Category: Features

  • Interview: Korn’s Brian “Head” Welch opens up

    Back in 1993, ‘nu metal’ was barely a thing in the musical landscape. But five young guys from Bakersfield, California started a band that would become the powerhouse metal band Korn. From their debut self-titled album which gained instant success, to the slew of consistent chart topping albums for the last 20 years, they have been a lasting force in the heavy music scene.

    The members remained constant until 2005 when Brian ‘Head’ Welch decided to leave the band because, in part, to his addiction to drugs. He then found religion, cleaned up, wrote books and started new bands. In 2013 he officially rejoined Korn, bringing the guitar double team of Brian and James ‘Munky’ Shaffer back to full strength. At the recent Rockstar Mayhem Festival in Saratoga Springs, I got to sit down with Head and talk about what the road back to Korn was like, and how it feels to be back.

    Brian ‘Head’ Welch: Life is good, man. You know there is always something to do on this tour. We wake up, eat and then we are busy like crazy. I am also working on a new book, and I am way behind on it, so it takes any free second I have. There are other bands we want to see, on the small stages too. Then we have meet-and-greet, and after the show we are doing after parties. So we have like an hour to shower off, and then we meet like a hundred people every night and then it’s bedtime.

    Jeff Ayers: How are those after parties? We heard that some are thrown by other bands.

    BHW: Ours is more of a one with our fans kinda thing. We hang out, play some music, take pictures. It’s like a meet-and-greet, but you can buy drinks and hang out in a different atmosphere. There is a Q and A too.

    JA: That sounds cool.

    BHW: Yea, I don’t really like it. It’s a cool thing, but I was under the impression it was going to be the whole band there. Jonathan [Davis] has his kids out [on this tour] so he is never there. So the vibe is always, “Where’s Jonathan? Where’s Jonathan?” So I am not going to do it again, unless he signs an agreement that he is going to be there. I mean, I understand, he has his kids. But you know, I got a different impression about these after parties.

    JA: What’s the new book going to be about?

    BHW: It’s about my eight years away from Korn, and my road back to Korn. So it is about me, trying to be the normal person, trying to be dad, and getting my life together while breaking apart a few times a year. I was always wasted the whole time before, and I couldn’t run to that stuff anymore, but I wanted to. A few times. I went through a lot of stuff, and I am writing all that stuff down. It’s flowing out of me, so I think it’s meant to be.

    JA: It has to be cathartic, too, to be able to get that onto the page. I am a writer myself, and getting hardship, pain, and loss written down can be helpful and help with the healing

    BHW: Yea, you are right. But it is hard too, I mean, I’m feeling it too. I had this episode with my daughter, during the time we [Love and Death] were fighting with this label. They were stringing us along, and they had done it a few times before that, and then they were like “We are going to pass”. So I said “I’m done!” and threw my phone and broke it, but I had this episode with my daughter because she got hit by the phone on accident. It was the worst day, I felt like I might lose her. It has been hard at times, too.

    JA: In that eight year recovery, is there a defining moment? That pinnacle moment that smacked you in the face and made life clearer?

    BHW: I’d say when I finally hit the day, well I don’t know if it was a day or a time period, but when you hit a place in life where you step back and go, ‘Everything just changed right now’ whether it is a new a career or something. When I went through my bankruptcy, I hit a place where I realized ‘I just went through all of that for a reason.” I faced every fear that I had in life, I faced every emotion that was caused by my drug addiction, every bad thing that I could face, I did, and made it through. Facing those things actually cleansed me from them, so I am new man. It felt like for a time there was a curse on my life. I wrote my first book, and that was cool, but I then started a label, which failed, then I lost my house, then people were trying to sue me left and right. Then I moved to Nashville, I started a new band that wasn’t successful, and it was just like ‘C’mon man!’. But [looking back], it was all a process to make the person I wanted to be, this new man. Then I entered into peace right there, and I have been good ever since.

    JA: Can I ask what happened recently in Europe? You guys, Love and Death, were just on tour and you had to cancel dates, didn’t you get sick?

    BHW: Yea I had a kidney stone, and had surgery. I was in three different hospitals, called the paramedics twice, once in an airport, once in a hotel. Right in front of the Russian fans, it was just bad. I didn’t know what was going on, because they initially told me I didn’t have a kidney stone, but then my gall bladder started failing. Then my kidneys started hurting really bad. The doctors were just messing around, and I ended up having surgery. I had to Google translate with my surgeon. I asked, “I still feel like I am going to die, we had the surgery, what’s wrong?” Then he would Google translate back to me, it was rough.

    JA: Wow, that sounds crazy!

    BHW: Yea, remember how I told you everything got better after that certain day? Well that was challenging. But, after going through everything I had before, when I faced the kidney stone I was O.K.. Even though I was in extreme pain, I was fine inside, I knew I could get through it.

    JA: You took those eight years off from Korn, now that you are back for a little over a year, how has it been?

    BHW: 2014 has been great. 2013 was a little challenging. I came in from running the show at Love and Death. Even though it was a tiny show, it was my show, so I was making all the business decisions, saving tons of money on flights, and hotels and stuff. So I came back here, and I was all about trying to do things different, business wise. I talked with the guys, and was like “Why is this happening? You know how much money we could save, etc?” So I would let it eat me up inside. I was treating the tour manager pretty bad, and he’s been doing this for fifteen years, and he has his ways. He doesn’t work on the things that save nickels, he works on the things that save lots of money. I was sitting there worrying about the nickels, so it took me awhile to balance that. I had a conversation with him eventually where I apologized, because this was a big change for me and had to adjust. Once I got past that though, I have had a good year.

    JA: Your new record, The Paradigm Shift, is doing great. You just came out with that the end of last year, what is the plan for after Mayhem Fest?

    BHW: Well, I wish I had confirmation to tell you about this thing we are working on, but I can’t say it yet. We are looking to do a really nice tour in the fall. I thought it was just going to be a few shows to close out the year, festivals and stuff like that. But this thing came up, and I am really excited for it to come together. So big tour in the fall, and then I don’t know about next year. We haven’t really gotten that far yet. I think it would be good to take a couple of months off [from touring]. You know, do a couple of cool shows, but everybody just go away for a little bit. Give everybody a break, the fans a break, the band a break, and then start writing the next record. We will see what happens.

    JA: Do you guys write music individually and then bring it together or is the writing process a collaboration?

    BHW: The big thing with Korn, is we like to get into a room, and flesh it all out together. But we also write at home to bring ideas to those sessions. Definitely have to do that, because the famous thing we like to talk about is when we are holding our guitars and staring at our feet on the floor, and we try to do stuff and it sounds like we are beginning teenagers all over again. Looking around the room asking, “Is this cool?” [laughs]. That’s desperate, so playing on our own helps to stop that.

    JA: You guys have been playing now for a long time, and being on the road with the same guys over and over again, it can put strains on dealing with each other. Do you guys handle that pretty well as a band?

    BHW: Obviously, humans are humans. Even the people you love will get on your nerves, and it will happen out here on the road too. But you learn to just walk away, and then come back. That’s all is. There are some days, like four weeks into the tour, and you have a great night with everybody and you are on the bus just laughing. On the hard moments, you just walk away and try and go refuel by yourself. At this point, we all know how to do that really well.

  • Trey Anastasio Band Taping PBS Special at Brooklyn Bowl

    photo by Andy Hill
    photo by Andy Hill

    According to Relix, The Trey Anastasio Band will be taking the stage at The Brooklyn Bowl on Sunday, August 17 for a the taping of a special PBS broadcasting of the series Front & Center.

    This is a very small venue for the band to be playing and should be quite the show. The Brooklyn Bowl has been used as the setting for this show before. Aaron Neville was recorded there in the fall of 2012.

    Tickets go on sale Friday, August 8 at 10 a.m. with a two-ticket limit per customer.

    No tickets will be available at The Brooklyn Bowl box office.

    This is sure to sell out in moments notice, so if you want to be at the taping, make sure to act quickly.

  • Locals Only Festival at Oswego County Event Center Saturday

    Sixteen bands. Ten bucks. The exchange is in your favor, people. Syracuse’s 95X has put together the Locals Only Festival, a one-day fest hosted by the Oswego County Event Center, to take place Saturday, August 9.

    From 11 a.m. to 11 p.m. the playbill promises a load of hard-rocking talent who dares people to call them anything buy “local” – If Hope Dies, Era, Stone Soul Foundation, Nasty Habit, After Earth, Snapmare, The Afro Nips, Ohne Ka & The Burning River, One Step From Falling, Ah! Ethernauts, Department, Feast of the Superb Owl, Human Lanterns, Bridge Under Fire, Damon Larus, and Civil Servants.

    “The boys in Era and I just wrapped up an awesome jam session,” said Barry Huribut last week through the event’s Facebook page, “and we are gonna be debuting some BRAND NEW brutality at this event.”

    Era, who earned Syracuse’s Sammie Award for Best Heavy Metal band back in March, is among the headlining acts from a quickly emerging music scene.

    “The local music scene in Syracuse is rich with talent,” said 95X radio personality, Scott Dixon. “We have a plethora of amazing bands in a multitude of genres.  From straight forward radio ready rock like Cry To The Blind and Jeremiah’s Razor to post rock stalwarts like How To Disappear Completely and Ohne Ka and the Burning River to hardcore from Thoughts In Reverse and Snapmare to college/indie rock standouts like Department and Feast Of The Superb Owl.

    And, those are just the bands that fall into an easy category.”

    Dixon is a veteran to the scene. In his 20 years, he proclaims having booked more than 2500 shows. He has seen almost every local band over each stage of their existence. He name drops Nathan Angell as an example of the “hard work pays off” idiom, but explains there are dozens of locals who have persevered and reaped the benefits from a strong work ethic over the years. Dixon finds inspiration in such examples.

    “That is what inspires me, seeing things move forward,” he said. “The better the scene gets, the more inspired I am to do more shows.”

    Labeling a band as “local” often times presents a limitation; watering down each complimentary adjective that follows, because it seems to suggest the band is only adequate for local audiences. But, the Locals Only Fest turns that moniker into something equivalent to “VIP”.

    “The goal of 95X Locals Only Fest is to demonstrate to the listeners in our area that we have a very talented and diverse local music scene,” said Dixon, “and that they deserve their own festival. … In a self-serving way, it’s also a chance for me to see 16 bands that I adore on a big stage with big production in front of what will hopefully be a big crowd.”

    Dixon also suggests that the festival provides an opportunity for these bands to network and collaborate on ideas to help each one succeed, a chance to establish a community.  A far different environment from the competitive scenes other locales endure.

    Wagner 3000 Out for Locals Only Fest

    Named on the original list of headlining acts, Wagner 3000 is a scratch from the Locals Only Festival’s playbill due to an accident that has left the band’s lead singer happy to be alive.

    So, I got injured pretty bad,” stated Dan Wagner, on the band’s Facebook page on August 1. “[I] shattered my heel, fractured my pelvis, and shattered some back bone.

    No other details were released on the nature of the accident, or when it took place.

    Wagner 3000 is an alternative rock band that formed out of Syracuse back in 1997. They are known for providing a unique blend of music inspired by Cat Stevens, AC/DC, Nine Inch Nails and King Crimson.

    “We will be performing later on in the fall,” stated Wagner. “Really bummed to not be able to perform, really glad to not be dead. Be safe, Dan Wagner.”

    Damon Larus, a four-piece jam band that focuses on a wide variety of genres – blues, metal, funk, classic rock, alternative – was announced as a replacement on July 28.

  • Interview: Rob Barrett of Death Metal Legends, Cannibal Corpse

    When someone talks of the genre of death metal, there are a few names that reside at the top of everyone’s list. Cannibal Corpse is indisputably one of those names. Formed in 1988, they helped shape the budding underground metal scene at the time, and helped usher in this new type of crushing sound. Signing with Metal Blade Records early in their career, they have consistently put out records over the course of their 26 years of life.

    Cannibal Corpse have had multiple lineup changes, and controversies surrounding the band because of their graphic imagery and lyrics (1995 Bob Dole named them one of the bands that was ‘undermining the national character of the United States). But they have seen success in their field, from a cameo in Ace Ventura:Pet Detective to multiple awards and recognition among all who are fans of metal. At the recent Rockstar Energy Drink Mayhem Festival at Saratoga Performing Arts Center, Jim Gilbert and I got to speak with guitarist Rob Barrett about the band, the life, and the new album coming out in September.

    cannibal corpseJim Gilbert: I know you guys originally hail from western New York, Buffalo area.

    Rob Barrett: Yea, it’s where I grew up as well.

    JG: So talk a little about the metal scene in Buffalo at the time, the mid to late 80’s. Death metal wasn’t really out yet, right?

    RB: It was kinda of forming at that time, in the late 80’s. All of us were in different local bands, and playing local gigs together. Alex [Webster] and Jack Owen were in a band called Beyond Death, with Darrin Pfeiffer, who actually ended up being in Goldfinger. Chris Barnes, Bob Rusay, and Paul Mazurkiewicz were in a band called Tirant Sin. I was in Dark Deception, and we would all play shows and all the bands rehearsed in the same building, so we always saw each other and we would hang out after. It was a nice tight-knit scene going on.

    JG: You had joined Cannibal Corpse after they formed, around 1993?

    RB: Yeah, they had already recorded Tomb of the Mutilated (1992). I had joined Malevolent Creation and had moved to Florida in 1989. Originally I moved to Fort Lauderdale, and then I went to Miami and formed a band called Solstice that I was singing and playing guitar in. At that time Phil from Malevolent Creation called our drummer Alex and myself to join up with them. So we were both part of the second Malevolent Creation record, Retribution, in 1992. We went on a U.S. tour with Cannibal Corpse, Obituary and Agnostic Front. That was definitely a good tour, and for me it was the first tour I was ever on, so it was excellent. Cannibal and Malevolent shared a bus together, and we all knew each other from Buffalo, so we all got along great. We were like one big family, and I am pretty sure that is why I got the call to join with them the next year, because they had gotten rid of Bob Rusay and they knew we would get along because they had already toured with me.

    Jeff Ayers: So did you move back up to Buffalo at that point?

    RB: Yea, I was living in Miami when I got the call. I think I flew up there a few days later, and learned their entire set in two weeks because they had a U.S. tour scheduled, and then just started touring with them.

    JG: But you guys recorded down in Tampa.

    RB: Yea, yea. The first six albums, I believe, were done at Morrisound Recording in Tampa, FL. Up through Gallery of Suicide definitely.

    JA: Just about everybody in death metal was getting recorded there

    RB: At that point in time, that was the place that everybody was going. It was the hot spot. Obituary, I believe, was the first band to record death metal down there, and that got everyone else to want to record there. After I moved back up to Buffalo, we all decided to move down to Tampa as a band. For me it was like a triangle: Buffalo, Fort Lauderdale, Miami, back to Buffalo and then back down to Tampa. We have been based out of Tampa since 1995.

    JG: Do you still consider yourself a Buffalo band?

    RB: We are really widely known for being from Tampa. But if you go back to the beginning, yeah, we all originated from Buffalo. But since the member changes there are now two guys who are not from Buffalo.

    JA: So Cannibal Corpse has been THE band in the past 20 years. You guys have paved the way for a lot of bands that are on festivals like this, and everything else. From your opinion, how has the dynamic of the scene changed? You started back in the 80’s, with something that barely existed at that time.

    RB: I think that it has improved a lot. These bands today have a lot more technology to make more quality recordings. Back when we first started, everything was rough around the edges. That right there is kinda what made death metal what it’s supposed to be, in my eyes. I mean we practice a lot, we average four days a week when we aren’t on tour. We take it serious, not just getting together a couple times a month. But the comparisons between back then and now, with the technology, the younger bands have more tools to make things not so rough around the edges.

    JA: For better or worse I guess.

    JG: Now we get massive metal tours, like the Big Four touring together. If you had your ideal death metal tour, who would be on it?

    RB: We were actually hearing some talk of someone trying to get a Big Five thing (in death metal) going on, which would have been Deicide, Obituary, Cannibal Corpse, Morbid Angel and Suffocation. I don’t know if that will ever come to fruition. I think it would be great, maybe not as a full-blown tour, but major city dates or something.

    JA: Oh my god, I’d be up for that. That would be a lot of fun.

    RB: It’s strange, too, because all those bands except for Suffocation are based out of Florida, but never have actually toured together a lot. I mean, we did tour with Obituary, back in 1992 though.

    JG: You guys all did you early albums out of the same studio. I’m not sure where Deicide recorded

    RB: Deicide has been going to Audiohammer, which is in Sanford near Orlando. We just recorded our last album there as well. But early Deicide was also Morrisound as well.

    JG: That whole sound really came from that one spot.

    RB: Yea it just kinda happened, you know? Everybody heard Obituary’s recording, and everyone just started going there. A lot of bands went there to record demos, in the hopes of getting a record deal, because their demos would say ‘Recorded at Morrisound.” It actually worked for some of them, I think.

    JG: To be in the environment in the beginning, it’s the first time anyone has heard stuff like that. Is there a different feeling now, than opposed to 20 years ago? Are you happy with the direction you are going, are you still pushing the boundaries?

    RB: We are working harder than we ever did. We have to stay vital with these younger bands that are coming up in the scene. It’s not like we are trying to hang onto the throne, it’s not a competition, but we want to be able to hang with the younger bands. I think we are doing pretty good. Our sound has progressed to the point that we are keeping up with the times but still staying true to our sound that we started 26 years ago.

    JA: Is there a younger band that just blows your mind?

    RB: Well, the last one that really blew my mind was this band Aeon from Sweden, that we are actually going to be touring Europe with in October and November. They have been around a little bit, but they are the last death metal band that blew me away with their stuff. It’s like a mix between Florida death metal and maybe Meshuggah. They have a lot of strange timing going on, but with straight forward death metal mixed in. It’s a good combination, and being from Sweden, they also have a lot of shred going on as well.

    JA: Of course, lots of shred in Sweden. Keeping up with new stuff, you guys are on the 70,000 Tons of Metal Boat Cruise this year. That sounds like quite a blast, have you ever done anything like that before?

    RB: Well we got offered to do the first one when they started it, but we passed on it to see how it was going to go. It was a major success, so we jumped on the second one, and it was great. It was a cool experience, and I wasn’t drinking on that trip, but if you a drinker, you will love it. You are on a boat for four days, and everybody’s just partying.

    JG: Can we talk about the new album a little?

    RB: Sure. We just released the name of it, A Skeletal Domain, out in September. We have a lot of fast songs in there, and a good amount of slower stuff as well. If you are just playing fast all the time, it’s all going to sound the same. There is no dynamics going on. So we have a few mid-paced songs, which also help out our live sets as well. I mean, I’m 44, and my head feels like it might fall of my neck sometimes. [laughs]. Headbanging every night for that long will take it’s toll on you. George [Fisher] though, he is the king of the head spins. I used to be able to do the windmills like that, but now I just do the ‘chicken peck’ i call it. [laughs].

    JA: Your more melodic stuff is always intricate and interesting though. You never have a throw away song or a cop-out.

    RB: I mean, our main thing with our sound is to make sure nothing sounds happy, or over melodic. You can be melodic without having it sound happy or triumphant. We try to go for the more uglier sounding stuff.

    JA: You want to keep the core true to Cannibal Corpse

    RB: Yes, definitely.

    JG: Have you released any track names off the new record?

    RB: Sadistic Embodiment was the one song that leaked early. There is a couple I can talk about though, that I wrote on the record. There is one called Kill or Become, which is like going back to the old Cannibal Corpse lyric style. It’s a zombie song. You gotta kill or become one. I wrote another one called Icepick Lobotomy, which is a nice little ditty about a doctor. It is kinda based on a true story, which I made into my own. Back in the 1800’s, there was a doctor that used to perform lobotomies with ice picks, right between the eyeballs. Paul wrote lyrics for half the album, and Alex wrote four songs, music and lyrics.

    JG: Do you read a lot to get inspiration for songs?

    RB: Yea, either from reading, or it might be something I’m watching, like a true crime or something. There are all sorts of crazy things in the world that sometimes real people did. So we draw a lot of information from that and twist them into our own little stories. Somebody dies by the end of the song all the time. There is definitely a body count going on. That is what people expect from us, and we aim to give them what they want.

  • Massry Center for the Arts Announces 2014-2015 Season

    The Massry Center for the Arts announced their schedule for the Premier Performances series for the upcoming 2014-2015 season that kicks off in September.

    Premiere Performances is a series of musical presentations that reflects the mission of The College of Saint Rose and calls attention to the importance and the position of the Massry Center for the Arts and the College in the cultural life of the Capital Region.

    The schedule showcases a number of gems that include a Grammy Award winner and a number of internationally recognized talent.

    John Pizzarelli, the world-renowned jazz guitarist and singer, takes to the stage September 27. On March 14, 2-time Grammy Award winning artist, Terrance Simien, brings a taste of Louisiana Creole to Upstate New York. Russian guitarist Anton Baranov has earned numerous accolades in the world of international guitar competitions, including the Koblenz Guitar Competition, Andrés Segovia Competition, Agustín Barrios Competition, Robert Vidal Competition, and Pittaluga Guitar Competition – and he plays to a local audience on April 12. And, come December, Albany can celebrate the holidays with The College of Saint Rose as they present It’s a Jazzy Christmas! A Celebration of Vince Guaraldi’s Holiday Jazz Music, an unforgettable, family friendly evening of Guaraldi’s signature style of jazz made famous in the “Peanuts” holiday specials.

    The Massry Center for the Arts, provides a showcase for music and the visual arts at The College of Saint Rose. It is located at 1002 Madison Avenue in Albany. More than an academic facility, the Massry Center is a 46,000 square-foot “cultural focal point” to establish St. Rose’s mission as an engaged urban campus.

    Featuring the Kathleen McManus Picotte Recital Hall, the Esther Massry Gallery, and the William Randolph Hearst Music Wing, the Massry Center for the Arts serves as the primary venue for concerts and exhibitions by the college’s students and faculty each year, and a performance and exhibition space for talented artists, musicians, vocalists and orchestras from around the world.

    To purchase tickets to any of the performances listed below, please visit the school’s website.

    Premier Performances 2014-2015

    massry

    Mehregan – Celebrating Women of the Middle East:  9/12/2014 | 7:30pm | $20 / $10 Student |

    Saint Rose Camerata: 9/20/2014 | 7:30pm | FREE

    An Evening with John Pizzarelli Quartet: 9/27/2014 | 7:30pm | $30 / $15 Student

    Mary Lambert with Howie Day: 10/17/2014 | 7:30pm | $30 / $15 Student

    The Weight – Playing the music of The Band with Sean Rowe: 11/14/2014 | 7:30pm | $25 / $15 Student

    Saint Rose Camerata: 11/15/2014 | 7:30pm | FREE

    It’s a Jazzy Christmas! Massry Center Family Concert: 12/5/2014 | 6:00pm | $20 / $10 Student/ Free for Children 5 and under (ticket required)

    An Evening with Tim Reynolds Solo Acoustic: 1/29/2015 | 7:30pm | $25 / $15 Student

    Gleb Ivanov— Solo Piano Recital: 1/30/ 2015 | 7:30pm | $20 / $10 Student

    Saint Rose Camerata: 2/14/2015 | 7:30pm | FREE

    The Bridge Jazz Fest Presented with the Troy Savings Bank Music Hall: 2/27 & 2/28/2015 | 5:30 | Massry Center for the Arts and the Troy Music Hall | $40/ $30 student per night or $60 / $40 Student for both nights

    NOLA FEST with Terrance Simien: 3/14/2015 | 7:30pm | $20 / $10 Student

    Saint Rose Camerata: 4/11/2015 | 7:30pm | FREE

    Guitar Foundation of America Concert with Anton Baranov – Presented with the Classical Guitar Society of Upstate New York: 4/12/2015 | 7:30pm | $20 / $10 Student

    The Funky Meters: 4/16/2015 | 7:30pm | $45 / $20 Student

  • Road to Backwoods: DoomF*ck

    The 8th annual Backwoods Pondfest, held in beautiful Adirondack Region of Peru, NY only a short drive from Plattsburgh and neighboring Canada takes place this coming weekend of August 8th and 9th. The 2 day festival will feature live music, art, yoga, hooping classes and new this year, a Disc Golf Tournament. Backwoods Pondfest attracts people from all over the East Coast every year, looking for an intimate festival experience that is family friendly yet knows how to party. The festival offers a large range of musicians, supporting both national and regional acts with this year’s lineup featuring The Manhattan Project, Chali 2na and The house of Vibe, Twiddle, Alan Evans’ Playonbrother, Aqueous, and many more. This “Road to Backwoods” piece will highlight the local improv band, Doomf*ck.

    BACKWOODSPONDFEST

    Doomf*ck hails from Plattsburgh, NY with Backwoods Pondfest being right in their own backyard to rage the Tent Stage first thing Saturday morning. There is a consistent rotation of band members with main stable member and bassist Catherine-Harrison-Wurster leading the heavy improv band. The diverse lineup creates a unique show experience each time with a fusion of jazz, punk, funk and simply noise. Doomf*ck will be performing tonight Aug 4 at Club Metronome, located above the historic Nectar’s in Burlington, VT as part of Metal Mondays with RAIL, Mac Swan and Black Holly. Doors are at 9pm with a charge of $5 for 18+ and $3 for 21+ event.

    doomfuck

    Tickets are still available for Backwoods Pondfest on their site or at any show with Lucid, The Garcia Project, Capital Zen and North Funktree. The last day to purchase tickets online is Tuesday Aug 5th but will be available at the festival at the gate. With early bird tickets already sold out, don’t miss out on your chance to experience Backwoods Pondfest. Be sure to like on Facebook, twitter and Instagram for Backwoods and all your festival coverage.

  • Brantley Gilbert Turns the Turning Stone Bottoms Up

    Brantley Gilbert certainly brought his ‘A Game’ when he visited Central, New York July 10 at the Turning Stone Casino. This Georgia born entertainer, recently awarded the coveted ACM 2013 Top New Male Artists award, has certainly been busy over the last few years cranking out hit songs for himself and other Nashville artists. Touring with the likes of Willie Nelson, Eric Church, Toby Keith, and Tim McGraw.

    Recently in Upstate, New York as one of the many top-notch country performers at the Taste of Country Music Festival at Hunter Mountain, concert goers got a small taste of the no holds barred artist that writes and plays from the heart sharing from real life experiences. This young man makes no excuses for who he is, what he believes in, or how he looks. He’s been labeled a bad boy of country music, however his polite persona shines through to give you a hint that there is so much more to this artist than what’s on the surface.

    Opening for Brantley was newcomer Brandon Lay who took over the stage and warmed up this audience; winning over new fans left and right.  Covering original songs of his own and covers like a pro, it was our honor to give him a warm CNY welcome to our neck of the woods, with the hopes of returning again one day soon on his own headline tour.

    I was really looking forward to seeing this rebels full show, having seen Brantley just a few weeks prior at the Taste of Country Music Festival, and he absolutely didn’t disappoint. As a performer, it’s great to have hit songs to belt out to an audience, but it’s the delivery that makes the show. It’s the opening number that pumps up the audience and begins the evening, it’s the interaction with the audience as the performer is singing, and it’s the momentum that builds as each song plays into the next one. Brantley has an innate ability to deliver these critical aspects that hook his audience and reels them in number after number. His opening number and accompanying video totally delivered this one-two-punch that hooked the audience, built them up to an expectation of greatness, and delivered from that point on. No matter how much of a showman this young man is, you cannot mistake his talent in songwriting. It’s his songwriting that truly shines bright amongst the chains and tough exterior, as he shares in each number a piece of who he is and how he perceives his life experiences.

    Brantley Gilbert - Turning Stone Casino
    Brantley Gilbert – Turning Stone Casino

    Surrounded by some of the top-notch musicians in the business, his band perfectly accompanies Brantley on each number delivering the ambience in one killer set. With Patrick Stevens on guitar and background vocals, Jonathan Waggoner on bass and background vocals, Ben Sims on drums and percussion, BJ Golden on the mandolin ,acoustic and electric guitar, keyboards, and background vocals, and Noah Henson rounding them out on rhythm guitar and background vocals, these guys commanded the stage meshing perfectly together to bring the show all together and build up that electric feel that delivers this show over the top.

    Brantley Gilbert - Turning Stone Casino
    Brantley Gilbert – Turning Stone Casino

    Brantley Gilbert is a force to be reckoned with as country music switches tides to deliver an eclectic sound that mimics a mixture of country, bluegrass, and rock and roll. Perhaps it’s this mixture and the fact that Brantley doesn’t sway away from his goal to deliver his sound his way that has hooked me as one of his BG Nation members. Coming back through NY August 22n to the Watertown Fairgrounds, it is my suggestion if you love the new direction of country rock you definitely need to take the time and the ride up north to see Brantley.

    Brantley Gilbert - Turning Stone Casino
    Brantley Gilbert – Turning Stone Casino
  • Interview: Suicide Silence’s New Lead Singer, Eddie Hermida

    Suicide Silence has made quite the name for themselves over the years, starting in 2002 in Riverside, California.  They have worked hard to produce quality deathcore music, and have received many accolades because of it, such as Revolver Magazine’s Most Innovative Band in 2009 and a song on the motion picture soundtrack for SAW IV.  But in 2012, tragedy struck when lead singer Mitch Lucker died from a motorcycle accident.  Morning their fallen brother, the band vowed to push on, and hired All Shall Perish singer Hernan “Eddie” Hermida a year after Mitch’s death.  I got to sit down with Eddie and talk about the transition of joining the band under such unfortunate circumstances, and how their new album You Can’t Stop Me on Nuclear Blast Records is tearing up the charts.

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    Jeff Ayers:  So is this your first time on Rockstar Mayhem Fest?

    Eddie Hermida: No, this is my second time, just my first with Suicide Silence.

    JA: You did it with All Shall Perish?

    EH:  Yea we did Mayhem in 2011 with Suicide Silence.

    JA:  Did both bands meet on Mayhem?  Or were Suicide Silence and All Shall Perish friends before that?

    EH: We met in 2005, at a California metal fest.  All Shall Perish drove down south the day before, and it was actually Mark [Heylmun] and I who met.  We were just bull-shitting together, talking about how both our bands should do a tour together.  So in 2006 they were headlining a tour and we were brought on as direct support.  We did about 56 shows in 60 days.

    Jim Gilbert: Oh my god.  You guys were probably in a van right?

    EH:  Yea it was my first major tour.  We were both in vans with trailers.  It was crazy, we all became really close.  They have been my homies since then.  Then in 2011, it just made the bond stronger.  All Shall Perish was in an RV for Mayhem, instead of sharing a bus with Suicide Silence.  It was ten dudes packed in an RV, and it was brutal.  So I ended up sleeping on the Suicide Silence bus a lot, because it was easier.  They would stay late and party, and it added an extra two or three hours to my night to hang back, so i did it, because they allowed me to.

    JA:  So, obviously with the tragedy that fell on Suicide Silence, that must have strengthened the camaraderie between the bands.  When you were finally announced as taking over for vocals for Suicide, how have the fans been, have they welcomed you?

    EH: It’s been absolutely overwhelmingly good.  A lot better than I thought it would be.

    JA:  It’s always tough, with a transition like that on the heels of a death in the band.

    EH:  That’s the thing.  Mitch [Lucker] always meant so much to his fans, and the fans meant so much to him.  Stepping into that role, I was very concerned with how that would be perceived.  But coming into it, and seeing how lovely everyone has been, and how fired up the fans are to see the band again, it is such a good feeling.  Being able to go out there, do what I do, and have no one judge me for it, and everyone just go nuts, is great.  There is a lot of trust involved, and there is also a lot of welcoming too.

    JA: You guys just came out with a new record.  How has the response been on that?

    EH: We just found out that we hit number 16 on the Billboard charts for our first week.  We sold 16,000 copies, and it’s the highest charting record for Suicide Silence ever.

    JA: That has to feel great.

    EH: For a death metal band, it’s so amazing.  The number really doesn’t matter anymore, because there isn’t the cd sales that there once was, and there is a huge drop off in numbers from the top five to everything underneath that.  We are talking about hundreds of thousands of records difference.  But it still feel great. To be in the history books as hitting number 16 on the charts for this week, for the rest of my life that is a good feeling.  It is also a statement to where the music industry is.  I mean a death metal band can chart in the top 40, and that is ridiculous.

    JA:  It’s happening more and more with your contemporaries.  Cannibal Corpse helped pave the way for this, for many years with only underground recognition, and now bands like you and them are hitting top 40 on Billboard.  You can talk of a lot of bands that can and have charted now.

    EH:  Exactly.  Whitechapel is charting, Volume has charted, even All Shall Perish has been up there.

    JA:  So what’s the plan for Suicide Silence after Mayhem?

    EH:  Headline a tour.  We want to go out there and play as much as we can.  We are working on a tour that hasn’t been announced yet, but we are finalizing details on it.  It will be a U.S. tour.

    JG:  You will be back up through this area though

    EH: Absolutely.  Saratoga Springs, Albany, Syracuse.  Upstate New York has a lot going for death metal.  I’d like to hit Upstate Concert Hall when we come around.

    JG: We were just there covering Gogol Bordello.

    EH:  I got to see them recently and they are incredible.  We were in Europe, and we played this festival called Rock am Ring, and it’s all like Europe bands that top charts, and we were thrown in there on a stage with Crossfaith, Battlecross, Mastodon, and Ghost.  We got to see Gogol there, what a great show.

    * I was wearing my trademark Boba Fett hat, and Eddie and I had a mutual moment admiring each other’s fandom, because he has a tattoo of Luke and Leia on his leg.  Which led the conversation this way:

    JG:  Going back to Ronnie James Dio, with science fiction, and fantasy, they relate to metal and death metal.

    EH: They go hand in hand for sure.  I mean, Star Wars, it’s the battle of good and evil.  It’s the oldest story there is, the story of Jesus, or the Matrix.  It’s one guy, who is the good, but doesn’t know it, and has to go through the trials to figure it out and win in the end.  It just goes to show you can adapt that story in many different ways and it’s still going to be an interesting story.  To me, that is even a bigger middle finger to the bible story, and to christians and people who are so close minded and would turn an ear from music like ours.

    JG:  Back to the new album, You Can’t Stop Me.  Did you write for this album, how was the contributing process?

    EH: We worked a hundred percent together on this.  I locked myself in a dingy, hot garage for four months with these dudes, and producer Steve Evetts [The Dillinger Escape Plan, Sepultura] would come out and oversee the songs, and make sure it would all fit.

    JA:  How was it working with Steve?

    EH:  Amazing.  He is such a genius.  He is one of those dudes that wants you to understand that you don’t need all the electronics and digital bullshit to make a good sounding record.  He knows how to take analog sound and make it sound huge.  This record is huge.  Drums are 100 percent natural, as well as guitars save for punch ins and edits.  You can hear the flavor of each drum hit, you can feel the lick of each guitar strum, I love it.  The mixing and the mastering is how he got such a big sound.  He would run my voice, clean, through effects pedals and manipulate them as I recorded.  The whole record is fluid and natural like that.  I am really proud of the record, and I think everyone is really gonna like what we did on it.

  • Dark Star Orchestra will be all over New York State this Fall

    Dark Star Orchestra will be coming back to New York this fall with a tour that will let you dance throughout the state this November. The tour will see the Grateful Dead Tribute act start in Buffalo’s The Town Ballroom on November 12. This will be followed closely with stops at the Reg Lenna Civic Center in Jamestown and the Palace Theatre in Albany on the 14 and 15 respectively. Prior to two nights at Higher Ground on the 24 and 25, the tour will stop at The State Theatre of Ithaca on the 17 and the Mid Hudson Civic Center in Poughkeepsie on November 20.

    dark star orchestra FallFollowing Thanksgiving, DSO will be playing New York City’s Best Buy Theatre for a two night stand on the 28th and 29th. The New York portion of the tour wraps up on December 1st at Syracuse’s Palace Theatre. Tickets for these shows go on sale this coming week. All the dates are below.

    11/12 The Town Ballroom Buffalo, NY
    11/13 The Danforth Music Hall Theatre Toronto, ON
    11/14 Reg Lenna Civic Center Jamestown, NY
    11/15 Palace Theatre Albany, NY
    11/17 The State Theatre of Ithaca Ithaca, NY
    11/19 Mayo Performing Arts Center Morristown, NJ
    11/20 Mid Hudson Civic Center Poughkeepsie, NY
    11/21 Lupo’s Heartbreak Hotel Providence, RIp the 
    11/22 The Dome at Oakdale Wallingford, CT
    11/24 Higher Ground (Ballroom) Burlington, VT
    11/25 Higher Ground (Ballroom) Burlington, VT
    11/26 Penn’s Peak Jim Thorpe, PA
    11/28 Best Buy Theater New York, NY
    11/29 Best Buy Theater New York, NY
    12/01 Palace Theatre Syracuse, NY
    12/03 Paramount Theatre Rutland, VT
    12/04 State Theatre Portland, ME
    12/05 Calvin Theater Northampton, MA
    12/06 Lowell Memorial Auditorium Lowell, MA

  • Road to Backwoods: Lucid

    Excitement continues to build as one of Upstate’s top music festivals, Backwoods Pondfest, is only a week away. The 8th annual 2 day festival will take place in Peru, NY on August 8 and 9 with live music, car camping, art and much more. Settled way up in the North Country, Backwoods attracts people of all ages from all over the East Coast each year with a family friendly environment and party loving attitude. The lineup is never a disappointment, making this year no different especially with Chali 2na and House of Vibe, Twiddle, Spiritual Rez, Turkuaz, plus many more. This “Road to Backwoods” edition will focus on the band hosting the festival itself, Lucid.

    BACKWOODSPONDFEST

    Lucid is versatile enough to perform in small bars or large outdoor stages with a strong stage presence that is fun and captivating. Given their Plattsburgh upbringing, their music is raw and honest that fuse together northern rock, funk and honky-tonk blues. Lucid will perform two sets throughout the festival weekend, an acoustic set on Friday night and an electric late night set on Saturday. This past year, Lucid was the winner of the March Madness tournament, a true testimony to their passionate fan base after going strong for 10 years together. Lucid will be performing TONIGHT at the Putnam Den in Saratoga Springs Aug 1, performing two sets starting at 9PM with a $7 cover for the 21+ event where you can also purchase tickets for Backwoods Pondfest.

    Lucid1

    Tickets are still available for Backwoods Pondfest and can be purchased on their website or at any show featuring The Garcia Project, Capital Zen and North Funktree. Tickets are only $70 including over 20 bands on 2 stages with 2 nights of car camping. Bring a non-perishable good and receive $5 off ticket price if you buy tickets Day of Show. Be sure to follow on Facebook and Twitter for more to come from out “Road to Backwoods” series.

    Lucid performing “Crazy Fucked Up World” from Backwoods Pondfest 2013

    [youtube http://www.youtube.com/watch?v=ybYQHFfPWoQ]