Author: Jay Saint G

  • Slayer, Suicidal Tendencies, Exodus Level Albany’s Washington Avenue Armory

    As major touring season is coming to a close and a memorable year of concerts approaching to an end, The Washington Avenue Armory was graced by metal’s best bands: Exodus, Suicidal Tendencies, and main headliner Slayer, to a three thousand plus crowd on November 25. Before, during, and after the show, there lots of people screaming “Slayerrrrrrrrrrrrrrrrrrrrrrr!”

    I was late arriving to the show after being stuck in traffic and the line to show was still massive when I arrived, so I wound up missing most of Exodus set, but managed to catch their last two songs “The Toxic Waltz” and “Strike Of The Beast.” Judging by the crowd, they definitely made an impact, they sounded loud, clean, and vital as ever. The recent arrival of vocalist Steve “Zetro” Souza couldn’t have come at a better time for the band.

    When Suicidal Tendencies hit the stage, they whipped the crowd clean across the floor. I have never seen any band perform they way they do. It was like they had five frontmen in the band because all five of them were all over the place. Vocalist Mike Muir at age 51 is going absolutely bananas on stage and performs better than any twenty-something person from what I can tell. They opened with my favorite song, “You Can’t Bring Me Down.” Although Mike Muir is the only original member left in S.T., this currently lineup has something special going on and S.T. is here to stay for a long time.

    Suicidal Tendencies also did a great job doing a set list that contained songs that were more “thrashier” to really please the crowd. The second song they played was “Freedumb” before getting the crowd to participate in the classic “War Inside My Head.” After they played “Subliminal” the band took a break and Mike Muir addressed the crowd about the bands history and their love for skateboarding and played one of their trademark songs, “Possessed To Skate.” Then what was probably the highlight of their set, they played “I Saw Your Mommy” before ending their set with “Cyco Vision” and “Pledge Your Allegiance.” I was kind of surprised they didn’t pay tribute to Tim Williams who sadly passed away recently, but did have t-shirts of him over at the merch table. They didn’t play “Institutionalized” but they didn’t need to with such a good performance.

    Finally, Slayer arrived on the stage to make everyone’s ears bleed. This time through, Slayer’s production was massive with four giant upside down crosses hanging above the stage and multiple backdrops throughout their set. They played for almost two hours, ripping through their set, going song after song taking very minimal breaks. Guitarist Gary Hoyt who is pulling a double duty on this tour with Exodus and Slayer, was on stage replacing the late Jeff Hanneman, and did a respectable job in playing Hanneman’s parts. Paul Bostaph was behind the kit, also doing a hell of a job. If you were blind, you would not even know it’s not the original lineup. Tom Araya sounds furious as he ever did, and Kerry King is still boss on guitar.

    Now for me, I did see the original lineup five years ago and it was sad not to see Hannaman there, but it’s a damn shame things didn’t work out with Dave Lombardo, but if it was your first time seeing Slayer, you wouldn’t care because their performance was clutch and top notch. They opened with “World Painted Blood” and other highlights included “Chemical Warfare,” “War Ensemble,” “Hell Awaits,” and “Jesus Saves.” But the best part of the show was when they played “Seasons In The Abyss” because just about all of their set was heavy, up tempo songs, but when they switched it up and played “Seasons In The Abyss,” hearing a slower song seemed to stand out more, and the stage lights went from what was primarily red through the whole show to yellow. At the end of their set, they wrapped things up with their trademark “Raining Blood, Psychopathy Red” before finishing up with “South Of Heaven” (which sounded really fantastic before paying tribute to Hanneman for “Angel Of Death” with a backdrop dedicated to him on display. Even though Slayer at this point of their career it’s more about their business and keeping it going, it doesn’t stop them from giving a performance for their insane fans.

    Overall a fantastic show, personally I thought Suicidal Tendencies owned the show, but obviously the crowd was there for their lords and saviors Slayer. I would imagine all three bands will be back in Albany sooner or later.

  • Opeth – In Flames – Red Fang Coming to NYC and More

    Swedish progressive death metal band Opeth – riding the momentum of last year’s release Pale Communication – launch “Communion Of Sirens Tour” presented by Northern Music Co. of the U.K. and If Music Store. Fellow headbanging Swede’s In Flame – supporting their album Sirens – and Portland, Oregon heavy metal outfit Red Fang will provide support for Opeth. Tour starts Dec 3 in Chicago and ends Dec 21 in Toronto including a stop at Terminal 5 in New York City on the 18th.

    Tickets for that show can be purchased here.

    Communion of Sirens Tour

    12/03 – Chicago, IL @ Riviera Theater
    12/04 – Minneapolis, MN @ Mill City Nights
    12/05 – Omaha, NE @ Sokol Auditorium
    12/06 – Denver, CO @ Ogden Theater
    12/08 – San Francisco, CA @ Warfield
    12/09 – Los Angeles, CA @ Palladium
    12/10 – Tempe, AZ @ The Marquee Theater
    12/12 – Houston, TX @ Warehouse Live
    12/13 – Dallas, TX @ Gas Monkey Live
    12/15 – Atlanta, GA @ Tabernacle
    12/17 – Philadelphia, PA @ Electric Factory
    12/18 – New York @ Terminal 5
    12/19 – Worcester, MA @ Palladium
    12/20 – Montreal, QC @ Metropolis
    12/21 – Toronto, ON @ Koolhaus

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  • Film Review: Dumb And Dumber To

    Long awaited sequels have a bad reputation. Especially movies like Wall Street: Money Never Sleeps, Indiana Jones And The Kingdom Of Crystal Skull, and Best Man Holiday are examples of sequels that never should have been made. The Farrelly Brothers broke the terrible long awaited sequel trend with the release of Dumb And Dumber To which hit theaters on November 14.  So how do you make a faithful sequel all these years later?

    dumb and dumber toDumb And Dumber To doesn’t exceed its 20 year predecessor by any means, but it follows a similar formula like the original with a well written script, intriguing story, and Jeff Daniels and Jim Carrey reprising their roles of the goofy but lovable Harry Dunne and Lloyd Christmas that could never be portrayed by anyone else. Their demeanor, their silliness, their chemistry, and their jokes aren’t something that any actor can wake up one day and get into character. (Which is why 2003’s dreadful prequel Dumb And Dumberer: When Harry Met Lloyd was doomed from the start) Bottom line, this is a solid sequel. Plenty of laughs, silly slapstick jokes, some familiar faces to appreciate, and a whole lot of dumb.

    It’s mindboggling that both Jeff Daniels and Jim Carrey could pull these roles off again, especially 20 years later.   To be fair Jim Carrey hasn’t stopped appearing in comedies, however Jeff Daniels is known as a serious actor, not to mention has kept a low profile the past decade, which makes you appreciate this movie even more.

    The Farrelly Brothers nailed it with their directorial work in this movie, and penned a great story and script. In this movie, we find Lloyd and Harry on a another road trip, this time, they’re out to find Harry’s daughter that he never met, because he’s in need of a kidney, and again, Harry and Lloyd find themselves in the way of another criminal plot in their journey. So it has the same formula that original movie had that made it work, yet it doesn’t try to copy or duplicate the first movie.

    You can’t go into this movie expecting it to be better than the first, because you are just going to be disappointed. But if you’re a fan of true slapstick comedy, have love for the characters Harry and Lloyd, and appreciate a good story, then you and all your friends will love this movie. And be sure to figure out which character Bill Murray is before the closing credits roll.

  • Hearing Aide: In This Moment ‘Black Widow’

    In This Moment has come a long way in their colorful music career. On November 18, Black Widow, the band’s fifth studio effort will be released. Each album from 2007’s debut Beautiful Tragedy, to their breakthrough 2012 album Blood have all been very different from one another. So what direction did Black Widow take?

    in this moment black widowThe album starts off with a short little intro track called “The Infection” then goes into the recently released single “Sex Metal Barbie.” This track is a very awkward track. The combination of riffs, popish-like sound, dubstep beats, and silly lyrics do not blend well at all. It’s hard to grasp to hear In This Moment release this kind of sound. When Blood was released, the combination of Metal and Dubstep was done very well. On “Sex Metal Barbie” it doesn’t work. Producer Kevin Churko did not do a good job with this track at all.

    The next track “Big Bad Wolf” is great track. It has a heavy, Nu Metal sound to it. This is definitely a track that finally got me hooked on this album. This has frontwoman Maria Brink going back to the more angry, heartfelt vocals we used to. And “Dirty Pretty” is a decent track.

    The title track “Black Widow” again goes back to the similar poppy overproduced sound that “Sex Metal Barbie” had. It’s a shame. Maria Brink is just oozing with talent, her vocals shouldn’t have to be produced at all. Makes you miss her raw singing and screaming vocals on Beautiful Tragedy.

    Brent Smith of Shinedown makes a guest appearance on the track “Sexual Hallucination” Hearing them sing together is absolutely mesmerizing, so another high point on this album. It has a pop beat to it still, but the vocals of Maria Brink and Brent Smith mesh so well that it doesn’t matter.

    Lead single “Sick Like Me” is a pretty solid track. One of the heavier tracks of the album, this track reminds us how talented In This Moment is when the band is clicking on all cylinders. “Blood Creature Poster Girl” is a charming track as well.

    “The Fighter” is an absolutely beautiful track. It features Maria Brink using her powerful voice over piano and string arrangements. Definitely the best track. It takes you back to the days of 2008’s The Dream.

    The album continues with some good tracks with “Bones” and “Natural Born Sinner” then it segues with “Into The Darkness” which serves as an intro to another great piano ballad “Out Of Hell.” At the end, Black Widow finishes heavy with “Turn You” before closing track “Rib Cage” kicks in to end it on a high note.

    Overall, the album has some very low points from the band. It’s clear in some tracks they’re trying to move toward a more poppy sound. It is also disappointing that there are no guitar solos from Chris Howorth. Chris is a brilliant guitarist and a hell of a song writer. It’s a damn shame this album did not highlight his talent more. However, it is still an, In This Moment album, and there are some fantastic songs mixed into the album. So it seems lop-sided. It’s a blend of great songs and some head scratching songs mixed throughout the album.   That falls clearly on producer Kevin Churko and the band making the switch from Century Media Records (who have been a staple of some great metal bands) to the mainstream Atlantic Records may have played a key role in the output of the sound of Black Widow. Moving forward it will be nice to see the song writing process return solely to Maria Brink and Chris Howorth like it was during the time of their earlier albums and away from Kevin Churko. People who are expecting the old In This Moment sound will be in for quite a shock when listening to this album. Even people who are expecting Blood Part 2 may have their hopes too high. But nonetheless, a fair album from In This Moment which would make this easily the weakest entry. This album could have done so much better if you take out some of the “pop” tracks that are infused in it. Take those out, and you have a solid album.

    You can purchase the album here.

    Key Tracks: Big Bad Wolf, Sexual Hallucination, The Fighter

  • Mysteryland USA Returns To Woodstock

    With festivals all around the world slowly revealing 2015 dates, November 17 saw the announcement of 2015’s Mysteryland USA at the Bethel Woods Center For The Arts in Bethel, NY slated for May 22-24. This is the same venue of the original Woodstock. Line up has yet to be determined.

    Mysteryland USA is the world’s longest electronic music and dance festival. This marks the second time in the festival’s 21 year history where it is being held in the United States. Here are more details via Mysteryland.us:

    “After making a historic U.S. debut last year, the celebrated Mysteryland festival returns in 2015 for its second edition at Bethel Woods Center for the Arts, New York, the site of the legendary 1969 Woodstock festival and just a two hour drive away from New York City. Mysteryland is the longest running electronic music, culture and arts festival in the world, active since 1993 with international editions in Chile, the Netherlands and the United States. Taking place over Memorial Day Weekend 2015, Mysteryland’s second installment will expand to present an even more immersive festival experience, starting with new and improved campgrounds with increased capacity and camping options, plus more musical programming to offer campground visitors a full three-day festival experience.”

    They also announced several camping and VIP options:

    Holy Ground Camping: To create an even better camping experience, Mysteryland 2015 adds a new outdoor camping stage dubbed “The Pineapple Paradise” in addition to the return of the Camping Circus and BangOn! bus, for a total of three Holy Ground stages. An exclusive pre-festival kick-off party for Holy Ground campers will take place on Friday, May 22, 2015 from 2PM – 2AM, for a total of 12 hours of music, art and revelry. Additionally, opening parties called “The Breakfast Club” will kick off each day of the festival starting at 11AM to lengthen the weekend festival experience for all Holy Ground campers.

    Mysteryland 2015 will also feature expanded Holy Ground camping grounds with increased capacity and more visitor facilities such as showers and restrooms. Free water stations will be available, providing hydration to campers, and gravel roads will be put in place as part of the festival’s mud-prevention operations. A revamped Plaza Central, the beating heart of the camping grounds, will expand to feature additional food and beverage options, plus more markets and outdoor and indoor seating.

    Mysteryland offers multiple packages for the ultimate camping experience, including the introduction of “Easy Tents,” featuring a Mysteryland-branded pre-set up tent with a two-person airbed along with two sleeping bags, located in the Easy Tent section of the Holy Ground. The Easy Tent package includes either two Nomad Weekend tickets or two Bohemium Premium Weekend tickets for access to the festival and camping grounds.

    Also newly available are Bohemium Premium Lodges: fully furnished luxury tents located in the Lodge Village and equipped with beds, power outlets, and interior lighting, plus access to free lockers, restrooms and showers exclusive for Lodge guests, as well as VIP parking.”

    If you’re a MasterCard holder, you can purchase the presale tickets as early as December 3 here. Otherwise, the rest of the presale begins December 4. Check out the various tickets and camping packages here.

  • Hearing Aide: Cavalera Conspiracy, ‘Pandemonium’

    Cavalera Conspiracy PandemoniumMax Cavalera seems to be a man who can never rest. After years of touring with Sepultura to forming Soulfly, Max has teamed up for the third time with his brother Igor to bring Cavalera Conspiracy’s Pandemonium. November 4 the album was dropped via Napalm Records. Cavalera Conspiracy had a lot of momentum with the previous record Blunt Force Trauma. So how did this one pan out?

    Opener “Babylonian Pandemonium” may be the heaviest track of 2014 and sets the tone for the entire album. Definitely heavier than anything that anything Max Cavalera has ever released. Absolute brutality that even puts Sepultura’s Arise to shame and in terms of heaviness, it’s a fist coming straight at you. No other way to put it.

    The Cavalera brothers have taken grindcore and thrash to a whole new level. The track “Bonzai Kamikazee” continues exactly what the previous track brought and by far, some of the most insane drumming from Igor Cavalera.   I always believed that Igor was always the X-Factor. It seems that Max always brings his best material when his brother Igor is there behind the kit. My only complaint about this album is that it seems to have buried the bass. However, on the track “Scum” we get a bass intro from Nate Newton. But the album has so much heavy guitars and drums it’s damn near impossible to hear the bass.

    My favorite track, “I, Barbarian”, is a suitable title for a song with such eerie guitar solos and riffs from Mark Rizzo and Max Cavelera. But the breakdowns make it much more fun to listen and bang your head to. The following track, “Cramunhão”, has Max’s best vocal performance. It’s hard to believe at his age he can still bring such monster vocals to the table. The last track, “The Crucible”, is a really awesome closing track. The album has two really kick ass bonus tracks “Deus Ex Machina” and” Porra” (which has a Roots flavor to it).

    Mark Rizzo’s best work on this album has to be the track “Insurrection”, which has the most guitar solos. The album really centers around the Cavalera brothers, but “Insurrection” gives Rizzo the spotlight. Maz Cavalera and John Gray produced the album and while the production is good, not great, is that it is so damn heavy that some of the bass seems to be buried, but the vocals and guitars sound great and the drums really stand out.

    Overall, Pandemonium is a heavy album that is meant to be played loud and by far, Cavalera Conspiracy’s heaviest album and definitely in the conversation as the heaviest album of 2014. Fans of early Sepultura will be pleased.

    You can purchase the album here.

    Key Tracks: Babylonian Pandemonium, I, Barbarian, Cramunhão, Not Losing The Edge
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  • UPDATED: Robert Plant Turns Down Led Zeppelin Reunion Debunked

    Editors note: According to a report Nov 10 from The Guardian, Robert Plant’s publicist has denied any Led Zeppelin Reunion talks happened, calling it “rubbish”. I guess we can go back to hoping for a reunion someday? Original article remains intact below. 

    For those holding your breath for a Led Zeppelin reunion, you should probably give it up. Robert Plant reportedly turned down £500 million (approximately $795 million) to reunite with fellow bandmates Jimmy Page and John Paul-Jones for a 35 date tour that included stops in London, Berlin, and New Jersey. Son of the late John Bonham, Jason Bonham would have been behind the kit.Led Zeppelin Concert: Tribute To Ahmet Ertegun - Performance

    According to The Mirror out of the U.K., Plant ripped up the contract in front of promoter Sir Richard Branson. Branson, who is the biggest Led Zeppelin fan had arrangements for flights to all the venues with his jump jet rebranded as “The Mothership.” The rest of the band minus Plant signed the contract immediately while Plant decided during a 48 hour time frame that he is not interested what so ever.

    The surviving members of Led Zeppelin last reunited back in 2007 at the 02 Arena in London. Led Zeppelin disbanded back in 1980 following the death of drummer John Bonham. It’s pretty safe to say at this point Led Zeppelin is no more. Until then, enjoy their music that they have given to us and enjoy our parents and grandparents Led Zeppelin concert stories.

  • Hearing Aide: Machine Head ‘Bloodstone and Diamonds’

    machineheadbloodstonecdNovember 10 saw the release of Machine Head’s eight studio album Bloodstone & Diamonds. This marks the first time that original bass player Adam Duce is missing from a Machine Head recording. Since then, Duce has been replaced by Jared MacEachern, who auditioned for the part. The lineup is rounded off with lead guitarist Phil Demmel, longtime drummer Dave McClain, and main song writer vocalist/guitarist Robb Flynn.

    The album opens up with “Now We Die”, which starts the album up with an orchestral piece. The use of the orchestra throughout the song makes it a very unique Machine Head song. Far from the street metal sound from their debut Burn My Eyes. But don’t get it twisted, it’s still a heavy Machine Head that we all know. Phil Demmel’s guitar solo is brilliant in the song.

    “Killers & Kings” is guitar blazing with very dark tone. This one is more in vein of 2007’s The Blackening.  You can tell already by the opening tracks that there are far more guitar parts recorded in this album than ever before and real bonecrushing drums from McClain throughout the album. Vocally Robb Flynn has really getting better with the melodic parts, which really shows in the song “Ghost Will Haunt My Bones.”

    The next track that really stands out is the dark, yet melodic “Sail Into The Black”. This one is a metal masterpiece, similar to “Darknest Within” off Unto The Locust. The band is kicking on all cylinders with this song, damn near perfect. This would be the reason to purchase the album even if you’re not a Machine Head fan. The next track “Eyes Of The Dead” is interesting and one of the heavier tracks off the album. It has that angry sound from 1997’s The More Things Change… that is sure to please the old school Machine Head fans.

    Every song lyrically is brilliant. Some of them really paint a picture or tell a compelling story. Especially “Night Of Long Knives” (which tells the story of a woman who was raped and gets revenge) and in “In Comes The Flood.” Rob Flynn sings every lyric with emotion, and it properly suites the music. Lyrically this may be the best Machine Head record yet.

    The album takes it slow with the ballad “Damage Inside”, similar to the song “The Burning Red”, a song off the album of the same name, but doesn’t have the produced beats yet it has that similar gloomy atmosphere. But it’s a good tune because you rarely ever hear Machine Head do any ballads in their albums.

    Towards the end of the album there’s finally a nod towards Burn My Eyes. The second to last track is an instrumental tune called “Imaginal Cells” which also contains sound clips from news reports, similar to the track “Real Eyes, Realize, Real Lies” off Burn My Eyes. This definitely put a smile on my face. Clearly Machine Head is working hard to gain new followers as well as keeping the fans of old happy. The album finishes with “Take Me Through The Fire” which is a fast blazing track with absolute killer riffs and solos from Phil Demmel, however it doesn’t feel like a closing track; “Sail Into The Black” would have been a more appropriate way to close the album.

    Overall, this is a fantastic record, one that stands out among all the recent metal releases this year. Comparing it to the rest of the catalog, defiantly comparable to Burn My Eyes and The Blackening in terms of their best work. I would put this above Through The Ashes Of Empires and Unto The Locust which is saying a lot. Musically and lyrically this album is fiend and will grab the attention of people who have never listened to Machine Head and hook them into the band while keeping the current fan base happy. I would expect great things to come from Machine Head in the future due to this album.

    You can purchase the album here. This one is a must.

    Key Tracks: Killers & Kings, Sail Into The Black
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  • Horror Film Review: V/H/S Viral

    vhsOctober 23 saw the early release of V/H/S Viral, the third installment of the V/H/S film series, which has been praised by horror fans everywhere.   But how does a horror series such as this strike lightning three times?

    Like the previous two, there are multiple stories in an anthology style with an additional framing segment that wraps around throughout the movie filmed in the style of found footage. Those who are sensitive to camcorder movement or not a fan of found-footage films such as “Cloverfield,” “The Blair Witch Project,” “Cannibal Holocaust,” then this movie is not for you. Those who enjoy the thrill of a shock and twisted plots are sure to get a kick out of this movie.

    Each of the four stories (originally planned for five, the segment “Gorgeous Vortex” was cut for unknown reasons) share one common theme, in each story the main character is seeking to be famous or famous on the internet by filming their own video.

    The first segment is entitled “Vicious Circles” which follows a man trying to film a car chase through Los Angeles of an Ice Cream truck causing disasters. It was hard to get into at first because of all the camera splicing seemed a little obnoxious at first. But once the focus of car chase began, it got interesting. This is the framing segment that comes full circle at the end. A respectable job from director Marcel Sarmiento.

    The movie then takes a completely different direction with “Dante The Great.” It moves into a fantasy direction, but still keeping the horror element. This story revolves around a magician named Dante, who does magic tricks from his trailer park home before discovering a cloak that gives him magical powers giving him superstar fame. But with the magic comes a price, and of course dead bodies. Very intriguing performances from Justin Welborn and Emmy Argo. The special effects of this story was a real spectacle to watch.

    “Parallel Monsters” is where this movie kicks into insanity. Adding a bit of the Sci-Fi element, the story revolves around a Hispanic named Alfonso played by Gustavo Salmeron, an inventor who successfully builds a machine that creates a portal link to a parallel universe that mirrors our universe, but makes the mistake by taking a visit to what seems to be a mirror universe yet turns out to be a nightmare. This one will make you squirm a little bit. There is a little bit of horror cheese to this one, but it gives it a B-Horror charm. But it’s still very much twisted. This story deserves an award for originality.

    The final story “Bonestorm” follows a group of mischievous skateboarders who decided to film their skating videos in the middle of a cult’s holy ground which turns into a very bloody massacre. I found this story a little less inspiring and it had an ending that made you scratch your head. Kind of disappointing compared to the other stories in the movie.

    Overall, this movie is great popcorn horror flick. It’s no masterpiece by any means. Anyone who is into The Twilight Zone or just looking for a cheap thrill should enjoy this movie. The editing is choppy which can be annoying. The acting is quite well considering the level of talent that this movie is working with. All four of the directors did a great job keeping the suspense in all the stories and not doing any cheap jump scares either. But the real talent is in the writing of this movie. The ideas and plots that they came up with in each segment is really the magic of this film.

    Definitely worth a watch, especially with a date or group of friends, V/H/S Viral is available now on Video On Demand or you can see it in select theaters November 21.

  • Martin Scorese To Produce Grateful Dead Documentary

    Hot off of “The Wolf of Wall Street,” Martin Scorese, known for his award winning directing, screen writing, and producer, announced he was going to start working on a Grateful Dead documentary as an executive producer.

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    The surviving members of The Dead have given Scorese the green light to film this documentary (title TBD) to coincide with the 50th anniversary of the band’s founding.

    Amir Bar-Lev, known for his documentaries such as “Happy Valley” and “The Tillman Story” is slated to direct the movie.

    The band has released the following statement via CBSNews.com:

    “Millions of stories have been told about the Grateful Dead over the years. With our 50th Anniversary coming up, we thought it might just be time to tell one ourselves and Amir is the perfect guy to help us do it, needless to say, we are humbled to be collaborating with Martin Scorsese.”

    Scorese added: “The Grateful Dead were more than just a band. They were their own planet, populated by millions of devoted fans. I’m very happy that this picture is being made and proud to be involved.”

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    Well known as the “Godfathers of Jam Bands,” The Grateful Dead were also ranked 57th in The Greatest Artists of all Time by Rolling Stone magazine and were inducted into the Rock and Roll Hall of Fame in 1994. And in 2011, their Barton Hall Concert at Cornell University from 1977 was added to the Library of Congress’s National Recording Registry. To date, The Grateful Dead have sold more than 35 million albums worldwide.