Category: Metal/Hard Rock/Punk

Nightwish, Sabaton, and Delain Owned Buffalo’s Town Ballroom
The turnout for the April 16 Nightwish show at the Town Ballroom in Buffalo, both baffled and pleased fans to no end. After arriving just a few minutes before door time, the line had already extended from the Town Ballroom to nearly halfway down to the HSBC building. If you’re familiar with downtown Buffalo at all, you know that’s a pretty impressive line. I’ve been to a handful of shows at Town Ballroom over the years, and I’ve never had that “sardine in a can” feeling there before last night. In fact, it took security so long to funnel everyone inside, that at least a hundred people were still standing outside as Delain was starting their set. I squeaked in the door just after their first song.

As for the artists, Dutch symphonic metallers, Delain, kicked things off in their typical fashion with powerful orchestral keys, heavy riffs and captivating vocal melodies from front-lady, Charlotte Wessels. Most fans were disappointed with their song selection. They mostly played their more bland sounding tracks from the last few albums, along with their key singles. However, I felt they were strong in the sound department, making them a solid opener with surprisingly heavy crisp guitars, keys and vocals.

Afterwards, Sweden’s Sabaton took the stage and dominated, plain and simple. They’re a fun group of guys that take heavy metal to the next level. Musically, they remind me of a heavier symphonic Judas Priest. Their songs are based on historical battles and American and European military history, but I think what really won them a lot of new fans last night was personality. Frontman, Joakim Brodén, was hilarious and made it a point to jokingly say, “If it wasn’t for some of your grandfathers, you’d all be speaking German right now, and let’s face it, you Americans aren’t exactly known for your language skills.” A female fan also tossed her bra at Joakim at one point during their set, much to the delight of everyone in the room, on stage and off.

Many of Sabaton’s songs are centered around American military history and Sabaton always makes it a point to give proper dedications to those who have fallen in the line of duty. Furthermore, a group of fans near the stage were signaling to the band with German, Swedish or American flags, in accordance with the lyrical content of whatever song was being played. My friend John was among them. At one point, Broden took hold of their Swedish flag and wore it as a cape like a superhero. Shortly after he boasted, “My superpower is going to be cheap furniture”, but not before he’d already commented, “Don’t think just because we have Ikea that we’re all peaceful and shit.”

Sabaton cleared the stage after playing their encore, “Night Witches” which was the opening track off their latest album, Heroes. They then respectfully paved the way for Nightwish, who hails from Kitee, Finland.

Nightwish began their set in typical Nightwish fashion. This was my fourth time seeing them, so I knew exactly what to expect. The lights dimmed, then eerie blue spotlights illuminated the room accompanied by the ominous sounds of rolling ocean waves and whale songs. Lately, they’ve been working a lot with Richard Dawkins, a well-known English ethologist and dedicated atheist. He narrates portions of Nightwish’s latest effort, Endless Forms Most Beautiful- an openly secular record paying homage to the life and work of Charles Darwin.

Once the whales fell silent, Richard Dawkins’s voice kicked off the first song with, “The deepest solace lies in understanding, this ancient unseen stream- a shudder before the beautiful.” Wintersun drummer, Kai Hahto then immediately kicked into the song, “Shudder Before the Beautiful” along with Marco Heitala’s heavy bassline and Tuomas Holopainen’s orchestral synth arrangement. Then, one by one, the rest of the band emerged as needed.

The set continued with fan favorites going all the way back in their discography to 1998’s Oceanborn. “Stargazers” and “Sleeping Sun” were played off that record. They also briefly visited Wishmaster with the song, “She is My Sin”. The rest of the set was made up of songs going from 2004’s Once through their latest release. From Once, they played “Dark Chest of Wonders”, “Nemo” and “Ghost Love Score” as one of two encores. Imaginarium was visited via the songs, “Storytime”, “I Want My Tears Back” and “Last Ride of the Day”, which was the second encore. Dark Passion Play was only touched on with “The Islander”, but that was a high point of their set for me because of Marco Heitala’s acoustic steel-stringed solo performance for the better part of it. Marco played a double neck for the majority of the set- an electric bass adjoined with an acoustic guitar.

Troy Donockley wowed the audience with his flute and bagpipe skills during that song as well, while also joining Marco and lead vocalist, Floor Jansen for a moving vocal performance. I think Troy brings a lot to this band and I’m glad he’s a permanent part of it. Hearing his soothing flutes and bagpipes during older songs gave a whole new perspective. He ended “Sleeping Sun” with Tuomas on bagpipes and I felt that made the entire song much more enjoyable and fresh.

As I’m sure you’d expect, the majority of Nightwish’s set was new material. Here’s what you can expect to hear from the new album on future tour dates:
- “Shudder Before the Beautiful”
- “Yours Is An Empty Hope”
- “Endless Forms Most Beautiful”
- “My Walden”
- “Elan”
- “Weak Fantasy” (Kai does an amazing drum solo to kick off this song)
- “The Greatest Show On Earth”
The night ended with Nightwish’s traditional bow to the audience, while Richard Dawkins spoke in the background about how lucky we are to be awake in this universe. It’s a sample from the song, “The Greatest Show on Earth”, named after one of Dawkins’s novels, released in 2009. Most European bands do a traditional bow to the audience after sets and Delain and Sabaton ended their sets the same way. I think it’s a very humble way to say goodbye to your fans and make some kind of connection with them, especially when you’re on the other side of the world, and the odds are good you’ll never see many of your audience members again.

I suppose I’m now at that regrettable point where I’ve officially run out of words and thoughts about this wonderful show, so in conclusion, I’ll say this: Thank you for reading this review. If you were there last night, I hope I adequately conveyed last night’s events. If you weren’t there, whether you’re a fan of these bands or not, I hope my words at the very least inspired you to add some new songs to your music library. Thanks again for reading.
April 21, 2015
Hearing Aide: Misery Kills ‘My Ugly Insides’

Misery Kills (formally called Misery) is a metal band from the Long Island/New York City area that I never heard of until a couple of weeks ago when I caught a few metal shows down there while visiting family. Bassist Joe LoCasto, who plays in Misery Kills, also plays in a band with Joey Z of Life Of Agony called Zire’s War. After having the pleasure of witnessing Zire’s War, Joe LoCasto told me to check out Misery Kills, so after receiving their album My Ugly Insides, I had high expectations for this album, after listening to this album, I was not disappointed.

The album starts of with an instrumental intro entitled “Eight FortySix Thirty” then blazes into a devastating track called “Eyes Wide Open.” And when you hear the evil screeching roars of vocalist John LoCasto combined with dual guitars of Corey Schaefer and Duane Conlon, you know that this band means business. To top it off the bone crushing tracks from drummer Scott Borrero aided with underlying bass of Joe LoCasto gives this band a unique chemistry. The best way to describe the sound of this band…remember the circle charts from elementary school? Picture three interlocking circles representing three bands: Lamb Of God, Coal Chamber, and Agnostic Front. The gray area that the three bands I just mentioned share is what Misery Kills and this album reminds me of.

Now back to the album. The track that I fell in love with is “Poltroon.” That song makes me want to stomp someone the hell out, a great feel good aggressive song. Every track is solid, thrashy, and to the point. The quality and mixing of this album sounds retro, which I believe that producer Joey Z (Life Of Agony, Zire’s War) was going for when he was putting the finishing touches on this album.

The next track that gets me going has to be “Kills My Day,” it’s the fastest and most vulgar track on the album, it’s very blue-collar with no-nonsense. Right after that, the guitar work on the following two tracks “Sick Around You” and “White Trash” is absolutely top-notch. This band grabs you by the collar and makes you listen…and trust me, you will be hooked.
Towards the end of the album, you are graced with the track “Give Em Hell” which is a foot stomping anthem with catchy hooks and nasty breakdowns , then My Ugly Insides ends with the title track which is the cherry on the bloody sundae that this band serves. It’s a very appropriate and dark song to cap off to what is in my opinion, a very solid metal album from a very hard-working band. I was happy this band reached out to me, so do your ears, mind, body, and soul a favor and pick up this album.

You can purchase My Ugly Insides here. Check out the track “13 Miles” below.

Key Tracks: Poltroon, Kills My Day, Give Em Hell

[youtube http://www.youtube.com/watch?v=-OdE60fKpWs&w=420&h=315]

April 16, 2015
Finland’s Nightwish to Perform at Town Ballroom April 16

On Thursday, April 16, Finland’s Nightwish will be performing in Buffalo, NY for the very first time at Town Ballroom, located at 681 Main St in downtown Buffalo. The Finnish symphonic metal band has toured the globe several times over and released eight full length albums, the most recent of which is entitled Endless Forms Most Beautiful. It’s a long epic release named after a quote by Charles Darwin and is based on the wonders of life, as well as making choices based on science and reason. It’s also the driving force behind their current world tour, which just kicked off in New York City on April 10.

Nightwish will be making their first trip to Buffalo during a very interesting time in their career. They’ve just recently brought Floor Jansen into the group for lead vocals. Some might remember her from her long career with Dutch symphonic metal group, After Forever. This makes Floor, Nightwish’s third female vocalist since the forming of the band, and the general consensus so far is that she’s proven herself to be a very worthy successor of Tarja Turenen and Anette Olzon. Nightwish is also being joined by Wintersun drummer, Kai Hahto for the foreseeable future, after their longtime drummer and friend Jukka Nevalainen decided to step down recently due to chronic insomnia. Furthermore, Troy Donockley is permanently adding his Celtic instrumentation to the band’s already enchanting orchestral sound, which is bound to treat every audience they play to on this tour to an even more unique experience.

One of the highlights on Endless Forms Most Beautiful is the 24 minute closing track, ‘The Greatest Show on Earth’, and rumors are flying that those in attendance at Town Ballroom this Thursday will be hearing that very long, very impressive epic in the latter portion of the setlist. Longtime fans are hopeful that they’ll be hearing some of Nightwish’s older material at the show, and according to online sources, select tracks from Oceanborn, Wishmaster, Century Child and Once will be resurrected for this tour.

So, whether you’ve only recently been introduced to Nightwish, or you’re a longtime listener, given the group’s sterling reputation for live performances, it seems fair to say that no one will be leaving this show disappointed. Even if you’ve never heard music like this before and you want to try something different, most fans of music in general can find something they appreciate in the music of Nightwish. Their songs are captivating, theatrical, symphonic, passionate and honest. We sincerely hope to see you there for what is bound to be a breathtaking event, the likes of which Buffalo has never experienced!

“I do believe only innocence can save the world.” – Tuomas Holopainen (Nightwish founder, composer and lyricist)

April 13, 2015
Coal Chamber, Filter, Combichrist Annihilate The Emporium on Long Island

Going into Easter weekend, I took another weekend to visit Long Island and there I went to another kick ass venue The Emporium in Patchogue on Long Island. A rather big and spacious for a medium-sized venue that holds about 1100 people, multiple bars, serves food, with a decent sized pit are in front of the stage. The overall sound is great, so I would highly recommend to see a metal show there or any genre of music there.

American Head Charge was originally billed to appear on the lineup but was not there. No word on why. Not long after the doors opened, Saint Ridley from Detroit, Michigan opened the night with five songs. They were pretty good, excellent chemistry together. You could tell they were enjoying themselves on stage. They had guitar issues on stage, but they did an excellent job of not letting that interfere with their performance. I thought they were a darker version of Angels and Airwaves but more metal than punk.

Combichrist graced the stage afterwards. They were by far the most energetic band of the night. I didn’t know what to expect from them. I have never purchased an album or seen any videos, all I knew was they were a very dark and industrial band. To me, their sound and presence was a mix of Orgy, Nine Inch Nails, and Mindless Self Indulgence. They were absolutely superb. All their synthesizers were played on stage, not a prerecorded track over the PA. Some of the songs they played were “We Were Made To Love You”, “Maggots At The Party” and closed with “What The Fuck Is Wrong With You.” They definitely made me a fan after their set was over.

Filter certainly made an impression that night as well. Although the crowd was a lot more calm and tame compared to Combichrist, I absolutely loved what Filter did during their set. They chose to go deep into their catalog and play some obscure song sand tell the audience what each song was about. Interesting note: again, Filter has a new lineup. vocalist and mastermind Richard Patrick (younger brother of actor Robert Patrick and once an original member of Nine Inch Nails) has a different band around him; Oumi Kapila on guitar, Ashley Dzerigan on bass, Bobby Miller on keyboards and programming, and Chris Reeve on Drums. Funny thing about this lineup…Richard Patrick went on a few rants about how much he hates the current pop music scene in the US, and Ashley Dzerigan has played bass in lots of pop music groups such as Adam Lambert and Cee Lo Green. However, this lineup fits the music of Filters past, and now I’m curious to see if Richard Patrick will use this lineup for the upcoming Filter album that was recently announced. They opened with “You Walk Away” off The Amalgamut, then into “(Can’t You) Trip Like I Do,” off the movie soundtrack of Spawn. But the real highlight of the night was the other obscure classic “Jurassitol.” Every song performed Richard gave it his all, the use of fog machines and lights gave their set a trippy atmosphere. Filter closed their set with their original hit “Hey Man, Nice Shot” before ending with Title Of Record’s “Welcome To The Fold.” This band still has lots left in the tank. A headlining tour is eminent in their future.

The anticipation was killing me for Coal Chamber to rock the stage. And man did they bring it. Although they did a U.S. tour a couple of years ago, it still seemed that they were away from metal for way too long. And as soon as they stormed the stage with their anthem “Loco,” the chemistry and magic that this band had twenty years ago seemed to have never fade away. This time, their production was much, much bigger from their previous US tour. They had 2 large video screens behind them showcasing clips and montages of random b-movie horror films. The big highlights of their set had to have been “Rowboat,” brand new song from their upcoming album “Rivals,” and their disturbing classic “I.” They played a full fifteen song set with no encore. Their crowd was absolute bananas during every song. Frontman Dez Fafara even had to tell an audience member to calm the fuck down and stop taking cheap shots in the mosh pit. That was entertaining. Also the rest of band was so damn clutch, but it was drummer Mikey Cox who was an absolute machine behind the kit.

I would certainly hope that Coal Chamber is going to take advantage from the recaptured momentum that they have and with the new album Rivals due mid May, I believe the future is bright for Coal Chamber and every band that is part of this tour.

April 9, 2015
Hearing Aide: Seplophile ‘Mesonoxian’

Every once and awhile, you come across an album that you just can’t stop hearing about, even years after its release. Lately, that album for me has been Mesonoxian by Buffalo death metal bosses, Seplophile. It first graced my ears in February of 2013, and although I haven’t really listened to it since the summer of that year, I still hear at least one person bring it up at every Buffalo metal show I attend. Mesonoxian seems to have set a new standard for not only other Buffalo locals, but a few touring bands that have come through the area as well.

Back in May of 2013, I played a show with Seplophile and Arsis (Nuclear Blast Records) at Broadway Joes. During Seplophile’s set, I had a conversation with James Malone, Arsis’s frontman. He made a comment about how Seplophile not only made a great impression on him, but how they really stood out in an already very talented Buffalo metal scene. Malone later went on to address the crowd during Arsis’s set, giving Buffalo’s metal scene that traditional horns and hails. Then, at last Friday’s ‘Metal Fights Cancer’ event at Rockin’ Buffalo Saloon, I caught up with a lot of Western New York metal scene veterans who repeatedly brought up Mesonoxian, one show goer in particular still citing it as “the best metal album ever released by a Buffalo band, not of national status.” In short, all the attention this album continues to get today, has made me want to revisit it two years later and pick it apart.

It kicks off with “Exhale All Life”, an ominous piano intro played by guitarist, Matt Backlas. The keys come and go throughout the record, all of which are played by Matt, and perfectly compliment the “simply death” idea at the foundation of Seplophile’s music. “Anomos: Identity Crisis” is an ideal opening track for any death metal album. It pulls you in with quick evil riffing accompanied by vocalist Colin Winkelman’s persistent and consistent low growls, ripping basslines and relentless blast beats. “The Isolationist” provides the same punishing death metal truth as “Anomos” which further carries the band’s ultimate message: “DEATH METAL PREVAILS”, which also appears at the end of the credits on Mesonoxian. Then, finally, we get to “Quarantined”, which has the most melodic section on the record by this point. It has a tremolo outro that uses metal’s signature “sad scale” and paints a dismal picture of growth from decay, or perhaps triumph from misery. A 3 part death metal masterpiece follows this change of pace, called “Philosophiae Naturalis- The Portents of Ash- Shaytan”, made up of tracks 6-8, respectively titled, “Omen of the Adversary”, “Under Shifting Sands”, and “Glassstorms”. “Under Shifting Sands” is a straight forward injection of grind, doom, crunch and melody, and was the first single released by the band for the album. Other songs stood out to me a little more on the track list, but given their diehard death metal demographic, “Under Shifting Sands” is a smart single choice. “Fields of Stone” is the next standalone track and has a devastatingly powerful and emotional outro. It’s very doomy, melodic and extremely well composed. Matt’s keys return here and slow harmonized leads make for a fitting finale to a truly driving song. Afterwards, the boys close the album out the way it begins with “Retribution” and the title track, “Mesonoxian”. These two last songs rip and leave you wanting more. The roller coaster has stopped too soon and you feel like you haven’t gotten your money’s worth. All the more reason to get excited for the forthcoming second album or a live show!

Seplophile will be performing at Broadway Joes in Buffalo on Sunday 4/26 with Buffalo thrash legends, Hellcannon and New York death metal legends, Incantation (Relapse Records, Necropolis Records, Listenable Records). If you want to relive death metal’s glory days through a rejuvenated sound, be at this show. If you haven’t listened to Seplophile yet, do so.

If you’re less into traditional death and more into bands that wave the “deathcore” flag like White Chapel, Suicide Silence or Chelsea Grin, you might be disappointed. But if you fall somewhere in between, you might just find that Seplophile has a little something for everyone craving a little bit of heavy.

Key Tracks: Quarantined, Fields of Stone, Under Shifting Sands

April 8, 2015
Seplophile: Breathing New Life Into Death Metal

At some point over the last few decades, the foundation of death metal began to crack, and through these cracks came a flood of sub-genres, such as, ‘deathcore‘, ‘melodic death’, ‘progressive/tech death’, etc. This made a lot of traditional death metal fans feel as though their beloved genre was turning into a faraway thing. With a slew of bands manifesting themselves under these new and now prevalent classifications, it’s no wonder that a solid band of talented guys, dedicated to going back to death metal’s roots would gain some serious attention. The band is called Seplophile and they’ve spent the last few years making waves in the name of death metal.

Their debut album Mesonoxian is a true testament to what the band stands for and any death metal veteran would have to agree. It was released in February of 2013 on Butchered Records and is still regarded by most scene supporters as one of the best heavy metal albums to come from a Buffalo local in years. The band is comprised of Shawn Gomez (From This Day) on bass, Matt Backlas on guitar, Greg DiPasquale (Sons of Azrael, Herod) on guitar, Allen Malkiewicz (From This Day) on drums, and Colin Winkelman on vocals.

While still playing the occasional show, they are currently in the process of writing their greatly anticipated second album. They’ll also be playing with New York death metal legends Incantation at Broadway Joe’s on Sunday, April 26. Also gracing the stage that night will be Rochester’s Order of the Dead and Buffalo thrash legends Hellcannon.

So, if you haven’t checked out Seplophile yet, and you’ve been yearning for a heavy dose of death, the likes of which would appease Chuck Schuldiner (Death, Control Denied), take a listen to the track below and watch them perform with Incantation in just a few weeks!

April 3, 2015
This Is Hardcore Festival Lineup Officially Announced

This week the official lineup for This Is Hardcore Festival in Philadelphia, PA was announced. Once again it will be held at the Union Transfer on July 23 and at the Electric Factory on July 24-26.

Tickets go on sale Friday April 3 at 12PM EST and can be purchased here.

This Lineup in alphabetical order is as follows:

Absolute Suffering, All Out War, American Nightmare, Bane (last TIHC appearance), Biohazard, Blistered, BreakAway, Chokehold (Reunion), Code Orange, CroMags, Cruel Hand, Defeater, Disengage, Eternal Sleep, The Exploited, Foreseen (Finland), Foundation, Fuck You Pay Me, The Geeks (Korea), H2O (20th Anniversary show), Homewrecker, Killing Time, Lifeless, Malice At the Palace, Mindset, the Misfits (playing Earth AD in its entirety), Morning Again, Nails, Negative Approach, Power Trip, Reach the Sky, Rival Mob, Sand (Japan), Slapshot, Snapcase, Suburban Scum, The Suicide File, Time Bomb, True Love, Turnstile, Twitching Tongues, Wisdom In Chains, and Xibalba

This should be a VERY exciting and dangerous show. Again if you are coming from anywhere in New York, do not wear any New York sports gear. You’ve been warned. But have fun and be careful!

What do you think of this years lineup? Sound off in the comment section below.

April 3, 2015
Evil Easter Eve 5: A Metal Show to Benefit Local War Veterans

It’s that time again, Buffalo! For the fifth year in a row, longtime Buffalo show promoter and scene supporter Jeff Wacker is teaming up with Terror Technologies, a horror themed entertainment company based in Kenmore, NY, to raise money for a great cause. This year’s recipient of the Evil Easter Eve earnings will be the Disabled American Veterans – DAV -Chapter Roll Of Honor 120 of Kenmore, NY.

In addition to cash donations, the DAV is also in desperate need of gently used clothing, and brand new, in the packaging undergarments (socks, underwear, etc.) in all sizes. These items can be donated at the door. This show is happening on Saturday April 4 at Broadway Joe’s Bar & Grille in Buffalo. Admission is $10 and doors are at 5 pm.

Check out the lineup below!

Goblin Hovel– Folk metal from Clarence, NY

Armageddon– young thrash metal from Buffalo, NY

Circus Grenade – sludgecore from Lockport, NY

Varices– new grindcore from Buffalo, NY

Budokan (a Cheap Trick cover band) was recently added to this event as well. They’re made up of local scene veterans, featuring members of Herod and Seplophile.

There will be raffles going on to help raises funds as well. As usual, expect a mountain of rare underground death metal merchandise and a boatload of amazing pieces of art.

April 1, 2015
Biohazard, Sworn Enemy, Zire’s War Rock Revolution Music Hall In Long Island

To what was close to a homecoming show, hardcore veterans Biohazard and Sworn Enemy headlined a jam packed and spectacular night at Revolution Music Hall in Amityville, NY on March 27 to kickoff a brief US east coast run. There was also a special guest that played exclusively that night; Zire’s War, a new band lead by Life Of Agony guitarist Joey Zampella, who handles vocals and guitars. The night opened with sets from Diesel and Oath.

This was my first time at Revolution Music Hall. Make no mistake, this is a kick ass venue. It’s a pub with a small stage, a capacity of around 500, and a lot of cool monuments and posters to look at. The place has great sound, killer environment, and the best part, drinks and food are served during shows. And cleverly, they have curtains going around the front of the stage to keep closed between sets, which is not common at other similar sized venues around New York State.

The night started off with small set from Diesel, a local hardcore band from the area, who set the tone appropriately with six songs. Lots of energy, and very fitting to open for the headliners. Then the crowd was graced with a set from Oath, a metal band out of Hartford, CT. To be fair, as talented and entertaining this band was, they were out of place, however, the crowd was good to them.

Zire’s War was definitely a real treat to behold. If my research is accurate, this was the band’s second show ever, with their first being played back in October. They have no music released, just demos, but you can check out one of their songs here. I do believe this band will be big. It’s a lot different from Life Of Agony, certainly heavier than their later years. I don’t really know what to compare them to, I highly recommend to give them a listen and go see them when they announce more shows. Joey Zampella is a brutal vocalist and anchors a really talented band around him. They are clearly ready for more shows to play. The band started off with low tempo (but heavy) songs but finished with heavy, thrashier songs. The crowd absolutely loved them as did I. So be sure to follow this band close as 2015 rolls on.

After Zire’s War, Sworn Enemy ignited the crowd into a bloody knuckle fiasco. The floor erupted with dozens upon dozens of men slam dancing the fuck out of the venue. It did feel like a short setlist from Sworn Enemy, but there were some great fire starter songs in their set such as “We Hate,” “As Real As It Gets,” and their anthem “Sworn Enemy.” This band never disappoints.

Finally, Biohazard finished the night with a powerful set, playing songs from their first three (and best) albums. Kicking things off with “Shades Of Grey” and “What Makes Us Tick” they never fail to bring such a charismatic and energetic performance. I held the hope inside they would unleash new music, but obviously it wasn’t time yet. The big highlights of the set would definitely have to be “Urban Discipline,” “Love Denied,” and “Five Blocks To The Subway.” Even with some of the technical difficulties and other minor sound problems, they never let that get in the way of putting on a damn awesome show. They finished their set with their blockbuster anthem “Punishment” and their creed motto “Hold My Own.” Vocalist/guitarist Billy Graziadei thanked the crowd and said Biohazard will be back next year.

Overall a fantastic show for anyone looking to kick start their adrenaline or to get their hardcore jollies out of their system. My only complaint, it seemed like an awful long time to set up between bands, especially since every band minus Biohazard only played six to eight songs. But Revolution Music Hall is definitely a fitting venue for metal and hardcore shows. And now we eagerly await the next Biohazard and Sworn Enemy US tour, and the future of Zire’s War.

April 1, 2015
Buffalo Metal Scene Rallies to Support St. Jude Children’s Hospital

On Friday March 20, the Buffalo metal scene came together at the Rockin’ Buffalo Saloon in West Seneca, NY, to raise some money for St. Jude Children’s Hospital. The event was called “Metal Fights Cancer” and it was hosted by Brian Pattison, a longtime Buffalo show promoter and supporter. Six bands took the stage that night, playing to a packed house of other musicians and show goers. Each act put on a killer set and added to the Buffalo metal scene’s already sterling reputation for excellent musicianship and charitable contributions.

The night kicked off with Tyranitar, a Viking themed metal band from Rochester, NY. They ascended to the stage in full Viking attire, paying homage to the Nordic gods while playing flawless Euro-influenced melodic death metal. I’d recommend this band to any fan of Amon Amarth or Kings of Asgard. Tyranitar’s set ended with a great Amon Amarth cover, which set a nice mood in the audience for the next act.

Armageddon, Buffalo’s ‘young thrash attack’ took the stage next. This three piece ranges ages 12-18, but don’t let that discourage you. They can hold their own with the best of the best and put on a fantastic performance. Armageddon audiences are never disappointed. I like to think of their sound as being a rejuvenated Death Angel.

Following Armageddon, was Weaponex This band features guitarist, Mike Willard, a local idol in Buffalo’s guitar world. He’s a master of all styles and his riffs and leads are well complimented by a stunning rhythm section. Weaponex reminds me of a very progressive Megadeth, with song structures and dynamics that will keep you guessing until the very end.

Enthauptung (ent-owpt-oong) appeared shortly after, under haunting blue lights in an otherwise dark and silent room. It was my first time seeing them, but I can already tell you they are a true black metal authority in WNY. Their songs are long, symphonic and hypnotic with guitar work and drumming that resets the black metal standard. Fans of Emperor, Mayhem, Burzum or other local black metal lords, Hubris, will appreciate Enthauptung.

Seven Faces returned to the stage in Enthauptung’s wake, just in time to calm things down before the night could become too evil. They’re a solid rock metal band, with tight heavy riffs and clean singing, reminiscent of the great radio rock bands of the mid-late ’90s. A few songs reminded me of Alice in Chains’s heavier material. I give them 5 out of 5 stars for great musicianship and making me feel nostalgic.

The night concluded with Aspired Infliction, melodic thrash with breakdowns from Buffalo. They’ve been on the scene the last four years, only you’d never know it because of repeated hiatuses and a briefly spun carousel of guitarists. They came out with their usual heavy and gave those who came to mosh a reason to. The pit erupted during the first song and intermittently continued until the end of their set. It was a truly fitting end to a very successful night.

Brian Pattison ended up raising a good chunk of change for young cancer patients that night, and further upheld the Buffalo metal scene’s good name. Then, on the following night, Saturday March 21, he put on a second cancer benefit for the family of Jennifer Rinaldo, a dear friend of his who died of cancer a few years back. Regretfully, I was unable to attend.

Here are some links for donations to both causes:

glorioustimesdeathbook@gmail.com- Paypal for Jennifer Rinaldo’s family

www.stjude.org– St. Jude Children’s Hospital

All photos taken by Lee Hoffman- www.buffalo24.com

March 26, 2015