michael Arnone Brings NOLA to NJ Crawfish Fest for a 26th Time

    This weekend New Jersey will put on its party beads and partake in some New Orleans themed eats while dancing to some of the southern music capitol’s greatest sounds. Michael Arnone alongside his Crawfish Krewe has been putting on the Crawfish Fest in New Jersey for a soon-to-be 26 years. Sussex County’s fairgrounds span 130 acres and will play host to four stages of funk, RnB, brass, rock and zydeco music.

    Michael ArnoneThe lineup is topped with legends like Dr. John, George Porter Jr. and Kermit Ruffins, but also has newer artists like Marc Broussard, Anders Osborne, and Sister Sparrow and the Dirty Birds that keeps a variety of sounds churning out of this yearly melting pot. Local boys From Good Homes will play the festival for the second time since reuniting in 2009 after a 10-year hiatus and will be sure to pack some heat with their hick-pop sound. Campers will get private Friday performances from the Stooges Brass Band, The Lost Bayou Ramblers and the New Orleans suspects, while on Saturday they will enjoy late-night performances from Samantha Fish, John Papa Gros Band and The Heard.

    Aside from the mouth-watering lineup, the food at Crawfish Fest is just as important. Every meal is under $10, and spans choices of boiled crawfish, (oyster, shrimp, catfish and hot roast beef Po-Boys), crawfish bread, jambalaya, crawfish etouffee and red beans and rice. When you’re inside the gates, you’ll be busy filling your stomach with food and ears with music you may or may not have encountered before. If you’re looking for an authentic New Orleans music and food experience in the North, there’s no competition.

    Visit http://www.crawfishfest.com/ for more information

  • Summer Camp 2015 Day 4: Dance Yourself Clean, All Night Long

    Read more from Summer Camp Day 1, Day 2 and Day 3

    The final day of Summer Camp featured some of the largest acts on the lineup and two regular contributors to the festival: Rain and wind. Even with the beautiful weather the past few days a little rain was expected, if not needed. A strong storm cell blew through around 1pm, causing minor delays in the music while cooling down the festival grounds and erasing the dust that had been ever present during the weekend. Strong winds tested the strength of tents and EZ-Ups, with gusts barely ceasing until fans began to load out on Monday. After three days of near-perfect weather, it was a refreshing change of pace.

    moe.’s rain-delayed set with Bruce Hornsby featured “New York City” and five Grateful Dead songs: “Sugaree,” “Loser” and the trio “Help on the Way” > “Slipknot” > “Franklin’s Tower.” Bruce then came out with The Noisemakers for his own set of originals and classics. Steve Miller Band treated an enormous crowd to a slew of hits, including “Jungle Love,” “Abracabadra” and the less well known “Sugar Babe.” It was hard to find anyone not singing along to or bobbing their head to these classics.

    On the Sunshine Stage, Yonder Mountain String Band treated fans to a set that highlighted new member Allie Kral (Cornmeal) who sang lead on “Son of a Preacher Man” and “Jolene” before closing with an enthusiastic “Casualty.”

    Widespread Panic’s eagerly anticipated sets were nothing short of fantastic and treated first-timers to impressive jamming of songs that typically got a more standard treatment. Opening up with a jam that worked into “Little Kin” and represented tighter segues than in past years, especially from “Action Man” > “Pleas”. The second set opened with “Junior” > “Second Skin” and a monster jam during “Rebirtha” and the newer song “Honky Red.” Widespread Panic could be in the middle of a band renaissance, due in part to Duane Trucks’ presence behind the drum kit for the past year. John Bell thanks the rain gods for holding off during their set, which may have tipped the gods off because shortly afterwards, the skies opened up once again to cool the hot night down.

    The Starshine Stage featured the progressive jamgrass of Greensky Bluegrass, who tore through Traffic’s “Light up or Leave me Alone” with a jam of “Tweezer Reprise” in the middle. Meanwhile at the Moonshine Stage, Big Gigantic brought the house down with an impressively loud set, similar to Griz’s set on the Sunshine Stage. If you needed a bit more moe., there was plenty to be had during their final set from 12:30 am to 2 am, highlighted by “Do or Die” featuring breakout group Here Come the Mummies joining the band onstage.

    On the VIP stage, Twiddle invited Scott Hannay of Mister F to sit in during “Apples,” to which keyboardist Ryan Dempsey cartwheeled off stage. Hannay sat in later that night with Twiddle, along with Dan Shaw from The Werks on keys at the Campfire Stage during “Mamunes the Faun”.

    The final set of the night to check out was North American Scum, an LCD Soundsystem cover band who might be the best band to close out Summer Camp. Members of the group are formerly of This Must be the Band, a Talking Heads band from Chicago, who have traditionally played one of the final sets at Summer Camp. This incredible two hour set featured the entire Sound of Silver album and, because everyone else was playing Grateful Dead songs, a spirited version of “Scarlet Begonias” to cap the night.

    Monday morning came and the campgrounds were half abandoned with dreary and exhausted looking fans milling about their sites, packing up tents, deciding what property would be left behind to make the trip to the parking lots easier. By late Monday, Three Sisters Park was vacated and the cleanup beginning in earnest. With all the memories from this year’s festival, one full year until Summer Camp 16 doesn’t seem too far away.

    Check out our coverage of all four days of Summer Camp 2015

    Day 1 Day 2 Day 3

  • Summer Camp 2015 Day 3: The Saturday Chronicles

    Read more from Summer Camp Day 1, Day 2 and Day 4

    It is now Sunday morning and to recap what went down on Saturday at Summer Camp, here’s a play-by-play morning until late night.

    10am: wake up after three hours of sleep and sunrise kickball. Feel refreshed, not exhausted. Breakfast of banana, yogurt, life cereal and yerba mate and I am ready to roll.

    11am: Head to the church (media area) and get writing my review of Friday.

    12pm: Review submitted. I head over to the Camping Stage with camp counselor Nick Stock and catch American Babies. Good stuff, somehow I don’t see them often enough despite playing back in Albany somewhat frequently. Good catching up with Nick too – sometimes you have to meet halfway across the country to hang with your friends.

    1:00pm: Field Day. Team Purple with Mer, Mitch, Lisa and two guys from Miami (Ohio) among others. Listened to Orphic during Capture the Flag, Floodwood during Spelling Bee.

    3:30pm: Back to the Sunshine Stage for The Floozies. My friend Carrie was talking about them for weeks and for some reason I felt like they were some local/regional band playing hokey rock. This couldn’t have been farther from reality. A drummer and guitarist manning a laptop made for a sick duo ala Big Gigantic. The crowd was in love and rage sticks were everywhere.

    4:00pm: Amazeballs Mini-golf! Jason K has an awesome addition to Summer Camp and many other music festivals. In addition to 15 holes you have an opportunity to Make a Difference and win a pair of VIP tickets for Summer Camp 2016. This was a lot of fun.

    5:00pm: Back over to Vibe Tent to see how Field Day ended – Red and Yellow were neck and neck, Purple was out of the running but we did clean up the most cigarette butts. Milk n Cookies were playing on the Vibe stage – this is easily the best tent to discover brand new music, especially if you like DJs and EDM.

    5:30pm: I meet up with John and head backstage for Joe Russo’s Almost Dead (JRAD). Despite numerous opportunities over the past year, I still haven’t seen them. By 7:00pm I’ll understand the hype. Choice covers of “Viola Lee Blues” and “The Eleven” stood out, with Russo leading the charge on drums. This was phenomenal. Stopped and chatted with Scott Hannay from Mister F and Evan from Aqueous before heading up to the Relix tent with Stephen.

    8:00pm: Finally back to the site for a short break, time to decompress and change for the night’s music. Washed my face and got some food to prepare for the next six to eight hours. Listened to Victor Wooten’s set from the Starshine Stage (central camping location is perfect for not missing music on four of the seven stages). Wooten’s set seemed a little soft, but then he dropped a few Sly and the Family Stone songs to close it out. I still think his sit-in with STS9 Friday night was a highlight of the fest.

    9:00pm: I head to the pit for Umphrey’s. Lighting designer Jeff Waful clears rage sticks from his sightline. There is dude about four rows deep front row keeps singing ‘Party with my dick out’ and no one thinks this is out-of-place. He keeps it up until the lights go down. Umphrey’s opens with “Plunger,” “Pay the Snucka” and “Higgins”. I head backstage for a few, enjoy a couple of beers and catch up with Chicago friends.

    10:15pm: Head to pick up my charger at the Relix tent (thank you guys) and try to make it back for The Werks. This band still eludes me. Meet up with Erika, Drew and Phil at the site and head back over for the final set of Umphrey’s.

    11:00pm: A “Wappy Sprayberry” opener sets the tone for the rest of the night, “Divisions” has great build and peaks upon peaks, but the encore was the highlight of the night – “Glory > Divisions > ‘Jam for Jesus’/A Love Supreme (for a dude in the crowd) > Divisions”.

    12:30am: Beers at the site and then down to Moonshine Stage for moe. I remember a big segue into “Meat”. Saw a few familiar faces from New York in the crowd. The crowd for moe. at Summer Camp is larger than any moe.down I attended. Midwest moe. fans are a fun bunch.

    2:00am: I walk to my car to get my rain gear with a forecast of showers during the day on Sunday and Monday. This proved to be a great choice since, as I write this review, a thirty-minute downpour passed by. At least the dust won’t be an issue.

    3:00am: Back to the site, I lay down on a bench and listen to a brief shower pass by. This was the perfect way to relax after a long, long day. I am exhausted but beyond excited for Bruce Hornsby, Yonder Mountain String Band and Widespread Panic.