The University of Vermont (UVM) hosted its annual Springfest event and invited The Disco Biscuits to jam out this year. Hardcore fans and newcomers were plentiful for this late afternoon set and the band did not disappoint.
Diving right into a daytime “Strobelights and Martinis,” the band was already in sync and you could tell we were in for a treat. “Strobelights” morphed into “Air Song” which slowed things up a bit before segueing into fan favorite “Spacebirdmatingcall”.
The band was having a ton of fun at this point, and so was the college crowd, many who had never seen The Disco Biscuits before. An intense sandwich of “Digital Buddha” into an inverted “Little Betty Boop” back into “Digital Buddha” was certainly the high point of the afternoon. The “Digital Buddha” featured some great interplay between guitarist Jon ‘The Barber’ Gutwillig and keyboardist Aron Magner.
The set ended with a nice rendition of “Little Lai”. They returned for an encore of “Little Shimmy” in a Conga Line which had the crowd dancing to its sweet rhythm and melodies, leaving many wishing they had tickets to the sold out show later that evening at Higher Ground.
The Disco Biscuits – UVM Springfest, Burlington, VT. 4-25-15 Set One: Strobelights & Martinis-> Air Song-> Spacebirdmatingcall-> Digital Buddah-> Little Betty Boop (inverted)-> Digital Buddah-> Little Lai Encore: Little Shimmy in a Conga Line.
April 18, 2015 was a celebratory day for music in America. Not only was it National Record Store Day throughout the nation, it also was the 30th Annual Rock & Roll Hall of Fame Induction Ceremony. Each year the Rock and Roll Hall of Fame, located in Cleveland, Ohio, honors musicians and those in the music industry with the highest accolades possible. For the last thirty years, artists have come home to this regal glass structure to accept recognition from an industry and loving fans, and add their names to the glass wall.
Recently, I ventured on a journey to this mecca of sorts to see and experience the destination of the Rock & Roll Hall of Fame. This amazing glass sculpture erected on the banks of Lake Erie, stands majestically. The architectural design of the facility matches the creativity of those it honors. Designed by renowned architect I.M. Pei, “it is a composition of bold geometric forms and dynamic cantilevered spaces..anchored by a 162-foot tower. The tower supports a dual-triangular-shaped glass “tent” that extends (at its base) onto a 65,000 square-foot plaza, providing a dramatic main entry facade”. The building is spectacular. Its 55,000 square feet of exhibition space and administrative offices encapsulates the vitality of rock and roll and becomes a worthy accommodation to house all the memories of where the innovation of music and rock and roll began here in America.
Welcomed by the staff, and given a quick overview of upcoming exhibits and projects to look forward to in the very near future, I was sent on my way like a kid in a candy store to view each and every square inch. I immediately was greeted with photos and music of the great Louis Armstrong, Nat King Cole, and so many other legendary musicians who made a footprint on music history in an exhibit of “The Roots of Rock”. As I listen on the most high quality apparatus, it transformed me back into the times when the juke joints were hopping and the nightclubs were popping.
This road of discovery of American music was paved out splendidly in the “Cities and Sounds” exhibit. I felt as though I was traveling along a pathway of how it unfolded over the course of time. It shared details along the way of how rock and roll wasn’t always socially acceptable (what?!!), and how rock and roll itself made a journey of diversification from the sounds of Hank Williams Jr. and Ray Charles, to Elvis and Hip Hop legends. While along the way sharing tangible pieces to help visually transcend there. It demonstrated an evolution of musical instruments, the means in which music was brought to listeners, as well as featured those iconic voices on the radio we came to know personally. In exhibits outlining these DJ’s and these mediums of music, you couldn’t help think of how far we had come since it’s inception.
Your path took you through cities that spawned unique sounds and started cultures of their own. First stop, Memphis with Johnny Cash, then off to Detroit and the Motown sound. After that, you hop across the pond to London (Liverpool) where the Beatles and Hermans Hermits introduced us to a new culture of the English influences. Making our way back to the west coast we saw San Francisco in the 1960’s and influences of artists like the legendary Santana, before making our way down to LA where we are greeted with Stevie Nicks, Momma Cass, the Eagles, and Linda Ronstadt. As we travel down these pathways of “Cities and Sounds”, we see a new focus of life emerging not only in the cities in which these artists came from, we also see a transcendence of sounds throughout the years and how they evolved and took bits and pieces of other genres to create unique sounds.
London in the ’60s and London in the ’80s brought us whole new experiences with artists. The sounds of the ’60s coming from Liverpool and London from the Beatles had evolved to the newer sounds of artists from both London and New York such as The Ramones, Blondie, The Sex Pistols, and Adam Ant. We also saw drastic changes as we go from sounds of Otis Redding and the R&B flavors, to the ’80s and ’90s with hard rock hair bands like Alice Cooper, AC/DC, to a whole new sound with Seattle’s grunge invasion of Nirvana, Pearl Jam, and Alice in Chains. These were sounds like nothing else we had ever heard before. I really enjoyed “The Music of Cleveland and The Midwest” exhibit, featuring musical stars such as Devo, Kansas, and Eminem to name a few. Musicians come from all over and to celebrate those from your hometown is so important. This demonstrates to those who may wish to pursue a musical career that those from your hometown had the same dream, went after it, and achieved it. As I reflected on all that I had seen while traveling through all the wonderful exhibits of the “Cities and Sounds” I felt as though I truly had transcended through time to gather an appreciation of how music had evolved in America. This ground floor exhibit space absolutely laid the foundation necessary to take in the rest of the museum while highlighting musical greats like Elvis, Jimmy Hendrix, The Beatles, Rolling Stones, The Doors, U2, and so many more.
One of the newest exhibits that I was super excited to take in was the “Paul Simon Words & Music” exhibit. Narrated in the fist person by Paul Simon himself, we learned first hand his musical journey while viewing and hearing the his story, his music, and his artifacts. To stand there and hear Paul Simon as I meandered through the memorabilia that included original writings, special photographs, a Grammy, and so much more gave me a very personal experience with this exhibit.
As a child of the ’60s, ’70s, and ’80s, I went through an entire process of musical transition from albums and single LP’s, to 8 tracks, cassettes, and then CD’s. I also was from the generation that first experienced MTV; you know, the channel that used to focus solely on music and music videos. One of my favorite exhibits was “Video Killed the Radio Star”. As you see below, this exhibit truly demonstrates our generation of videos. As I sat there with my son and his friends I couldn’t help but keep saying, “I remember that one, and that one…and that one.” Those of you that were with my generation will truly appreciate this exhibit as some of the most memorable videos flash upon a multitude of screens giving you visual overload.
As a musical photojournalist, the next area that truly excited me was the “Rolling Stone Magazine exhibit. Iconic covers of musical legends papered the walls here, igniting my dream once again to one day work for this iconic magazine. As we veer away from written news in today’s day and age, these covers, this medium of musical news, becomes so much more important to us as it may one day disappear altogether.
As we continued to move upward, you can’t help noticing the large Phish-furter flying high above you, or the cars dangling from the rafters above. This spectacularly open space creates areas and light for your eyes to constantly take in something amazing that had such cultural significance. As I came off the escalator on the third level, my musical senses became tingley as this is the floor in which all the Inductees are recognized. It must be a music journalist super power of some sort. Not sure what to expect, I was totally blown away by this exhibit and could have stayed there all day looking at the numerous famous signatures on the walls of those that have been inducted into the Hall of Fame over the course of the last thirty years. To me, it was the perfect way to highlight these greats visually. Spectacularly done, for spectacular individuals.
Finally making my way up towards the top of the museum, we unfortunately couldn’t go up to levels five and six as they were preparing those floors with new upcoming exhibits. At that point I was so blown away with what I had already experienced, that I felt that level four was the cherry on top of this musical cake of a day. Here I experienced music as part of an exhibit as I stood below “The Wall”, an exhibit dedicated to Pink Floyd’s song “The Wall”. This monstrous exhibit brought you right into the song as it played in the background, and as you made your way through the walkways underneath a gigantic creature, you found the lyrics to sing along to the song. Epic.
As I completed my tour of the Rock & Roll Hall of Fame, I couldn’t help feel proud of American music and the history that surrounds it. I knew immediately that I would definitely come back, and not just because they had a new exhibit scheduled to open “Herb Ritts: The Rock Portraits”, that would be featuring some of the unpublished works of rock and roll photographer Herb Ritts. Not because my son’s music program would be soon visiting to perform on the stage within. I just knew that one visit couldn’t possibly be enough to truly take it all in and digest it. I needed several visits, I needed more time, I needed to come back to celebrate our national innovations of Rock & Roll, R&B, Jazz, Blues, Country, and all music that is truly an American.
As I write this article a few months have passed since my visit and I purposely waited to tell you my story as I knew that the 2015 Rock & Roll Hall of Fame Inductions were quickly approaching and I wanted to share with you an experience and not just report on an event. The 2015 Rock & Roll Hall of Fame Induction Ceremony is now in its 30th years and this years inductees were once again among the elite in their fields and genres sharing their talents over a course of their lifetimes to their fans that couldn’t get enough. Last night’s event was spectacular, and the stage was peppered with the who’s who in the musical community paying tribute to those inductees. Those in attendance of the sold out event enjoyed amazing performances by Miley Cyrus and Joan Jett & The Blackhearts, Zac Brown and Tom Morello, Beck and Karen O., Leon Bridges, Green Days Billie Joe Armstrong, John Mayer, Gary Clark, Jr., and Bill Withers and John Legend. Presenters included Miley Cyrus inducting Joan Jett & the Blackhearts; Paul McCartney inducting Ringo Starr; Stevie Wonder inducting Bill Withers; Patti Smith inducting Lou Reed; Peter Wolf inducting the Paul Butterfield Blues Band; Fall Out Boy inducting Green Day; John Mayer inducting Stevie Ray Vaughan & Double Trouble, and Steve Cropper inducting the “5” Royales. Our sincere congratulations to all the Inductees from NYS Music.
If you have been on the fence as to where to go for a quick day trip, an extended weekend trip, or a full fledge vacation, I strongly urge you to take in the Rock & Roll Hall of Fame and Museum. Located in downtown Cleveland, this family friendly, walking city boasts not only this spectacular museum, it also has a rich cultural history and plenty to keep you busy. I suggest though that first thing on the list however must be a full day planned at the Rock & Roll Hall of Fame and Museum so that you have plenty of time to meander and read each and every piece there. This amazing state of the art facility, successfully brings to you not only “stories of the people, artifacts and events that shaped rock and roll — through Museum exhibits, materials in the Museum’s Library and Archives, traveling exhibitions, and a wide array of innovative educational programs and activities”, it also brings to the community musical festivals, educational programming, and concerts year round.
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Photo Credits – Rock & Roll Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
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The Wall – Rock and Roll Hall of Fame
Video Killed The Radio Star – Rock and Roll Hall of Fame and Museum
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Joan Jett & The BlackHearts – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Rock & Roll Hall of Fame
Paul McCartney Perfroms – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Paul McCartney and Ringo Starr – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Leon Bridges Performs – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Green Day – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
An impressive group of musicians will play a group of pre- and post-party shows in Chicago billed as The Music Never Stopped to complement the Grateful Dead Fare the Well GD50 reunion run.
The Music Never Stopped run kicks off Thursday, July 2, with shows at different venues by Thievery Corporation with special guests yet to be announced, Gene Ween with special guests Mariachi El Bronx, and a Rex Foundation benefit called High Steppin’ Into Town featuring Greensky Bluegrass, Keller Williams’ Grateful Grass and the Infamous Stringdusters.
On Friday, Karl Denson’s Tiny Universe will start at 10 p.m., and Edwarde Sharpe and the Magnetic Zeros will perform at another venue from 11 p.m. to 2 a.m.
Saturday, the Fourth of July, Railroad Earth will start a show at 11 p.m., and Edward Sharpe and the Magnetic Zeros will again play another venue with an 11 p.m. to 2 a.m. show.
Sunday is the big culmination with the Fiyawrapper All Star Jam starting at 11 p.m. This group features Jennifer Hartswick of the Trey Anastasio Band as musical director and will include two other TAB musicians plus members of the Allman Brothers Band, Soulive/Lettuce, the Revivalists, Big Gigantic, Snarky Puppy and Break Science/Pretty Lights.
Silver Wrapper, a group of Chicago-based independent promoters, assembled the shows. Tickets are available via their website.
This week the official lineup for This Is Hardcore Festival in Philadelphia, PA was announced. Once again it will be held at the Union Transfer on July 23 and at the Electric Factory on July 24-26.
Tickets go on sale Friday April 3 at 12PM EST and can be purchased here.
This Lineup in alphabetical order is as follows:
Absolute Suffering, All Out War, American Nightmare, Bane (last TIHC appearance), Biohazard, Blistered, BreakAway, Chokehold (Reunion), Code Orange, CroMags, Cruel Hand, Defeater, Disengage, Eternal Sleep, The Exploited, Foreseen (Finland), Foundation, Fuck You Pay Me, The Geeks (Korea), H2O (20th Anniversary show), Homewrecker, Killing Time, Lifeless, Malice At the Palace, Mindset, the Misfits (playing Earth AD in its entirety), Morning Again, Nails, Negative Approach, Power Trip, Reach the Sky, Rival Mob, Sand (Japan), Slapshot, Snapcase, Suburban Scum, The Suicide File, Time Bomb, True Love, Turnstile, Twitching Tongues, Wisdom In Chains, and Xibalba
This should be a VERY exciting and dangerous show. Again if you are coming from anywhere in New York, do not wear any New York sports gear. You’ve been warned. But have fun and be careful!
What do you think of this years lineup? Sound off in the comment section below.
At one time I had a friend who exclaimed before each concert she attended, that each band she heard must pass what she called “the sweat test.” That is to say, in order for her to feel satisfied with a band’s performance she should walk away with her clothes drenched in enough sweat from dancing that her attire would freeze stiff shortly after exiting a venue. This was during the early 1990s when I lived through a few rough winters in Rochester, NY. I didn’t go to shows at the time because I was attending a local seminary to get a theology degree and become a Baptist preacher.
Still, her standard for live music stuck with me through the ensuing decades as I grew into the live music scene. I was recently reminded of her on a chilly evening in Boulder, CO as the Rochester-native band, Giant Panda Guerrilla Dub Squad headlined with the Colorado-based funk band, Euforquestra. As I watched the venue full of twirling, jumping,wriggling, and flopping enthusiasts it became clear to me that both bands would easily pass the sweat test.
Euforquestra led the way with a scorching blend of brass-infused funk/Afrobeat music. Giant Panda Guerilla Dub Squad has gained a devoted following to their improvisational roots reggae sound in the Rocky Mountain region, and their lively finishing set was part of a winter tour devoted only to stops in Colorado.
A new festival is in town to usher in the summer music season with some hearty acts. Moondance Meltdown is coming your way May 9th for a night of music at the Greeks in Newton, NJ and camping at The Great Divide campground.
Grab a ticket for Moondance Meltdown at a pre-sale price here (or a little more at the door). Information on camping at The Great Divide can be found here.
There’s a lot to be said about the state of Pennsylvania, and producing quality bluegrass is an undeniable trait. As most music genres spawn into different subgenres it’s easier now to seek out string bands that sincerely push the envelope of what the general public views as bluegrass. While that original Bill Monroe sound is relevant and active in the scene today, it has naturally evolved into a monstrous playground scattered with sounds of varying influences. The crossroads of this trend concerning progressive string music lies within acts with drummers like Railroad Earth, Hot Buttered Rum and a group that’s taking their turn to rise to the top from the Eastern hills of Pennsylvania, Cabinet. And on March 6, the first of two nights right over the border into New Jersey at the Historic Blairstown Theatre was not their introduction to the intimate space.
Hot off the heels of a new release entitled “Celebration” the first four tracks were mixed in with staples of this almost 10-year-old band. The diversity from song to song represents the sharing of songwriting duties but when you stack songs like “The Dove” and “Old Farmer’s Mill” against each other (both highlights from different sets) the explorative instrumentation and people behind them are the two remaining similarities. At certain points it’s hard to imagine you’re seeing the same band mid set. “Wine and Shine” comes off as light on its feet and compliments their feel good sound, but something like “Eleanor” gives off a matured emotional feel. After years of playing some of these songs in front of a bunch of people a bunch of times certain coined instrumental phrases stick to the song, like a snowball rolling down the hill.
Aside from the new album, “Treat Me So Bad,” is a favored new song that takes from both soul and funk to melt over the smooth plucking and vocals of Pappy and JP Biondo respectively. The night was filled with applaudable solos and an overall heartfelt performance that gives you that longing for more. However, as the hard work continues to pay off for these six musicians, you can’t guarantee that you’ll see them in small rooms for much longer, so catch them when they’re rolling by.
Listen to the Blairstown Theatre Show on the Music Archive – with many thanks to Keith Litzenberger
Joining an already stacked lineup of artists at Summer Camp Music Festival at Three Sisters Park in Chillicothe, Illinois May 21-24 will be Krewella, Widespread Panic, Violent Femmes, A-Track, Greensky Bluegrass and more! Tickets are on sale now at the festival’s website with a price increase tomorrow, so don’t delay in picking up your ticket!
The full announcement of third round artists includes: Krewella, Widespread Panic (two sets), Violent Femmes, A-Trak, Greensky Bluegrass, Kill The Noise, Nahko And Medicine For The People, Paper Diamond, Victor Wooten, Black Tiger Sex Machine, Break Science, Dumpstaphunk, Hermitude, Liquid Stranger, Louis Futon, Protohype, Sound Remedy, 28 North, The Accidendentals, American Babies, Citizun, Consider The Source, Daniel Bambaaata Marley, Jon Wayne And The Pain, Old Shoe, Pigeons Playing Ping Pong, Positive Vibr8ions, and Soap.
Alternative jam band Wilco announced the lineup for 2015 Solid Sound – the band’s annual music and arts festival held at MASS MoCA.
Wilco will headline Friday and Saturday. Also at the festival will be comedian John Hodgman, who has performed at the last few Solid Sound festivals, and he’ll bring with him comedians Tig Notaro, Paul F. Tomkins, Jessica Williams and Superego, an absurdest comedy podcast hosted by Jeremy Carter and Matt Gourley.
Other performers include Wilco frontman Jeff Tweedy’s side project called Tweedy, Mac DeMarco, Luluc, Parquet Courts, Taj Mahal, Richard Thompson Trio, Shabazz Palaces, the Felice Brothers, Cibo Matto, and King Sunny Ade and his African Beats, among others.
Wilco has set up a so attendees can get familiar with the music before going to the festival.
MASS MoCA is in North Adams, Massachusetts, right over the New York border. Solid Sound is set for Jun 26-28 2015 and tickets are on sale now.
From the former farmlands of Jacksonville, JJ Grey and his band Mofro have made a sweep of the northeast, bringing a funky sizzle that can only come from down south. In their most recent release, entitled Ol’ Glory, this seven piece ensemble brings listeners an eccentric mix of Earth Wind & Fire, James Brown, and Al Greene sensibilities.
There’s no doubt that Grey has a bluesy roughness to his vocal tone, and with the combination of a brass section, tight harmony lines, and gnarly bass parts, this is guaranteed to be the soundtrack of your (hopefully soon) spring barbecue.
Despite the underlying groove ringing throughout Ol’ Glory, there are 12 unique tracks that make up this record. Tracks like “Hold On Tight” set the scene for your candlelight dinner, while the incorporation of the guitar slide on “The Island” brings you to an outdoor tailgate scene. As the songwriter, JJ Grey also incorporates his coffeehouse roots with a country sensibility in songs like “Tic Tac Toe” and “The Hurricane.”
For those with motown-colored ears, tracks like “Everything is a Song” and “Brave Lil’ Fighter” are sure to be right up your alley. While those may be great warming up tunes, however, the real dance jams come later in the album, like my personal favorite, “Turn Loose.” I try not to use the slang term ‘phat’ often, but if you hear the rhythm of this tune, you’ll be sure to understand my reasoning.
While JJ & Mofro may not be stopping in on New York this festival season, they will be headlining several national festivals and playing alongside bands like No Doubt and Zac Brown Band. In the meantime, you can learn every song on their Soundcloud and keep up to date with their tour via Facebook and their website.