Category: Metal/Hard Rock/Punk

Rock On the Range 2014: Day Two

Columbus, Ohio promised sunshine for Day Two of Rock on the Range, and by early Saturday morning it was pretty evident that we had no such luck. Sponsors and staff manned each and every entrance to Crew Stadium, armed with ponchos to hand out to already wet and weary rangers. What looked like a sea of garbage bags was really a dedicated horde of music revelers who stuck it out right from the start, filling the Ernie Ball Stage up in preparation for some Christian rock.

Kicking off the festivities was female fronted Stars In Stereo. With everyone’s ears still ringing from the night before, the melodic tone of front woman Bec Hollcraft’s vocals were a great way to ease into the harsher male dominated lineup to follow. Fellow Christian rockers We As Human hopped on next, wowing the crowd with their nonstop antics. Between climbing the scaffolding, towering high above the stage, and jumping into the pit for some crowd participation, the set was anything but dull.

The Main Stage didn’t get off to quite as energetic of a start, with opener Rev Theory clearly growing frustrated by the lack of enthusiasm. As the rain poured down for the worst storm of the day, the band did their best to distract the crowd and finally succeeded when they broke into “Hell Yeah”, during which it was nearly impossible not to crack a smile.

The Jägermeister Stage hosted one of the biggest breakout acts of the weekend next. Pennsylvania’s Crobot reminded rangers what true rock ‘n’ roll is all about – dirty, grungy hooks to bring the genre back to its purest form.

The sun finally started to “Shimmer” when Fuel took the stage to rock out to some newer tracks followed by the old favorites. The second half of their set was a welcome throwback for twenty-something’s to reminisce their glory days.

Winning the award for quirkiest band of the day was Sweden’s Avatar. The metal band’s short Jägermeister Stage set provided some unique entertainment while the main stage was set up for Pop Evil.

With a recent string of #1 singles under their belts, it was no surprise that the main stage was packed when Pop Evil arrived. Drummer Joshua “Chachi” Marunde moved around more than most singers do, and frontman Leigh Kakaty made sure the crowd was awake by jumping in for “Last Man Standing”. The real show began, however, when members of the armed forces joined the band on stage to close the set with “Trenches”, featuring a jaw dropping collaboration with Run DMC that had everyone talking for the rest of the day.

Another new act hit the Ernie Ball Stage next, Texas natives Nothing More. They incorporated some unique elements, including a separate small drum at the front of the stage that frontman Jonny Hawkins would drum and jump on throughout the set.

Theory of a Deadman lit up the main stage with some entertaining singalong tracks, including “B***h Came Back” and “Bad Girlfriend”, as well as throwing in a more serious ballad, “Not Meant to Be”. With everyone bouncing and singing along to each of the songs, it was clear that the band was a Rock on the Range favorite.

The Pretty Reckless, the second of two female fronted bands slotted for Day Two, hit the Ernie Ball Stage. Lead singer Taylor Momsen’s voice was a force to be reckoned with, and the overall charismatic nature of the band shone through throughout their set. Chevelle began what was to be a heavy night to follow, building up the energy level that would remain until the final band left the stage with nonstop crowd surfing and moshing. The band may be a trio, but lead guitarist/singer Pete Loeffler had no problem amping up the crowd on his own.

With the side stages closed for the evening, it was finally time for Slayer.

The pit suddenly transformed into a hulking mass of muscles and bald heads, scaring away the younger crowd for the duration of their hour long set. Holding nothing back, the band powered through an intense set, clearly unaffected by recent lineup changes. Closing out with “Raining Blood”, Crew Stadium exploded into a frenzy of bodies flying in every imaginable direction.

Not to be outdone, Avenged Sevenfold brought their spectacularly haunting stage set up to close out Day Two. With too many hits to choose from, the band did their best to please everyone from the most diehard fans to brand new ones, making sure to include a few from each album. Without the addition of fireworks and pyrotechnics, the set would arguably be one of the best of the day. With them, it was a no brainer.

Midway through the set, lighters filled the sky as the band slowed things down a bit to honor the band’s late drummer, Jimmy ‘The Rev’ Sullivan. Frontman M. Shadows took a moment to let the crowd know that they are not a band to usually use tracks in their live show, but revealed that that the vocals we had been hearing in the background all night, in fact, belonged to Sullivan. An impressive guitar solo preceded the final few songs of the night, wrapping up with “Unholy Confessions”.

Stay Tuned for Day 3 coverage tomorrow!

June 1, 2014
Rock On the Range 2014: Day One

Rock on the Range promised to bring Columbus, Ohio the biggest and best lineup to date for this years festival, and on day one, they certainly delivered. This year’s festival marked the first featuring a full 3-day lineup, and Rangers were eagerly waiting outside the stadium early on Friday morning to get their weekend started. Cold weather and rain tried to put a damper on the sold out crowd, but the bands and tens of thousands of fans energized one another and made sure the weekend was unforgettable.

Featuring former members of Egypt Central, Devour The Day were given the task of warming up the Ernie Ball Stage early on Friday afternoon. Mixed in with the new material was an unexpected surprise, Egypt Central’s hit “White Rabbit”. The Monster Main Stage was christened by Redlight King. The instantly recognizable opening notes of “Comeback” got the crowd going immediately. The band steered clear of their more relaxed rap-rock tracks, keeping it heavy for the festival crowd.

Intro music could be heard at the Ernie Ball stage the moment the main stage wrapped up, allowing a few seconds to rush over in time for Thousand Foot Krutch. Playing mostly newer material, the band was sure to bring it back for the old fans on “Move”, which had the entire field doing just that. Black Stone Cherry had just the right balance of entertaining lyrics, southern charm, and high energy rock to convert just about any ranger into a fan, taking the main stage to deliver a set that was nearly impossible to not sing along to.

While We Came As Romans played the Ernie Ball Stage, Japanese four piece ONE OK ROCK took the Jägermeister stage for their first US festival performance, a not so modest transition into their upcoming Warped Tour appearances. Killswitch Engage seem to never disappoint, and that certainly held true for the band’s main stage set. The fun and eccentric playing style of guitarist Adam Dutkiewicz was contrasted by the growl of vocalist Jesse Leach, who held his own on the final track, a cover of Dio’s “Holy Diver”.

Black Label Society were next up on the main stage to ensure that the lucky few not exhausted following Killswitch Engage were completely worn out by the end of their 50 minute set. While the band may cater to the middle aged biker crowd, it’s safe to say that everyone that caught the set appreciated the undeniable talent of Zakk Wylde as he effortlessly shredded through guitar solos that lasted as long as some band’s songs.

(Interview with Seether from Upstate Rock Station Q103’s Wes Styles)

The anxiously awaited return of Seether to the festival scene was well received next at the Monster Stage. Following the addition of a touring guitarist, the former trio sounded better than ever. Not even the slightest split second of silence occurred throughout the entire set, with improvised transitions from song. On top of the old favourites the band included their brand new single “Words As Weapons”, which many devoted fans had already memorized word for word.

Also having laid low for the last few years, Staind took the stage next to show Columbus that they are far from finished. Despite the fact that each of the members have been working on various side projects in recent years, the band proved to be as in sync as ever. Flames lit up Crew Stadium on rock ballads like “Outside”, with Seether’s Shaun Morgan accompanied Aaron Lewis on vocals. Time for rest on the lighter tracks allowed fans some much needed time to catch their breaths and rest up for heavier tracks like “Mudshovel”, during which bodies flew in every imaginable direction amongst the crowd.

Guns N’ Roses may have been a surprising choice to close out day one of Rock on the Range, but the rest of the day’s killer lineup left little room for complaints. Whether it was out of mere curiosity or genuine excitement, the majority of the sold out audience stayed for the final show of the night. After starting out slow with a newer track, the famous guitar intro of “Welcome to the Jungle” caused every single face in the stadium to light up. Backed by a theatrical stage set up and scorching pyro, Axl Rose wowed with powerful vocals that haven’t wavered since day one. After teasing everyone with a taste of the GNR classics, he number of newer songs included in the band’s set list left many disappointed and rushing for the exit to beat lines of traffic on the way out. While the set list wasn’t spectacular, Guns N’ Roses put on a solid performance worthy of closing out an incredible day of rock.

May 31, 2014
The Nikon At Jones Beach: Beer Here!

The Nikon at Jones Beach Theater is one of Long Island’s premiere music venues. A killer stage, a capacity of 2,800 seats, and a beautiful view of the ocean side beach. Everyone needs to experience a show there at least once in their life.

Last Friday, Live Nation unleashed the news that there is a new designated area for drinking called the Backstage Oasis at Jones Beach. Unfortunately, you can’t bring the alcohol you purchases to your seat; however, there are giant monitors, sofas, and additional food truck venders to prevent you from feeling inconvenienced. Better than nothing at all, right?

After years of high demand for the Parks Department at Jones Beach to change their strict alcohol policy at the Nikon, Live Nation formed a committee at the end of 2012 to bring it to an end. As you can see, it seems both parties agreed to a compromise. Nevertheless, The Nikon at Jones Beach Theater finally serves alcohol. Party goers and music lovers rejoice.

May 30, 2014
Biohazard “State of the World Address” Turns 20

1994 was a pivotal year for rock music. Rock and grunge ruled the charts, but mainstream metal was nowhere to be found. However, Biohazard’s career began to peak after the successful run of 1992’s Urban Discipline and exposure from the music video for “Punishment” on MTV’s Headbanger’s Ball. Biohazard was the top act coming out of the New York City’s hardcore scene and becoming one of Brooklyn’s finest. But on May 24, 1994, State of the World Address was unleashed to the masses that truly showcased Biohazard at their best.

1State of the World Address was produced by Ed Stasium, who is well known for his work with The Ramones and Living Colour. This album is loaded with brilliant rifts and guitar solos from Bobby Hambel. The duel vocals of Billy Graziadei and Evan Seinfeld are raw, brutal, and heartfelt, especially on “Failed Territory”. Danny Schuler’s drumming is bone crushing and brilliant. Just listen to “Tales From the Hard Side,” the beat to that song is just insane. Biohazard continued their trend cross over trend by bringing in Cypress Hill’s Sen Dog for “How It Is” which is real stand out on the album as well.

Even to this day, the album’s political views are still relevant, especially in “Remember.” The album really paints a picture on New York City street life with tracks like “Down For Life,” “Tales From The Hardside,” and “Five Blocks to the Subway” (a personal favorite). The album will get you amped up every time you listen. It’s a must own album for any fan of metal or hardcore.

State of the World Address was the last album that the original lineup of Evan Seinfeld, Billy Graziadei, Bobby Hambel, and Danny Schuler for almost 18 years. Their unique chemistry is unmatched. You can buy the album here.

May 29, 2014
Saturday’s Unearth-ing of The Oncoming Storm in Rochester

Front Cover of The Oncoming Storm

Metalcore as a genre has seen better days; the peak has come and gone, leaving cornerstones in evolution’s wake. From one of the foundational areas for the genre in Massachusetts, Unearth came up during the New Wave of American Heavy Metal alongside other genre-definers like Shadows Fall, Killswitch Engage, All That Remains, and The Acacia Strain. It wasn’t until the mid-2000’s where those bands really started to hone in on the sound that would come to define metalcore. Of those founding fathers, Unearth was one of the most clearly definable with a sound and heaviness that was uniquely their own.

In 2004, the band released The Oncoming Storm. I still remember hearing it for the first time and thinking how truly ahead of its time it felt. The only thing that went deeper than the melodic hook was the tenacity at which the band played. Despite having a sound that was as large and powerful as an orchestra of metal, the band at the time was just a five-piece, consisting of Trevor Phipps (vocals), Buz McGrath (guitar), Ken Susi (guitar and backing vocals), John Maggard (bass), and Mike Justian (drums). The melodies captured on that record were some of the most beautifully written, exploiting harmonies for every tonal drop they were worth. Every one of the forty-plus minutes on that album served a purpose and it helped to elevate not only them, but this style of music as a whole to a certain level of visibility.

https://www.youtube.com/watch?v=of8Ob0xjSGU

This Saturday (May 31st), in celebration of the album’s ten year anniversary, Unearth will be playing it for the first time, from start to finish at the Montage Music Hall in Rochester. Opening the night will be Texas in July, Cruel Hand, and Armed for Apocalypse. If it wasn’t hinted enough above, these guys defined heaviness for a generation of metal fans and set the bar for their peers. The Oncoming Storm is the band’s legacy and they’re giving fans a chance to witness its significance and weight as a whole.

May 26, 2014
Alice In Chains Level The Landmark Theatre In Syracuse

Nearly 2,500 people crowded to downtown Syracuse to witness the arrival of Alice In Chains, who made their first appearance Central New York in over a decade at Landmark Theatre. The grunge gods are still releasing great music with the critically acclaimed rock album The Devil Put Dinosaurs Here which was released last year and have been touring the world in support of that album.

This was my first time ever seeing a rock show at The Landmark Theatre. The place still has an eerie yet beautiful feeling to it due to the historic structure. The entire place is seated and crammed; however, I don’t think anyone cared.

Canadian hard rockers Monster Truck had the pleasure of opening for Alice In Chains. They graced the stage at 7:30PM, played a very stellar 40 minute set and were well received by the fans. If Led Zeppelin and Lynyrd Skynyrd had a love-child in the modern era of rock music, it would most certainly be Monster Truck. Most of the songs they played were very jazzy with a flare of southern rock. While a very entertaining band, Monster Truck really shined during their slow and bluesy song “Through The Sun.” Their use of drums, guitar, and keyboards along with vocals and bass from Jeremy Widerman makes them a force to be reckoned with. I would expect this band to break out shortly.

Alice In Chains started their 18-song set shortly after, with massive production, killer and crystal clear sound, massive stage lights, the whole nine yards. They started off with “Them Bones, ” doing a great job mixing it up between their well known hits, as well as their album cuts and new material. Keeping the tone heavy, they went into “Damn That River” and “Again”, before they went into their new material such as “Check My Brain” and “Hollow.” Also let me point out that this was the first time during what I call the “Duvall-Era” of Alice In Chains where William Duvall is front and center of the entire band. Duvall has done a sensational job of filling in the shows of arguably one of the greatest singers that ever lived, the late Layne Stanley.

The highlight of the entire show was “Rain When I Die.” The duel harmonizing vocals of Duvall and Jerry Cantrell is nothing short of amazing. And another highlight was “Nutshell.” Cantrell displayed some of his best lead guitar skills during “Stone” and actually stopped midway through the song to fire up the crowd. They wrapped their set with their super heavy “We Die Young” before closing with their Vietnam War themed “Rooster.” The band came back out for a three song encore of “No Excuses,” “Got Me Wrong,” and their dark hit “Would.”

Overall, it was a fantastic show. Easily one of the best hard rock tours of this year. Cantrell addressed the crowd and said they hope to return to Syracuse real soon.

May 19, 2014
Poughkeepsie Wanted Rock and Volbeat Delivered

Poughkeepsie was long overdue for a rock show on Tuesday night when Volbeat, Trivium, and Digital Summer came to town. The Mid-Hudson Civic Center was beginning to fill up when Digital Summer hit the stage early. Kicking things off early didn’t stop anyone from getting right into it. The hard rock newcomers had the stage presence of a headlining act, getting the crowd moving with their contagious energy. Most impressively, the band featured 13 year old Austin Rios on drums, who could easily give his much older peers a run for their money.

Trivium kept the night going, powering through a 45 minute set packed with hits. The guitar driven tracks were accompanied by the powerful vocals from frontman Matt Heafy, who got the crowd jumping and singing along on tracks like “” as well as the band’s latest single, “Strife”. They saved he best for last, building up anticipation with an eerie drum intro and light show to match before kicking things into high gear one last time. Mosh pits broke out while the entire audience screamed “In Waves” each time the chorus hit.

Despite being entertained by a surprisingly musical soundcheck, fans began to grow anxious for headliner Volbeat to take the stage. Just before 10pm chants for the band were met with the dimming of the lights. They immediately jumped into “Doc Holliday”, featuring the first of countless solos from guitarist Rob Cagiano. Amid hits such as “Lola Montez” and “Heaven Nor Hell” singer Michael Poulsen joked around with the crowd and talked about some of his influences growing up, including Johnny Cash. A cover of “Ring of Fire” fit Poulsen’s voice perfectly, with the audience drowning him out on occasion.

With an extensive catalog to choose from, the band did their best to fit in a few songs from each, including energetic dance along track “Sad Man’s Tongue” from their 2007 release Rock the Rebel/Metal the Devil. Fans were in for a treat on “Evelyn”, when Trivium’s Matt Heafy and Corey Beaulieu joined Volbeat on stage. Heafy provided the screams on the heavier track, with Poulsen’s distinctive voice on the chorus, making the crowd go absolutely insane for the all-star combination. Following “Still Counting” the audience were desperate for more, chanting for one final song until the band finally made their return. The 4 song encore came to a close with older tracks “Thanks” and “The Mirror and the Ripper.” The punk rock tracks had the audience jumping along from front to back for one last time. Simply put, Volbeat are a fun band to see live. For both old and new fans, it’s nearly impossible to not dance along with a smile on your face throughout the entire set.

May 16, 2014
Fozzy Rocks in First Appearance in Poughkeepsie at the Chance Theater

A very diverse crowd of roughly 200 people came to the Chance Theater in Poughkeepsie on Friday May 9. Some people there were huge WWE fans there to support their idol Chris Jericho. Some people were hardcore Hatebreed fans there to support Jaime Jasta’s side project. Others were there for a killer rock show. Whatever the case was, doesn’t change the fact that Fozzy, Jasta, and Kyng blew the roof of the Chance Theater.

This was actually my first time at the venue. The place may be a little run down, however, the sound is great, the staff is personable, and there is not one bad view of the stage from anywhere in the building.

After a set from local Anti-Mortem, Kyng played a loud 40 minute set around 8:40. With their new release Burn The Serum out, Kyng is continues to play songs off the album very hard and loud, and of course never afraid to give the crowd a good laugh between songs. Couple of highlights of their set was their latest radio hit “Electric Halo” and their cover of Van Halen’s “Hot for the Teacher.” And of course it’s not a Kyng show without someone being picked on that’s standing there with their arms crossed.

Jasta stormed the stage around 9:50. This was my first time seeing Jasta’s solo project. Let me be the first to point out that it’s NOTHING like Hatebreed and it’s NOT hardcore. It’s a different side of Jasta. It’s more of the melodic metal side of him. I actually found it pretty amazing that outside his hardcore grunts, screams, and brutal vocals that we are used to hearing, he’s actually a damn good singer. In this band he really showcased that. He even joked to the crowd saying “oh my god, the Hatebreed guy can actually sing a note or two!” He also stated to the crowd that this was only his twelfth time EVER, that he played live with this solo project. His set consisted of his solo CD Jasta, (which was released summer 2011.) with songs like “Something You Should Know,” “Scream From The Sanctuary,” and “Enslaved, Dead, Or Depraved.” Also, props to his solo band. Jasta confirmed that they got together just this one show and really didn’t rehearse much. No one ever would have known that if it wasn’t pointed out. The band was so on key and so clutch that it felt like they were together for years. Towards the end of the set, Jasta played Kingdom of Sorrow’s “Enlightened to Extinction” which I thought was the best part of the show. Closing the show, Jasta aimed to please the wrestling crowd by playing the Hatebreed song “Last Breath” which they dedicated to The Ultimate Warrior, who just passed away recently. Overall an awesome set from Jasta. Hopefully Jasta will get the chance to do a full tour with this outing soon.

Fozzy finally graced the stage around 11:15PM. Frontman and WWE Superstar Chris Jericho had his famous jacket on with all the lights on it. Fozzy opened up with 2 new songs “Do You Wanna Start a War?” and “Lights Go Out” which is off their upcoming album Do You Wanna Start a War?, due out in July. At first it almost seemed the vocals were overpowered by the loudness of the band but the sound crew adjusted accordingly. Jericho is a very charismatic frontman, and Rich “The Duke” Ward and the rest of band looked like they were having a blast on stage. Throughout the entire set, the crowd kept chanting “Fozzy!” over and over so the band was feeding off of that. Most of their set consisted of songs from “Sin and Bones” which the band toured heavily for the last couple of years. Highlights from their set include “To Kill a Stranger” and my personal favorite, “Martyr No More.” Another fun moment during the set, Jericho demanded crowd participation for “God Pounds His Nails.” The band wrapped up their set with their anthem “Enemy” and “Sin and Bones.” But came back for a two song encore of their radio hit “Sandpaper” and a cover of Krokus’s “Eat The Rich.” A very stellar 13 song set from Fozzy. They’re rapidly growing as a band and seem to breaking the mainstream rock and metal scene with the more material they are releasing. I also believe that Chris Jericho is slowly becoming known for the frontman for Fozzy than the WWE Superstar.

Overall, a great show. Kind of an odd combination of bands, but that’s what made the experience much more unique and exciting.

May 15, 2014
Black Label Society, Down, Devil You Know, and Butcher Babies rock sold out Upstate Concert Hall

It’s clear that metal is not dead in Upstate New York as Black Label Society lead the Revolver Golden Gods Tour along with Down, Devil You Know, and Butcher Babies leveled Upstate Concert Hall to a sold out crowd this past Monday night. This would mark the first time in roughly a decade that Black Label Society played at Upstate Concert Hall. The overall production was fantastic. The sound was incredible. The insanity was nonstop. And the concert security brought their A game as the old school metal fans unleashed their energy right back to the bands.

Doors opened a little late which may have hurt the opening set from Butcher Babies. Butcher Babies started their set at 7:23 as there still was a long line out the door. They played a 30 minute set with an overall positive crowd response and did a meet and greet at their merch table after their set.

Devil You Know graced the stage a little after 8. Devil You Know features former Killswitch Engage frontman Howard Jones, who made his return to the stage after retiring from music a few years back. Jones has never sounded better with his brutal vocals and charismatic stage presence. On top of that, Jones has rediscovered his passion for metal music and he made that clear to the crowd. Three songs into their set the mosh pit opened up the floor. The rest of the band was tight, brutal, and clearly having a good time on stage together. Their 30 minute set contained songs off their newly released debut album The Beauty of Destruction. No Killswitch material at all. I don’t think the crowd had a problem with that which proved how great the band was. Devil You Know is out to prove they are a force to reckon with.

Down started their heavy and hostile set that caused the floor to erupt. Mosh pits and body surfers galore. Phil Anselmo at his veteran status is clearly STILL the best frontman in metal. Still has the intimidating stage presence and brutal vocals that are always imitated but NEVER duplicated. New guitarist Pat Bruders replaced longtime guitarist Kirk Windstein, however, his guitar style and backing vocals were so clutch. If you were blind, you never would have known Down had a different lineup. The crowd erupted before Down got to their first song “Eyes of the South.” Most of their set consisted of songs from NOLA, with a very little newer material sprinkled into their set. They didn’t play anything from their upcoming EP Down IV Part Two. I would say “Lifer,” which the band dedicated to the late and great Dimebag Darrell was the highlight of the set. Down closed their set with the melodic “Stone the Crows” and the heavy trademark anthem “Bury Me in Smoke.” It was a damn shame that Down only played for 45 minutes. If you were present at this show, some may argue that Down could have headlined.

Zakk Wylde and the newly revamped line up of Black Label Society swarmed the stage around 10:30 opening with their latest single “My Dying Time.” Wylde, one of the best guitarist in music and the king of pinch harmonics used many different guitars throughout the set including his trademark Bullseye Les Paul, the Randy Rhoads Flying V, Hybrid Flying V/Les Paul, and Gibson EDS 1275 double neck guitar. The production of their set was amazing with use of laser lights and smoke machines to really make the experience a huge spectacle which captured everyone’s attention because there were no more mosh pits. Half way through the set, Wylde unleashed a powerful seven minute long guitar solo that really showcased his fast shredding ability. A couple of songs later, they went into the mellower songs starting with “Angel of Mercy” with new guitarist (who Wylde jokingly claimed to the crowd that they traded 3 first round draft picks to Lizzy Borden to get him) Dario Lorina hopped on the piano that really showcased the entire bands talent. Soon after, Lorina switched to lead guitar and Wylde sat behind the piano for a really powerful rendition of Black Label Society’s most iconic ballad “In This River.” It was really moving to hear both of those ballads back to back. Then Wylde unleashed the Gibson EDS 1275 double neck guitar to play the fan favorite “The Blessed Hellride.” Black Label Society unleashed a swarm of Black Label beach balls into the crowd during the super-heavy “Suicide Messiah” and “Concrete Jungle” before closing the entire set with “Stillborn.” Overall, one of the best shows from Black Label Society. There was no encore or a Pantera jam with Phil Anselmo.

This concert was by far one of the best metal tours of the year. Hopefully the capital region won’t have to wait another decade for Black Label Society to slay the Upstate Concert Hall again.

SDMF!

May 14, 2014
Chris Jericho and Jamie Jasta will clash as Fozzy, Jasta, and more come to rock The Chance Theater in Poughkeepsie

With the upcoming album Do You Wanna Start a War? expected out this summer, Fozzy, which is led by WWE Superstar Chris Jericho on vocals, is embarking on the “Lights Go Out Tour,” which will be stopping at The Chance Theater in Poughkeepsie Friday, May 9. Jasta will be making a special co-headlining appearance at the show. Jasta features Hatebreed frontman Jamie Jasta on vocals who, with the band, covers a wide spectrum of songs including Hatebreed, Ice Pick, Kingdom of Sorrow, and Jasta and Friends.

Hardrockers Kyng, who have been touring nonstop behind their album Burn the Serum, and Nashville, Tennessee rockers Framing Hanley, who are promoting their brand new album The Sum of Who We Are, are set to open the show.

Doors open at 7:00 PM. You can purchase tickets here.

May 6, 2014