Category: Regions

  • Decades Night Becomes Dancing Night: Aqueous at Nietzsche’s, February 5th

    In over 30 years of live music at Nietzsche’s Buffalo, no band has ever been granted a residency, until Wednesday February 5th, 2014 when Aqueous secured a month long gig at Nietzsche’s where they will play themed shows every single Wednesday night with various opening bands. Wednesday was “Decades Night,” so both Aqueous and Baltimore based Pigeons Playing Ping Pong (PPPP) brought some celebratory cover songs to the party.

    Aqueous decades nightPigeons started the night off strong with their excellent brand of funk/improv. Coming out hot with the perfectly named “Upfunk”, PPPP got the crowd grooving from the first note. Both “Decades Night” covers of Steppenwolf’s “Magic Carpet Ride,” and Michael Jackson’s “Don’t Stop Till You Get Enough” were well adjusted to the band’s style and fit perfectly in their set. Pigeons did a great job injecting the crowd with energy and setting the stage wonderfully for Aqueous.

    Aqueous decades nightSelling out Nietzsche’s has become old hat for Aqueous. Tonight was a difficult night for people to make it out to Nietzsche’s. With a storm that dropped 10 inches of snow and a late Wednesday night gig, Aqueous was still able to bring in a crowd of around 150. Those brave 150 would leave the two hour set happy, appreciative, and tired from dancing.

    Aqueous opened the run with the newly penned “Complex ii” that has seen some growth already during its short life. The first Decades Night themed cover would appear after just one song. Aqueous closed “Complex ii” and immediately released The Doors “Break on Through” (60’s); the energy in the building would never slow from that point. Two more Aqueous originals with some exploratory jamming would set things up for the 70’s decade cover. The Bee Gees “Stayin’ Alive” gave the Nietzsche’s crowd a chance to show off their disco moves that they have watched their parents do at weddings.

    Once again two more Aqueous originals followed, including an excellent “Aldehyde.” Next it was time for the 80’s decade cover. Covering a-ha’s “Take On Me” was an excellent choice and the clear highlight up until this point of the show. However, this was no laughing matter. The crowd was in a frenzy grabbing each other, singing the cheesy lyrics and basking in the fun.

    Aqueous followed next with their original tune “Skyway” before seguing into the last cover of the night. The 90’s cover of Britney Spears “Baby One More Time” came out of nowhere. If you had that as your office pool choice for the 90’s decade, please provide visual evidence. Unfortunately, Britney was not around to shake it for us, but guitarist Dave Loss handled things like a pro. Luckily for us, Dave decided not go the sexy teenage schoolgirl route, instead he helped turn the cover into a funky take on the teeny-bopper classic. The crowd ate it up, everything was weird and perfect at the same time. An outstanding jam concluded “Baby One More Time” before the band returned to “Skyway” which finished up the set.

    The encore choice of the rarely played “Dig It Good” capped the night while staying true to the jamming spirit of Aqueous’ core. Smiles, laughter, and happiness were certainly the dominant emotions of the crowd as the exited Nietzsche’s. Just a reminder, this was only the first of the four residency shows. See you next Wednesday for the “Love” themed set and opening band from North Carolina, The Mantras.

    Aqueous Residency Remaining Dates at Nietzsche’s:
    Wednesday, February 12 with The Mantras
    Wednesday, February 19 with Broccoli Samurai
    Wednesday, February 26 with Big Something

    Setlist: Complex ii>Break On Through (Doors), Dave’s Song>Gordon’s Mule, Stayin Alive (Bee Gees)>Kitty Chaser, Aldehyde>Take On Me (a-ha), Skyway>One More Time (Britney Spears)>Skyway

    Encore: Dig It Good

  • The Boss Coming to The Albany Times Union Center – May 13th

    Springsteen High Hopes

    Bruce Springsteen and The E Street Band will be bringing their legendary show to Albany’s Times Union Center on May 13.  This is part of the first leg of United States dates for Bruce since 2012.  Bruce is known for pushing the envelope at concerts, with not only playing his own numbers, but covering great old rock numbers as well as taking requests from audience members.

    The last time he came to Albany in 2007, it was Danny Federici’s second to last show as a full member of The E Street Band before passing away in 2008.  There have been plenty of changes in the band since that stop in Albany.  Clarence Clemons has also passed away, a four-part horn section and a chorus have been added, and on some occasions Tom Morello plays in the band too.

    They will be supporting his latest record, High Hopes, which came out last month.  Tickets will be going on sale this Friday, February 14 at 10AM. Tickets are going to go quick for these as this is the only New York show of the tour at the moment.  Don’t sleep in on Friday and make sure you get tickets to what is going to be one of the hottest shows of the Spring.

  • Local Limelight: The Garcia Project – Creating The Jerry Garcia Band Experience

    The Garcia Project, based in Saratoga Springs, is a faithful conduit for the music of Jerry Garcia Band, conveying emotional resonance through the music that Jerry Garcia fans have known for decades. The Garcia Project includes Mik Bondy on guitar and vocals, and Kat Walkerson on vocals. A cavalcade of musicians join them in various lineups,including Greg Marshall, Jordan Giangreco (The Breakfast, Viral Sound) and Scott Guberman rotating in on keys, Dan Crea, David Alderman and Fred Wilkes on bass and Bob McKeon, Aaron Martin and Brian Sayers on drums on any given night. While the lineup can change from show to show, it’s always The Garcia Project!

    the garcia project

    Additionally, Mik and Kat perform the songs of the Grateful Dead and Jerry Garcia Band tunes in their our own arrangements, as Acoustically Speaking.

    Kat Walkerson has a truly soulful voice, displaying great energy with her passion pouring out from her vocals. A kind soul that brings a warmth to any room she performs in, her voice is a perfect compliment to Mik’s, who is The Garcia Project’s “Jerry”, a part he plays with humility and focus on the music to channel the spirit of the Fat Man. In paying tribute to Jerry, Mik has made two guitars and replica speakers and equipment to bring about the true Garcia sound. Previously, Mik was in the band Tapestry for over 20 years. Recently, Mik and Kat have performed with Melvin Seals and the guys from JGB Band.

    Pete Mason: How does The Garcia Project channel the sound and spirit of Jerry Garcia Band?

    Mik Bondy: Everyone in The Garcia Project loves the music that the Jerry Garcia Band created. We are all huge fans of Jerry. And much like us, the folks that come out to share in the experience are huge Jerry fans too. This makes the synergy between the musicians and the audience very strong, right from the start. Couple that synergy with professional, seasoned musicians that really want to provide and recreate a Jerry Garcia Band experience and really care about the music and the performance of it – and you have the recipe. We also study the music and the various eras, we build instruments and rigs that mimic the sound and styles. We always do a group huddle before we perform a show and thank Jerry for the music and ask his blessing on what we are about to create with the people. We fell very blessed and are thrilled that folks keep coming out and enjoy it as much as we do. Its really all about the love of the music.

    PM: What sets The Garcia Project apart from the other well know Jerry Garcia Band act, Melvin Seals and JGB?

    MB: Melvin Seals and JGB are great friends of ours. Kat performed with Melvin and JGB a few times back in 2010-2011. Both Kat and I recently performed with Melvin and members of JGB up in Saranac Lake, NY and Melvin Seals performed as keyboard player for The Garcia Project last year (and will again this year) at Jerry Jam, the best Jerry festival in the Northeast. We really love and respect Melvin and the JGB band.

    Melvin Seals has his own new arrangements of songs and writes his own custom set lists. The Garcia Project has been recreating classic Jerry Garcia Band shows and sets and attempts to perform in the same style and tempo as each show and era. Each era has it’s own flavor.  We recently did a 77 show at Mexicali Live that there was no recording of the original JGB show, so we pieced together the show from other recordings from the year for reference and then performed it in that style. Both bands have very unique sound and we love what we both add to the scene.

    Listen to the whole Mexicali Blues show where we recreated JGB Nov 16, 1977

    PM: Why the music of Jerry Garcia Band? Why not Grateful Dead songs?

    Kat Walkerson:  Our love for the Grateful Dead is equal to our love of Jerry Garcia Band. If not for attending Grateful Dead shows, we wouldn’t have known about Jerry Band. Even back when Jerry was around, JGB was much lesser known and attended. It was something special that you were lucky to stumble upon. We feel that the Jerry Garcia Band catalog is an extraordinary collection of wonderful songs. Many of them are songs not original to the Jerry Garcia Band. They were songs that Jerry picked out because they were special. Adding to that, he mixed them all up, rearranging them and making them the style of music that is Jerry Band. We all agreed and loved them too. And we loved what happened to us as a community when we gathered for this music. This music creates a special space, a fertile ground where positive things grow. Love, friendship, community, healing, forgiveness, progress in general.  Jerry Band is a love and connection fest of the purest nature. We always say “The Grateful Dead is like Saturday night, and Jerry Garcia Band is like Sunday morning”. What is created and experienced when we all gather and enjoy this music together is something that  should continue.  So, as we love the grateful dead, and play some whenever we can fit it in, we focus on the Jerry Band catalog. Like the Grateful Dead, there is also decades worth of this music, so many great musicians rolled through the band in (30?+) years. There is so much to hear and enjoy. We want to do our part to make sure this music gets and stays out there.

    PM:Is there a certain year or era of Jerry Garcia Band that you particularity enjoy the most? Why?

    MB: I really love all of the eras, really. But the 1977-78 Jerry Garcia Band shows have been firing me up recently. I love the tempos and the arrangements.

    KW: All equally

    Bob McKeon: Late 1970s and late 1980s.

    Dan Crea: 1978 with Donna and Maria.1977 counts too but there was no Maria, and I’m a big fan of hers.  I like the open space that Keith left between his notes and how his sound kept the mix nice and open.  Great “Lonesome’s” in this era!

    PM:  Where do you think you’ll be in five years?

    MB: We would love to travel and take the music of Jerry Garcia to many more people around the world. With the right team, I could see us touring and playing venues all around the world.

    The Garcia Project Tour Dates:
    February 15 – Garcia’s at The Capitol Theatre, Port Chester, NY
    February 22 – WSG String Band and Blessed and Gifted, Spaceland Ballroom, Hamden CT
    March 22 – The Cannery Music Hall, Southbridge, MA
    April 5 – Arch Street Tavern, Hartford, CT
    April 19 – 420 Celebration at The Oneonta Theatre, Oneonta, NY
    July 25 – Jerry Jam Music Festival, Bath, NH, with Melvin Seals on Keys. The festival runs July 25-27.

    Acoustically Speaking Tour Dates:
    February 1 and 22 – Opening for The Garcia Project
    February 21 – Franklin’s Tower, Albany, NY
    February 28 – West Mountain Ski Resort, Queensbury, NY
    March 28 – Franklin’s Tower, Albany, NY

    Keep up on everything The Garcia Project on their Website, Facebook, Twitter and YouTube pages.

  • Greensky Bluegrass Entertains The Town Ballroom on a Winter-Laced Wednesday

    Fans of all music genres convened at The Town Ballroom on Wednesday, February 5 for Greensky Bluegrass. It was a heck of a storm all day  long in the Buffalo area, however, it didn’t keep the die hard music lovers away.

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    Tumbleweed Wanderers opened the night off and came out strong despite nearly missing out on the opportunity because their van had broken down. They got the crowd ready for the nights headliner and gained a solid reaction from there on stage flare to their great sound. The Tumbleweed Wanders, hailing from a much warmer climate in Northern California mentioned the cold on a few occasions.

    Headliner Greensky Bluegrass may be a bluegrass band but have hints of all sorts of genres and know how to get a crowd involved. Greensky’s uncanny ability to get the crowd moving with uplifting jams also featured one of the best light shows to date for the bluegrass scene. The quintet from Michigan is led by all members at any given time. Dave Bruzza (guitar), Anders Beck (dobro), Mike Devol (upright bass), Mike Bont (banjo) and Paul Hoffman (mandolin) all know how to step up and take charge, as was apparent throughout the night. If you had looked through the crowd it was apparent fans were really having a good time.  The band wasted no time and jumped right into it, showing that they were ready to play right out of the gate. There was plenty of banter throughout the night, saying how cool it was to play in Buffalo despite the weather. In true Greensky Bluegrass tradition, they took a song and really made it their own with their rendition of Bruce Springsteen’s “Atlantic City” into brilliant bluegrass.

    The Tumbleweed Wanderers

    Greensky Bluegrass

  • Jay-Z Brings Heat to Buffalo’s First Niagara Center

    Jay-Z has made a reputation as one of the greatest living rappers, and his Magna Carta tour continues to prove just that.  Opening with, “U Don’t Know”, Jay-Z started his performance at Buffalo’s First Niagara Center with an energy that promised to keep the packed house on it’s feet.  Backed by a four-piece outfit that featured renowned DJ Timbaland, drums, guitar and keys, Jay-Z dropped rhyme after rhyme spanning his nearly 20 year career.

    Jay Z BuffaloThe crowd rapped along to favorites like “99 Problems”and “Big Pimpin” while Jay-Z never broke his stride.  His calls out to the audience to “Put your diamonds in the air”, were met with enthusiastic hands held high into the sky each time.  Even when the pace slowed briefly for an interlude by Timbaland the momentum wasn’t lost.  “Jigga My Nigga”, picked the crowd right back up and carried them through with more hits until Jay-Z took his time to thank the audience.  Fresh off his 19th Grammy win, Jigga said no matter how many albums or awards he has, the best feeling is being on stage and performing, promising the audience he’d “Never get jaded”.  Picking individuals out of the crowd, he spent nearly ten minutes chatting and making his thank you heartfelt and personal before going into the encore.  Pointing to one girl in the crowd he said, “You know every lyric to every song, I appreciate you”.  Picking another man out he said, “You were rocking with me all night, I appreciate you”.   Jay-Z is leaving his mark as one of the great entertainers of his time, and continues to visibly enjoy every second of it.

    Setlist:  Higher Intro, U Don’t Know, Crown, On to the Next One, Holy Grail, Fuckwithmeyouknowigotit, Beach is Better, Drunk in Love (Beyonce Cover), 99 Problems, Picasso Baby, Dead Presidents II, Pound Cake (Drake cover), No Church in the Wild (Jay Z & Kanye West cover), Somewhereinamerica, Big Pimpin’, Timbaland Interlude, Jigga My Nigga, Nigga What, Nigga Who (Originator 99), Dirt Off Your Shoulder, I Just Wanna Love U (Give It 2 Me), Niggas in Paris (Jay Z & Kanye West cover), Tom Ford, Public Service Announcement, Clique (Kanye West, Jay Z & Big Sean cover), Run This Town

    Encore:  Encore, Empire State of Mind, Izzo, Hard Knock Life (Ghetto Anthem), Young Forever (Nelson Mandela Tribute)

  • Spend an Evening with Alt-Country Legend Steve Earle at Club Helsinki

    The Saturday of Presidents’ Weekend should be a blast at Club Helsinki in “Upstate’s Downtown” Hudson, where Steve Earle will be belting out some of his signature rockabilly, alt-country, and anti-war tunes. Garnering inspiration from musicians such as Townes Van Zandt and Guy Clark, many of Steve Earle’s songs have been recorded by country superstars including Johnny Cash, Willie Nelson, and Joan Baez. After a brief hiatus in the early ‘90s, Earle came back strong with an album that returned to more of his folksy acoustic roots. This tour will be in support of his latest album Townes, comprising songs written by Earle’s mentor, the late great singer-songwriter Townes Van Zandt.  Come on out to spend an evening with this triple Grammy-winning legend, who is kind enough to make the trip to our neck of the woods for a performance.

    The show will be starting at 9 PM, with the doors opening at 6:00. Come early if you can, and be sure to enjoy a tasty dinner of slow-cooked southern cuisine served up in the restaurant right inside the club! Tickets for this event cost $55 in advance/$60 at the door. Visit Helsinki Hudson for information on how to purchase tickets or to make dinner reservations.

    For those fans who are or will be in New York City throughout the month of February, Steve Earle will be performing four all request shows every Wednesday night of the month at the City Winery!

  • Hearing Aide: Smackdab’s “II”

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    A genre is nothing more than an attempt to categorize and liken one band’s sound to another. Regardless of what you want to label Jamestown’s Smackdab, their music will certainly get you moving. The band is made up of Jon-Marc Johnson on vocals, Matthew Baxter on guitar, Mark Cooper on keyboard, Ryan Ecklund on bass, and Daniel Witherspoon on drums. On their latest release II, the band incorporates influences of funk, soul, R&B, blues, and jam into their own unique sound that is garnering them more and more attention.

    The opening song, “1st & Main” gets you warmed up, but it’s on “Gotychu” where the band really digs in for the first time. The clean, bluesy notes by guitarist Matthew Baxter around the three-minute mark are accentuated by the band, but letting his tone lead the way. Coming out of his solo, there’s a swelling, yet beautiful harmony of sounds that carry you through to the coda.

    Immediately following is another early gem in “Shuteye.” The intro of this song has an incredible presence with a haunting melody that lingers throughout the entire song. This is the longest track on the album at just over eight minutes, yet flies by with so many great parts. The closing of the song that starts at 6:41 is one of the highlights of the entire album. The syncopation of all of the instruments is a rhythmic rush and Jon Marc’s vocals leave you constantly rewinding to listen one more time. The band has this great habit of nearly losing themselves in a deep groove before pulling out and transitioning into another section.

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    My favorite song on the album though is “Leave Me Alone.” The sixth track slowly builds in tension before exploding into a keyboard solo that transcends the entire album. Cooper’s interplay combined with Witherspoon and Ecklund’s tight, rhythmic phrasing is so funky and heavy that it might cause a few facial contortions. If this band can learn to harness that exact energy, watch out!

    The closing track “Keep On” begins on the back of Smackdab’s talented drummer, Daniel Witherspoon. The little riff that makes its appearance shortly thereafter strikes a humbling chord. The song is led by a catchy hook and accentuated with Jon-Marc’s uplifting lyrics. After a second time through the chorus, the band transitions to a maraca-driven beat that begins the five-minute jam that closes the album. It’s easy to see why this album was named a staff favorite of 2013 when you add up all of the highlights it provides.

    Key Tracks: Shuteye, Leave Me Alone, Keep On

  • Paula Cole and Marc Cohn Visit The Palace Theatre in Syracuse

    It is not very often that Central New York is treated to Grammy Award winning artists, let alone two in one night at the same show.  On January 12th, the Palace Theatre in Syracuse, NY was honored to feature Paula Cole and Marc Cohn in their limited engagement tour.

    Paula Cole & Marc Cohn
    Paula Cole & Marc Cohn

    The show opened with Paula Cole, accompanied by long time band mates percussionist, Ben Wittman and guitarist, Kevin Barry on a number that immediately drew in the audience with the strong beat and lyrics.  She had me as she began to stomp and clap to the beat as though she was performing a Latin American dance of some sort.  When an artist can stand up and perform as an entire musical instrument through body percussion and beat-boxing, I’m hooked.  I loved her voice and musicality (I am a sucker for a piano every time), however I soon realized that it would be her lyrics that stood out to me .  Her ability to take life’s moments and place them to music and tell a story is not an easy feat, and she does it beautifully.  Paula narrated her songs as she performed them.  As she explained at what point and time in her career she wrote them, who and what they pertained to, and how she was influenced by many personal stories, it made the listener more attentive to not only the music, but the lyrics and gave them a sense of ownership in the song.

    Paula Cole
    Paula Cole

    Reminiscent of past singers and writers of other eras, Paula’s music brought me back to a time in the 60’s and 70’s where music was written to deliver a message.  Messages in songs such as “Billy Joe” demonstrated a side of touring that is not so glamorous but filled with numerous lonely and isolated days on the road only to pick up and move on again from city to city.  Her song “Happy Home” is written as a tribute to her mother and way for her to express her understanding of her situation.  Paula described seeing in her mother’s eyes a her longing to be more than just a wife and mother.  She saw the longing to let out an adventurous creative woman that was inside but never broke free because she was bound by the duty of her generation to be a wife and mother and maker of the “Happy Home”.   She revealed to the audience that when writing her hit “I Don’t Want to Wait”, it wasn’t originally written to be the soundtrack for Dawson’s Creek, however it was a message about ending the cycles of anger and abuse that families go through at times.  She also delivered wonderful covers of Burt Bacharach’s “Walk on By’ and Dolly Parton’s “Jolene”.  Again delivering them with a fortitude and spunk that resonated an inner strength within her and clearly gave her audience an impression of who she is and what she is all about.

    No matter what tune she is performing or writing, you can be rest assured that Paula Cole will deliver it with a strength and presence that resonates who she is and what she stands for. If I was to describe her music style I would definitely call it versatile and eclectic.  Many times artists tend to create a “sound” that is distinctively their own.  Often done so with several songs that begin to sound the same.  Although Paula’s music has a common thread and sound, each song takes on a life of its own delivering an unique sound and poignant message.  This eclectic vibe is what makes her extremely talented and demonstrates how she refused to become cookie cutter.  Instead she pushes her boundaries and the listener to gifted with music that is new and fresh and different.

    As Marc Cohn took the stage you immediately knew that you were in for a treat.  He drew in the audience with his bluesy sound and forceful voice performing Willie Dixon’s “29 Ways”.  Wow is all I could say. Again, I was hooked.  Joined by Kevin Barry on guitar and Glenn Patscha on keyboards, this trio took over the audience for the rest of the evening and kept them rocking.  As he sang this and other songs, his improvisations were amazingly witty and lightened the mood of each audience member reminding us that we were there to have a good time and loosen up.  Although he was the most amazing musician, he clearly was a performer and really down to earth person.  Anyone who can improvise lyrics in songs as he goes and crack jokes while doing so, is a true performer.

    Marc Cohn
    Marc Cohn

    Inspiration comes from many sources for each artist, and I detected  a similar bluesy pop quality to songs “Walk Through This world With Me” and “Perfect Love”,  which were reminiscent of tunes from Eric Clapton and James Taylor, and similar artists of that time period.  While “Silver Thunderbird” had a tad hint of Jackson Browne in it, in my opinion.  You could tell with choices of tunes he’s recorded over the years his influences on his music and his song writing.  His album Listening Booth, 1970 is an entire album dedicated to influences on his music as he covers songs such as “Wild World” and “After Midnight”.  But it is his rendition of “Baby I’m Amazed” that is my ultimate favorite and is a beautiful tribute to an amazing songwriter and performer, Paul McCartney.

    Marc brought Paula out to join him on this last show of their short tour to sing “The Letter” a song made famous by The Box Tops back in 1967 during the Vietnam War era and another on the Listening Booth album.  Their rendition and styles mesh perfectly to deliver a jazzy rendition of the tune.

    Paula Cole & Marc Cohn
    Paula Cole & Marc Cohn

    Musicians often write songs for hire and at times suffer from writers block and go for extended periods of time without writing any new material.  Marc shared his personal story one of these blocks he went through recently and for the first time in four years he broke through this block and how he did just this.  He recently was asked, along with several other NYC musicians, to put together a song to accompany a story.  The project revolved around a story of the men that come from Canada with their Christmas trees to sell on Broadway each year during Christmas time in NY City.  They don’t usually have much money and often no where to stay.  With the help from an unlikely source in the story was the song “Treeman” born.  “Treeman” will be featured as the project song and we were fortunate to be one of the first audiences to hear his new song, and it was amazing.  It was as if he saved all his best lyrics from the past four years to use in one song.

    Marc Cohn
    Marc Cohn

    Marc often is asked if he ever gets tired of singing his hit “Walking in Memphis” and he’s adamant about how proud he is of the song and how he never tires of playing this one.  As a huge fan, I must say I am so thankful he doesn’t tire of it, because he audiences never will.  This is his signature tune.  The one most adored by fans all over, and rightly so.  This tune will be one of the classic tunes that will span generations and be covered by artists in the future, just as Marc covered the tunes of those that inspired him.

    Overall the shows from both Paul Cole and Marc Cohn were beyond amazing.  They are the perfect pairing to compliment each others styles, and for audiences attending. The playlist for the evening in both sets brought the audience back to a time when music was mostly performed acoustically with just a singer/songwriter and a piano, and without the pomp and circumstance, but just the music and the audience.  Central New Yorkers were treated this evening, and we thank Paula and Marc for making a stop to share such talent in our neck of the woods.

  • Sonny Landreth and Cindy Cashdollar Slide Smoothly at The Egg

    Sonny Landreth and Cindy Cashdollar, two legendary slide guitarists, played an intimate concert in The Lewis A. Swyer Theatre at The Egg in Albany on Friday January 31st.

    The less than 450 person crowd was surprisingly loud as Sonny Landreth took the stage to perform the first few songs solo, just a man and his guitars. With such small venue, every seat had a perfect view of Landreth as he sat down and began the show with “Next of Kindred Spirit.” His fingers easily covered the frets as he slid all over the neck of guitar with a complex simplicity. He rocked the guitar in his arms with care and a laid back attitude that you’d find on a front porch on a warm summer day. “Broken Hearted Road” introduced lyrics full of sorrow with sharp chords that cut right through you. There was complete silence in the crowd as the theatre was filled with the mind blowing humid riffs.

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    Cindy Cashdollar was greeted by Landreth and the rest of the audience for the duration of the set, and thanked everyone especially Sonny for the thrill of performing together. Upstate’s own Cashdollar brought a raw and edgier sound to the southern blues rock of the evening, her own unique style of danger. Both musicians constantly exchanged smiles throughout the show, adding to the relaxed and friendly atmosphere of the round room. Landreth encouraged the audience to “let the spirit take you” as they went into “Cherry Ball Blues”, an upbeat blues funk song. “Key to the Highway” a cover song often performed by Eric Clapton, was described as Landreth’s own personal theme song complete with escalating rocking high notes. Cindy Cashdollar frequently smacked her guitar with graceful force and a toe tapping rhythm. Landreth seemed pleased with the show mentioning that they covered all the basics, happy blues, sad blues and everything in between before closing the set with Robert Johnson’s “Walkin Blues” with long drawn out chord attitude from Cashdollar.

    This was the first show of The American Roots & Branches series being hosted at The Egg and it set the bar high for the rest of the year. Both Sonny Landreth and Cindy Cashdollar are extraordinary musicians who make an unstoppable duo, redefining the blues with southern charm.

    Setlist:

    Sonny Landreth Solo: Next of Kindred Spirit, 2 Shuffle, Here & After, Broken Hearted Road, South of 1 – 10
    Sonny Landreth & Cindy Cashdollar: Blues Attack, Cherry Ball Blues, Key to the Highway, Hell at Home, World Away, All About You, It Hurts me too, Prodigal Son, Walking Blues
    Encore: Bayou Teche

  • Tim Reynolds and TR3 to Rock the Tralf Music Hall

    The legendary talented guitar virtuso Tim Reynolds will be bringing his band TR3 on stage Monday, February 10th at The Tralf Music Hall. Tim Reynolds, well known for his collaboration with Dave Matthews, will be joined on stage with Mick Vaughn (bass/vocals) and Dan Martier (drums/vocals). TR3 fuses different genres of music together producing a unique show not to miss.

    tim reynolds Tralf Music Hall

    Tim Britt, a Buffalo based artist, will be opening for TR3. He has been awarded the best original solo artist nightlife music award for two years in a row. Tim is a very talented musician who plays the acoustic guitar and has a Dave Matthews sound quality. Tim most recently opened for Boyd Tinsley from The Dave Matthews Band. You will want to make sure you get to the show early to catch his set.

    Tickets for Tim Reynolds and TR3 at the Tralf Music Hall can be purchased through The Tralf Music Hall  $18 or $22 day of show

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