Tag: Music Festivals

Film Review: ‘No Cameras Allowed’

Sneaking into music festivals is a dick move. Artists and patrons pay to attend while vendors, staff and volunteers go to great lengths to make the festival run with as few preventable glitches as possible. And a (very) few try to attend without contributing either through money, performing or factoring into the machine that runs a music festival. No one wants to be glorified for sneaking into a festival, but James Marcus Haney thrusts himself into the spotlight in his documentary No Cameras Allowed.

Haney claims his film is “a love letter to these festivals, in a way. And it shows them in such a great light that my goal is that people will see my film and then go and experience live music on their own.” And while there might be some who are inspired to go to these festivals as a result, how many will follow his lead and sneak in, use old/fake wristbands and not support the artists by buying a ticket? It’s the hardest aspect of the film to get around – is Haney doing damage to future festivarians or is he just pointing out flaws that need to be patched?

Along the way he gets to see some incredible music – some of it onstage and in the huddle before the headlining set (with Mumford and Sons) – and later goes on tour at an age that makes you envious of his youth and jealous of his opportunities. Sure I went to festivals at his age but damn he makes it thrilling and with the added degree of difficulty of greater surveillance, with which he gets away with it, usually.

The film is a double-edged sword with breaking into festivals, and while it is not Almost Famous for 21st century, you do get some nods to the Cameron Crowe film. With a good soundtrack – Jay-Z, Young the Giant, Mumford – No Cameras Allowed follows a journey of a 20-something through the world of music festivals. Haney doesn’t set an example that anyone should follow, but it is interesting that only large festivals were the appeal. Sure, they have the big name, but smaller festivals not being shown is both a good thing and a snub. The best festivals aren’t always the largest names, and that is proved year in, year out. Yet showing how to sneak into festivals that live year to year on ticket sales and not extensive corporate sponsorships would have been a slap in the face. Overall Haney snuck into 50 festivals but we only see the large ones. It would be interesting to see what was left on the cutting room floor/recycle bin and what didn’t make the cut.

We get to see Haney make his way into 4 large festivals – Coachella, Bonnaroo, Glastonbury and Austin City Limits, documenting them along the way and getting his photos into Rolling Stone while blowing off his graduation from USC to follow Mumford and Sons on the Railroad Revival Tour. The thrill is palpable and you may end up rooting for Haney, or maybe just surprised he got through security so easily, so many times and caught just as well. The relationships back at home are tested between friend and girlfriend.

Is Haney a dick? Is he a millennial getting what he thinks he is owed? Is it just for the thrill or is it to show off on camera? Watch for yourself and decide.

September 19, 2014
Bringing Your Dog to a Music Festival

The one thing I never understood about music festivals was people who bring their dogs with them. How can a dog possibly enjoy a music festival with the loud music, heat/humidity and rain/mud?

It never made sense to bring a dog to a festival under really any circumstances. Service dogs aside, dogs and music festivals don’t go together, period.

Then I brought my dog to a music festival and saw it from the other side of things. Before I share that story, lets talk about service dogs and “service dogs”.

First, there are real, certifiable service dogs, the kind that go through training, stay with their master/friend, and have a purpose to their being there. These service dogs lead the visually impaired, can sense low blood sugar in diabetics, seizures in epileptics and a myriad of other conditions that are better served with a companion than medication or simply not being able to enjoy things like music festivals. The certification process is involving and can ensure that those with a service dog can attend a music festival; or concert for that matter.

Then there are “service dogs” – I put that in quotes because they aren’t service dogs per se, it’s just that the owners have figured out how to fill out a form and bring their dog with them. This dog is a pet and provides no health-related service to their owner, except perhaps curing separation anxiety on either end of things. Perhaps a place to stay better than a music festival was hard to come by, or a kennel wasn’t an option, but “service dogs” or pets that provide no vital service, do not belong at a music festival, period. This group of individuals take away from actual service dogs who are needed to be there to help their owner/master/friend.

Then you have festivals that are so small and camping centric, that service dog or not, dogs are welcome at the discretion of the promoter and land owner. I’m not talking about Bonnaroo, Summer Camp, moe.down or even StrangeCreek – those festivals wouldn’t let you into a festival without proper documentation – and why in the world would you bring a dog to Bonnaroo when it’s June in Tennessee? I’m talking about a music festival that is small enough to accommodate fans who bring their dogs and has an atmosphere and environment that makes bringing a dog a plus.

On Aug. 8, I brought my dog Halley to Backwoods Pondfest, a small music festival in Peru, NY, outside Plattsburgh. The festival is dog friendly, charges $20 per dog and asks they be leashed at all times. This was a fair deal and was a great location to bring dogs, as the weather is never too hot or humid in the northern reaches of New York in early August. The crowd is very animal friendly, with a fair amount of dogs but lacking a negative attitude towards them. Dogs are welcome at Backwoods Pondfest, so long as their respective owners are.

When I brought Halley to Backwoods, she took to the location quickly, watching me unpack what she had watched me pack the day prior, setting up the tent she was familiar with and making a home for the next 36-48 hours. She didn’t bark, she laid and enjoyed the outdoors, as well as her all natural tick remedy that I thought about at the eleventh hour. She enjoyed the crowd, the people and the environment. She is also 14 years old, healthy beyond light arthritis and always in good spirits. As she watched us eat, drink and enjoy our site, she relaxed on the ground and kept a watchful eye. It was like camping anywhere else, just with music playing 100 feet away.

Halley took walks, went inside the grounds, and having lost her hearing this past year, we ventured backstage where she found things comfortable. Any younger and I would not have brought her backstage, but the area was open to all with a media pass, even a girl with a giant Macaw. When I wanted to leave her at the site, Halley was already content. She went into the tent when it got cold and got under her blankets. I checked on her often, being so very close to the site, it took not even a minute to pop in on her and get back to the music. This went on all weekend and she was a happy dog.

But if I brought her last year, or three years ago, or to any other festival in her 14 years, she would have hated it and I would have hated the decision to bring her. Dogs need to run and play and sniff and be curious and explore. Halley has done all that. She was content to explore Backwoods Pondfest from the end of a leash in short walks and hang out at the campsite the rest of the time. With four friends camping with us, she always had someone checking on her and making sure she was having a good time – just like humans do for other humans at festivals.

Had I brought her earlier in the summer or to a larger festival, she would have dealt with heat and sensation overload and I would have seen little music. No fun for either of us. And that is why dogs aren’t meant for festivals. When they are at a festival, they are the focus and the one bit of responsibility a person can have to anyone but him/herself. I have always enjoyed that sense of ZERO responsibility at a festival and only needing to exhibit human decency for the entirety of the event. If I was covering a festival for a media outlet, I would take that responsibility in kind, but a pet, a dog, a friend to keep an eye on – that’s another story. Ever dealt with a friend who took too much of something and you had to babysit or alter plans as a result? Same thing with a dog at a festival, but it lasts all weekend.

When it came to music, I didn’t mind missing some of the acts, since I may see these bands again in the next four months, as many come through Albany on a regular basis. I didn’t mind checking in on Halley and making sure she was OK. I didn’t mind much of anything with her there. I had seen many festivals (60 or so) and was content not overdoing it. The same went for Halley. All of us hung out and saw music and I treated her like one of the regular festival crew I rolled with. She just didn’t see all the music with us and was cool with that. And at night she got cold so she napped in the car with the heat on. Being a dog has its perks.

I brought Halley at the right time to the right festival and the right environment. She is turning 15 in a few weeks. I would never bring her to a festival again, only because this time was perfect all around. But if she was younger and she made it through one Backwoods Pondfest, I wouldn’t mind bringing her to the fest a year later.

Even though she enjoyed the experience, I would not have brought her if it was not allowed and I hadn’t been there before to know what it is like. Knowing the festival and the venue in advance helped a great deal, and I’ll love going back next year and seeing the random gathering of dogs among 1,000 or so festival-goers.

But if you can, leave you dog at home with friends or family. Festivals are meant for humans to enjoy.

August 27, 2014
Excitement Builds as 2014 Catskill Chill Approaches

That time of year is slowly but steadily approaching where the leaves begin to change, the air becomes crisp and Summer festival season becomes just a memory. And so begins the countdown for the Catskill Chill. Each year Catskill Chill Festival brings a phenomenal lineup and a perfect end to the Summer festival season. Nestled quaintly in the quiet town of Hancock, New York, Camp Minglewood creates the perfect backdrop for a weekend in the great Northeast. Catskill Chill 2014 contains the intimate feel of a smaller hometown festival while bringing huge names and large crowds for a weekend to remember. Past acts have included The Meter Men with Page McConnell of Phish, Lotus, Dopapod, Papadosio, Lettuce, Yonder Mountain String Band, Soulive, JGB, Umphrey’s McGee and many, many more. In true Chill fashion, the line up covers a broad spectrum of some of the best acts, big and small. It is no wonder that Catskill Chill has quickly become a staple to every veteran festival goers Summer tour season. Buy your tickets now!

Alongside a weekend of phenomenal music, The Chill offers a variety of different activities that creates an environment that is much more than just a festival ground. Festival attendees are offered daily yoga classes, open mics, a wide array of vendors to browse through and a full farmer’s market where one can purchase fresh produce. While camping is offered, there are also cabins on premise that are rented out for a small group of people and offer running water, beds and a roof over your head for a long weekend of music and good vibes. Each day at the Chill offers a different experience and a variety of different musical acts to expand even the most musically diverse pallet. Below are the day-to-day schedules along with some must see performances that make up this truly spectacular festival.

Friday:

The Primate Fiasco (6:30pm-7:45pm): The versatility and energy behind the Primate Fiasco is one to be reckoned with. The band is compiled of a broad spectrum of instruments (i.e. sousaphone, banjo, brass, woodwinds, drums), and they’ve been known to burst into a full blown dance party in the middle of the street when they feel necessary. The band clearly has a great time on stage together and you can’t help but move your feet while these guys do what they do best.

Marco Benevento (10pm-11:25 pm): Amazing music, amazing guy and a ton of whiskey. Benevento is known to keep a bottle of Maker’s Mark as well as a giant tiger head on stage with him for when things get really wild. Aside from the fact that he is a brilliant musician, he also contains quite the stage presence. This performance will without a doubt be fun and entertaining, but also be packed with musical talent.

Twiddle (Dead Set) (10:30pm-12:15am): Over the past couple years Twiddle has gained exponential recognition within the music scene for their talents. There is certainly a reason their music draws such large crowds, and the fact that they’re doing an entire Grateful Dead set? You definitely do not want to miss this!

Lettuce (11:15pm-1:15am)- Hands down one of the funkiest bands to see live. Each member in the band brings a fantastic amount of talent to make up this power house of funk.

Shpongle (Simon Posford DJ set) (2:30-4:00 am)- While the Simon Posford DJ set isn’t the full Shpongle experience, if you’re into DMT fueled, spacey, electronic dance parties you certainly want to catch this performance. Posford is not just a musical genius but also a performer. He knows how to entertain a crowd and he does it well.

Saturday:

Tauk (6:30pm-8:30pm): Tauk gained rapid popularity with their entirely instrumental 2013 album, Homonculous. It says a lot about a musician when you can experience an array of emotions through an album without words. This foursome from NYC is packed with so much energy and talent they definitely make the “do not miss” list.

Consider the Source (7pm-8pm): Consider the Source brings a taste of Middle-Eastern fusion to the jamband scene. The trio’s stage presence blends multiple genres and sounds to create something unlike anything you’ve ever heard. If that doesn’t do it for you, go for the fretless double necked guitar that Gabriel Marin plays with great ease. If you’ve never seen Consider the Source life, make sure to get down to their acoustic set on Saturday evening.

Yonder Mountain String Band (8pm-10pm): Yonder Mountain String Band brings a perfect blend of jam and bluegrass while bringing a musical diversity to a genre that has set them apart from many artists in the live music community. While Yonder brings more of a low key vibe to start off your evening, there is certainly not a lack of pickin’ and mind blowing jams.

Cosby Sweater (8:30pm-10pm): Cosby Sweater is a live electronic trio bringing live mash-ups and high energy dance remixes. While these days there seems to be an abundance of “EDM” acts at every festival coast to coast, Cosby Sweater sets themselves apart with their kitchy name, unabashed musical talent and obvious ability to set the crowd into a full blown dance frenzy.

The New Deal (11:15pm-1:15am): The announcement of The New Deal’s reunion flipped the music world upside down. The trio includes original bassist Dan Kurtz, original keyboardist Jamie Shields and new to the band, Joel Stouffer on the drums. The New Deal always puts on a fantastic performance and is the perfect set to start your evening off right. The amount of excitement that has surrounded their Summer tour is incredible, so make sure you check these guys out before they retire, again.

Sunday:

Turkuaz (12:30pm-1:55pm): A diverse arrangement of music, instruments and excessive funk. Turkuaz has quickly become one of the funkiest bands on the East Coast. Visually their performances are stunning and the amount of energy pouring out from the stage makes it damn near impossible to not get caught up in all that is Turkuaz.

Particle (3:15pm-4:40pm): Particle is known for its progressive rock-jam roots and has acquired a wildly enthusiastic following referred to as “Particle People.” A perfect blend of electronic and organic, Particle is a phenomenal act to add to the already outstanding line up of the Chill.

The Manhattan Project (5:30pm-6:30pm): The Manhattan Project has quickly acquired one of the fastest growing followings of any electronic duo in the Northeast. The duo has made their mark on the music scene with their high energy performances, fantastic covers and live remixes that will keep any crowd moving from beginning to end. If you have yet to see these guys do their thing, don’t miss them at the Chill.

Kung Fu (6pm-7:25pm): Kung Fu is easily summed up by a ball of energetic, funk explosion. Every member of the band plays with so much enthusiasm it is evident that these guys have a ton of fun doing what they do. Often taking the stage fully clad in their Kung Fu attire, the band in its entirety loves what they do, and what they do is done well.

Electron (9pm-11pm): Electron is the original Disco Biscuits side project made up of Marc Brownstein, Aron Magner, Tommy Hamilton of Brothers Past and Mike Greenfield of Lotus. This is one insane mash up of some of the biggest names on the scene and their performance will be nothing short of excellent.

See you soon #ChillFam!

August 26, 2014
Mayhem Festival in Saratoga Proves That Rock Still Rules

Heavy music fans of all ages descended upon Saratoga Performing Arts Center (SPAC), starting at 1PM on July 23. The first sounds of pounding drums signaled the opening of the Saratoga gates, ominous clouds added to the palpable intensity of the Rockstar Energy Drink Mayhem Festival. Three stages adorned the lawn of SPAC, rows of tents flanked the main concourse. From the time the doors opened, until about 6:30PM, all three stages were in a constant rotation of hard-hitting, face-melting heavy rock and metal of all kinds.

The show kicked off with black metal newcomers, Erimha, a budding band from Montreal, playing on the Victory Records Stage. On paper they might seem out of place with the rest of the acts on the day long bill, but they were a good welcoming committee, setting the tone for the rest of the day. The tents were hot spots for patrons to meet and greet their favorite bands, before and after they played, and to pick up band merchandise as well as festival merchandise like T-Shirts, bandanas, and sunglasses. By 2:30, the crowd had already settled in for the day, flocking to each stage as new acts started their sets. Texas Hippie Coalition ignited the ColdCock Whiskey Stage with their southern heavy rock. At one point, lead singer Big Dad Rich claimed the lawn for his own, saying that anyone on it better raise their fist in acceptance. The crowd happily obeyed, and looks of joy and entertainment washed over the few hundred strong in attendance. Veil of Maya took the Sumerian Records Stage soon after and drew an even bigger crowd with their gigantic wall of sound.

The first ‘destination’ band of the day was definitely Mushroomhead out of Cleveland, Ohio. It seemed that everyone that was on the fringe of the stages or lost in the sea of tents during other acts all made the point to be in front of the ColdCock Whiskey Stage when the troupe of masked men started their performance. With multiple singers, crushing riffs, sound samples, and two powerhouse percussionists at the front of the stage, they ruled the crowd with ease. The second not-to-miss band of the day was undoubtedly Ice-T with Body Count. Strutting out on stage to the wail of guitars, Ice-T screamed, “Saratoga, we are moving right next door to ya!” and fired a (fake) gun into the air. Flanked on stage by his wife Coco and their two bulldogs, Ice-T whipped the crowd into a frenzied pit with classic Body Count songs, each getting a bigger response than the last. Rain started to fall finally during their set, and though it never became a torrential downpour, it helped to cool off the throngs of humans who had been dealing with the 80 degree heat and blacktop walkways all day long. Each of the three stages did a good job keeping the show running smoothly, with little to no down time between acts. By 6:00PM each stage’s headliners were finishing up their sets to satisfied crowds. The entire population turned its sights to the main stage, many taking their seats inside the amphitheater. Trivium and Asking Alexandria got great responses from their fanbases, a mostly younger audience, but the crowd grew bigger and bigger with all ages filling in the lawn. Parents taking their children to their first festival, or possibly first ever concert, and older couples reliving their youth with shirts they might have dug out of the back of their closets. All were enjoying the days festivities to their utmost potential.

By the time Korn took the stage, almost every seat inside was filled with people on their feet, the lawn was packed with fans, singing along with the opening song, “Falling Away From Me”. Playing hits from their extensive back catalogue, they stoked the fire that had been burning all day inside the rambunctious crowd. Favorites like “Freak on a Leash” and “Shoots and Ladders” complete with bagpipes, let the crowd join in the obvious fun the band was having on stage. With the return of Brian “Head” Welch last year, the band is back to its full original strength, and it shows. Lead singer Jonathan Davis crooned “You can’t bring me down” during one of their newest tunes, “Hater”, and he meant every word. They proved that they are still relevant in the ever changing world of heavy music, a landscape that they helped shape with set closer, “Blind” way back in 1993. Avenged Sevenfold are no strangers to holding the top spot, and they came out controlling the crowd from the start. They had a huge stage backdrop, reminiscent of a Dio fantasy, with large steps leading up to castle facades, and three arch ways with huge high definition screens. Showing animation and live feeds of the band members from the stage, the over the top scenery threatened to steal the show from the actual performers, but just barely. M. Shadows used his vocal prowess to capture the crowds attention, while guitarists Zacky Vengeance and Synyster Gates harmonic precision helped to keep hold. When the band finally touched on “Hail to the King”, the center screen opened up to reveal a towering animatronic Skeleton, complete with crown and sword upon a throne of skulls. A7X made sure that the culmination of a the day was brought on the wings of a nightmare, into the waiting ears of an eager audience.

Rockstar Energy Drink Mayhem Festival is now in its sixth year, and shows no signs of slowing down. Much like many of it’s predecessors, like Ozzfest and Family Values Tour, it is a haven for like-minded bands and fans to congregate and celebrate the heavy music and dark emotion filled culture they enjoy. If the thralls of happy faces throughout the day, or the inherent sense of camaraderie between musicians and fans is any evidence of success, then hopefully Mayhem will continue to return to Saratoga Springs, NY every year.

July 29, 2014
Find Family, Friends, Charity and Fun This Weekend at The Gathering at Chaffee’s

Most festival’s are lucky to get past their first year nowadays, the ones that hold longevity often do it deservedly and the 34th annual Gathering at Chaffee’s is no exception. Along with the storied history, the 2 day festival’s proceeds have always gone to charity, specifically the Juvenile Diabetes Research Foundation and Children’s Advocacy Center of Erie, PA.

Held just a hop skip and a 20 mile jump west of Erie, PA on the expansive land of the Chaffee family, this 2 day affair offers on site car camping, explorations through the woods, vendors, on site local beer tasting from Lavery Brewery and local home brewers (10$ for unlimited samples while supplies last) and a whole lot of excellent music. Beyond that, whether you’re a first timer or have been coming for years, you will find one of the friendliest group of festival denizens just about anywhere. Upgrades this year include a 100’x40′ party tent lit up with visuals and morning “hangover” yoga on Saturday.

Things will kick off at 2:30 Friday afternoon with a duo of Erie based bands. The experimental “little bit of everything” sounds of Triage Unit will be followed by the hard bluesy rock of Special Guest. After the locals, the tasteful jamtronica of Ohio’s Broccoli Samurai will make way for the funk bombs of Massachusetts Funktapuss. Eric Brewer and “Phriends” will bring it back to the local scene with a Phish tribute set and Buffalo’s red-hot groove machine Aqueous will headline Friday for the second straight year.

Things start-up earlier Saturday at 11AM with six straight locally based bands – the alt-rock of Falling Moira, the Trohoske Grey Jazz Trio, This American Songs americana, the hip hop jam of The L.E.C., Gnosis’s electronica, and arguably Erie’s biggest band, Falling Hollywood. North Carolina’s BIG Something will start the heavy jamming for the night. Twenty year vets and often moe. contributors Conehead Buddha will then set thing up for the nights two headliners – Ithaca’s Jimkata and Boston’s Spiritual Rez.

Make your weekend a gathering! Only 50$ at the gate and online, including free camping, parking and unlimited awesomeness. And remember, try to have some extra fun, because after all, it’s for the kids!

Funktapuss from the 2013 Gathering

July 22, 2014
Pitchfork 2014 Begins This Weekend in Chicago

Last summer, made the mid-July trek to Chicago to cover Pitchfork Music Festival for the first time ever. This upcoming weekend, New York State’s favorite music-based website will be heading to the Windy City once again.

Pitchfork Music Fest will be held in Union Park from Friday, July 18 through Sunday, July 20. Three-day passes – along with single-day passes for Saturday and Sunday – have already sold out. Tickets for Friday, however, are still available through Ticketfly.

Pitchfork’s schedule offers an even scattering of fantastic acts throughout its extended weekend, and Friday’s yet-to-be-sold-out lineup is no weak spot in the festival’s overall roster.

Headlining Friday’s lineup is Beck, whose recently released Morning Phase is the twelfth album in an excellently diverse discography. Morning Phase displays Beck’s skills as a songwriter, with most of its tracks rooted in folk-style recordings. While his Pitchfork set will likely feature a good deal of material from Morning Phase, songs from Beck’s funk-influenced Midnight Vultures, his indie giant Guero, and his 1996 breakout Odelay will hopefully make their way into the performance as well.

The festival’s opening day will also include performances from 74-year-old Italian producer, Giorgio Moroder, who contributed to Daft Punk’s Random Access Memories last year, and Animal Collective off-shoot, Avey Tare’s Slasher Flicks.

One of Friday’s most intriguing acts is Sharon Van Etten, a singer-songwriter from Brooklyn who released her latest LP, Are We There in May. The album shows Van Etten’s songwriting as strong and genuine, and her performances follow the candid nature that often presents itself in her recordings.

Saturday’s lineup is led by Twin Peaks, a group of young Chicagoans whose melody-driven garage rock is categorized with Windy City acts like The Orwells and Smith Westerns.

Cloud Nothings play Saturday afternoon as well, offering a more veteran take on indie rock. Their April-released Here And Nowhere Else is a record full of energy and grit, which will likely translate to a festival setting very well.

Frontwomen will be a major theme as Saturday closes. Tune-Yards’ Merrill Garbus – who will be performing on Pitchfork’s Red Stage at 5:15 – is responsible for the eccentrically beautiful Nikki Nack, released through 4AD earlier this summer. And St. Vincent, whose recent appearance on SNL exhibited her art-rock performance style, will be next in line at the Red Stage.

Female solo projects Kelela and FKA Twigs will also perform Saturday evening, followed by headliner Neutral Milk Hotel. had the opportunity to cover Mangum and his band in Ithaca in January. Their performance was the first in Upstate New York in nearly two decades, but the effects of their extended hiatus went unnoticed at the State Theater. After touring for several more months, it’s safe to assume their set at Pitchfork will be an even more ambitious performance than Ithaca’s.

Sunday’s lineup features Syracuse-based noise rock act, Perfect Pussy. After receiving praise from Pitchfork’s staff writers for their debut album, Say Yes To Love, the Upstate five-piece has become one of the most anticipated acts at this year’s festival.

Other notable acts in Sunday’s lineup include shoe-gaze standouts Diiv and Jordan Lee’s folk-inspired Mutual Benefit, along with Real Estate, whose spring performance at the Higher Ground in Burlington spurred a trip north for .

Between Beck’s performance on Friday and Kendrick Lamar’s closing performance Sunday night, the Pitchfork 2014 lineup is set to consistently provide fans with incredible performances. And if 2013 is any indication, Phish won’t be the only reason to head west this weekend.

Check out Pitchfork Music Festival on Facebook, Twitter, YouTube, Website

July 17, 2014
Godsmack to Headline Uproar Festival

Rockstar Energy Drink has announced their lineup for the 2014 Uproar Festival. This year’s tour will be headlined by heavy metal rockers Godsmack as they support their brand new, sixth studio album 1000hp. Formed in 1995, this will be Godsmack’s second time appearing at the Uproar Festival.

Check out Sully and Shannon of Godsmack in the Uproar Festival announcement video.

What would a festival be in 2014 without Seether? The band has already seen Rock on the Range and Rocklahoma. They will also be on the Aftershock Festival later this year. Seether will hit the tour for their second time in support of their sixth studio album, Isolate and Medicate.

Skillet will make their first run on the Uproar Festival. Skillet has been touring for over the past year supporting their current album Rise. Skillet has been on four separate tours since the summer of 2013 including last years Carnival of Madness.

Buckcherry will also grace the main stage and make their first appearance on the festival. Their single “Crazy B!^@#” is certified 2x platinum by the RIAA. The band is rumored to release an Ep titled “F#@k,” which every track on the disc will have that word in it’s song title.

Uproar’s lineup will feature 13 bands in all. The rest of the lineup will include Pop Evil, Escape The Fate, Redlight King, Three Years Hollow, New Medicine, Within Reason, Sons of Revelry, These Raven Skies & Tattered.

Also look out for the Suicide Girls to perform a Burlesque show on the festival this year.

With more dates still to be announced, Uproar will bring the festival to New York on Friday, August 22nd in Syracuse at the New York State Fairgrounds. The festival itself will kick off on Friday, August 15th at the DTE Energy Music Theatre in Detroit, Michigan.

Take a look back at past Uproar Tour poster’s and learn the history of this event.

Uproar’s main stage looks like one big melting pot for rock and metal music. Godsmack will bring the hard rock and heavy metal, Seether will bring their post grunge style of rock. You will hear the Christian rock and metal sound of Skillet and the hard alternative style of Buckcherry. With all the energy this show is gonna bring , you’re going to need all the free Rockstar Energy Drinks you can handle.

Click below to connect and stay updated with Rockstar’s Uproar Tour:

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June 25, 2014
Governors Ball 2014: I Want To Be A Part Of It, New York, New York
Over 40,000 music lovers from all over the country converged on Randall’s Island in NYC on each of the three days of Governors Ball over June 6-8, 2014. A perfect weekend of sun and clear skies catered to 68 bands across four stages of non-stop music running from shortly after noon until 11pm . This year marked the fourth for Governors Ball but only the second year as a three day festival and the first as a three day rain-free festival following last year’s washout.

The midday kickoff on Friday saw a slow arrival of festival goers at first but many seemed to have convinced their bosses at work to let them out early as the crowd picked up toward the middle of the afternoon. Excitement pulsed through the flow of people making the twenty minute parade from the 4/5/6 subway station with the sight of the main stage peeking up through the trees adjacent to Icahn Stadium. The mood of the weekend had been set.

Just about everything at the festival was about New York City. An impressive display of artwork by NY artists or with NYC themes was on hand throughout the grounds giving many photo ops (and yes, #govballnyc was a trending topic on Twitter and Instagram throughout the weekend with all of those photos). Foodies had a real treat with numerous local food and beverage vendors on hand showing off their grub. For the most part it was pretty easy to find a short food line at the right time, but a few popular joints maintained lines stretching across the lawn.

A rather noticeable facet about the weekend was the staff – festival attendants, security, medical and everyone else involved in making Governors Ball run smoothly. The staff were knowledgeable and beyond friendly. Security and attendants got into the fun of things giving out random high-fives as people came and went and guards sometimes got into the mood of the music by encouraging fans to clap along with whatever act was on the stage behind them (not to mention a great job done of keeping everyone safe).

Now the critical element – the music. As we just mentioned Governors Ball was all about NYC. This carried on often in the weekend’s lineup with a number of bands based out of the five boroughs ranging from just recently signed bands like Drowners and SKATERS to the well established headliners like Interpol and Vampire Weekend, just to name a few on each end of the spectrum. Of note for the festival was the variety, with something for almost everyone. While there were no heavy metal or jam band acts there was an array of rock, indie pop, punk, EDM and hip hop. An excellent and unique opportunity was created by Governors Ball for people to tune their ears to something new or something they may have assumed they would dislike until seeing live. Metalheads were able to wet their whistle briefly with a lot of Metallica and hair metal played over the PA during set changes at the Gotham Tent.

Here’s a breakdown of some of the musical highlights for each day as seen by :

Friday – Day 1

The festival kicked off with some hometown acts: Brooklyn-based Haerts opening the main stage followed by NYC natives Drowners taking to the Big Apple Stage on the opposite end of the grounds. Drowners drew a younger crowd (granted, it was only 1 p.m. while many festival goers may have been leaving work). Frontman Matt Hitt resonated vibes of a 60’s pop performance in a 21^st century light, creating along with the band an indie pop sound that was done just right. Jason Isbell (Drive-By Truckers alumnus) gave the first country sounds of the weekend on the main stage in a singer-songwriter fashion backed by a full band. Lo-fi indie rocker Kurt Vile of Kurt Vile and the Violators could be seen often hunched over his guitar attentively focused on the notes as he played to an intently listening crowd at the Big Apple Stage.

The standout act of Friday afternoon was Janelle Monáe, and perhaps a standout for the whole weekend. Her band was clad all in white playing against a black and white candy swirl backdrop and the waves of energy bouncing between the stage and crowd was almost instant with people grooving along with the very animated and enthusiastic Monáe. Aesthetically a retro throwback and musically a rebirth of new wave soul and R&B (along the lines of Prince), her songs seemed to connect to all ages within earshot of the main stage. Be sure to check out Janelle’s footwork on stage next time you see her perform.

A surprise performance by the High and Mighty Brass Band from NOLA/NYC caught the attention of people making their way to the main stage for Phoenix. With Nadav Nirenberg on trombone (also of Streetlight Manifesto) they turned the main food vendor area into a Bourbon Street festival on Randall’s for fifteen minutes or so. Other notable acts on the first day included Julian Casablancas+The Voids (who are releasing a debut album this year), Neko Case, and from across the pond Bastille and Phoenix. Phoenix, by the way, is no stranger to big festivals and they proved that to Governors Ball. Playing to one of the largest crowds of the day so far, the band looked thrilled and even ecstatic to be on stage and off, when singer Thomas Mars got close and personal to the audience, crowd surfing with mic in hand near the end of the set.

Closing out the first day was a highly anticipated set by Outkast, who are storming the festival circuit with their first shows in 10 years. Their set brought a majority of the crowd over to the main stage as they played a perfect set mixing hits and deep cuts that had the crowd eating out of their hands the whole time. Opposite them was Damon Albarn, who played songs from his new solo album, Gorillaz, Blur, and The Good, The Bad, & The Queen. Although the crowd in front of his stage may have been much smaller, Damon played as if he were on the main stage, giving every moment of his set all the energy he could and added extra flavor to the set bringing on guest backing performers.

Saturday – Day 2

The first act of Saturday that caught a lot of attention was Diarrhea Planet. Based on their name alone you may not want to take them seriously but you surely would after seeing their set. Every person walked away from their set with a smile and grin on their face. Delivering a sometimes heavier punk sound somewhat akin to The Gaslight Anthem, there was no shortage of energy from the crowd surfing to the circle pits to the guitar players climbing the stage scaffolding and even one of them crowd surfing himself with guitar in hand. Not to mention that they teased the crowd with a reprise of Outkast’s “Hey Ya!” to close out their set. Immediately following those guys at the opposite Honda Stage was RJD2. Those seeing his DJ set for the first time noticed right away that he made his live mixes using real vinyl records, a real attention grabber for first-timers. Brooklyn’s own Lucius supported their 2013 debut album Wildewoman with a charming indie pop performance on the main stage at the peak of the afternoon followed by Broken Bells who were also supporting their 2013 release After the Disco.

Despite the blazing sun, Los Angeles neo-soul/funk band Fitz and the Tantrums put on a very energetic set to an almost main stage sized gathering, establishing themselves as one of the afternoon anchors of the festival. The audience interaction, their cover of The Eurythmics “Sweet Dreams,” and James King’s bari sax licks (with a tease of Jason Derulo’s “Talk Dirty” on “Moneygrabber”) ripping through the air like laser beams were just a few of the things setting this act apart from the others. Some other strong performances before the headliners came from The Naked and Famous, The Glitch Mob, Spoon (who debuted some new songs including “Rainy Taxi”) and Brooklyn-based Sleigh Bells, who rocked the Gotham Tent with a loud noise rock set. Julian Casablancas returned for a second night in a row, this time joining his main band and NYC natives The Strokes playing to an eager crowd chanting “we want The Strokes!” before the set kicked off a few minutes on the late side. Fans really got into their set, even lifting a few crowdsurfers into the air. Closing out the Honda Stage opposite Jack White was a set by Skrillex, supporting his recent March 2014 release of Recess.

Finally, there was Jack White. There is a lot to be said about his set which happened to be three days before his second solo album Lazaretto was released. White, a connoisseur for guitar riffs and refined attention to the smaller details of his performance, commanded and conquered the main stage to take as his own territory. Set to the backdrop of a red waxing Gibbous moon, White’s set included a range of material from his time with The White Stripes and as a solo act. While we didn’t see any surprise appearances on stage, White did perform “The Rose with the Broken Neck,” a track written in collaboration with Danger Mouse (bassist of Broken Bells who did a set earlier in the day). Though billed as Jack White, each band member was just about as prominent in the performance as White himself. Chanting the riff of “Seven Nation Army” during the encore break, the crowd got what they asked for. White’s performance on “Seven Nation Army” was nothing short of spectacular. It seemed as though fans didn’t get enough of it when “Seven Nation Army” turned into the chant of choice as the queue of people leaving the grounds over the RFK Bridge was building up after the festival closed.

Sunday – Day 3

Not quite ready for the sunburn rehab clinic, people made a point to catch as much of the final day as possible, arriving in numbers shortly after the gates opened. The Gotham Tent was pleasantly warmed up with a short set by southern roots rock singer/songwriter Ben Cameron, originally from Connecticut but bringing his songs from his current musical home of Nashville. Another reward of arriving early was a set from Cayucas immediately following Ben Cameron with their indie surf rock themes from California. Early afternoon sets from two NYC bands BLEACHERS and SKATERS coincided, leading to a fairly even distribution of people between each set. SKATERS brought back the sounds of post punk and old school garage rock, even paying tribute to one of their influences by covering the Ramones later in their set. Those at BLEACHERS’ set were treated to a cover of Tom Petty’s “Don’t Come Around Here No More.”

When it came time to relax in the afternoon heat, Chicago-based Wild Belle dished out some slower rock grooves with pleasant reggae beats easy to either dance along to or enjoy sitting on the lawn. On the hip hop/EDM side of the record both rapper Tyler, the Creator and English duo AlunaGeorge packed their respective stages with dance heavy crowds. Tyler, the Creator filled his set with silly rapping received by a rather raucous audience.

Prior to the headliners, the dinner hour was entertained by The Head and the Heart and British rockers The Kills. The Head and the Heart are familiar with festivals, remarking “It’s nice to be at a festival on the east coast for once,” and thanked the audience for their attendance at a music festival for music lovers. While something can be said about the chemistry on stage for most of the performers at Governors Ball, there was no short display of it by The Head and the Heart. Another festival master, Foster the People played to a growing audience, perhaps getting themselves in place for Vampire Weekend. There wasn’t too much in the way of special live elements to the show, such as an EDM interlude in “Pumped Up Kicks” but they did add a few extended intros/outros and brought a friend, Spencer Ludwig from Capital Cities, to play trumpet on two songs including “Houdini.” Frontman Mark Foster played to the NY crowd with anecdotes about the naming of nearby Icahn Stadium in the downtime banter between songs.

By now you have probably noticed the focus on NYC based acts, and this was topped off with a weekend headlining set by Columbia University bred Vampire Weekend. With anticipation building for VW’s set, fans were craning their necks to scope out the baroque style setting of the stage and once the set began attempted to push themselves a little closer to the stage. Their upbeat, fast paced singles “Cousins” and “Holiday,” among others, were met with raised arms jumping around throughout the crowd. Their set was closed with an old favorite, “Walcott,” performed a little faster than the studio version. Vampire Weekend was confident and energetic on stage, though they seemed just as comfortable at Governors Ball as at a smaller NYC venue like Terminal 5. Either way, they were a perfect choice to headline and close the festival main stage. On the way out from Vampire Weekend’s set, people caught the sounds of the final few minutes of Swedish EDM duo Axwell Λ Ingrosso’s set, complete with fireworks.

With four stages and 68 bands, it would be very difficult to see every act long enough to appreciate their sets. However, here is our pick of ten of the best performances from Governors Ball 2014, in no particular order:
- Jack White
- Phoenix
- Daman Albarn
- Janelle Monáe
- Vampire Weekend
- Diarrhea Planet
- Fitz and the Tantrums
- Drowners
- The Strokes
- Interpol
Governors Ball did a decent job of planning the stages such that there wouldn’t be much coin tossing on who to see. For example, there were some clear favorites like Outkast over Daman Albarn on the first night. However, more even splits in attendance between the stages could be seen at times, most likely due to tough decisions. Jack White and Skrillex played sets at the same and debates could be heard between friends on which set to attend.

Governors Ball has evolved into a powerhouse amongst the big festivals, spotlighting both major and up-and-coming local NYC talent mixed with acts from around the country. The biggest take away from this year’s Governors Ball is that it was truly designed as a festival experience for the music lovers and connoisseurs. It’s not all about going for the sake of the scene; it’s about experiencing the music. Governors Ball, you’ve shown us how it’s done.

Catch ’s backstage interviews with Drowners, Ben Cameron, and SKATERS coming soon to .com.
June 17, 2014
Destination: Mysteryland USA 2014

When Mysteryland USA was announced I was immediately interested in covering the event. I was excited that a multi-day music and camping festival was going to be held at the site of the original Woodstock festival and the fact that the music at Mysteryland would bear little resemblance to the original festival. ID&T, the company hosting Mysteryland, started as a hardcore record label in the late 1980s as dance music exploded in Amsterdam. By 1993, they had organized the first Mysteryland festival in Holland. In 2002, the festival switched to a day and night format. One of the goals of the festival is to promote friendship and inspiration, and this is accomplished by working with record labels and other artists to curate multiple stages, art installations and food and drink vending.

Mysteryland allows its guests to become part of a truly interactive environment, not knowing what exactly is going to happen next. You can meet people from the same place that you’re from, or from the other side of the globe. You can hear new music from acts you might not have heard of, or you can check out a favorite performer in a unique new setting.

On Friday May 23, 7,500 Holy Ground campers began celebrating Mysteryland USA 2014 at the Camping Circus stage, located within the Holy Ground camping area outside of the main festival venue. The music provided a nice backdrop as people arrived and began setting up their campsites. By the end of the day the camping area was packed out. Navigating through camp to the showers, portos, stage and vendors was tricky during the days as occasional rain contributed to the most traveled pathways between tents becoming extra soggy. During the nights it got even harder as the harsh light from the light towers placed around the campsite forced you to shield your eyes so that you could focus on what was immediately around you; having a small flashlight here was clutch. Although the daytime temperature rose above 70 degrees F, it cooled to near 40 degrees F at night.

Dancing under the tent of the Camping Circus stage Friday night provided a small preview of what was to come for the weekend when the festival officially kicked off on Saturday. The featured performance Friday was the official pre-party, Nicky Romero Presents: Protocol NY Reboot. Even in the cooler nighttime air, the dance floor under the tent got hot and sweaty as you moved towards the center of the crowd, and standing at the edge of the tent you could observe a noticeable difference between the ambient temperature and the heat generated by the party inside, moreso when the breeze picked up. The BangOn! NYC Boombox Van was parked not far from the Circus tent and played music into the night after campers had returned from the main stages, adding an extra dimension of sound and activity to the atmosphere in Holy Ground. I enjoyed John Dahlback and Don Diablo before Nicky Romero took the stage for a great high energy set, which turned out to be a good example of how his set would go on the Main Stage the next night.

On Saturday, I finally got to see the main festival venue. On the way in I took a small detour to visit the monument commemorating the 1969 festival. It is located past the main gate and looks towards the site of the stage and the field that the fans watched the show from. This field was decorated with many rows of flags and was named the Ceremony Field at Mysteryland. At the front of the field were several teepees, a fire pit, a small stage and a dancing circle. The official opening ceremony was held here, and featured members of the Red Hawk Council, which represents first nations and indigenous people of the Americas. The ceremony began with traditional native drumming and chanting.

A speaker from the Red Hawk council welcomed us to Mysteryland and explained how the native focus on the earth, honor, integrity, respect and love was reflected in the crowd and experience of Mysteryland. We were asked to think about what we want in life, and what we need from it. The happiness and peace that comes from the music and the dancing that we were going to participate in, and the friendships that we came with and the new ones that we were going to make, shows us that this is how Mother Earth wants us to be. After the speech, the Red Hawk dancers were introduced and they began to lead the crowd in traditional ceremonial dances. They showed us two different dances before a small rainstorm began and scattered the crowd. And this is how Mysteryland really began for me.

There was so much to do and see here that it was truly overwhelming. Once the music starts, one quickly realizes that they can stay at one stage for most of the day and experience the type of music they enjoy most. The tent stages – Big Top, The Sound of Q-Dance, and Spiegeltent were all full of people dancing and enjoying the sounds of pop, electro, hardstyle and experimental house. Like the Camping Circus stage, the Big Top and Q-Dance stages were under large tents. The Spiegeltent was a traditional Dutch portable venue constructed mostly from wood, and being inside it actually felt like being inside an actual building, which was unique here at Mysteryland.

The Vinyl Only stage was tucked into a stand of trees, and had an open air DJ booth at one end of a synthetic dance floor surrounded by stage rigging decorated with vinyl records. There was a small pavilion behind it that had many disco balls hanging from its ceiling. I really enjoyed this stage for its steady blend of house music.

Big Gigantic closed the Boat stage on Saturday. This was an open air stage in front of a small slope. The whole facade of the stage was fabricated to look like a sailing ship. The DJ booth appeared to be in the cabin in the center of the ship, and there were several pairs of large butterfly styled sails rising above it. Dance platforms were located on both sides of the DJ booth for those with backstage access. Big Gigantic was one of the most unique acts here because they use live instruments – drums and a saxophone – to provide rhythmic and melodic textures over a base of electronic sounds with styles ranging from jazz to hip-hop to dubstep.

Kaskade closed the Main Stage on Sunday. This stage was styled as a house of cards in an Alice in Wonderland theme. The DJ booth here was in a ML cutout in the center of the stage, with five towers of cards rising around it. The central tower was the tallest and featured a clock face at its top. All of the hour markers around the face of the clock read ‘NOW’. The finale at the end of Kaskade’s set was fantastic. After more than ninety minutes of driving electro with elements of pop, trance, moombahton and more, all of the lights within the card towers were flashing and pairs of laser lights were tracing multiple layers of colored wedges through the smoke above the crowd. And then the fireworks started. Small rockets were launched from within the crowd on the field in front of the stage, slicing through the layers of smoke and lasers and exploding in the sky above the festival. More fireworks were launched off in the distance to the left of the stage. The launching, whistling, expanding and exploding were all choreographed to the music and a farewell monologue to the guests of Mysteryland, reminding us that yesterday is history, today is a gift, and tomorrow is a mystery.

Mysteryland USA 2014 was presented as well as or better than most debut festivals. The rainy weather leading up to the festival contributed to some delays and under-performance of some of the technical and logistic aspects of the event, but on the whole the vibe was fun and positive and the music and art created an environment shared by more than 20,000 people for two days that really took you away from the day-to-day world. ID&T is already planning another Mysteryland festival for Memorial Day weekend in 2015 and is hoping to make it an annual event. I look forward to spending a few short days at Mysteryland in the future and finding it better than when I left it.

June 13, 2014
Yonder Mountain String Band’s Harvest Music Festival Announces Lineup

Bluegrass heavyweights Yonder Mountain String Band have announced the lineup for their annual Harvest Music Festival being held at Ozark, AZ October 16-18 2014. This camping and music festival is bringing the top names in the industry to the picturesque Mulberry Mountain for a celebration of epic proportions.

Joining the festival lineup this year will be – Yonder Mountain String Band with special guest Jerry Douglas, Trampled By Turtles, Railroad Earth, The Jayhawks, Lettuce, The Devil Makes Three, Carolina Chocolate Drops, Jerry Douglas Band, Tea Leaf Green, Everyone Orchestra, Split Lip Rayfield, Elephant Revival, Cornmeal, and so many more!

All tickets include camping, a family camping area with a “lights out” at 11pm policy is also available. Children 11 and under are free with a paying adult, VIP tickets and camping are available. Tickets can be purchased online HERE.

June 9, 2014