Category: Features

  • Melvin Seals and JGB Bring Smiles to All

    The smell of patchouli oil filled the air as dreadlocked, middle-aged folks wore their patchwork pants while sipping on Sierra Nevada Pale Ale. The vibe was set for a grateful night, as Melvin Seals and JGB were set to play Putnam Den on Sunday, March 2nd.

    Opening the night from Hartford, Connecticut were the Balkun Brothers. Their unique style of powerful blues, fronted by lead guitarist Steve Balkun, mixed sounds of Joe Satriani and Jimi Hendrix, an ability shown by few guitarists today. The shredding that came from every song left the crowd wanting more, and more is what they got. Showing their diversity the band also delved into a few funky songs, further proving they weren’t a one trick pony. This was even more evident in their closing number, “Fire”, by the aforementioned Jimi Hendrix, leaving the crowd in good spirits and ready for Melvin Seals and JGB.

    When Melvin and crew took the stage, everyone, including the band, was more than ready to get things rolling. They opened with the Rolling Stones classic, “Lets Spend the Night Together.” Dave Herbert’s guitar emulated the sweet harp-like harmony of Jerry Garcia perfectly. Herbert’s high pitched, fast-paced playing was a new twist that brought his unique style to JGB. The backing vocals of Shirley Starks and Cheryl Rucker were in perfect harmony with Herbert throughout the night. This rang true on the Van Morrison classic “Crazy Love,” serving as a perfect addition to an already flawless song. At this point, it seemed as if the man of the hour, Melvin Seals, was holding back; that all changed on “Get Out My Life.” Seals took the first solo and he meant business. The whining from his organ sent the crowd into a frenzy, dancing harder than they had all night. Everyone was ecstatic, but no one more than Melvin, as he sat up on the stage smiling and laughing along with everyone. The key to the whole band was the patience and steadiness of bassist John-Paul McLean and drummer Pete Lavezzoli; these two always held the jams together even when the music seemed to be heading nowhere at times; this was pure brilliance. The rest of the night followed suit as the band went through JGB favorites, “Run for the Roses,” “Cats Found Under Stars,” and “Ain’t no Bread in the Breadbox,” all played note for note and as brilliant as the originals.

    This group has dedicated their careers to honing in the JGB sound and they do not disappoint. Although Jerry may be gone, his memory and music will live as long as Melvin Seals and JGB are playing shows like this!

  • Deer Tick Pack The Hollow to the Brim

    On the first Friday of March, Deer Tick played to a rabid sold out crowd at The Hollow in Albany. Opening the show was Toy Soldiers, a fantastic band hailing from Philadelphia, who mixed rock, blues and funk into a great sound. By the end of the set the crowd was in the palm of their hands as they jammed out the last song in extended solos for each member of the band. They will be back at The Hollow on May 28th and you should make sure you see them.

    20140307 - Deer Tick 9

    Taking the stage after a short break was Deer Tick, who was welcomed by one of the most enthusiastic crowds ever seen at The Hollow. From the moment they came on stage, people were jumping and dancing around in the small space that each person occupied. The band split the show up into thirds, with the first and third part being straight up in-your-face rock and roll, and the middle portion being a beautiful acoustic section. Deer Tick showed that they can master either one with ease. Hopefully it won’t be a long time before they come back to the area.

  • A Taste of Daemon Chili

    Daemon Chili – it’s an unrecognizable name with a more-than familiar taste.  While it’s a new menu item on the bill that makes up the New England music scene, a simple rearrangement of its letters reveals that it’s a dish Upstate fans have sampled before.  Michael Dion has escaped the Zoo and has created himself anew.  He’s rising up out of the pit and bringing the heat with him.

    Seasoned with attitude, aggression, electrics, and salty Pigpen-era blues, Dion’s got his latest musical concoction boiling in the cauldron. He’s hand-picked and sourced his ingredients locally, and wafting from the steam is a fresh, sophisticated, yet uncooked sound which spices up Dion’s sensible songwriting.  With a new album set to release this month, this Massachusetts-based seven piece is breaking the winter dormancy. Daemon Chili is bubbling at the scene, offering up a saucy new sound Upstate fans will soon come to crave – even after the hottest of days.

    There are no special orders with Daemon Chili – what you hear is what you get.  And what you get stems from the true core of Dion’s songwriting.  After making a difficult, yet self-respecting decision to part ways with his Hot Day at the Zoo brethren in August of 2013, Daemon Chili became Dion’s premier musical outlet.   Yet it’s been stewing for some time now – originally formed as a solo-side project in March of 2012, Dion created Daemon Chili to feed his hunger for more diverse musical tastes.  The burly, hoot-n-holler edge Dion brought to the Upstate roots/Americana scene was beginning to fade from Hot Day’s signature sound, and if Dion wished to stay true to himself as an artist, he needed to blaze new trails.  “When I left the band [HDATZ], I was ready to turn the page and start the next chapter of my musical career,” notes Dion.  “I knew that I would be going for a bigger, more aggressive sound, and as far as I’m concerned, this is the way my music was always meant to sound.”

    Daemon ChiliDrawing on a select group of highly acclaimed and talented musicians, Dion unearthed his roots to get the full flavor profile he was seeking in the creation of Daemon Chili.   “I went back to my college days at U-Mass Lowell where I was first exposed to great live music played by guys who had a lot of experience over me,” reflects Dion.  “These guys were ripping up the Lowell music scene, and so, naturally, they became my mentors.”  Specifically, there were two bands that had a profound impact on Dion in those days – the aggressive sound of rock n roll legends, Cotton Mouth and an instrumental jazz/funk quintet with, as Dion puts it, “a rhythm section straight from Hell” known as The Freelance Bishops.  Together, members from these two groups make for the complex flavor that is Daemon Chili.

    Cotton Mouth guitarists Jason Moretti (lead) and Tim Kochanski (rhythm) offer a taste of wild, unrestrained, nitty-gritty blues to what’s stewing in the pot, and balanced with that is the sophisticated, superior musicianship of The Freelance Bishops: Steve Benson (pedal steel/electric mandolin)/back-up bass), Jay Breen (drums), and Jeremy Parker (keys).  According to Dion, the process of forming Daemon Chili happened quite naturally, yet securing a bass player proved to be a bit tricky.

    The band’s latest recording showcases New Hampshire Seacoast legend Keith Foley holding it down on the low-end, but due to a recent band relocation, Matt Giannaros (Ryan Montbleau Band) has been recruited as Daemon Chili’s binding agent, effortlessly holding the band together as they compliment Dion’s songwriting in a new, murderous light. “I’m just happy to be in there somewhere, hanging on by a thread sometimes to keep up with these monsters,” attests Dion.  “I am a blue collar, working-class musician who just learned how to play as I went.  I hold no illusions that I would have any business on the same stage as any of these guys if I could not write music.”

    Daemon ChiliAnd while the talent of these monsters certainly add spice, heat, and texture to the band’s sound, the heartiness is in Dion’s songwriting – old familiar tunes coupled with new tales of inspiration are the meat and taters absorbing it all.  With Daemon Chili, the mixture’s just right, and it’s clear that Dion’s hit a sweet spot. In the short-time since the band’s inception, not only have they been nominated for “New Act of the Year” at the 2014 New England Music Awards, but their debut full-length album, Rise Up is set to release Saturday, March 22nd at Johnny D’s in Boston, MA with an online pre-release date of March 17th.

    Only the 10-track EP is a Jackyl and Hyde of sorts.  As Dion notes, “the collective band name of Daemon Chili plays on the binary opposites of good and evil, fully embracing them both” and the same can certainly be said of the tracks on Rise Up.   The first five songs are Dion originals that feature members of Hot Day at the Zoo. Recorded at Wonka Studios in Lowell, MA, the tracks were originally intended to be released on South of the Storm, a HDATZ album that never saw the light of day.  “Regardless of how people feel, what we [HDATZ] created during that time is something I still believe in,” expresses Dion – a sentiment that played a large role in the decision to include: “Boom Boom Boom,” “Lay Your Burden Down,” “Madman on the Loose,” “Country Girl,” and “My Song to You” on Rise Up’s final cut.

    Daemon ChiliThe album switches gears with the last five tunes, moving away from ironed collars and finely- tuned acoustics to electrics, aggression, and dirty-rotten blues.  Recorded live at the Stone Church in Newmarket, NH on New Year’s Eve, these tracks feature the current Daemon Chili lineup (Giannaros excluded) and showcase new arrangements of old-favorites, Gypsy Moon (Long Way Home) and “Boston Blues” (Zoograss), alongside fresh material.  And despite the shift, if there is one thing to be said about Dion, it’s that he’s a poet.  His English credentials aside, the lyrical content of his work offers a subtlety to his unapologetic nature – a spirit that is clearly emulated in the musical artistry of Daemon Chili.

    Take Sounding,” Rise Up’s single and subsequently the latest tune Dion has written, is a prime example of this sentiment. Written as a gift to the godfather of his daughter and best friend (a sailor), “Take Sounding is splashing with oceanic terms and imagery; nautical and mythological elements move in waves throughout, and it sails along at a relaxed pace – yet the no-bullshit tone of the rest of the album is not washed away completely.  Not only is it a track that reflects Dion’s passion for songwriting, but the freshness of the material has allowed the guys of Daemon Chili to take ownership of it as well.

    Daemon ChiliAnother note-worthy track, “Blood Burning Moon,” is a metaphor for the shit in life – for the heaviness that brings you down, yet it offers a way to push through and traverse.  While listening, one can’t help but wonder if, in the third verse, Dion’s singing about the Hot Day fellas when he sings “I’ve come into the dark at the edge of the wood… and here and now must choose… between turning my back on my brothers for good… or leave the cross-roads singing the blues.”

    The creation of Daemon Chili and the release of Rise Up certainly offers a resolution to the above mentioned dilemma.  Had Dion decided to retire from music completely post-Hot Day, perhaps he would have been “Another Goodman Gone” before his time; yet he’s held his course and cast away all worries and pride.  “Understand, I never got into music for the money, the fame, or the thrill of the rock star lifestyle,” expresses Dion.  “I write and play music because it’s what keeps blood pumping through my veins.  It’s what gives me purpose and keeps me focused and driven and sane.  It is quite simply what defines me.”  Michael Dion is Daemon Chili.  Take it or leave it Upstate; with just one taste, plenty of folks will be left licking empty bowls.

    Daemon ChiliFor more information on Daemon Chili, including information on how to purchase Rise Up, please visit their website.

  • Beck Coming to the Northeast This Summer

    140311-beck-tour

    Beck, who just released the critically acclaimed Morning Phase, will be coming to the Northeast and tri-state area in June, after his appearance at Firefly, Beck will make his way to the beautiful site MASS MoCA on June 24th.

    MASS MoCA has hosted many shows in the past couple of years, most notably Wilco’s Solid Sound Festival. July 1st, Beck will play Central Park’s Summerstage in New York City.

    Morning Phase has been linked to another great Beck album Sea Change. Many of the same players from that album worked with Beck again on this one. Beck always brings something special to his shows and since he hasn’t been touring on a regular basis for a while now, these shows should definitely be packing a punch.

    Presale for both shows began March 12th at 10 a.m. (the general password is “MORNING,” and the Central Park password is “PHASE”), and general sales start on March 14 at noon.

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  • Osheaga Music Festival Announces 2014 Lineup

    The Osheaga Music Festival has announced its 2014 lineup that is going to take over Parc Jean Drapeau in Montreal on August 1st-3rd this summer. The headliners  include Jack White, Arctic Monkeys, and Outkast. Other major acts set to perform are Skrillex, Nick Cave & The Bad Seeds, Foster the People, Modest Mouse, The Replacements, HAIM, and Lorde, who will be making Osheaga one of her few festivals appearances this summer.

    Osheaga 2014

    Other acts set to perform include Childish Gambino, Local Natives, Portugal. The Man, London Grammar, White Denim, AWOLNATION, Four Tet, and CHVRCHES. Ingrid Michaelson, Gogol Bordello, Bleachers, Hospitality, and The Men will be representing New York at the festival. With the festival taking place so close to New York, there is no reason to not make the trek over the border for this great festival. Tickets are on sale now at Osheaga’s website for the entire weekend.

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  • Camp Bisco Canceled

    BISCONYE

    In an unlucky turn of events, the 13th annual Camp Bisco festival has been canceled. Since its inception in 1999, this EDM centered festival has taken place annually in Mariaville, NY and featured hosts The Disco Biscuits every night along with a bevy of established and up and coming dance music acts. Bisco fans will no doubt be disappointed as The Biscuits tour very intermittently and this will be another chance lost. Fortunately the promoters say the fun should be back next year and better than ever. Here is the complete announcement from the band and promotional team:

    Camp Bisco is always one of the highlights of the year for us and all of our fans. After much deliberation and tireless efforts to make Camp happen this year, we had to make the tough decision to take a year off. We will be coming back in 2015 with an amazing event that will cater to the needs, wants and wishes of Camp Bisco’s most faithful and valued attendees! Camp Bisco, which has featured such superstar musical acts as LCD Soundsystem, Snoop Dogg, Nas, Macklemore, Skrillex and many more, has sold out its last three years in a row.”

    The Biscuits, MCP and our amazing community of fans and friends have built this festival from the ground up and we take extreme pride in what we have all created together. We have shared such amazing experiences throughout the last decade and a half of Camp and we look forward to doubling down on that after this year off. We are so thankful for all your rabid support, so please stay tuned, there will be some amazing announcements right around the corner.

    -The Disco Biscuits & MCP Presents”

  • Ratdog Sells Out Shea’s After 18 year Absence

    Not a ticket was left to be had on this cold wintry Tuesday evening in Buffalo.  Legendary Shea’s Performing Arts Center was sold out for the return of Ratdog, the first since Bob Weir’s emotionally charged performance on August 20, 1995 just 11 days after the death of Jerry Garcia.  Sure Bob has returned with Furthur in that time, but this is Ratdog, a group loaded with the Grateful Dead influence from the vantage point of Weir and his interpretation on the music.

    ratdog shea's

    With Furthur on hiatus, anticipation was high for this new Ratdog lineup.  After all this is Bobby’s first love (post-Grateful Dead) that has seen a few lineup changes over the years.  This time no Kenny, no Karan, but enter the duel bass format with Rob Wasserman on stand-up and add guitar virtuoso Mr. Steve Kimock himself on lead.  Seemingly everyone was high in anticipation of how this lineup would mold and how the tour would unfold.

    A couple weeks into the tour the band showed signs of being warmed up early on. The loose opening jam segment kicked off by Jay Lane’s free form drumming launched into a really electrifying “Jack Straw”. Bob’s vocals came right through in this wonderfully sounding room and also offered immediate hint that the front man may be fighting a cold.  Lane traded on vocals and helped build the jam segment to a feverish pitch featuring Robin Sylvester’s Lesh-like bomb drops before yielding to the first of many Dylan tunes of the night, “All Along the Watchtower”.  As a taper, we have the benefit of measuring a bit of the sound pressure in the room which is often fun.  Every front of house sound engineer has a different style.  Some like Dan Healy liked to take their time dialing in the room just right.  On this night the Ratdog crew took care of business promptly and had us feeling it as early as “Watchtower”.   The wonderful sound in a room like this not only makes for a great recording, but the increased volume also helps drown out the conversationalists in the room.  Ear plugs highly advised!

    The first set moved right along with a punchy version of “Wrong Way Feelin > Maggie’s Farm”.  Very little time for a breather in this set as Weir opts to play to the Buffalo crowd in keeping the pace with a flawless “Mama Tried”, a personal favorite among Bob Weir vocals for me.  I have often said the only real thing left of the Grateful Dead after all these years are the Bob Weir vocals.  So much else is gone or changed greatly, this however can still be counted upon.  Due for a slow down at this point with a very upbeat first set, the first of only three true Garcia tunes of the night came next in “Loser”.  Of any first set Garcia songs I lean towards “Loser” as one of the better fits for Ratdog.  The duel bass lineup and Kimock’s precise guitar licks played very well into this version.  “Two Djinn” came off the heels in a nice segue to close out the first set on a real high note.  Kimock and Weir traded off admirably, the chemistry was evident as if they hadn’t taken a break from touring with each other.

    The table was set for what was to come in set two. Weir’s standard solo acoustic start to set two kicked off with the Dylan (and Grateful Dead) favorite “Desolation Row”.  Weir started out solo and was quickly joined by Lane.  Sylvester was next to come out, followed closely by Wasserman and Jeff Chimenti.  It wasn’t until about halfway through the song’s many verses that Kimock appeared to take his lead guitar role trading magnificent solos with Chimenti.  This was truly one of the highlights of the night for me from an emotional standpoint: perfect song selection continuing on with the Dylan theme.  Not only was “Desolation” performed flawlessly, it really cemented this lineup as possibly my favorite Ratdog lineup over all these years.  Wasserman’s bass playing particularly with the wand was organ-like.  And while Sylvester often draws criticism for being low in the mix and not pushing the music, you can see this wasn’t the case on this evening.  Sylvester more than surprised many of us by his forward style of playing not only in the extended jams, but during the composed sections as well.

    “On The Road Again” served as the big bust out of the evening having not been playing in 148 shows.  This number also featured Bobby on an orange juice jug!  In Jon Fishman fashion (drummer of Phish, known for playing a vacuum cleaner into the microphone), Bobby blew into the jug as a solo in tune with the song.  Perhaps previously serving as a source of Vitamin C for the ailing front man now turned instrument?  Ugly winter cold or not, Weir wouldn’t be slowed on this night.  “Deep Elem Blues” would wrap up the acoustic segment of the show in style with lots of giddy up and spunk.  Hard to beat that 1-2-3 acoustic punch to begin set two.

    A very interesting jam was born right off the back end of “Deep Elem Blues”, similar to the one that kicked off the show.  Out launched the first big song of the night, the highly predictable “Truckin”.  As always in Buffalo, the biggest sing along of any Grateful Dead night and the first real big open jam with “Two Djinn” coming in second.  16 minutes of “Truckin” lead us into another pure Jerry song in the Deadhead favorite “Bird Song”.  Really nice song selection continued, keeping the crowd’s attention and giving the audience varied speed shifts to keep up with.  “Bird Song” finally gave way to a glorious “Iko Iko” in honor of Fat Tuesday.  The place was really cooking by now with over 14 minutes of danceable sing-along celebratory music in a good ol’ Grateful Dead kind of way.  The ballad spot was delivered perfectly with “Knockin’ on Heaven’s Door”.  Continuing the Dylan themed night with the only repeat from the August 20, 1995 show that had the “Knockin” encore bring Bobby to tears 18 years prior.  This version was spectacular.  Flawless, emotional, soulful and delivered with so much meaning.  Bob doing Bob never disappoints and this choice was truly perfect for the moment.

    A fun set-closing “Goin Down the Road Feeling Bad” closed out a very surprisingly good and promising night spent with the new Ratdog.  Nothing really mattered at this point as smiles were abound and the feeling was quite good regardless of the encore. The boys wrapped up the evening with a quick “Touch of Grey” sing along in the most fun way imaginable.

    On this night, a capacity crowd of some 3,700 Deadheads walked out happily satisfied spending an evening with their old friend.  Thank you Bobby!

    Download Lenny Stubbe’s recording of the show from archive.org
    Set 1: Jam > Jack Straw > All Along the Watchtower > Wrong Way Feelin > Maggie’s Farm, Mama Tried, Loser > Two Djinn
    Set 2: Desolation Row, On the Road Again, Deep Elem Blues, Jam > Truckin > Bird Song > Iko Iko > Knockin on Heaven’s Door > Goin Down the Road Feelin Bad
    Encore: Touch of Grey

  • Skrillex Bringing The Mothership Tour to New York in June

    Skrillex is bringing “The Mothership Tour” to New York for three dates in June. The New York leg starts at The CMAC Peforming Arts Center in Canandaigua on June 2nd, and the next evening at  The Washington Avenue Armory in Albany.

    On June 7th, Skrillex will wrap up his New York leg at Governor’s Ball Music Festival in New York City. Performing at these shows alongside Skrillex will be DJ Snake, What So Not, and Milo and Otis.

    Skrillex’s shows are always a party with blaring lights, lots of dancing, and concert goers leaving with nothing but smiles on their faces. Tickets go on sale for Albany and Canandaigua on Friday March 14th at 10AM. Governor’s Ball Tickets are available now.

    Here is a behind the scenes look at what to expect from the tour.

    Skrillex 2014 tour

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  • Upstate Metal is Merging with UpstateLIVE

    It is rare to find a music fan who devotes their time to only one type of music. When speaking with the musicians that you read about on our websites, you will find a huge diversity of bands that had influenced their love for music.

    And, that is the basis behind our most recent change.

    Upstate Live is excited to announce its merger with Upstate Metal. Each has focused on the same mission – to promote live music and the local talent here in the Empire State.

    Through the years, we have come to recognize the best way to follow through with this mission statement of ours would be to combine our efforts.  Music fanatics appreciate a wide spectrum of sound that carries them through different genres.  As these tastes mature and musicians continue to push the envelope on the characteristics that define their given category, it has become difficult to discern where one genre ends and another one begins.

    In the coming weeks, regular readers of may notice a few new names.  With the merger, we welcome within the talented writers and photographers that helped earn success for Upstate Metal.  This talented group of writers, photographers and editors will only enhance our ability to spread great music across the state to bring you the coverage you have already come to expect from us.

    In addition, you should expect to see a new look to our website very soon.  It is not all about aesthetics. We promise this will help all of our readers to navigate clearly by region, genre, and news category.

  • New Book “Not Just Tits in a Corset” Heralds Women of Metal

    “We just wanted to play metal in the boys’ club,” said Leather Leone, of Chastain, in the new book by Jill Hughes Kirtland, Not Just Tits in a Corset: Celebrating Women in Metal. “We were metal. And the music represented us.   I remember early on at shows when I saw females in the audience I’d try to bring them in so they’d get it.  I don’t want to f*ck him. I want to be him.”

    Kirtland, a music journalist and band manager, reports the stories of several women rockers,  in their own voices, through a series of intimate interviews and photographs.  The names who collaborated with Kirtland involve some of the most prominent and influential women in the metal industry – Lita Ford, Ann Boleyn, Doro Pesch, Betsy Bitch, Leather Leone, Anneke Van Giersbergen, Elize Ryd, Sharon Den Adel, Alissa White-Gluz, Angela Gossow, Maria Brink, Floor Jansen, Tarja Turunen, Cristina Scabbia, Charlotte Wessels, Roxy Petrucci, Linda Mcdonald, Lzzy Hale, and Simone Simons.

    The book promises to provide insight from the women who helped blaze a trail, and continue to destroy stereotypes. (Photo Credit: Freeman Promotions)
    The book promises to provide insight from the women who helped blaze a trail, and continue to destroy stereotypes. (Photo Credit: Freeman Promotions)

    The book, which Kirtland self-published, details the unique history, challenges and triumphs women have encountered throughout their careers in metal music, while also celebrating the compelling global community these women have created amongst each other and the fans. It’s not just musicians featured, but the women behind the scenes also tell their stories, all of them offering inspiration and support to the up-and-comers.

    “Ten years ago I heard [from women], “Since I saw you in a metal band, I thought ‘okay, I can do this as well,’” recounted solo artist, and former member of The Gathering, Anneke van Giersbergen. “Sometimes we need a little bit of an example.”

    Doro Pesch wrote the foreword to the book.  Pesch, who is often referred to as “Metal Queen”, earned respect after a career that ha spanned nearly 25 years uninterupted. She is credited with being the first woman to front a band at the Monsters of Rock festival in Castle Donington, in England.  German born, she earned her stripes and Europe and briefly tasted success in the United States before grunge pushed her back to the European front. Today, she continues to tour with her band.

    The book, with a pretty cool book cover design by the way, is now available as a hardcover or softcover printed book or e-book on the author’s website and will be available through other online retailers soon.  

    A book launch party open to the public (all ages) will take place on Thursday, April 3rd (6:30pm) at Roxy & Duke’s Roadhouse in Dunellen, New Jersey.  Female-fronted metal bands MINDMAZE, A SOUND OF THUNDER, and FLAMES OF FURY will be performing that night with other special guests.

    For more information Visit:

    www.thewomeninmetal.com  (Author Website)

    www.facebook.com/WomenInMetalBook (Book’s Facebook Fan Page)

    www.twitter.com/progpowergrrl  (Author’s Twitter)