We are proud to present a new feature on – Editor’s Playlists. Each week, one of our staff members will take the helm and create a playlist of their own choosing, featuring music from upcoming shows, favorite bands, Upstate artists, music festivals and more. You’ll get a nice sampling of music you should know about, bands you may not have discovered and some local favorites from across The Empire State.
Our inaugural Editor’s Playlist comes from Pete Mason and focuses on this weekend’s Rock n Roll Resort, v4: The Dream Machine, at Hudson Valley Resort and Spa, located in Kerhonksen, NY. With dozens of great bands, it’s hard to choose which ones to feature,but we settled on funk from The Motet, Turkuaz and Dumpstafunk, progressive/electronic rock from Tauk and SOLARiS, and the reggae-tinged ska of Conehead Buddha. If you aren’t going to Rock n Roll Resort, hopefully this changes your mind – it is a unique music festival experience that you just cannot miss!
Stay tuned for next weeks playlist, including some choice live Aqueous recordings, new studio efforts from favorites Mister F, and more!
After close matchups throughout the Sweet Sixteen, we have our Elite Eight bands! Big Leg Emma and Funktional Flow come from the 716/585 West Region, each winning by a vote of 51%-48%. Close matchups were found, with some as close as 5%, but others reaching double digits, including a 39% margin of victory for Driftwood. The final matchups are coming close. Which of these eight teams will represent their region heading into next weeks Final Four of Upstate March Madness?! Four Cinderellas remain with the highest seed being moe. in the 315/Central Region. It’s anyone’s tournament!
MötleyCrüe is set to wrap up what is one great musical career with their just announced farewell tour. Coming along for the ride to support the tour will be Alice Cooper. The tour will start in Grand Rapids, Michigan on July 2nd and conclude on November 21st in Vancouver, BC. The “All Bad Things Must Come To An End” tour will cover over 60 cities across North America and Canada.
Upstate New York native Amanda Rogers is an internationally recognized singer-songwriter whose ninth studio album WILD will be released Wednesday, April 2nd.
Having spent the past 15 years centered around her musical career, Rogers has seen her music make appearances on television networks such as MTV and the Discovery Channel, and has multiple international tours under her belt. Her 2008 album Heartwood reached #81 on the International Top 100 Charts, and in its May 2012 issue, Rolling Stone Magazine stated that “Amanda’s tender, elfin voice is reminiscent of Heather Nova.” Additionally, Rolling Stone went on to illustrate how “[Amanda] has always been honest,” which is really an admirable trait in the pop world of music. Amanda Rogers has a classical background, while her sound is often unbound to any one genre. She encompasses various influences from Carole King’s ‘Tin Pan Alley’ style as well as Tori Amos’ classical roots and her unique sound can be classified as “lo-fi bedroom ambience,” or “pop with a dash of folk and blues.”
Amanda Rogers’ new upcoming album WILD was written and recorded right in the heart of Syracuse, New York, at Subcat Studios, where she worked with Co-Producer/Engineer Jon Lessels as well as L.A. recording engineer Patrick Macdougall. Towards the end of the summer, Rogers had a staggering total of roughly 30 songs written and recorded as demos. These recordings were then reworked to complete the final album. With a solid DIY way of going about the music industry as an independent touring and recording artist, Rogers’ return home to Upstate New York must have seemed fitting for the process.
“10 Cent Songbird” is a notable song off the album with its opening piano chords under a storm of thunder-like ambiance, which is then followed by the introduction of some light fiddling of a distorted guitar. The chorus will likely be stuck in your head only after the first listen, displaying Rogers’ knack for writing catchy pop music. “More, More, More” shows Amanda’s lyrical abilities as she calls out a distaste for corrupt corporations while pushing for working-class Americans with lines like, “I’ll work three jobs and still be poor, So CEOs can have their whores.” Straying a bit from the theme of WILD, and “Walking” offers a different aspect to the album as Rogers talks of “being careful these days” and “looking for steps to follow in,” which is quite contrary to anything wild, but possibly adds to Rogers’ sincerity and honesty noted by Rolling Stone. The album could maybe have been recorded and polished up a little bit better, as the drums and electric guitar often sound somewhat generic throughout and in need of innovation and freshness. With the many rigid rules commonly found in todays pop music however, WILD takes aim towards becoming an overall original, unconventional pop record.
Key Tracks: 10 Cent Songbird, Walking, More, More, More
Two great back-to-back evenings of music are set this weekend at the historic Paramount Hudson Valley in Peekskill, NY as the Charlie Daniels Band takes the stage on March 29 at 8pm and Robert Cray on March 30 at 7pm.
At 77 years old, Charlie Daniels is a true road warrior. He is presently touring with over 60 scheduled stops throughout the United States until the end of the year, including two more stops in NY on May 31 and June 1 in Albany and Rochester. Daniel’s genre defining Southern rock anthems and his award winning country hits have left an in indelible mark on America’s musical landscape and is sure to make a mark on the Paramount this Saturday. The Charlie Daniels Band is set to release Off The Grid – Doin’ It Dylan, a studio album featuring covers of 10 Bob Dylan songs, shortly after this show on April 1.
Five-time Grammy Award winner Robert Cray will be joined by his band for an evening of blues. Cray is set to release his 21st studio album, In My Soul, on April 1, just two days after his appearance at the Paramount. With his performance near the release date, one could speculate that he may debut a few songs from In My Soul. There’s no April Fool’s about this weekend’s shows at the Paramount Hudson Valley.
Check out a sneak preview of Robert Cray’s new album here:
Lucid will take the stage at Plattsburgh’s Olive Ridley’s Friday, March 28th to celebrate their 10th anniversary.
The show kicks off at 9 pm, and is for those 21 and over only. Admission is $5 and will feature special guest Chromatropic.
A full decade of progress and development has established Lucid as one of the most dynamic, hard working, finely tuned bands in the North Country. Lucid is also featured among the surviving Top 16 bands in this year’s March Madness tournament.
Recently, Chris “Hollywood” English left his hometown of Rochester, NY to join his long-time friends and colleagues in Adirondack-rock, blues-fusion outfit, Lucid. Hollywood is a welcomed addition to this hard working and veracious group of dynamic, respected musicians. The addition of Chris only solidifies the growth and forward momentum of Lucid.
The name Freekbass is startling and inviting all at once. Is this a a freak with a bass? A bass that sounds freaky? From the first time I heard Freekbass and saw Heaadtronics perform at The Big Up in 2010, I was wholly impressed, not because Bernie Worrell was on keys and DJ Logic was spinning, but because Freekbass was stealing the show and made his presence on the stage known, complementing the others while not overshadowing them. This studious and exemplary approach by Freekbass has led to Everybody’s Feelin’ Real,his latest album and one that features special guests and a wide array of bass-fueled funk.
The result of a successful Kickstarter campaign, Sherman says Everybody’s Feelin’ Real “ended up being way above and beyond what I expected.” Sherman notes that the crowd-sourcing method for funding the album was a great success and the backers who supported him hold greater weight than the funding itself. “The real special part was having this community of folks who are emotionally invested into the project like you are. It brings a new kind of intensity and energy to the project. I highly recommend it for any artist.”
This summer, Freekbass heads out on the road for Particle-Freekbass Tour with Headtronics/Particle keyboardist Steve Molitz, and fans of both can expect some sit-ins during each band’s set. They’ll be on the road from April 10th through the 23rd playing shows throughout the Midwest. More dates can be found on Freekbass.com. Headtronics, always a fun show to see, particularly at festivals, and there should be some dates later in festival season with the trio. Click over to see footage of Headtronics from The Big Up 2010.
Now about that album. Everybody’s Feelin’ Real takes a commanding lead out of the gate with the blaring horns of “Rise”, a party starting groove, plus synthesizer courtesy of Razor Sharp Johnson from Parliament-Funkadelic and Bootsy Collins’ Rubberband and vocals from Kim Manning, Jennifer Hartswick and Freekbass. “Victoria Thunder” and thick 70s funk from Johnson’s keys recalls Sly Stone with a Red Bull chaser, giving it some extra kick. The title track has a slower paced groove with a deep grind to it, followed by Skerik’s signature horns on “Mama’s Like a Cowboy”. The instrumental “Fish Like a Man” is full of thick, heavy bass and carries over to “Never Enough”, with whispered lyrics from Jennifer Hartswick that accentuate the gritty sound, repeating “Stop the pain, don’t hurt the game, it’ll never be enough”, a great mantra with heavy bass augmentation.
“Battery”, with JHa’s voice creates a very pleasant ear worm as she stretches out every letter of “Baaaa-Terr-Eeee’, smooth and sultry like Adeline Michèle of Escort. Fans of Bernie Worrell will love “Go Up”, driven by synth via Johnson, making Everybody’s Feelin Real a family reunion of sorts for P-Funk members, including Kim Manning and Executive Producer of the album, Bootsy Collins. The short instrumental “John” bridges “Go Up” and the final track “Fly”, the latter of which blasts off with a cosmic groove, a great cap to a top notch funk album. Over 10 tracks, Freekbass is both a freak with a bass and plays a bass that gets freaky. Enjoy yourself some of Freekbass’ funk on Everybody’s Feelin’ Real.
Two bands I had yet to see, The Jauntee and Groovestick, were on the bill with The Assortment of Crayons at Red Square on March 21st. Assortment of Crayons are a solid group from New Paltz who have established themselves in the mid-Hudson Valley and are always a treat to see, but the other two bands eluded me thus far. The Jauntee have a fair amount of hype thanks to this article where they were considered potential heirs to the throne of Phish. A statement like that will perk my ears up any day, but I had to see them for myself to make a fair call. Their shows on Archive.org are good, but in person was the deciding factor.
Taking the stage quickly after Assortment of Crayons, The Jauntee started with “I Wanna Love You > J.M.O”, the latter of which was short and goofy, always a plus when a band doesn’t take the music too serious. “Mr. Murderin’ Man” had some early jam potential that built up with hypnotic guitar and keys, to the point where it was hard to tell which instrument was making what sound. Beck’s “Devil’s Haircut” wedged inside what later turned out to be the not-always-jammed “Gravity of Thought” was impressive, not just for matching the complexity of the Beck song, but putting a little twist on the song, dropping it down a tempo to create a signature sound. “My Shadow” had a dash of “I Want You (She’s So Heavy)” inside, an example of great band chemistry on stage – even when bassist John Loland bolted off the stage for the bathroom, the other three never missed a beat, and he was back on stage a half a minute later to fall right back into place. Impressive, but another show or two might convince me further. The Jauntee are certainly talented musicians and put on an impressive show; I’d expect their festival appearances this summer raise their bar even higher, for they are still young but the talent is already apparent to many, including myself.
Setlist: I Wanna Love You > J.M.O., Mr. Murderin’ Man, Gravity of Thought -> Devil’s Haircut -> Gravity of Thought, My Shadow > Fractal Fuck -> Let the Drummer Take One
Groovestick, an Albany quasi-supergroup features Dan Gerken of Timbre Coup on guitar, Chris Carballeira of Funk Evolution on Hammond Organ and keys and The Chronicles’ Franz Celestin on drums and percussion. Opening up with 20 minutes of “Electric Shoes” was quite impressive, giving Gerken plenty of room to shred. A salsa infusion on “Inkblot” changed the groove and ended up filling the dance floor with not-your-ordinary dancing fools: I hadn’t seen this at Red Square since perhaps Marco Benevento back in December. It was no coincidence that an organ was part of both performances.
“GSauce” rocked some blues while “Mischief” had a nice bass groove from the multi-instrumentalist Gerken, which eventually led into “Get Down on It”. A cover happy end of the show featured a Stevie Wonder sandwich of an instrumental “I Wish” (aside from vocal “Doo Doo Doo’s”) seguing fluidly into “Superstition” and back into “I Wish”. The New Deal’s “Home” ended the set while the encore featured Prince’s “Controversy” and Charles Mingus’ “Jump Monk”, with each song of the final 30-40 minutes igniting the crowd more and more. Groovestick was impressive, and paired well with The Jauntee, two acts that are must-sees next time either play in your town.
Setlist: Electric Shoes, No Time for That, Shark Bait, Inkblot, Big Foot, GSauce, Wormhole > Bakers Dozen, Mischief > Get Down on It, I Wish > Superstition > I Wish, Home Encore: Controversy, Jump Monk
Prog-Rock superstars, dopapod recently announced their Spring 2014 Tour Dates. The band will be playing some Upstate, NY dates – 4/24 at Saratoga’s Putnam Den with Aqueous, 4/25 at The Westcott Theater in Syracuse, NY with Aqueous and then 4/26 at The Waiting Room in Buffalo, NY with a third night with Buffalo’s own Aqueous and favorites and Albany natives, Mister F. For tickets and info please visit www.dopapod.com.
The second round of March Madness on the basketball court led to a slew of upsets, including a #1, two #2s and three #3s among others. The same can be said about Upstate March Madness, where all the #1 seeds are now gone, as well as a few formidable higher seeds that failed to advance to the Sweet Sixteen. Things are about to heat up as we are down to 4 teams in each of the 4 regions, especially in the 716/585 region where only the bottom four seeds are still alive, assuring at least one Cinderella in the Final Four! Click the bracket below and see how the tournament has fared thus far for some bands.
Click the bracket for a larger, printable version.