Category: Regions

  • Paula Cole and Marc Cohn Visit The Palace Theatre in Syracuse

    It is not very often that Central New York is treated to Grammy Award winning artists, let alone two in one night at the same show.  On January 12th, the Palace Theatre in Syracuse, NY was honored to feature Paula Cole and Marc Cohn in their limited engagement tour.

    Paula Cole & Marc Cohn
    Paula Cole & Marc Cohn

    The show opened with Paula Cole, accompanied by long time band mates percussionist, Ben Wittman and guitarist, Kevin Barry on a number that immediately drew in the audience with the strong beat and lyrics.  She had me as she began to stomp and clap to the beat as though she was performing a Latin American dance of some sort.  When an artist can stand up and perform as an entire musical instrument through body percussion and beat-boxing, I’m hooked.  I loved her voice and musicality (I am a sucker for a piano every time), however I soon realized that it would be her lyrics that stood out to me .  Her ability to take life’s moments and place them to music and tell a story is not an easy feat, and she does it beautifully.  Paula narrated her songs as she performed them.  As she explained at what point and time in her career she wrote them, who and what they pertained to, and how she was influenced by many personal stories, it made the listener more attentive to not only the music, but the lyrics and gave them a sense of ownership in the song.

    Paula Cole
    Paula Cole

    Reminiscent of past singers and writers of other eras, Paula’s music brought me back to a time in the 60’s and 70’s where music was written to deliver a message.  Messages in songs such as “Billy Joe” demonstrated a side of touring that is not so glamorous but filled with numerous lonely and isolated days on the road only to pick up and move on again from city to city.  Her song “Happy Home” is written as a tribute to her mother and way for her to express her understanding of her situation.  Paula described seeing in her mother’s eyes a her longing to be more than just a wife and mother.  She saw the longing to let out an adventurous creative woman that was inside but never broke free because she was bound by the duty of her generation to be a wife and mother and maker of the “Happy Home”.   She revealed to the audience that when writing her hit “I Don’t Want to Wait”, it wasn’t originally written to be the soundtrack for Dawson’s Creek, however it was a message about ending the cycles of anger and abuse that families go through at times.  She also delivered wonderful covers of Burt Bacharach’s “Walk on By’ and Dolly Parton’s “Jolene”.  Again delivering them with a fortitude and spunk that resonated an inner strength within her and clearly gave her audience an impression of who she is and what she is all about.

    No matter what tune she is performing or writing, you can be rest assured that Paula Cole will deliver it with a strength and presence that resonates who she is and what she stands for. If I was to describe her music style I would definitely call it versatile and eclectic.  Many times artists tend to create a “sound” that is distinctively their own.  Often done so with several songs that begin to sound the same.  Although Paula’s music has a common thread and sound, each song takes on a life of its own delivering an unique sound and poignant message.  This eclectic vibe is what makes her extremely talented and demonstrates how she refused to become cookie cutter.  Instead she pushes her boundaries and the listener to gifted with music that is new and fresh and different.

    As Marc Cohn took the stage you immediately knew that you were in for a treat.  He drew in the audience with his bluesy sound and forceful voice performing Willie Dixon’s “29 Ways”.  Wow is all I could say. Again, I was hooked.  Joined by Kevin Barry on guitar and Glenn Patscha on keyboards, this trio took over the audience for the rest of the evening and kept them rocking.  As he sang this and other songs, his improvisations were amazingly witty and lightened the mood of each audience member reminding us that we were there to have a good time and loosen up.  Although he was the most amazing musician, he clearly was a performer and really down to earth person.  Anyone who can improvise lyrics in songs as he goes and crack jokes while doing so, is a true performer.

    Marc Cohn
    Marc Cohn

    Inspiration comes from many sources for each artist, and I detected  a similar bluesy pop quality to songs “Walk Through This world With Me” and “Perfect Love”,  which were reminiscent of tunes from Eric Clapton and James Taylor, and similar artists of that time period.  While “Silver Thunderbird” had a tad hint of Jackson Browne in it, in my opinion.  You could tell with choices of tunes he’s recorded over the years his influences on his music and his song writing.  His album Listening Booth, 1970 is an entire album dedicated to influences on his music as he covers songs such as “Wild World” and “After Midnight”.  But it is his rendition of “Baby I’m Amazed” that is my ultimate favorite and is a beautiful tribute to an amazing songwriter and performer, Paul McCartney.

    Marc brought Paula out to join him on this last show of their short tour to sing “The Letter” a song made famous by The Box Tops back in 1967 during the Vietnam War era and another on the Listening Booth album.  Their rendition and styles mesh perfectly to deliver a jazzy rendition of the tune.

    Paula Cole & Marc Cohn
    Paula Cole & Marc Cohn

    Musicians often write songs for hire and at times suffer from writers block and go for extended periods of time without writing any new material.  Marc shared his personal story one of these blocks he went through recently and for the first time in four years he broke through this block and how he did just this.  He recently was asked, along with several other NYC musicians, to put together a song to accompany a story.  The project revolved around a story of the men that come from Canada with their Christmas trees to sell on Broadway each year during Christmas time in NY City.  They don’t usually have much money and often no where to stay.  With the help from an unlikely source in the story was the song “Treeman” born.  “Treeman” will be featured as the project song and we were fortunate to be one of the first audiences to hear his new song, and it was amazing.  It was as if he saved all his best lyrics from the past four years to use in one song.

    Marc Cohn
    Marc Cohn

    Marc often is asked if he ever gets tired of singing his hit “Walking in Memphis” and he’s adamant about how proud he is of the song and how he never tires of playing this one.  As a huge fan, I must say I am so thankful he doesn’t tire of it, because he audiences never will.  This is his signature tune.  The one most adored by fans all over, and rightly so.  This tune will be one of the classic tunes that will span generations and be covered by artists in the future, just as Marc covered the tunes of those that inspired him.

    Overall the shows from both Paul Cole and Marc Cohn were beyond amazing.  They are the perfect pairing to compliment each others styles, and for audiences attending. The playlist for the evening in both sets brought the audience back to a time when music was mostly performed acoustically with just a singer/songwriter and a piano, and without the pomp and circumstance, but just the music and the audience.  Central New Yorkers were treated this evening, and we thank Paula and Marc for making a stop to share such talent in our neck of the woods.

  • Sonny Landreth and Cindy Cashdollar Slide Smoothly at The Egg

    Sonny Landreth and Cindy Cashdollar, two legendary slide guitarists, played an intimate concert in The Lewis A. Swyer Theatre at The Egg in Albany on Friday January 31st.

    The less than 450 person crowd was surprisingly loud as Sonny Landreth took the stage to perform the first few songs solo, just a man and his guitars. With such small venue, every seat had a perfect view of Landreth as he sat down and began the show with “Next of Kindred Spirit.” His fingers easily covered the frets as he slid all over the neck of guitar with a complex simplicity. He rocked the guitar in his arms with care and a laid back attitude that you’d find on a front porch on a warm summer day. “Broken Hearted Road” introduced lyrics full of sorrow with sharp chords that cut right through you. There was complete silence in the crowd as the theatre was filled with the mind blowing humid riffs.

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    Cindy Cashdollar was greeted by Landreth and the rest of the audience for the duration of the set, and thanked everyone especially Sonny for the thrill of performing together. Upstate’s own Cashdollar brought a raw and edgier sound to the southern blues rock of the evening, her own unique style of danger. Both musicians constantly exchanged smiles throughout the show, adding to the relaxed and friendly atmosphere of the round room. Landreth encouraged the audience to “let the spirit take you” as they went into “Cherry Ball Blues”, an upbeat blues funk song. “Key to the Highway” a cover song often performed by Eric Clapton, was described as Landreth’s own personal theme song complete with escalating rocking high notes. Cindy Cashdollar frequently smacked her guitar with graceful force and a toe tapping rhythm. Landreth seemed pleased with the show mentioning that they covered all the basics, happy blues, sad blues and everything in between before closing the set with Robert Johnson’s “Walkin Blues” with long drawn out chord attitude from Cashdollar.

    This was the first show of The American Roots & Branches series being hosted at The Egg and it set the bar high for the rest of the year. Both Sonny Landreth and Cindy Cashdollar are extraordinary musicians who make an unstoppable duo, redefining the blues with southern charm.

    Setlist:

    Sonny Landreth Solo: Next of Kindred Spirit, 2 Shuffle, Here & After, Broken Hearted Road, South of 1 – 10
    Sonny Landreth & Cindy Cashdollar: Blues Attack, Cherry Ball Blues, Key to the Highway, Hell at Home, World Away, All About You, It Hurts me too, Prodigal Son, Walking Blues
    Encore: Bayou Teche

  • The David Mayfield Parade at Abilene in Rochester, NY

    To say that one has “seen” a David Mayfield Parade show is an understatement. The experience can best be described as an event that you were a part of when the Parade came to your town. The charisma that emanates from Mayfield’s heart and soul, the music that he creates and the interactions he shares with the crowd are a spectacular occasion.

    The David Mayfield ParadeThis night the venue was full and the music was hot! Highlights were hearing originals like, “Love Will Only Break Your Heart” – in true Mayfield fashion songs about love were followed by strong fiddle and bass filled dance songs, and dancing on the bar and the chairs and flat-out on the floor.

    Banter among band members is common place at live shows but banter WITH the audience is what you get from Mayfield. Saturday’s show at Abilene Bar & Lounge in Rochester, NY was no exception to the carnival side-show antics that make this band who they are and sets them apart from the others.  Mayfield was in the midst of performing his sexual prowess where he fit the entire mic into his mouth while batting his eyes and flirting with the crowd – a female fan yelled out, “I love you David!” to which Mayfield replied, “I thought I told you to wait outside”. The small crowd at the intimate one room venue erupted with roars of laughter at the well-played banter.

    Another moment shared between the crowd and Mayfield was set inside a circle of fans as Mayfield serenaded us with his acoustic guitar – sharing these intimate interactive moments with music and the artist is what music lovers hope for with shows like this.

    The setting is small, especially in the winter when the back deck is closed off but the intimacy that can be reached between bands and patrons can not be found in any other venue in this city. Abilene has become Rochester’s secret garden for music, whether it’s as the Americana stage at Jazz Fest or the little bar with the blue grassy – rockabilly bands in the cold of winter. This venue is perfect just the way it is and I look forward to seeing shows here in the future.

  • Clap Your Hands Say Wow! Alec Ounsworth Rocks Big Blue North Studios in Utica

    Picture hundreds of people huddled around,smoking cigarettes, drinking beers under the bright lights of the grand marquee waiting to get into the show. Now take that image and think the complete opposite and that is the feel of the Alec Ounsworth (Clap Your Hands Say Yeah) living room tour. If a patron of the concert at Big Blue North Studios in Utica didn’t have specific directions and overview of what they were in for, they would have thought they were in the wrong place. A huge church that Big Blue North Studios now calls home was dark with nothing but a candlelit pathway leading to the entrance on January 28th.

    A kind woman was at the door, taking names, letting fans know that coffee and tea were available to the right. Yup, you heard it right coffee and tea. This was a concert? The ambiance at this point was that of an AA meeting. Confusion filled the room; confusion and anticipation. As the crowd of 40 people or so sat in metal folding chairs, the stage was set up just as if it were a living room (hence the tours name) with ablack and white TV with a scrambled image, a tan fuzzy chair, a fireplace, a table and a microphone in the middle of it all. Intimate doesn’t even begin to describe the atmosphere. When Ounsworth walked through the crowd and stepped on stage he had everyone’s utmost attention.

    This was more than a show, it was an experience, a rare one at that. Seeing an indie hero such as Alec Ounsworth playing his usually fast paced songs, stripped down and played completely different, while the farthest person away from him was 20 feet away. Ounsworth proved to his fans that he still has it and with the new formation of CYHSY, the new album has nothing but the possibility of greatness.

    Opening up with the beautiful David Bowie classic “Absolute Beginners” highlighted Ounsworth’s vocal range and not stretching it too far to get a feel for how the room would sound with an audience. The intimacy was so apparent that Ounsworth not only didn’t mind fan interaction, but encouraged it. By talking to the fans throughout. When he played “Upon This Tidal Wave of Young Blood”, a classic off the CYHSY self-titled debut album, there were people quietly sitting but yet moving to the music, smiling, mouthing the words, as not to disturb the ambiance of the room. At this point where the man of the hour started to cough, and sniffle a bit, making comments implying he may have a cold, but not only didn’t he stop the show, or take a break, he continued his high pitch on the verge of whiny vocals. Ounsworth offered fans a treat by playing “Blameless”, a new song off the full bands album set for a spring release, transitioning smoothly into “In this Home on Ice”, stripped down, even more so than the song’s previous versions. The show closed with “Underwater (you and me)”, off the bands second album Some Loud Thunder, a spectacular way to end the set. Arguably the bands most beautiful song made even that much more due to the intimate surroundings.

    Ounsworth proved to his fans that he still has it and with the new formation of CYHSY, the new album has nothing but the possibility of greatness.

  • Rock n Roll Resort v4: Dream Machine, Announces Initial Lineup

    After much anticipation, fans can celebrate the lineup for Rock n Roll Resort v4: “The Dream Machine”, an exclusive 3-day, 2-night multi-media experience taking place April 4-6, 2014 at Hudson Valley Resort & Spa in Kerhonkson, New York, nestled within the heart of the Catskills.

    rock n roll resort dream machineAn all-inclusive concert adventure, Rock n Roll Resort is an intimate destination event for music and arts, held within the walls of a VIP resort, that features an eclectic assembly of musical talent including electronic, funk, bluegrass and jam band performers. At the event, fans will enjoy the unique opportunity to socialize with the artists off-stage, all weekend long. A sonic, visual and intellectual voyage promising to be a full resort takeover wherever it lands, Rock N Roll Resort explores different music themes and resorts throughout the Northeast and beyond.

    Check out ‘s coverage from 2013  and photo galleries from Alex Toombs and Chelsea Valente.

    Rock n Roll Resort has been featured on since it’s inception, and has regularly been part of the Best of Upstate in the Best Festivals category. The Rock n Roll Resort v4: “The Dream Machine” confirmed lineup includes:

    Dumpstaphunk, Motet x2, Everyone Orchestra, Turkuaz, Cabinet, BRYAC Funk Allstars, Conehead Buddha, Nephrok! Allstars, Peter Prince & The Trama Unit, The Alchemystics, Digital $torm, Z3, Leroy Justice, Roots of Creation, TAUK, Alan Evans Trio, Goosepimp Orchestra, Danny Pease and The Regulators, The Kings of Belmont, Mark Mercier Band, Dr. Westchesterson, The Juicy Grapes, The Broadcast, Arclite, Darian Cunning Band, Michelle Sarah, Solaris, The Kind Buds, 7 Below, The Big Sway, Big Takeover, Cheatcode, Honeycomb, Mister F, Space Carnival, Cosmic Dust Bunnies, Frank Viele solo, and Political Animals.

    rock n roll resort dream machine
    Goosepimp Orchestra at Rock n Roll Resort v3

    Many artists will take the stage multiple times throughout the weekend, and more artists to confirm soon!

    This April’s Rock N Roll v4: “The Dream Machine” will showcase an eclectic mix of up and coming super talent with over 50 hours of musical entertainment, collaborative live art, activities including a golf tournament and celebrity poker competition, workshops and theme nights, cyberistic euphoria, eclectic catering and even a festival vendor row all at an affordable price and within the conveniences of the Hudson Valley Resort & Spa.

    Set within 400 wooded acres adjacent to Minnewaska State Park, and surrounded by gorgeous Catskill views, the ambiance of Hudson Valley Resort & Spa provides an unparallel layer of of tranquility and luxury–a quintessential location for such an incredible musical occasion. Guests can enjoy fitness room, arcade centers, Jacuzzi, sauna and steam rooms, heated indoor pool, and on-site shopping.

    Keep up to date with Rock n Roll Resort on FacebookTwitter and YouTube.

  • Eastbound Jesus: Two Night Live Album Recording at Red Square

    Upstate New York has a strong and authentic sound when it comes to bluegrass music. It’s an old world rebellion mixed with a hopeful heartache for the future that was heard loud and clear in Albany last weekend. Red Square and Guthrie/Bell Productions hosted Eastbound Jesus for two nights for a live recording session album on Friday, January 31st and Saturday, February 1st. The Northern Rock group invited Upstate bands Driftwood and The Blind Spots to share the stage and showcase their folk bluegrass talents. Eastbound Jesus has a dedicated fan base that easily relates to their catchy lyrics, contagious melodies and a love for flannel.

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    Driftwood, the all string quartet from Binghamton, showed no mercy to their instruments or the audience as they opened the show on Friday night. They are a fierce and savage bunch of sophisticated folks who bring out the best in each other. Their lyrics and melodies follow each other in rounds that create a beautiful chaos of Americana. Driftwood’s music grows, it expands and the acoustics stretch the length of the room and outside the venue. They started with a soft lullaby of “High School Paycheck” to start the evening and the crowd was mesmerized with the mighty stand-up bass notes of Joey Arcuri. Claire Byrne won over many hearts that night as she ignited her fiddle with a burning passion that caught newcomers off guard. “Buffalo Street” was the biggest hit of the set, as the audience quickly picked up on the rhythm from the tambourine, clapping in unison and adoring the harmonies with whistling. Driftwood’s newest self-titled album is available for a free streaming on their website or Soundcloud and be sure to catch them on their tour across the East Coast this spring.

    Setlist: High School Paycheck, Words, Lost Indian, Dusty, Buffalo Street, 2 Kill Ya, Brother, Before I Rust, Carby, Outerspace, Sun’s Going Down

    Friday night proved to be another fun filled Eastbound Jesus show with lots of flannel, foot stomping and group sing-alongs. The weekend kicked off with “Easy Now” and with the lyrics, “It feels like forever since I’ve known that I’ve been home” there was a great cheer of appreciation and excitement. Jerry Reed’s “East Bound and Down” was a surprise for fans as it brought out the southern hillbilly in everyone. “North Country Girl” brought out a romantic flair with rolling guitar chords and charming vocals from each member. EBJ welcomed Driftwood’s fiddler Claire Byrne for a few songs, demonstrating that she can hold her own with the boys and brought a graceful yet rowdy style to the set. One of the perks of Red Square is the intimate space giving you the ability to get up close to musicians so that when they each member gets that same crazy look in their eyes; you can feel the music really kick in. EBJ saved some of their most climactic songs for the end such as “Where The Winter Goes” and “Waitin’ On The Sun” with each song building up unlimited possibilities for hard strumming and thunderous rhythm. The night ended with a three-song encore, much to the crowd’s delight who were already thirsty for Saturday’s show.

    Setlist: Easy Now, I Wouldn’t Know, Pickin It, East Bound and Down*, Here’s to You, North Country Girl, Sittin by the River, Roll in my sweet Baby’s Arms, Talking to John, Ghost Town, Southbound Train, Corn Whiskey, Doors Open, Tennessee, Maggie’s Farm, Where The Winter Goes, Waitin’ On The Sun, Beat The Breaks

    Encore: Out Yonder, Mouthful of Diamonds, Hold On Me Now
    *Cover by Jerry Reed

    Keep scrolling and Check out Tabitha Clancy’s review and photos from Saturday night below!

    The live album party continued in a “Small Town, Saturday Night” fashion, much like Hal Ketchum would say. Eastbound Jesus brought the grit and the grind to Red Square in Albany for a second night of recording.  These Greenwich swashbucklers are music machines just pumping out song after song after song but not in a boring factory line kind of way. Their high-energy arrangements are supported by well written lyrical stories. The PBR imbibers are a synchronous target audience of these blue-collar tunes turning the night into a merrymaking group participation event.

    Eastbound knows their audience well and seemingly walked the crowd through a warm-up first. “Beat the Breaks,” new to the amassed catalog of tunes, was the only song played both nights. “Without You” is a slow, sweet melodic piece with just the right touch of sadness.  Creating a build up, Eastbound kicked it up a notch with “Holy Smokes!” A special treat was in store for the room when Bryan Brundige (trombonist from The Chronicles) and Tony Meier (keys) were called up to “Let it shine, let it shine, let it shine,” in a collaborative jamband and calypso groove rendition of The Grateful Dead’s “Turn on Your Lovelight.”

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    Eastbound Jesus crafted a set of crowd favorites from their discography, new tunes and threw in a few covers for what will soon be a playlist on a live disc. Their punchy personalities, stage camaraderie and homogeneous blend of instrumentation can only mean, “Someday, it’s gonna go down.”

    Stay up to date with on Facebook and Twitter for news when Eastbound Jesus’ live album will be released this coming winter/early spring.

  • Steve Martin Returns to the Rochester Jazz Festival This June – Tickets On Sale Tomorrow!

    SteveMartinandtheSteepCanyonRangersfeatEdieBrickell

    XRIJF announced the return of Steve Martin and the Steep Canyon Rangers to the Kodak Hall at Eastman Theatre for the Xerox Rochester International Jazz Festival 13th Edition, which will be held June 20-28. Tickets go on sale Friday, February 7 at 10:00 a.m. at rochesterjazz.com. Steve Martin and The Steep Canyon Rangers last performed in Rochester at the XRIJF in 2012 in two sold-out shows.

    Steve Martin & The Steep Canyon Rangers featuring Edie Brickell will perform on Saturday, June 21. Tickets are $105 boxes/$95 orchestra/$80 mezzanine and loge/$65 balcony plus $8 per ticket service charge/facility fee. All performances will be at 8:00 p.m. at Kodak Hall at Eastman Theatre.

    Check out ‘s 2013 XRIJF coverage – Peter Frampton’s Guitar Circus and Willie Nelson & Family

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  • James Taylor Coming to Upstate in July

    jamestaylorpresssummer2014James Taylor has announced an extensive North American tour that will go from May 30th – August 5th right in the middle of the tour, Taylor will be playing back to back nights in Upstate, NY –  July 19th he will be playing at Saratoga Performing Arts Center (SPAC) and the next evening July 20th, he will be at Bethel Woods Center for the Arts.

    This tour is going to see James Taylor backed by an “all-star band” more information will be available in the future.  Stay right here to see who is in this band as we will be giving that information to you as we hear more about it.

    Tickets will be on sale soon and are sure to go quickly as James Taylor is always a popular act to see.  Don’t miss out on what is sure to be one of the better tours of the summer.

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  • We Can Dance If We Want To: Lotus at Water Street Music Hall

    Despite several non-heady forces: A red hot Syracuse basketball team playing,  sub-zero wind chills, and a liquor license-less venue; Rochesterians turned out en masse for the electro-jam instrumentals of Philly based Lotus. Touring heavily behind their latest critically acclaimed release Monks, fans came from far and near to catch this rare Upstate performance of Lotus at Water Street Music Hall. Local DJ favorite Papi Chulo opened the night with his skillful genre hopping house infused DJ set that got everyone limbered up for the headliner.

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    Water Street, as many know, has been struggling to get their new liquor license for many months, and many shows have been canceled, rescheduled or moved. Despite the lack of delicious hops, this show was expertly staffed and it was a relief to see a packed show again in Rochester’s most history filled venue. Note to New York State: These unbelievably long, senseless bureaucratic delays for a simple license continue to cripple small businesses struggling to profit and stay open. Reboot this system and let’s get New York’s small entrepreneurs back on top!

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    By the time Lotus took the stage Water Street was elbow to hoop girl from front to back with a large contingency spilling upward into the balcony for some dancing room. Their sound, while definitely in the EDM genre, sticks mostly to old school influences with healthy doses of funk and hip-hoppy beats mixed within melodic keyboard battles and a dual-ax core. Beyond some occasional voice effects by guitarist Luke Miller, the songs are all instrumental, yet hold a distinct memorable vocal character to them that transcends many similar bands in the genre. No UntzUntzUntzDROP here, this is hypnotic organic dance music filled with timeless melodies.  Unfortunately Lotus has no more shows scheduled in NY currently, but keep an eye on their tour page, as they’ll be back and you won’t want to miss it.

    Check out and purchase Lotus’s Monks  here

    Setlist:
    Set 1: Bellwether, Ashcon, Neon Tubes, Opo, Wooly Mammoth, Bubonic Tonic ->Tip Of the Tongue
    Set 2: Debris, Golden Ghost -> Livingston Storm, Different Dream, Behind Midwest Storefronts, IACTMN ->Wax
    Encore: Cain & Abel, Hammerstrike

  • The Chronicles End Their January Red Square Residency

    With three weeks under their belts, The Chronicles finished up their residency at Red Square on January 30th with a great set of music honoring the late J Dilla as well as some of their own music.  Starting the evening off was Ithaca’s Big Mean Sound Machine.

    The band stays true to their name, with everyone barely fitting on Red Square’s stage and blowing the audience away with music power that is seen so rarely.  The funky numbers they played showcased each member’s talents flawlessly.  The three person horn section was strong throughout the performance, leading most tunes along with the drums, bass, and congas.  Both the guitars and the keyboards are used more as filler than as leads like they are in most bands.  It gives the band a unique sound that should be enjoyable to everyone, and with a new album coming out in June, it is looking like a big year is coming for Big Mean Sound Machine.

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    The Chronicles came out after a short break and tore through a set that included guest JB for the J Dilla portion of the set.  J Dilla is of course best known for the producing he did on many amazing hip hop tunes throughout the 90s until his death in 2006.  JB flawlessly rapped over the music and clearly enjoyed helping The Chronicles out with this special show.  “E=MC2”, “Stakes is High”, and “Fall in Love” were great highlights of the set.  Jeff Nania, who mainly plays various saxophones, even took a turn at the mic during the evening.  The Chronicles closed the night, and ran out in style with a one two punch of “Village Livin’” and “Mr. Clean.” This run let the band stretch their musical chops out to all regions of the music landscape and it suited the band well.  Hopefully Albany will see another residency down the line.

    Setlist: Time, Gobstopper, E=MC2, Move, Won’t Do, Stakes is High, Fall in Love>Think Twice>Fall in Love, Interzone, Just Knew, Strasbourg/St. Denis, Village Livin, Mr. Clean