Ever since having the opportunity to interview Darius Rucker for NYS Music, I was anxiously awaiting Darius’s arrival in New York as a little kid would be awaiting Christmas morning. His genuine easy going manner during his interview was only a mere foreshadowing of how dynamic this entertainer was. Raising the roof at the Oncenter War Memorial in Syracuse and the Times Union Center in Albany, he played to the crowd like a pro athlete. How could he not with the hat trick he had in store for us? The evenings lineup was definitely stacked to ensure winning performances as newcomers Cam and David Nail got the house a rockin’ before Darius came in to score the final winning goal.
Opening the evening was newcomer Cam. Hailing from California, this dynamic young lady has made her mark in country music in a huge way. Catching the attention of this journalist with her recent release of Burning House, she has been on my radar from the moment I heard her unique sound, her deep lyrics, and melodic voice. She’s fresh and energizing and took the stage like a ball of fire bouncing around delivering a set that didn’t disappoint. I urge you to remember her name as she will soon be head lining and selling out arenas all by herself as a top entertainer in the business. No tomato here.
Next up was David Nail. Nail’s persona was a bit more subdued, however don’t let his quiet demeanor hinder his ability to wow you. The moment he opens his mouth this strong sultry country crooner melts your heart and mesmerizes you. Singing his hits “Whatever She’s Got,” “Let It Rain,” and “Kiss You Tonight,” Nail nailed it.
As Darius took to the stage, his opening number was a celebration of lights and a bit reminiscent of Elvis’ “A Little Less Conversation,” minus the scaffolding. He continued on that momentum and revved it up a bit more playing all of his country hits while interspersing bits and pieces from not only his Hootie & The Blowfish catalog but also other favorite covers from the Black Crowes to Blackstreet. Have to say, my favorite ditty of the evening, hands down was “No Diggity.”
Darius has a way of connecting with his audience because he leaves it all out there on the stage. His comedic manner of asking people to stop taking photos of him when he comes over to sing to them, gave us a glimpse of his sense of humor. And just for the record, the man had groove. He could move it and didn’t have a problem shaking it while he sang. His no holding back continued throughout the evening as he shares intimate bits and pieces of inspirational moments that brought him to music; personal peeks into his life featuring video footage of his wife and children, and he ultimately shared moments of his true inspiration, his mother. It’s this sharing and connection that makes you feel as though you are a personal friend, and what makes Rucker a true country superstar.
My favorite moment of the night was the encore. As Darius and fellow bandmates returned to the stage for the encore, he shared with the crowd what he coined as “the most honest song he ever wrote,” “So I Sang.” The only song that could possibly have topped that in my book was his cover of Old Crowe Medicine Show’s “Wagon Wheel” which has become a signature song and which closed out the night.
It was truly a pleasure welcoming Darius Rucker back to the New York region in Syracuse and Albany. This Charlestonian demonstrates what I love most about him and all those I’ve ever met in Charleston, the hospitality they extend, their pride they take in all things family, tradition, and culture, and their honesty in what’s important in life amidst a culture so full of technology, hustle, and bustle. It’s Darius’s music that makes you stop and take notice of all those things around us that are matters. That’s his Southern Style, up front and personal.
As the dust settles and we begin to experience a last surge of heat for the season during this balmy November, it seems like the perfect time to reflect back and savor the amazing week of events, shows, and spectacular activities and eats offered this year at the 2015 Great NY State Fair. After all, the week immediately preceding is generally so busy with back to school running around, Labor Day celebrations, etc… you don’t really get an opportunity to sit down and digest what an amazing week (twelve days really) we really have right here in New York State. After all, it was voted the fifth best State Fair in the nation by USA Today in 2015. Nothing to sneeze at. We also can bolster that we hold the prize and honor of being the first State Fair ever. So take that Minnesota. Wait till next year, you’ll be looking up to us as we sit at number one.
Breaking records on Day One with more than 16,042 above last years opening day, it was a great start for the Fair, as crowds visited throughout the twelve day event. With gorgeous weather, stellar performers scheduled each day, and special $3 Thursdays, and $1 Labor Day, attendees were able to take advantage of the fun at an affordable family price. Day One’s attendance record could possibly be attributed to the first of only a few final Grandstand shows scheduled. With the new Lakeview Amphitheater opening across the street, it’s exciting to be able to offer patrons the best in the business with state of the art equipment once again in this region. But, it also was bittersweet to be part of the final days at this venue before it’s demolition this year.
Over the thirty eight years the Grandstands at The Great New York State Fair hosted shows to fair goers. Memorable acts such Whitney Houston, Garth Brooks, Frank Sinatra, Neil Young, James Taylor, Ted Nugent, Rihanna, Brittney Spears, ZZ Top, Justin Bieber, Alicia Keys, and so many others graced the stage and filled the seats bringing Central New Yorkers some of the greatest names in the business while Chevy Court attendees were treated to free shows. Over the years the tide turned and the free concerts became the place to be.
As larger names were brought in to Chevy Court, records began to be set, with this years Steve Miller Band hailing the largest crowd ever at Chevy Court with approximately 36,900 attendees. Nonetheless, all good things do come to an end, while some have bright new beginnings. Next year fair goers will sadly reminisce about those days at the Grandstands, but will return to a brand new Chevy Court as national acts will once again treat those patrons to free entertainment with state of the art equipment and stage.
So as we reflect back on the final shows at The Grandstands this year, it was only fitting that country favorites Eric Church and Hank Williams Jr. held the last hooray and gave it a final farewell, fittingly deserved of those thirty eight years. The throw back ticket pricing for all acts including legendary Patti LaBelle and comedian Jim Gaffigan, and was a proper thank you to all attendees as they enjoyed the final moments at was once Central New York’s summer venue place to be.
Eric Church started the party off right with special guests Cadillac Three on Day One. This group of long haired rowdy boys, set the bar high with their country rock and roll and introduced those newcomers to their Cadillac Three style of in your face hard core rock with an edge of country thrown in. Eric Church, well of course this handsome mysterious country star shone bright as he filled to near capacity once again a venue paying homage to those before him. Playing hits such as “Cold One,” “Talladega,” “Give Me Back My Hometown,” “Drink In My Hand,” “Smoke A Little Smoke,” and of course the hot and steamy song, “Like A Wrecking Ball.” Yep, this down home country boy did this crowd proud and started this party off right.
Hank Williams Jr. brought his rowdy friends to the Grandstands on day four of the fair and kicked up some some dust with his Honky-Tonk hits. The Louisiana born country star brought some of his most well-known songs such as Neil Young’s “Are You Ready for the Country,” “All My Rowdy Friends,” “The Blues Man,” “There’s a Tear in My Beer,” and “A Country Boy Can Survive.” The audience was ecstatic to have Hank visit Syracuse, and Hank was equally happy to be performing to grateful audience. Among the crowd favorites in the set, was an impressive collection of his father’s songs including “Move It On Over,” “Kaw-Liga,” and “Your Cheatin’ Heart.” Adding even more intensity to the show, were a few unforgettable mash-ups, the greatest one covering “Outlaw Women” > “Dinosaur” > “There’s A Tear In My Beer” > “All My Rowdy Friends Have Settled Down” > “Good Ol’ Boys” > “I Walk The Line.” Of course, the evening would not have been concluded without an epic sing-a-long version of “Family Tradition.”
While Hank was bringing down the house over at the Grandstands, Chevy Court had a few shows to bring in the crowds themselves on Day Four. Up first for the 2p.m. show was country favorites The Swon Brothers.
The Swon Brothers are perhaps known by most as the lovable country brothers on season four of The Voice. On team Blake, these two siblings made their way to third that season, but are number one with all their country fans. Singing their hits “Later On” and “Pray for You,” Colton and Zach revved up the crowd and had them singing along in no time. In fact, the crowd even became part of the show with a sound of cheers as to which brother they liked best. Like a good mother always says, I love you both the same.
As the evening began to roll around Chevy Court was filling up with eager fans awaiting the amazing Nate Ruess. Best know perhaps as lead singer of the indie group Fun, it seems like every song he touches becomes a hit.
With his new band the Romantics, their set list was ridden with hits from both his bands Format and Fun with songs “Oceans” > “We Are Young” > “Some Nights” > “Carry On,” to some songs from his new solo album Grand Romantic (“Great Big Storm” > “You Light My Fire” > “What This World Is Coming To” > “Nothing Without Love” > “Harsh Light” > “Ahha”), and covers (Prince’s, “Let’s Go Crazy”). This amazing musician may be best known for his strong vocals, but don’t count him out as his songwriting abilities are top notch as well. As part of a collaborative effort, Ruess partnered with Pink in 2014 on the number one billboard song “Just Give Me A Reason” which was nominated for two Grammy Awards in 2014. Yes, the NY State Fair surely brought in the big guns on day four, for sure.
On Tuesday, Day Five, Chevy Court once again welcomed Bowzer’s Rock & Roll Party back to rock out the afternoon crowd. This lovable 50’s icon, known to most as a member of the popular 50’s Doo Wap group, Sha Na Na, has entertained us with not only his humor and personable demeanor, but his musical talents for more years. Jon Baumann, his real name, is a native of Brooklyn, New York and studied classical music at Juilliard at a very early age, and whether it was playing Mozart or with Sha Na Na, his mothers greatest moment was seeing her son at Carnegie Hall.
One Day Six, Chevy Court was packed with fans awaiting their favorite new 2015’s ACM New Artist of the Year, Cole Swindell. With such an amazing group of new artists this year to be nominated, what was it about Cole Swindell that stood out above the rest? One quickly learned it was his stage presence. He had the ability to draw an audience in like no other. Perhaps it was the eye contact, the waves, or the pointing to individuals that made you feel like he was singing right to you.
An accomplished songwriter way before releasing his self titled debut album, Cole Swindell, Cole was no stranger to the music business. Penning hits for other country artists such as “Roller Coast,” “Get Me Some of That,” and “This Is How We Roll,” to name only a few, Swindell had made his mark in country music and touching souls of those his words spoke to. Singing his hits “Chillin It” > “Ain’t Worth The Whiskey” > “Hope You Get Lonely Tonight” > “Let Me See Ya Girl,” he had this crowd in the palm of his hand. With a mischievous smile and a country charm, this down home country boy was definitely a crowd favorite at the Fair this year.
On Tuesday, September 6th, Day Six, country was once again represented by country favorite Joe Nichols at Chevy Court. Joe’s smooth country sound is clearly what some critics consider “traditional country” music and not the new “Bro Country.” His vocal comments against the turn of the tide has not gone unheard by many in the business and he even joked about it this year at the Fair. Singing Sir Mixx A Lot’s, “I Like Big Butts,” as only Joe could, the audience loved his countries version of rap as it confirmed why he is best suited for the country genre.
On Wednesday, September 7th, Day Seven of the Fair, Snoop Dogg was scheduled to perform but was forced to cancel the night before. To everyone’s surprise, the fair was able to bring in rapper Nas as Snoop’s replacement. The fair on Wednesday didn’t seem as packed as it had been the last week but that didn’t stop an estimated 30,000 people from coming to Chevy Court.
On Thursday, Day Eight, R&B superstar Jason Derulo performed for a packed crowd at Chevy Court. Derulo put on an excellent performance that included a backing band and a group of dancers. For a night that featured two other major artists at the Grandstand and the new Lakeview Amphitheater, Jason Derulo filled Chevy Court with no sign of any competition. As someone who just played at the fair last year, Jason Derulo drew an estimated 25,000 screaming teenage girls.
On Saturday, Day Ten, Chevy Court welcomed home many local talented artists right from our own back yard. At the 2pm Chevy Court Show, crowds welcomed Amanda Lee Peers; Syracuse native, Josh Batstone; and season eight’s winner of The Vocie, Sawyer Fredericks. It was heartwarming to be able to welcome all our hometown heroes to the stage and celebrate their music.
The 8pm show on Day Ten welcomed Motown greats, The Jacksons. Consisting of original members, Jackie, Tito, and Marlon Jackson, the crowd went wild as they danced and sang along with hits “Can You Feel It,” “Rock With You,” “2300 Jackson Street,” “ABC,” “Dancing Machine, ” Shake Your Body (Down to the Ground)” and many, many more.
It’s hard to believe that this marks their 50th anniversary tour, but still today fans went crazy, dressed in costume, and got up on their feet to sing and dance along to all their favorites. For me, it was a walk down memory lane watching video clips of live shows and interviews and clips of their Saturday morning cartoon that I watched so many years ago. A fun evening of music, those guys still have the moves for sure.
The Steve Miller Band came to the Great New York State Fair on the second to last night and brought along a record 37,000+ (the largest crowd to date). As the quintet hammered down on Syracuse with their hits from the last five decades, the performance got better as the crowd sang louder to each song. Opening the show with “Jungle Love,” gave a great representation of the fair with how all of the fun, food, crafts, and entertainment can sometimes feel overwhelming. The show included major plays consisting of “Take The Money,” “Shubada du ma ma,” “The Joker,” “Fly Like and Eagle,” and “Keep On Rockin’ Me.” Little Walters’ own “Blues With a Feeling” made an appearance during the show and despite Millers’ tender age of 71, he showed some animation during a rendition of “Loving Cup.” Before the crowd knew it, the enhanced encore had arrived with the group playing “The Stake,” a very bouncy “Swingtown,” and ending the high ride with extended “Jet Airliner.”
As the final day approached, I knew that an early arrival was mandatory to secure my seat amidst the Millennium generation that was sure to have already staked out the best seats available awaiting teen heartthrob, Nick Jonas. Arriving at 11 a.m. I realized that I was in for the longest day ahead, on what was to prove to be the hottest day of the fair. Surprisingly enough, the crowd of Nick Jonas fans remained upbeat with little to no complaints, and by midday the NY State Fair staff began handing out free waters to those who refused to budge from their seats, lest give up the prime real estate while in absence. The refreshing donation hit the spot and spoke volumes on what a great event and what great folks work to bring this event to everyone.
As the time neared and Nick Jonas came out to the stage, he set right out playing his number one song “Chains” following it up “Numb” > “Levels” > “Wilderness” > “Good Thing” > “I Want You” > “Santa Barbara” > “Under You” > “Roses” > “Teacher” > “Take Over” and for an encore, “Jealous.” How he managed to wear that jacket through half the show was beyond me as I was literally melting into my seat. Jonas’ first solo tour, and one of the first times out by himself, it was a great ending to the Fair, and great beginning for his new upcoming tour to get his footing on stage with his ultra hip band.
Okay, so we’re number five in the top ten best state fairs in the nation. Perhaps you can see why this twelve day event becomes the traditional ending to New Yorkers summers’. Whether you come for the rides, the events and competitions, the exhibits and opportunity to buy some Ginsu knives, the food (you know you do), or the music, it proves each year to raise the bar and bring in what fairgoers want. Looking forward to the 2016 Fair, they will once again raise that bar, and hopefully continue to bring in the biggest names in the business to their ultra new and state of the art Chevy Court. I predict that next years shows will exceed this years, they’ll book much quicker than years past, and once again the Great NY State Fair will prove to be the place to be to end our summer on the highest note possible.
On Saturday November 14, rising talent in American rock ‘n’ roll will grace the stage at Putnam Den when Lukas Nelson and Promise of the Real come to Saratoga Springs. Having performed at Farm Aid when the annual concert made a stop at SPAC in 2013, Lukas and P.O.T.R. recently backed Neil Young on his latest album The Monsanto Years.
Having made a promise at the age of 11 to his father Willie, that he would teach himself how to play guitar alongside Hendrix and Vaughn, the now 24 year old Nelson has found his calling amid touring year round across the country to continually growing audiences among some of the greats – Neil Young, John Fogerty, Bob Weir, B.B. King, and Bob Dylan, to name a few. No Depression magazine has noted of Lukas’ voice “With a unique voice and gift for penning timely socially conscious lyrics stretched over muscular guitar riffs, Lukas Nelson is earning not only fans but, heaps of critical praise as well.”
Supporting Lukas Nelson and Promise of the Real are Glens Falls natives Joe Mansman and The Midnight Revival Band, a 5 piece rock band influenced heavily by outlaw country, roots, blues, and folk. Rich Ortiz starts the night with his one man band drawing on inspiration from the likes of Jim Croce, James Taylor, Stevie Wonder and Willie Nelson.
More information on the show can be found through Putnamden.com.
If you go see a Gillian Welch show, you’ll see her husband Dave Rawlings accompany her on guitar and vocals. If you go see a Dave Rawlings show, you’ll see Welch accompany him on guitar and vocals.
The difference is who’s driving. At a Welch show they’ll play mostly Welch songs, ceding the floor to Rawlings for a number or two. At a Rawlings show, the opposite. And most of the time, Rawlings will round out his band with a few more players. For the current tour they’re on, supporting Dave Rawlings Machine’s just released Nashville Obsolete, they were joined by Brittany Haas on fiddle, Paul Kowert on bass and Willie Watson on guitar, all who make appearances on the album as well.
Bedecked in head-to-toe denim, cowboy hats and long prairie dresses, they certainly dressed the part of the deep-rooted folk they were slinging. With an opening salvo of “Ruby,” “To Be Young (Is To Be Sad, Is To Be High)” and “Candy,” they came out guns blazing. Rawlings immediately showcasing his impeccable chops, with Haas entering as the clear and capable second soloist of the group.
Welch grabbed her harmonica for the next song but Rawlings had her return it. “Dave wants me to sing a bummer of a song,” she remarked as they kicked into “The Way That It Goes” off of her Harrow and the Harvest album. This was Rawlings’ show after all. Later in the set he would prompt Watson to swap out his guitar for a fiddle mid-song. “More fiddle!” like the conductor of his own folk freight train.
Everyone, not just Welch, got their turn in the shotgun seat. Watson sang a pair of songs off his Rawlings-produced album Folk Singer Vol. 1 and Kowert was featured on a traditional gospel tune. All members but Haas sang, though she got numerous turns to highlight her fiddle playing throughout the night. Her accompaniment and harmonizing with Rawling’s complicated solos was the secret additive making the Machine run extra hot.
The Machine was most certainly Rawlings’. His clean yet furious picking of his 1935 Epiphone archtop created a highlight-reel’s worth of material. The audience hung on every note, collectively holding their breath as the solos wound to a peak, producing an audible exhaust of CO2 once he made the turn. Just a simple guitar, no pedals or tricks, yet he was able to elicit a library of sound.
During the second set the band would accordion back and forth from the full five-piece down to a couple different trio configurations, and all the way down to the Rawlings/Welch duo for a take on “Sweet Tooth.” Back up to a trio with Watson on banjo, they worked a “This Land Is You Land” perfectly into “I Hear Them All” that turned into a big old singalong just as Pete Seeger would have wanted. Rawlings noted “It’s starting to sound like a real folk concert in here!” To keep the spirit alive they kicked into a Watson-led rendition of “Stewball,” in which the crowd helped balloon the quintet to a band of hundreds.
Early in the set an audience member cried out, “Doesn’t have to be now, but can you play that Dylan song?” Welch quickly retorted, “Which one?!” before Rawlings sought to take back control of his show by stating “We’ve descended into chaos.” But they did play that Dylan song, closing with “Queen Jane Approximately.” They closed out the show in big fashion, with Rawlings grinning widely and bouncing up and down like a rock star, through a blistering solo. It was met with, what wasn’t the first, or last, standing ovation of the night.
Dave Rawlings Machine let Welch take the helm again for an encore of her “Look At Miss Ohio” followed by an a cappella take on “Didn’t Leave Nobody But the Baby” that finally got Haas behind a mic. The crowd wouldn’t let the Machine stop working there though. After another relentless ovation the band was back again for a cover of The Band’s “The Weight.” Another chance for everyone to do some singing, except Haas of course, who ‘sang’ a verse with her fiddle instead. And with that, the Dave Rawlings Machine finally came to a rest.
There are moments in one’s life that will stay with them long after the music has stopped. The third and 2015 edition of Hulaween once again curated a festival experience for the ages. One that will be stuck in festival goers minds for a long time to come, until next year that is.
The third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.
Hosted once again by The String Cheese Incident, Hulaween brought many other big name musical acts to the party, some for their first appearance at Suwannee. With a total of seven sets over the course of the weekend, including their Halloween “Ghoul Train” cover set featuring Wu Tang’s Gza acting as Don Cornelius, plowing through crowd favorites such as “Brick House,” “Boogie Man,” “Car Wash,” and “Dance to the Music,” SCI held nothing back, whipping revelers into a dancing frenzy at every opportunity.
A highlight at the Amphitheater Stage Friday was undoubtedly Primus, getting the crowd started with “Those Damn Blue Collar Tweakers,” they left it all on stage with favorites like “Mr. Krinkle,” “American Life” and the coveted “Jerry Was a Race Car Driver.” Their set was not without Les Claypool’s usual witty banter with the crowd, as well as some less usual songs like “Jilly’s on Smack” and “Salmon Man.”
Pretty Lights played to a majority of the attendees Friday night interspersing some new music into a set chock full of his trademark energetic glitch hop, with horns and keys aplenty. A highlight at the Amphitheater Stage on Saturday was Suwanee virgins Odesza who harnessed the crowd’s energy and magnified it into an incredible set of danceable electropop and chillwave grooves leaving everyone in a breathless sweaty heap by the end of their set. With many festivals opting for a relaxed schedule on Sunday’s to encourage a relaxed crowd, Hulaween had other plans.
After a tight bluegrass set by SCI on the main stage, the skyrocketing Griz took the amphitheater by storm announcing that it was the “Funkiest party in the galaxy until Lettuce takes the stage.” Hit after hit had a packed amphitheater crowd bouncing and gyrating until it appeared to form into one massive dancing organism. After String Cheese played their final set, Lettuce indeed brought the funkiest set of the weekend, playing new material off of their fourth studio album Crush. Many were seen looking for their jaws on the ground afterwards.
Closing Hulaween down were none other than livetronica pioneers Sound Tribe Sector 9. Once again the main concert field was packed with fans drawing from energy reserves to dance their hearts out for one finale set of music.
The expansion of Spirit Lake brought many new art exhibits and interactive sculptures, as well as the return of exhibits from previous years. With some stellar performances by Manic Science (Manic Focus X Break Science) and The New Mastersounds at the Spirit Lake Stage, the art wasn’t the only selling point.
Silver Wrapper Productions and The Spirit Of Suwanee Music Park have outdone themselves, once again. Time will tell if it’s possible to bring together a more impressive line up, a more perfect lay out, or a more incredible all around music and art experience together in one gorgeous package.
Stephen Foster wrote what became the Florida state song “Way Down upon de Swanee Ribber Far faw Away.” That is where Magnolia Festival lies and October 15-18 marked the 19th annual Magnolia Fest being held at The Spirit of the Suwannee Music park in Live Oak Florida. The park spans over hundreds of acres and has sustained a reputation for being one of the most gorgeous places in the south hidden right in the middle of the pan handle, between Tallahassee and Jacksonville. Every year thousands of music festival enthusiasts patiently wait the time to return to the Suwannee to “Get their Mag On,” and that is what many did.
It truly was a surreal weekend of music and fun. One thing can absolutely be agreed on, the weather was perfect. There was always a cool breeze, fair amount of warmth from the sun hidden under all the beautiful Spanish Moss and absolutely no rain. The perfect atmosphere to set the stage for funky bass lines, smoking fiddle solos, and some of the most soulful singing ever heard.
The Lee Boys kicked off the festival by setting the bar quite high! Between the powerful guitar solos to the thumping bass the boys played a set with such high energy no one could stand still. Their melodies soared up to the trees as they sang “Testify.” Band of Heathens not only boasted great harmony vocals but also featured two lead guitar players. It seemed after every song it was time for a different guitar.
The Congress set the mood for a soulful night under oak trees. One of the highlights of the set was a tasteful rendition of the classic “People Get Ready” and just about everyone in the audience joined in the singing. The voices echoed against the trees and filled the amphitheater with beautiful voices. The Motet and their upbeat funky dance music made for the perfect late night dance party under the stars. This band really had the perfect amount of finesse and sass, each solo spontaneous and sensationally crafted.
After The Motet it was time to head over to the Porch Stage, located near vendor row between the Amphitheater Stage and Meadow Stage. The crowds gathered close for the sweet mountain voices of Nikki Talley and Jason Sharp. The duo tour regularly but hail from the Asheville area and recently released Out from the Harbor and included many of the songs in their set that night. It is really wonderful to see two musicians compliment each other so well. Sharp’s smooth guitar solos create the ideal accompaniment to Talley’s full vocals. Talley puts down her guitar and picks up her claw-hammer banjo. She plays a rendition of the old time tune “Railroad Boy.” the song creating a pleasant tension in the audience as everyone lingers on the lyrics.
Closing out the evening back on the Amphitheater Stage was Boston’s own Lake Street Dive. The band truly packed a punch into the evening with their powerhouse set. Lead singer Rachael Price has a voice with such fidelity. It is incredibly relaxed, soulful and you can hear the joy she lets out when she performs. She and bassist Bridgette Kearny compliment each other in a way that most musicians can only dream of. Towards the end of the set they played a fun version of Annie Lennox’s “Walking on Broken Glass,” resulting in a very well-deserved standing ovation.
Friday was yet another beautiful day, and taking the Amphitheater Stage was Grits and Soul, a duo featuring Anna Kline on guitar and vocals and John Looney on mandolin and vocals. They are currently working on recording a new album to be released in 2016, and it will be fun and exciting to see the results. Later in the afternoon the Habanero Honeys took the stage inside the music hall. The band is typically comprised of Cathy Lee, Beth Judy, and Tom Nelly, and today welcomed Stef Lee, Jeff Sachs, and Bobby Burns from Sloppy Joe as well as Nikki Talley. The super group played a variety of original songs and Beth Judy also recited a couple of poems while being accompanied by Nelly and members of Sloppy Joe.
The Meadow Stage was the place to be for driving bluegrass this afternoon. Del McCoury is without a doubt a bluegrass legend and his vocals are undeniable with one of the tightest bands in the bluegrass world alongside him. For the more progressive bluegrass fans, the “boys” as they are fondly referred to performed an amazing jam filled set back at the amphitheater following their meadow performance. Most bluegrass fans would agree that this band continues to uphold the traditions of bluegrass but at the same time release a new energy to their own brand of new grass.
Finally, it was time to make the trek back to the Meadow Stage for the Grammy award winning husband and wife team, Susan Tedeschi and Derek Trucks, the heart of Tedeschi Trucks Band. Susan Tedeschi’s vocals are comparable to the blues legend Bonnie Raitt. To say that Trucks is a phenomenal guitarist would be a great understatement. After seeing Trucks as a member of The Allman Brothers Band, it is refreshing to see Trucks leading his own project and accelerating into musical success. Packing a loud punch, The Tedeschi Trucks Band is complete with a full horn section and back up singers.
Closing out the evening was another set from the Motet. However when their set concluded the night was not over. One of the most unique things about Magnolia fest is that when the stages end for the evening the music does not stop. There are two campground stages on the festival map which welcome campers to come jam in their camps until the early morning hours. Slopryland hosted by the band Sloppyjoe from Wisconsin is famous for their Halloween decor. Upon approaching the campsite campers are dazzled by over a hundred illuminated Jack O’lanterns hanging from the trees. The Jack O’lanterns in the picking tent were vivid sculptures this year depicting a plethora of facial expressions, while the Bill Monroe shrine is also a favorite place for the pickers to congregate. Don’t be surprised to see many stage performers there swapping solos and sharing new original songs. Between Slopryland and The Bill Monroe Shrine, a great time is guaranteed. Each are different, but both are a picker’s paradise.
Back from the Brink performed at noon on the Amphitheater Stage. The band features father and daughter Steve and Lyndsay Pruett, two musical virtuosos who bring it to every ensemble they perform in. The Pruett’s play with a sort of musical telepathy and it is apparent that their connection is the result of many years of practice, dedication, and mutual support. I spied a few teary eyes when the lead singer’s own daughter was guest featured and sang a lovely version of Brandi Carlile’s “The Eye.”
Late in the afternoon it was time to go see Grammy award winning Steep Canyon Rangers, recently famed for having recorded and toured with Steve Martin, performed an exceptional set. Rapid fire fiddle and banjo solos arose throughout the set, while midway through the set, John Stickley and Jeff Austin were invited to sit in for the remainder of the set. This made the perfect segue for Austin’s own set shortly after.
One of the hidden gem’s of the festival was New Orleans own Grammy Award winning Rebirth Brass Band, started thirty two years ago and well known from HBO’s Treme. They have been giving their true brass sound to the world all these years but never forgetting where they are from. The best part of their set is when they did a great rendition of “When the Saints go Marching Home” in honor of their beloved New Orleans Saints.
At last it was time for the headlining Avett Brothers! It was especially exciting to see Tania Elizabeth of The Duhks tearing it up on her violin and harmony vocals. The Avett’s played hits such as “Murder in the City” and “The Prettiest Thing,”while the night concluded with the traditional Saturday night dance party with Magfest staple band “Donna The Buffalo.”
Sunday’s at Magfest are always bitter sweet. Some of the best music is heard Sunday afternoon but even the greatest of things must come to an end. Keller Williams and Grateful Gospel brought an unforgettable show to the table. Featuring the soul singers from William’s ‘More than a Little’ touring band, the group played an extensive array of songs from The Grateful Dead in a gospel style. Melvin Seals of Jerry Garcia Band fame ripped on the Hammond B-3 and truly helped transform Grateful Dead classics into a rejoicing experience for all. The festival ended with another great set by Donna The Buffalo, which included many guests including the infamous Jim Lauderdale, who performed festival favorite “Except for That One Time” and kicked up the energy to a whole new level. That is what is means to ‘Get your Mag On’ as many veterans confidently say. Magfest is a Southern tradition rooted in music, community, and love. It is the venue for people from all walks of life to unite in one of the most beautiful places in the world, set up camp and celebrate music. It has been an exhilarating nineteen years and the festival family hopes for many more exciting Magnolia fests in years to come. You do not have to wait for Magnolia Festival next year to appreciate this amazing park. Check out Musicliveshere.com for plenty of upcoming events.
What could possibly make a Friday better? Well, the official release of Tim McGraw‘s 14th studio album, Damn Country Music of course. Just in time for the upcoming holiday season, Big Machine Records released the highly anticipated album this week. The record was produced by McGraw and trusted collaborator Byron Gallimore, and proves to be yet another album chock full of hits.
Tim shares the opening number with his first-born daughter, Gracie, in an upbeat country tune with a Celtic vibe of a tin whistle in the background; outstanding. Gracie’s sultry undertones match her father’s voice perfectly, and the tiny glimpse into their relationship at the end is super endearing. He also kicks up some dust with friends and co-collaborators Big & Rich on what’s sure to be a hit for them, “California”.
To McGraw, the album’s title track is reflective of the entire record’s tone and his musical journey thus far. “When I recorded Damn Country Music, it was one of those electric moments. It speaks to a passion and being at a crossroads in your life when you make that decision to pursue it knowing you might pay a heavy price,” says McGraw.
Damn Country Music’s lead single, “Top Of The World,” has been rocketing up the country radio charts since its out-of-this-world debut in August. The song’s widely-viewed lyric video features an intimate look into McGraw’s life as he surveys various personal photos and memories.
The release of Damn Country Music will cap off an exceptional year for McGraw, which began with a critically acclaimed & trending performance of “I’m Not Gonna Miss You” from Glen Campbell: I’ll Be Me at the 87th Academy Awards on February 22. In April, McGraw was included on TIME 100 – Time Magazine’s list of the 100 most influential people – and narrated the ESPN Films & SEC Network documentary Shaq & Dale, which detailed the enduring relationship between basketball icon Shaquille O’Neal and his former Louisiana State University coach Dale Brown.
Continuing to bolster his film career, McGraw starred in Disney’s Tomorrowland in May before kicking off his wildly successful Shotgun Rider tour in June. The tour thrilled thousands of fans and awarded mortgage-free homes to veterans through McGraw’s partnership with Operation Homefront & Chase in more than 30 cities throughout the summer. The tour concluded on September 19 in Irvine, CA to a sold out crowd.
Photo by Danny Clinch
Not sure how he fit in recording an album of this caliber, but we are sure glad he did.
Damn Country Music Standard Tracklisting:
• Here Tonight (ft. Gracie McGraw) – Perfect opening song featuring his first-born daughter Gracie. His smooth country sound blends perfectly with her warm bold undertones and gives a depth to the song.
• Losin’ You – This is an amazingly well written song. Through words, Tim paints the backdrop and tells a story of lost love. This is a great country song.
• How I’ll Always Be – This snappy upbeat diddy describes the simple pleasures in life of a man who knows who he is and what he finds important. ” I’ll always be a fan of old stray dogs and guitars playin’; One room churches, back road walks, and front porch swingin’; Sunset skies and bonfire nights, I love the simple things; That’s how I’ll always be”. Think that says it all. I absolutely loved the percussion and the great guitar riff within this number.
• Damn Country Music – Tim sings of the passion surrounding the life a musician. The constant dedication it takes is all rolled into a ballad of the love affair he has with country music and the ups and downs in the career as such. This is a perfect reflection of the cannon ball jump musicians make to follow their dreams.
• Love Runs – Love walks you to….and the lyrics within bring definition of what is the essence of a relationship. But it’s the love runs through your veins that is so strong and confirms the love you know, will be a forever love. Loved it. Number one hit for sure.
• What You’re Lookin’ For – This ballad tells of an admission and realization. This mellow tune is an acknowledgement of a love that just isn’t right. We have all been there, and Tim’s ability to deliver a sad song of love, just makes you weak in your knees.
• Top Of The World – The first release on the album came this past August and didn’t take but a minute to climb its way into the charts and our hearts. Would say that Tim McGraw definitely sits on Top of the World.
• Don’t Make Me Feel At Home – This number has a very old-fashioned country flavor of the George Jones era. Loved it. A must listen track.
• Want You Back – WOW! All I can say is, you can have me back. Definite hit. (drops mic)
• California (with Big & Rich) – This collaboration with Big & Rich rocks your country boots off. It’s one of those songs you hear, and you immediately pull your beau out to the dance floor. Fun and upbeat. Loved it.
• Humble and Kind – My hands down favorite on the album. It’s a conversation; one that brings me back to so many I’ve had throughout the years with my momma, my grandma, and my pop pop as they teach me how to be the best person I can be in life. Truly a number that everyone will relate to and love as well. So beautiful. The arrangement on this number must get a shout out as well as it is spectacular. Can’t wait to see this one live!
For those that purchase the Deluxe Edition, you will be treated to the following extra tracks as well. Damn Country Music Bonus Tracks (Deluxe Edition):
• Everybody’s Lookin’
• Kiss A Girl
• Country And Western
This album has a great energy to it. It is a perfect mix of both upbeat and ballad; every song is a hit; and every song has substance. With some of the most talented writers in the business working with Tim, their words are made into stories and Tim delivers them magically and perfectly. A lot of scuttlebutt has been made in the industry claiming that commercialism has taken over and strayed country music from its roots. This album reflects a bit of those roots within, and gives the listener a taste of what country music is all about; the stories of life, love, and loss. I predict that this album will one of Tim’s biggest selling albums. I give it a definite two thumbs up. I believe it’s substance was a compilation of all that Tim’s endured over the years on the road and in the business. Tim’s was able to deliver an honest and heartwarming album, while standing tall and true is a direct reflection to his character and talent. A must purchase. I know I will.
Key Tracks: Want You Back, Humble and Kind, California
The first day of November, the day after Halloween, All Saints Day. Or, if you’re seeing the Colorado road warriors, Yonder Mountain String Band maybe it’s All ‘Strings’ Day. The night prior, the blocks around Anthology in the East End of Rochester were buzzing with costumed masses in various states of inebriation. On this night, the streets were clear and quiet. But inside the doors of Anthology, a brand new music venue, a hoedown was whipping up.
Coming off their special Halloween gig, where they transformed into Yonder Mountain ‘Punk’ Band, littering the set list with fan-requested punk songs, the band took the stage looking a bit road weary. There was a small fear that maybe they were going to go through the motions at the start. Each member got a chance to warm up their fingers in the show opening cover of Danny Barnes’ “Funtime.” Ben Kaufman (bass) took vocal duties, while Jake Joliff (mandolin), Adam Aijala (guitar), Allie Kral (fiddle) and Dave Johnston (banjo) each worked a solo in between the songs’ three verses. The band continued to warm themselves up with runs through songs spanning their entire career. With two new members in Joliff and Kral, and a new album Black Sheep released in June, the band surprisingly went deep into their catalog. In fact, they played more songs from their first album (3), then from their latest (only 2).
Even after the antics from the night prior, YMSB still had plenty of tricks and surprises left. The band broke through what had been a fairly traditional evening of bluegrass music when Johnston led them in a mid-set rendition of the Rolling Stone’s “Torn and Frayed.” A mellow freeform jam followed and all members of the band crowded together, finally starting to find their footing. Kral and Joliff built the jam up and then the walls came completely crumbling down as the band kicked into Ozzy Osbourne’s “Crazy Train.” The energy level was suddenly doubled and the crowd was matching the band’s excitement, bellowing out the lyrics and pumping their fists.
The audience was feeling feisty after that ride and started yelling out requests. Kaufman remarked that sometimes they take requests, but don’t let it become a habit. But this time they obliged, with a solid run through of their classic “40 Miles From Denver” featuring even more from newcomers Kral and Joliff. After a gorgeous “Ooh La La” highlighted by a magnificent guitar solo, the band was ready for more requests, opening it up to the floor to decide the next song. After a lot of calls from the crowd and a long on-stage conference, “Deep Pockets” was the choice.
The second set would build from the first’s strong finish. A couple of cover-song sandwiches would highlight the set as the band felt more comfortable stretching out into full band improvisation. “Sideshow Blues” built from Kaufman’s dark and spacey bass into a solid groove that eventually slid perfectly into “Jack-a-Roe” which made its way back to “Sideshow” the same way it came in. Kaufman then surprisingly swapped his upright for an electric bass and the band kicked into the second most out-of-character cover of the evening with their take on Dusty Springfield’s “Son of a Preacher Man.” Kral nailed the vocals and Joliff and Aijala found space for some tasty soloing making it a welcome departure.
A late set “Pass This Way” once again extended into a full band jam. Aijala and Joliff assumed the reins and moved the band into a tight segue into David Grisman’s “EMD” which was really just an excuse to amp up the jam into a rollicking bluegrass breakdown. A more pronounced transition back to “Pass This Way” preceded a high energy “Southern Flavor” to close out the set.
Kaufman promised to end the show the same way it started, with some “fast bluegrass music,” which in this case meant an amped up cover of “I Know You Rider.” Who says you can’t have fun the night after Halloween?
Set 1: Funtime, High On A Hilltop, I’m Not Saying, Annalee, Mental Breakdown, Long Time, Torn And Frayed, Crazy Train, 40 Miles From Denver, Ooh La La, Deep Pockets, Drawing A Melody
Set 2: Son Of A Gun, Straight Line, Sideshow Blues> Jack A Roe> Sideshow Blues, Son Of A Preacher Man, This Lonesome Heart, Amie, My Gal, Pass This Way> EMD> Pass This Way, Southern Flavor E: I Know You Rider
Sunday nights may be the saddest day of the week with a fresh workweek starting bright and early the next morning, but Eli Young Band and LOCASH didn’t let the night of the week stop them from putting on a wonderful show at Terminal 5 in Hells Kitchen one of New York City’s nicest music venues.
LOCASH, one of country music’s most fun duos comprised of Preston Brust and Chris Lucas, opened up the show. Anyone who has seen these two guys live before knew they were going to be in for a wild and exciting show. They never fail to connect with the audience and keep them on their feet for their entire set.The recently rebranded LOCASH (previously known as LoCash Cowboys) began their set with upbeat C.O.U.N.T.R.Y, which definitely set mood for what would come next. Throughout their time on stage they played a combination of older hits, well known covers, and a number unreleased songs to be included on a future album or EP.The duo performed “You Gonna Fly” which was made into their first #1 hit when Keith Urban recorded and released the song in 2011, as well as Tim McGraw’s hit “Truck Yeah,” which they co-wrote along with Chris Janson and Danny Myrick. Brust and Lucas are talented and proven songwriters, a quality that is apparent when listening to their music and seeing the success writing has brought them. Another cover that delighted the crowd was the duo”s own version of Def Leppard’s “Pour Some Sugar On Me,” which as expected was a a fan favorite.
One of the highlights of LOCASH’s set was how many new tracks they performed. The sweet “I Know Somebody” a song from their EP that will be released in October was a definite standout. The infectious track features some beautiful harmonies has all the makings of a future single. “Drunk Drunk” which shockingly was about alcohol is a great live song, while “Wheels Fall Off” is another romantic song about growing old together. The other most notable new song for LOCASH was the John Legend and One Republic inspired “Shipwrecked” a track that they plan to release as their next single. The song features great lyrics and more awesome harmonies between the duo.
LOCASH closed their set with their current single “I Love This Life” which recently reached the top 25 at country radio and should continue to climb the charts. The song is their self-proclaimed antidote to all of the negativity constantly spewed out on news channels across the country. It’s anthemic feel and message to appreciate everything that you have in life makes it a relatable and uplifting track that has certainly hit the mark with country music listeners. The fans knew every word to the song, and it had them on their feet one last time before LOCASH left the stage.
Headliners Eli Young Band took the stage not long after. With a distinguishable vocals, a solid core of radio hits and quality songwriting, the guys in Eli Young Band (Mike Eli, James Young, Jon Jones and Chris Thompson) are an experienced and confident group who can always be counted on to put on an amazing show.
The band opened with “Drink You Up,” a lively track from their March 2015 EP Turn It On.They performed the title track and their current single from the album. With recent requests to incorporate more songs from early on in their discography into their live shows, the group delighted those who have followed them since their inception when they performed old fan favorites like “Guinevere,” and “Love Songs.” The feel good title track to their last full length album 1,000 Towns, picked up the pace, outlining the amazing things about small town living, while the heartfelt and impactful “Prayer For The Road” from the same album was dedicated to service members and first responders. Eli Young Band also performed the second single from the album “Dust.”
Any good concert includes several well-known covers, and Eli Young Band didn’t disappoint with their own renditions of Garth Brooks’ haunting “Thunder Rolls,” David Lee Murphy’s “Dust On The Bottle,” and Tom Petty’s “Fly.” The group also ventured into the pop side of things with a performance of Andy Grammar’s “Honey I’m Good.” The band and Grammar have collaborated to release a duet version of the song together that is available now on iTunes.
Eli Young Band has scored three #1 singles at country radio. The first, “Even If It Breaks Your Heart,” was inspired as Mike Eli told the crowd by the story of how each of his parents reacted when he told them he wanted to be a musician, and how he met his current band-members while attending college. The uplifting and rousing song about not letting anything stop you from following your dreams and reaching for your goals reflects the lessons learned from each of these stories and sparked an amazing live performance of the group’s first #1 hit as a group. The crowd enthusiastically carried the entire chorus on their own towards the end of the performance, which had to have been a meaningful moment for Eli Young Band to be a part of. Their performance of their most recent #1 hit “Drunk Last Night” was also a memorable one, but the band closed the show with perhaps their most recognizable and beloved song, “Crazy Girl,” a sweet track about making sure loved ones know you care about them. After leaving the stage briefly, and the crowd cheering for one more song, Eli Young Band returned for an encore, performing a fan favorite from their 2008 album Level.
LOCASH and Eli Young Band brought fun and great country music to New York City on Sunday night. Fans in NY will undoubtedly be looking forward to their next chance to see each act live.
You may recognize some of these songs from our live shows or from the bonus fourth side of the double vinyl release of The Phosphorescent Blues. Much like Ahoy! with Who’s Feeling Young Now?, we recorded more than we could include on The Phosphorescent Blues so we’re glad to be able to share the rest of these with you all.
The song “Sleek White Baby” includes lyrics written by the Punch Brothers’ touring companion Gabriel Kahane. It also features a vocal cameo by actor/comedian Ed Helms.
The Wireless is available for pre-order.
The Punch Brothers will be on tour in December with several stops planned in New York. They will be at the State Theatre in Ithaca on Dec. 6, Troy Savings Bank Music Hall on Dec. 10, The Capitol Theatre in Port Chester on Dec. 12 and Bearsville Theater on Dec. 13. Tickets are still available for those shows.
The Punch Brothers The Wireless track listing is listed below:
Opening the evening was newcomer Cam. Hailing from California, this dynamic young lady has made her mark in country music in a huge way. Catching the attention of this journalist with her recent release of Burning House, she has been on my radar from the moment I heard her unique sound, her deep lyrics, and melodic voice. She’s fresh and energizing and took the stage like a ball of fire bouncing around delivering a set that didn’t disappoint. I urge you to remember her name as she will soon be head lining and selling out arenas all by herself as a top entertainer in the business. No tomato here.
Darius has a way of connecting with his audience because he leaves it all out there on the stage. His comedic manner of asking people to stop taking photos of him when he comes over to sing to them, gave us a glimpse of his sense of humor. And just for the record, the man had groove. He could move it and didn’t have a problem shaking it while he sang. His no holding back continued throughout the evening as he shares intimate bits and pieces of inspirational moments that brought him to music; personal peeks into his life featuring video footage of his wife and children, and he ultimately shared moments of his true inspiration, his mother. It’s this sharing and connection that makes you feel as though you are a personal friend, and what makes Rucker a true country superstar.
The third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.
What could possibly make a Friday better? Well, the official release of 
