Luke Bryan is set to top himself yet again with the announcement of his 2016 Kill The Lights Tour. He will be supporting his number-one album of the same name, Bryan’s fifth studio album, by bringing along special guests Little Big Town and Dustin Lynch.
The first leg of the tour will start in mid February and will roll through the Carrier Dome in Syracuse on April 9, 2016. No official date for ticket sales have been set but, according to his website, they will start to go on sale in November.
This tour announcement comes on the heels of his current single “Strip It Down” taking the number-one spot on the country music charts and on his two ACM Award nominations.
Bryan’s Kick The Dust Up tour is wrapping up this week, but you can still catch him live on Thanksgiving during halftime at the Dallas Cowboys game at AT&T Stadium.
Trace Adkins brought country music back to the Harford Fair in New Milford, PA, after the Fair’s year hiatus of having a national act headline the main stage. Not even the steady downpour of rain could dampen anyone’s excitement at the Fairgrounds.
Fair attendants were on hand giving paper towels to the crowd as they entered the venue so their seats could be a little less soggy. The drab weather had the majority of people decked out in ponchos, rain coats and rain boots instead of the normal cowboy hat and boot attire. But the harder it rained the more excited the crowd seemed to get before Trace took the stage.
With a slight break in the short rain the house lights went out and Adkins took the stage slightly ahead of schedule and came singing his hit “No Thinking Thing”. His presence on stage seemed to make everyone, especially the ladies in the audience forget about how soggy their shoes and socks were from the wet ground beneath them. Some people were worried that Adkins rough past few months would reflect at his show but as soon as he hit the stage you could tell that Adkins was back and happy as ever. Adkins face wore nothing but a bright smile and had a genuinely happy light in his eyes. Once people saw this they knew he wouldn’t disappoint.
Adkins kept going and went straight into the meat of his setlist performing “Songs About Me,” “This Ain’t No Love Song,” “Marry For Money” and “Chrome.” He then slowed it down and took a minute to tell a story about his hit “You’re Going To Miss This.” He explained that he had to buy a new suit because of the song to wear to the Grammy’s and jokingly said unfortunately some ‘Swift girl’ won instead of him. Adkins kept the stories going with his 20 year old song “There’s A Girl In Texas.” He explained that he just had started rotating the song back into shows again and that it was the first writing assignment he ever did with a label.
Before going back into his setlist of hits, Adkins sang a new song called “Between Jesus and Jones” from his upcoming album. This song was fantastic and is hopefully an example of the direction his new album will go in.
Adkins rounded out his setlist with “Every Light In The House,” “Big Time,” “One Hot Momma” and “Ladies Love Country Boys.” Before departing he let his hair down from his ponytail and sang a cover of “Every Time You Go Away” with his backup singer Mary Ann Grace. He then proceeded to end his set with his notorious number one single “Honkey Tonk Badonkadonk.”
Trace Adkins didn’t leave one unsatisfied person in the audience. Everyone from the front row all the way back to the grandstand seemed happy with his performance.
His tour continues through the fall and includes another visit to NEPA on November 13, 2015 at the Mohegan Sun Casino in Wilkes-Barre, PA.
Floodwood has announced via Facebook that Al Schnier and Zachary Fleitz have left the band.
Floodwood, commonly known as a bluegrass side project for New York’s jam champions moe., will carry on without Schnier, with fellow moe.ron Vinnie Amico remaining in the band. They are currently seeking new members.
While not an audition (or is it?), Floodwood also announced they would be performing a Dec. 5 Holiday concert at the Kirkland Arts Center in Clinton NY with special guest bassist Tony Markellis (Trey Anastasio Band). Ticketing information has yet to be released.
Check out the full announcement below:
Hi Folks,
We know things have been quiet for the last couple of months and there some big changes we want to share with you…
Due to shifts in various life circumstances, both Al and Zach have made the decision to move on from Floodwood. This is a huge change and we will certainly miss their presence on and off stage. Our hope is that occasionally when they have time that one or both of them will be able to make appearances with us.
That said, Vin, Jay and Nick have decided to carry on Floodwood in some fashion or another. You may be wondering what the new band will look like, who will be involved, what it will sound like, etc….. So do we. We have started the process/brainstorming but it may take a little time. What we do know is that we absolutely love to play, love to have fun and of course we love the interaction with our amazing fans. In the upcoming months, we will be making decisions about who we want to be in the band. We are going to be trying some different combinations of musicians/friends until we get that “fit” we are looking for. We hope that you all will come see some of these shows as we try out different things… Please get involved! Let us know what you think about what you hear; we want your input!
To get it all going, we are going to start with a holiday concert at the Kirkland Arts Center in Clinton, NY. We’re excited to have special guest, Tony Markellis from Trey Anastasio Band on bass! Show is December 5, more details to follow!
Thank you all for your incredible support of the band for these past 5 yrs. We’ve had so many great times with you all and look forward to many, many more.
The String Cheese Incident is celebrating their 20th year together as a band. The Rhythm of the Road Vol 2; Live in Las Vegas is a new release for October. This album is successful because the music explores the uniqueness that life can bring. Each member of The String Cheese Incident comes from a different musical background. These happy differences have lead to the marriage of many genres and twangy Colorado mountain bluegrass. This album is a live performance that exemplifies how sounds of music can all come together to create whirlwind imagery.
Imagine a bunch of road lovin’ country boys who play music. Along their travels meet a man with a bright twinkle in his eye. Graciously he invites them to a paradise in the caribbean- the place he was born. Right as he waved his arm in the follow me motion the young men were swept over by a soft salty wind. When the dreamy haze settles, they realize they have been instantly transported. Their toes rest on the sand in ‘San Jose’, a land entrancingly unfamiliar.
The imaginary cinema of travels inspired by SCI’s music continue in the back seat of a car. One close and personal view of just the side of a man’s face and his delicate reflection on the window. Outside of the window is the sound of the winds and the brown, American earth, passing by at fifty-five miles per hour, backroad. Nowhere to be but somewhere; excitement in the unknown of what lays ahead. The performance on ‘Desert Passage Jam’ is filled with bright expression of musical beauty and occasional slow rhythmic bongos create feelings of undeniable appreciation for life that surrounds us.
Key Tracks:San Jose, Got What he Wanted, Desert Passage Jam, Cedar Laurel, Dirk
Sometimes a conversation enlightens you and broadens your ability to appreciate things even more so than you already do. This was the case after speaking with Darius Rucker. Known to most as the lead singer to the Grammy Award winning group Hootie and The Blowfish, Darius Rucker had already made his mark on music lovers nationally in the genre of rock/pop.
Why in the world would an artist of his caliber decide to switch genres and “go country?” How would the country genre accept him? What was the motivation behind this need to follow his musical journey down a new road?
I had an opportunity to speak with Rucker about his career, his beloved Charleston, South Carolina, and what motivated him to make this move towards what has become his true calling.
Kathy Stockbridge (KS): Hi Darius, thank you so much for speaking with us at NYSMusic. We are really looking forward to your shows here in New York and want to give you a warm welcome.
Darius Rucker (DR): Thank you.
KS: You were born and raised in Charleston, South Carolina. Were you raised in a musical household?
DR: Well everyone in our house sang. We sang a lot. Especially my mom. She sang all the time. And my sister as well. There was always music being played whether it was the radio or the big ol hi-fi we had. So yes, I would say it was a musical household.
KS: What are a few of your earliest influences in music?
DR: Early on for me Al Green was just everything. I can remember being a little kid (around 4 or 5) and hearing his voice and hearing him hit those notes. I remember thinking ‘that’s what I want to do. I want to do what Al Green’s doing’. He, as well as Gladys Knight and the Pips. Then when I got a little older, like 6, 7, 8, or 9 I started really getting into AM radio and that’s when it just went across the board. The Opry shows, Kenny Rogers, or Cheap Trick. Anything I could hear (influenced me), literally anything.
KS: I, like many others, have followed your career since Hootie & The Blowfish days. You are one of those artists that have been able to successfully cross over from rock to country and you did it so seamlessly. Talk to me a little about that transition, and what made you decide to go from a very successful rock career into a new genre such as country music.
DR: You know, we had been touring for a while. We had been on the road pretty much every summer since we all got out of college. One of the band members mentioned that they didn’t want to do it every year any more. Ever since the late 80’s I was big into Foster and Lloyd. Then Radney Foster came out with his solo record Del Rio TX 1859, and I just remember hearing that record for the first time and after hearing that record I would tell anyone who would listen, that I was going to make a country record some day. I had never thought of singing it, until I heard that record. I just wanted to sing that record. I wanted to sound like that. I wanted to be that. So I said, someday when I get the chance I’m going to make a country album. When we decided to take a break, I was like, I’m going to make my country record. And to be honest with you I didn’t think I could get a record deal.
KS: Really?
DR: I wouldn’t have given me a record deal. I mean why? There was this African-American guy that just came from a very successful rock band, they had a great run and are out touring, so why would some country guy go ‘yeah I’ll give you a shot’? I wasn’t even looking for a record deal to be honest with ya. I was going to do it here in Charleston with my buddies. And then my manager got me a record deal with Capitol. It was fun making the record and then all the hard work started with the tour; going to 10o something radios stations, shaking hands, saying hey, and playing for six people in the cafeteria or the conference room, a lot of work but all in all it was fun. I had a great time and I’ve made some great friends who are still great friends on that tour. And finally we convinced them (the radio stations) that “Don’t Think I Don’t Think About It” was a song that they should play, so they did.
KS: I have to tell you, to me it seemed very seamless. It was one of those things that just seemed like it was meant to be.
DR: I think so.
KS: So right now you’re touring with your new Southern Style album, which is your fourth solo album. Talk to me a little about this new album and what you hope listeners will take away from it.
DR: I hope they take away how much fun I’m having in country music. The songs are always important to me, that’s why I write so many, and to come down to such a small number of thirteen when you write 50 something, it tough to decide but you want great songs on it. You can expect great country music on it because it’s a lot of fun,this album. And it’s been great playing it live and seeing the crowds singing along with the songs.
KS: Is it tough to choose which you decided to put on an album? And the others, do you say I’ll put these back here because I’ll put those on another album.
DR: We keep a lot of them, but some of them we try to get cut by other folks. Every record there are 50 songs I think are great, that I love, but I just can’t cut an album with thirty songs.
KS: Right, exactly. Now I have to say, for several years I lived in Charleston and it became “my happy place”. When you live there it becomes something very special to you. It’s rich with history, culture, architecture, and has a peace that is tough to put into words. When listening to “You Can Have Charleston”, I think you captured some of that emotion I feel towards the city. Talk to me a little about that song and some of the others from that album that focus on that area.
DR: Yeah, Charleston, that’s a great way to say it. It’s “my happy place” That’s a wonderful thing you just said because I think it’s the most wonderful place in the world. I’ve been a lot of places and this is where I want to be. I choose to live here. I can live anywhere in the world I want, but I choose to live here, because this is where I want to be. “You Can Have Charleston”, is such a great song. I love it. When Frank Rogers brought it to me, I thought to myself I wish it was a little more positive but the positiveness of the song for me is how much he loves the city and can’t believe he is leaving it. He loves her and he just can’t stand it, as that’s the last thing in the world he wants to do. That beginning verse with the topsails and the Clydesdale, that’s my life. That’s my city.
KS: In 2012 you had an experience where you joined Old Crow Medicine Show on the stage at The Grand Ole Opry where you sang a little song that was originally sketched by Bob Dylan and modified by Ketch Secor of Old Crow Medicine Show — Talk to me a little bit about that experience.
DR: Oh that was so great. Those guys have been so great to me. We had played the Opry two or three times together where we played “Wagon Wheel”. I can remember after I cut it and started hanging with those guys, I was talking to Ketch and he said ‘I heard your version of it and I love it’. I was like ‘thank you, that means a lot’. Their version is just perfect. And he was like ‘I realized when I wrote that song a long time ago I was going to have to play that song for the rest of my life. So you better look out, because you are going to have to play that song for the rest of your life’. Sure enough, he’s right. Every time I play a country show, I play that song. It’s so cool to have a song that iconic, and to just be a part of that song and the greatness of that song, it deserves to be in the Library of Congress. It will always be one of those american classics. Long before I remade it, it was just a perfectly great song. Written by two guys at two different times of their lives, and is just a wonderful piece of work.
KS: The interesting part of this is that the original lyrics were just a few lines jotted down by Bob Dylan and then Ketch Secor picked up and expanded upon it making it the iconic tune we know today. That song has actually taken you on quite a journey. Talk to me a little about when that song hit and what happened afterwards.
DR: We released it, and then all of a sudden it took off. It took off. You know, we play it everywhere and people love it, my fans just love it. It was one of those songs that you stand out of the way and let it happen.
KS: I can remember the night you received the Grammy for it. It was an amazing evening for you and the song. That same year you were invited to become a member of The Grand Ole Opry. Talk to me a little about that evening.
DR: When I first met with Mike Duncan to sign my record deal I told my management I want to play The Opry as much as I can because it’s important to me to some day be a member of The Grand Ole Opry. I want to be a part of that family. And we did, and we worked hard and when they asked me to be a member of The Grand Ole Opry that was probably the first moment that I thought ‘okay, this is really happening. I’m really a part of country music’, and it was a great feeling. It is truly amazing to me that they kept that from me for a month. My kids knew for like six weeks and didn’t tell me that.
KS: How did they do that? That’s so impressive.
DR: Yeah, they were like 8 and 12 back then, and they didn’t tell me. You’ve got to be kidding me? I’m there and I’m singing my song, and Brad (Paisley) comes up and he says that to me, and I look over and all my friends and family are there. I was like ‘wow, how did you pull this off?’ It was great!
KS: That’s wonderful. And speaking of wonderful, for some that may not know, each year you get back together with the guys from Hootie & The Blowfish to reunite to perform. Tell my readers why this is so special.
DR: Oh it’s a big thing for Charleston. There are people who have seen us for years around the country, some may live here, some even plan vacations around it. They come down to Charleston for the week, see our shows, and in turn we get to help our community. The great things we get to do, for example, the roundup where we get kids and give them haircuts, and dental exams, and eye exams, shoes, backpacks, and all the school supplies they need. And all of this comes from that show. So we keep doing it so that we can help out.
KS: Now you’ve done a Christmas album, Home For The Holidays. What prompted that particular album?
DR: Well I’ve been asked several times by people if I had thought of doing a Christmas record. I had thought about it, but didn’t think it was time. So last year when it was brought up, I thought it was time. So we sat around and we said ‘let’s make something old school’ like those Christmas records we used to listen to. So we tried to make something cool and laid back, and great cool arrangement. I’m so proud of that record, so proud of it.
KS: As a journalist I have this long list of people I’ve always wanted to interview, such as yourself. Who is on your bucket list, what is something you still would like to accomplish?
DR: Ohhh…good question. Lots of crazy stuff. I still want to be on the big screen at The Superbowl, I still want to meet Sir Paul McCartney, I still would love to be in a Martin Scorsese movie, see I want crazy stuff.
KS: Seems doable to me and I hope you can do all of those things! Thank you again so much for speaking with us and we can’t wait to welcome you to our area this October.
As I hung up the phone, I couldn’t help but feel like I had just made a new friend. What a great guy. What an honestly true human being. I had already felt a kindred spirit with him being that he’s from “my happy place”, Charleston, South Carolina. After our conversation though and learning so much about him as a person, as well as an artist, I truly admired his spunk, his vision for his life, dedication to achieving his dreams – TWICE, and his overall genuine demeanor.
It was a few weeks later after I conducted this phone interview that I had the chance to watch another interview Darius Rucker did with Dan Rather for his show, The Big Interview. I saw once again the same genuinely decent person speak of his journey, sharing intimate parts of his struggles, his losses, and victories. When asked by Dan “Why do you think it’s working for you in country?” Darius replies, “..I think the main reason is that people realized how real it was for me. It wasn’t about money. It wasn’t about trying to be a superstar. I was going to do this in the basement with my buddies. It was about the music. I wanted to be country. I wanted to play country music”.
Personally, I can’t wait to see his upcoming show and see my new Charlestonian friend rock the country music as he has rocked all the music he’s performed all these years. I strongly urge you to take in one of two shows he will be playing here this month in New York to see what I’ve seen. He will play Oct. 22, at the Oncenter War Memorial in Syracuse. Then he will trek on down the road to Albany on the Oct. 23 where he’ll play once again at the Times Union Center. Joining him on his Southern Style Tour are newcomers David Nail, and Cam. Both amazing artists that are blazing up the charts with hits.
If I had to describe Darius Rucker I would tell someone he’s a musician that is truly a risk taker, a trail blazer, a door opener, an odds beater, a hard worker, and a genuinely kind man. It was my pleasure interviewing him, and I can’t wait to see this low country fella tear up the stage living the dreams he always wanted and playing the music that was always in his heart.
On Oct. 8, Jake Owen, Dan + Shay, and Kelsea Ballerini made their way to the Mann Center in Philadelphia to continue their run on their Days of Gold tour. It was a gorgeous, mild fall night for a concert at unique inside/outside venue, and fans took advantage of nice weather, streaming in for what would be an exciting night of country music.
First to take the stage was newcomer Kelsea Ballerini who has recently burst onto the scene in country music as a talented up-and-coming female artist to watch. The 22-year-old from Tennessee performed a blend of her own songs and several entertaining covers. One of the first songs she played was her current and second single from her debut album The First Time called “Dibs,” an upbeat and catchy track that should do well following her first release.
Ballerini has substantial vocal ability, and sounded great live no matter what she was singing. She proved her vocal and musical diversity with a cover medley of 90’s hits that had fans feeling nostalgic, including portions of Brittany Spears’ “Oops, I Did It Again,” NSYNC’s “Bye Bye Bye,” Beyonce’s “Bootylicious”, Christina Agulara’s “Genie In A Bottle,” and TLC’s “No Scrubs”.
Ballerini displayed her vibrant and playful personality, and plenty of charisma while on stage, as well as an ability to connect to fans and get them involved in the show.
Other songs Ballerini performed from her debut album included “Yeah Boy”, an infectious, mid-tempo jam that sounds as though it could be a future single choice; “Peter Pan,” which she dedicated to boys she has known that seem to refuse to grow up, and the edgy; and vivacious “XO.” She closed her set with her debut single and first #1 song at country radio, the irresistible “Love Me Like You Mean It,” thanking fans for helping to make the song so successful for her.
Dan + Shay were up next, providing direct support for headliner Jake Owen. The young duo, capable of gorgeous harmonies and hook-laden, anthemic tracks are also known for being one of the more energetic and upbeat live acts in country. They lived up to their reputation, keeping fans on their feet for the entire set and proving their vocal abilities time and time again.
The duo, comprised of Dan Smyers and Shay Mooney began their set with “Somewhere Only We Know,” an album track from their debut record Where It All Began. The song is an infectious one about escaping reality by running away to your favorite secret spot. Next came a performance of their current (and 3rd) single from their debut “Nothin’ Like You,” an incredibly catchy and sweet track that is on its way to becoming the duo’s first top ten hit at country radio.
The pair also incorporated a surprising number of well-known covers of varying genre into their set, including classic rock gems like Bon Jovi’s “You Give Love A Bad Name,” and Def Leppard’s “Pour Some Sugar On Me,” that had the crowd engaged and singing along. Other notable covers included Taylor Swift’s “Bad Blood,” “I’ll Make Love To You” by Boys To Men, Tyo Cruise’s “Dynamite,” and Maroon 5’s “Move Like Jagger”. While the classic rock covers had the older audience members on their feet, the pop ones helped the duo connect even further with the younger members in the crowd who are familiar with an abundance of mainstream music.
Also from their debut, Dan + Shay performed the hook driven “Stop Drop and Roll,” perfect for blasting in your car on a long drive with the windows down, and romantic, heavily pop leaning second single “Show You Off” which was a top 25 hit at country radio for the pair. They closed their set with their first ever single, “Summer of 19 You + Me,” the track that truly put them on the map in the country music world. With slick melodies and pop influenced production, paired with honey smooth vocal harmonies and an undeniably catchy singalong chorus, it is no surprise that this was the song that helped to launch Dan + Say’s career. The crowd knew all the words and sang along until the last-minute. By the end of their set it was apparent why the duo is viewed as one of the most exciting young acts in country music.
Headliner and country heart-throb Jake Owen finally took the stage to a frenzied crowd who were undoubtedly ready for a party. Since 2011 his album, Barefoot Blue Jean Night, has garnered four consecutive number one hits, making Owen one of country music’s biggest stars. Known for his laid back personality, easygoing charm, and overflowing abundance of charisma, the 34-year-old from Florida is the ultimate performer. Thursday, he brought his stylish new haircut along with a plethora of hits and beach themed stage setup to Philadelphia with every intention of providing fans with an incredible night of music. His set this night was appropriately decked out with a beachy style, complete with stage decorations featuring Christmas lights encircling Palm trees, a wood and rope boardwalk , hula skirts for much of his band equipment, and fully stocked beach bars on each side of the stage. The production and lighting used during his set was also top-notch, with five enormous HD flat-screens bedecking the stage behind Owen, and dozens of multi-colored strobe lights bathing the performers with bright blues, reds, purples, and oranges.
Owen opened his set with his most recent #1 hit from his 2013 album Days Of Gold, the sun drenched, reggae influenced “Beachin.’” The feel-good, romantic “Anywhere With You,” the fourth and final #1 single from Barefoot Blue Jean Night had fans singing along enthusiastically, while fellow #1 smash hit from the same album “Alone With You” soon followed. The latter featured Owen sporting a guitar strung liberally with bright blue Christmas lights and the fans chanting the chorus out loudly and in-synch on their own when prompted. Towards the end of his set, he played yet another #1 single from Barefoot Blue Jean Night, the nostalgic “The One That Got Away,” a fan favorite with a rocking guitar solo, and impromptu freestyle lyrics during the bridge.
The laid back vocalist threw it back to 2006 and 2009 respectively with performances of debut top 20 single “Yee Haw,” off his first album Startin’ With Me, and the hard rocking, fast paced “8 Second Ride,” a top 15 single from his album Easy Does It. He also included the heartfelt “Don’t Think I Can’t Love You,” a song that supports the sentiment that love is more important in life than money or possessions. From old right back to new, Owen broke out his current single “Real Life” with a cameo from David from the viral YouTube “David After the Dentist.” The song is a definite departure from both Owen’s usual sound and the sounds prevalent in modern, mainstream country music, making it a polarizing one within the genre. From his 2012 Endless Summer EP, Owen performed the spirited, rock leaning track “Surefire Feeling.” The song features thrashing electric guitars and an uptempo pace that makes it perfect for a live setting.
Days Of Gold featured prominently in his set, with performances of album tracks “Tall Glass of Something” and “1972,” in addition to singles “What We Aint Got” and “Days Of Gold.” The two aforementioned singles happen to be polar opposites, with the former allowing Owen to slow it down a bit and allow the focus to shift to his vocals and the profoundness of the lyrics, while the former is loud and intense, hurtling along at a frenetic, breakneck pace from beginning to end. Owen also covered Garth Brooks song “Unanswered Prayers” in celebration of Brooks’ recent signing with Owen’s longtime label RCA.
Throughout the night, he also made a concerted effort to include all the fans in the venue, even those way in the back. The best way he made this happen was intermittently inviting fans from the back to come up and watch from side stage, as he did mid-way through his set with fans who he saw holding up a sign saying “Is this real life?”. Owen also took time out of his set to thank the American troops for their service, and express gratitude to his fans for always lifting him up. He ended the night with the biggest song of his career to date, “Barefoot Blue Jean Night” the first #1 single off of his album of the same name. Kelsea Ballerini rejoined Owen on stage for the song. With laid back vibe and an atmospheric, sing-a-long chorus, mixed with a little bit of banjo and a touch of Owen’s twangy vocals “Barefoot Blue Jean Night” had the crowd bellowing the lyrics into the stadium. In the middle of the song, they cut seamlessly into a “Fresh Prince of Bellaire” cover, playing on the fact that they were performing for a Philly crowd before jumping back to BBJN and finishing out the show on a high note.
Jake Owen, Dan + Shay and Kelsea Ballerini successfully brought a night of county music fun to Philadelphia on a Thursday night. They provided fans with a lineup that highlighted an inclusive blend of several prominent styles of country music and put on a show that the crowd won’t soon forget.
Frankie Ballard recently celebrated his third #1 hit with his latest single “Young & Crazy.” He may be one of country music’s brightest up and coming stars, but that didn’t keep him from traveling deep into the NEPA back roads to Meshoppen, PA to the Kiwanis Wyoming County Fair.
Ballard was The Fair’s main stage act and many of his die-hard fans traveled hours to catch his performance because it was one of his last headlining shows of the year.
The crowd may have been smaller than anticipated but their energy made it feel like there were 10 times the amount there. Ballard started his set with a cover of the song he wrote with Big & Rich called “I Came To Git Down.” He kept the momentum going with fan favorite “Drinky Drink” which flowed well into the title track of his latest album “Sunshine & Whiskey.”
Ballard changed the pace of the set when he gave his drummer, Ross Webb a break and hopped onto the drum kit and let his guitarist Eddie Robinson take the lead vocals with a cover of The Wallflowers’ “One Headlight”. He kept the covers coming with an incredible rendition of Johnny Cash’s “A Boy Named Sue.” This had both Ballard and the crowd jumping up and down.
Ballard told the audience that even though he has been touring non-stop he still has managed to work on his next album. He was so excited about the new record he decided to share a new song called “Sweet Time”. The crowd may not of known the lyrics but they all seemed to agree that they liked the new track.
Ballard rounded out his set with “Tell Me You Get Lonely” and with his first #1 song “Helluva Life”.
But the crowd wasn’t done with him so he came back out to close his set with another new song called “L.A. Woman”.
Frankie Ballard will continue to tour with Florida Georgia Line throughout the fall then he will head out on the road with Randy Houser’s first arena headlining tour in November.
In the middle of their 47-show U.S. tour in 1994, Phish stopped at the University of Missouri on a Tuesday and blew the roof off the place, and phans will now be able to relive the classic show in high quality with a new Live Phish release of 11/22/94
The “Buried Alive” opener comes in flying with a brisk transition to a clean and excitable “Poor Heart,” followed by a beautiful, vocally top-notch “Horn” > “Foam.” In addition to that hungry-energy unique to ’90s Phish, this show is extra special with its heavy doses of bluegrass thanks to the band’s five-day intensive training sessions not long before this show with Aquarium Rescue Unit’s Jeff Mosier.
The band’s infatuation with bluegrass at the time is clear as day in the second set; a raging “Big Black Fury Creature From Mars” ends acoustic and leads into a “I’m Blue, I’m Lonesome” > “Little Tiny Butter Biscuits” > “My Long Journey Home” before resolving into an exceptionally patient “Bowie.” And the “Lizards” encore? Sprinkles on the icing on the cake.
The show was recorded by Paul Languedoc to digital multitrack and was mixed/mastered by Jon Altschiller. The sound quality is crystal, and even the crowd noise is a nostalgia overload, putting the listener in an intimate small auditorium setting with the band that is now gearing up for their return to Madison Square Garden for a four-night New Year’s run.
The new release is available through LivePhish and the LivePhish App. Tickets for this year’s MSG shows are available today at noon EST through Ticketmaster.
Little Big Town (LBT) performed at Tag’s Summer Stage in Big Flats, NY under a rare super moon eclipse. Kimberly Schlapman of LBT said it best — “We have been together for 17 years and have never had this happen. Look to the heavens tonight and enjoy the view, normally we would be offended if y’all look away but not tonight. The next time this happens wont be until 2033 when we’re all old and sittin’ on our front porch sippin’ sweet tea”
It was a nearly sold out show at Tags Summer-stage and the crowd was beyond excited to see LBT after an original postponement from earlier this summer.
Up and coming Nashville artist, Cam opened the show with David Nail coming on stage next with a “follow your dreams” message with hits including “Whatever She’s Got,” “Kiss You Tonight” and “Night’s On Fire”.
Little Big Town opened their set with “Day Drinking” followed by “Quit Breaking Up With Me” and “Front Porch Thing”. The 20 song set was packed with all their hits including “Painkiller” and “Little White Church,” and of course for the encore, “Girl Crush”.
The harmony-smashing quartet looked and sounded amazing with their signature vocals, melodies and hooks. Jimi Westbrook, alongside band-mates Kimberly Schlapman, Phillip Sweet, and Karen Fairchild sounded as good as ever following throat surgery earlier this summer.
Setlist:
Day Drinking, Quit Breaking Up With Me, Front Porch Thing, Pain Killer, Bones, Faster Gun, Little White Church, Bring It On Home, Tumble and Fall, Pavement Ends, Sober, Your Side Of The Bed, Smokin and Drinkin, Things You Don’t Think About, Turn The Lights On, Save Your Sin, Tornado, Pontoon
The Capitol Theatre in Rome will play host to Binghamton’s Driftwood and Rome’s Pocket Change in a double-bill of Americana, folk and bluegrass Friday, September 25 beginning at 7:30. Tickets for the general admission show are available for $15 presale and $20 at the door.
Pocket Change will open the show. Formed in 2011, singer/guitarist Matt Moore describes the band’s eclectic mix of rock-informed bluegrass, “musical compost.” Joining Moore in the band are his wife, Liz Moore (mandolin/vocals) and new members Joe Cantanaro (guitar) and Tim Slusarczyk (upright bass). Pocket Change is no stranger to the Capitol Theatre stage, having headlined last year’s Mohawk Valley Bluegrass Association’s Indoor Bluegrass Festival there. It also has a history with Driftwood, joining them at last year’s Utica Music and Arts Festival.
Driftwood, formed in Binghamton in 2005, earned its chops the hard way, performing in bars, coffee houses and the streets. As banjo player Joe Kollar says, “a lot in the streets.” With backgrounds in jazz, classical and rock, the move to bluegrass and roots music was one the band came upon naturally. Driftwood prides itself in its songwriting skills and high energy shows, punctuated by its haunting harmonies, featuring violinist Claire Byrne, guitarist Dan Forsyth and Kollar.
Driftwood released its debut album Rally Day in 2009 and has released A Rock and Roll Heart (2011), a self-titled album (2013) and most recently, its first live album, Live at Grassroots 2014. Absolute Punk described Driftwood as a “revelation” and “one of the best roots discs…in quite some time.”
Having graced festival stages alongside the likes of Bela Fleck, Old Crow Medicine Show, Del McCoury, Railroad Earth, Robert Randolph, Leon Russell and Emmylou Harris, the band is poised for a breakthrough in the burgeoning Newgrass scene. With each show, the crowds have gotten bigger. Having a video for its single “The Sun’s Going Down” in rotation on CMT has only served to increase the band’s fanbase beyond its Upstate roots.
The Capitol Theatre is located in Rome’s Art and Cultural District at 220 W. Dominick St. Tickets are available through the Capitol’s website and at the door the night of the show. A limited number of VIP tickets are available for $20 and allow early access to the venue and a meet and greet with the musicians.
Trace Adkins brought country music back to the Harford Fair in New Milford, PA, after the Fair’s year hiatus of having a national act headline the main stage. Not even the steady downpour of rain could dampen anyone’s excitement at the 
The String Cheese Incident is celebrating their 20th year together as a band. 
The “Buried Alive” opener comes in flying with a brisk transition to a clean and excitable “Poor Heart,” followed by a beautiful, vocally top-notch “Horn” > “Foam.” In addition to that hungry-energy unique to ’90s Phish, this show is extra special with its heavy doses of bluegrass thanks to the band’s five-day intensive training sessions not long before this show with Aquarium Rescue Unit’s Jeff Mosier.
