Category: Regions

  • INTERVIEW: Before I Had Wings

    My first introduction to this beast of a band came in late February of this year at the second-annual Upstate Black ‘N’ Blue Cabin Fever Party at Bogies.  A four-piece based out of Western Massachusetts, Before I Had Wings follows in the tradition of Hatebreed, Death Before Dishonor, and Shattered Realm with a brand of brutal hardcore that simply destroys. Forming in 2009, BIHW has unleashed their aural assault on unsuspecting towns all over the Northeast, and have become somewhat of a permanent fixture here in Albany.  One listen to their debut Burn the Impure will show you why – as it perfectly captures every nuance of their intense live performance; it will leave you reeling and wanting more.MAD-7775 MAD-7810

    I caught up with three-quarters of Before I Had Wings (vocalist Chris, drummer Nate and bassist Kane) after their set at the Black Phil Memorial Show on Sunday, July 28th. Phil Brewer, guitarist for Albany’s At Arms, lost his battle with cancer recently, and his friends in the scene organized this show to celebrate his life and to raise funds for his family. All three of them were very down to earth and forthcoming with information regarding the history of the band, its future, and – for Kane – a cheerful anecdote about his first time meeting Phil.

    UM: So you guys are from Western Massachusetts; what part of Western Mass do you call home?

    Chris: We’re all from different areas: I’m from Berkshire County; they’re (Kane and D.J. – their guitarist, who was handling merchandise at the time) from Pioneer and Nate’s actually from the Albany Area.

    UM: That’s right, I remember hearing that. So, how long have you guys been doing this now?

    Chris: Before Nate was in the band…all together, like three years. He joined about a year or so ago…Maybe 2009? I think me and the guitarist D.J., we were writing stuff in 2009 but we didn’t start playing shows until 2010.

    UM: So you’ve gone through a few line-up changes since the beginning?

    Chris: Basically, the only line-up change has been the drummer. We had a drummer for a long time, but he decided to quit and Nate took over.

    UM: You guys are lucky! It’s so hard to replace a drummer.

    Chris: I know, especially around our area.

    Kane: Nate’s the best!

    Nate: Thank you!

    Chris: Nate’s got it on lockdown.

    UM: Nice! So anyways, I remember mentioning in one of my reviews of your previous shows that your sound is comparable to bands like Hatebreed and Death Before Dishonor. Other than these two, can you tell me what other bands have influenced you?

    Chris: It’s all different; it depends on who you ask. For me personally, its bands like Shattered Realm and Let it Die, you know? Like ’04-’05 core mixed with beat-down; I like Nasty, I like World of Pain, I like all that shit.

    Nate: Same here, basically. Actually, I like death metal, too, but beat-down mostly – Shattered Realm, World of Pain, Nasty.

    Kane: I’m into New York Hardcore. We don’t sound like that, but I’m influenced by bands like Citizen’s Arrest

    Chris: We’re not afraid to admit that we’re also influenced by Numetal – bands like Coal Chamber and Machine Head.

    UM: Oh, Coal Chamber and Machine Head are awesome! You can’t argue with that!

    Chris: Yeah, we have Numetal riffs and we’re not afraid to admit it. People call us Numetal, we don’t give a fuck what you call us!

    UM: Absolutely, you guys are fucking awesome and I don’t give a shit what anybody says. I’ll put that in print, too!  Anyways, you guys are straight edge?

    Chris: We’re a straight edge band, we just don’t sing about it. In the past, we’ve tried out non-edge members and nothing ever worked out, and not necessarily because they weren’t straight edge, but because they didn’t make the dedication towards the band. But then recently, we decided that we’re just going to stay a straight edge band, we’ll have straight edge members; it’s not a big deal. We’re not going to sing about it, were not going to put “X”s in our name, but we’re all straight edge and that’s what matters the most. I was in straight edge bands [that sang about it] before, and you basically end up cutting your fan base in half because people don’t want to hear about it.

    UM: That’s cool. So I have your first full-length, Burn the Impure, which is a great album, really heavy and well-done. Do you have anything else in the works?

    Chris: We’re working on something right now, but that’s probably going to take a year, maybe two [to complete]; were not rushing it. We have a title already picked out, but we don’t want to give it away. We’ve got a lot of shit going on next year, so if we start recording? Awesome, if not, you know? We’re just gonna take it slow. We’ve got the eight track Burn the Impure full-length/EP, whatever you want to call it, and then the two-song demo we released earlier this year.

    UM: That’s right! I remember seeing that somewhere online…that’s two new songs?

    Chris: If you go to Stereokiller you can download it for free; it’s “Unworthy” and “Bitter Man”, just look it up…

    UM: Nice.

    Chris: We have older stuff, but we don’t talk about it because we don’t sound like that anymore. We don’t like to bring it up, but if people are really interested, just hit us up. We’ll give you a cd.

    UM: I’d actually like to hear that myself.

    Chris: We were not influenced by the same stuff we are now. Our guitarist will straight-up tell you he was influenced by like Emure back then.

    Kane: Times have changed.

    Chris: Times have definitely changed since then.

    UM: Ok, well we got a good amount of ground covered in five minutes or so. On a final note, say something about Phil. I didn’t know him personally, did you guys?

    Chris: I’m from Western Massachusetts, man. I think Kane…

    Kane: I hung out with him one time, and it was sick! We were at a party at Vinnie [Life Sentence]’s house, and everyone was listening to Trapped Under Ice and like moshing in the living room. Then some girl changed it and put on rap – which was awesome, I thought it was sick – but Phil got all pissed.  He kept trying to run around this girl to change the music, and he had just broken his hand, so he was doing all this weird shit to try and change the music, but he couldn’t really, so that was sick…he was a good dude, though.

    UM: That’s good to know, and it’s good to see that there are so many people out here tonight to support him, even those who didn’t know him…

    Chris: I’ve been going to shows for probably about ten or eleven years. I probably ran into him, I just didn’t know him by name. I probably shook his hand; but it seems like a lot of people cared about him and that’s what matters. That’s what the scene is all about.

    UM: Absolutely, and it seems like hardcore more than any other genre will pull together for a crisis moment or a benefit or memorial. I think that’s great…

    Chris: This is probably the fifth or sixth benefit I’ve been to, if not played…

    UM: Yeah, the Stigmata benefit was pretty wild…

    Kane: I was crushed, literally, like on the floor.

    UM: Ha! Yeah, I caught an elbow to the face for that one. I always say that if you catch a head injury at any point, it’s a good show.

    Chris: We actually get frowned upon for encouraging violent dancing. We’re really into it – we think people, like, frown upon us for it though.

    UM: Yeah, but Scott Vogel and Jamey Jasta do it all the time.

    Chris: It is what it is.

    UM: Right on. So I see you guys have been getting around a lot lately – you’ve been in Connecticut and New Jersey recently. I know you just finished up, but do you see yourself playing Albany again soon?

    Chris: We’ll be back whenever Mike [Valente] or Dan [Asylum] will have us. We’re gonna take a little time off to write, but we’ll be back.

    UM: Well it’s always a pleasure to see you guys; you guys are one of my favorite bands. I listen to Burn the Impure as much as possible. It’s hard though, I’ve got kids in the house and my youngest is just starting to get into music. At four and a half, his two favorite bands are The Ramones and Agnostic Front.

    Kane: That’s real stuff!

    Chris: Yeah that’s good stuff.

    UM: Well it was a pleasure talking with you guys and I’ll see you inside.

  • Oneonta Hills Bluegrass Festival, August 9-11th

    Oneonta Hills Bluegrass Festival starts Friday at 2pm at the Susquehanna Trail Campground and Music Park in Oneonta, NY; today is the last day to get pre-sale tickets at $25, gate price is $35. You can purchase tickets online or by calling 607.432.1122. Hookup camping is sold out, field camping is still available and is free with your ticket. The festival will run from Friday 08/09/2013 – Sunday 08/11/2013 at 6:00PM.

    Headlining Oneonta Hills Bluegrass Festival Friday night will be The Nellies – Saturday’s headliner is The Barefoot Movement.

    Friday July 26th
    The Nellies-8.30-10.30 pm
    Stable Hands-6.00-8.00 pm
    Live Stock -5.00-5.45 pm
    Barrington – 4.00-4.45 pm
    Betwixt,Bothered and Bewildered 3.00-3.45 pm
    Gravel Yard 2.00-2.45 pm

    ACCOUSTIC AFTER 10.30 PM

    Saurday 27th
    Barefoot Movement-8.30-10.30 pm
    Betwixt,Bothered and Bewildered 6.00-8.00 pm
    Gravel Yard 5.00-5.45 pm
    Barrington 4.00-4.45 pm
    Stable hands- 3.00-3.45 pm
    Livestock -2.00-2.45 pm
    Melanie and the Boys -1.00-1.45 pm
    Hot Wings Cold Feet -12.00-12.45 pm

    ACCOUSTIC AFTER 10.30 PM

    SUNDAY WILL FEATURE GOSPEL 10-11 AM

    Full Details: http://www.reverbnation.com/show/9765049

  • Preview: NONPOINT and SURRENDER THE FALL Rock the East Coast

    This week, Nonpoint hits the stage with the killer opener Surrender the Fall, in support of the release of their latest self-titled record.

    442_10151491682631219_224037969_n

    Nonpoint:

    Founded in early 1997 by Elias Soriano (vocals) and Robb Rivera (drums) in Fort Lauderdale, FL. The rest of the band members consists of Rasheed Thomas (guitar), Dave Lizzio (guitar), and Adam Wolaszyn (bass). Over the years, the band has released a total of 9 albums and has shared the stage with Hinder, Drowning Pool, 12 Stones, Anew Revolution, Mudvayne, In This Moment, Sevendust, and Buckcherry, as well as recently making an appearance at X-Fest in Syracuse, NY.

    STF_Press_Photo Surrender the Fall:

    Hailing from Memphis, TN, this five pieced band hits the stage to continue supporting their debut record, Burn in the Spotlight, released in September 2012. Members are Jared Cole (vocals), Anthony Pitts (guitar), Eddie Tyre (guitar), Devin Hightower (bass), and Rick Anderson (drums). This past year, Surrender the Fall rocked the stage at Rockapalooza with Candlebox, Saliva, and Mushroomhead. They have previously toured with Red Jumpsuit Apparatus, Almost Kings, Eye Empire, and My Darkest Days.

    Be sure to check future tour dates on both bands’ Facebook pages. This is certainly a performance you will not want to miss.

  • Review: Furthur at CMAC July 19

    Furthur has been enjoying a solid Summer tour with appearances at few music festivals and a larger concentration on playing their own shows, rather than filling up the festival scene this year compared to previous summers where we saw them at every major festival. With killer setlists in the previous shows leading up to Furthur’s July 19th performance at CMAC in Canandaigua, NY, fans were ready to shake their bones to the songs of the Grateful Dead. This was to be their last stop on this tour before they hit All Good Music Festival in Thornville, Ohio for the weekend. Anticipation was high and the scene was set for a good show. The lot scene was thriving with food vendors and heads selling wrapped silver as usual. The police presence was there but not as overwhelming as in past years.

    Furthur-CMAC 7-19-13 (25)

    Once the crowd began making their way towards the gates for the earlier than scheduled show, fans began to whisper about why the tickets said the show began at 8:00PM and they were being ushered in at 7:00PM. Apparently there was a misprint – if you weren’t one of the very few people who checked online that day for up to date show info on the venue’s FaceBook page, then you were most likely unaware of this last-minute change.

    Furthur-CMAC 7-19-13 (8)

    The show began with “Jack Straw” and the crowd received it well, and John Kadlecik took the lead on a fantastic “Dupree’s Diamond Blues”. With two songs in the first set about the rain – “Mission in the Rain” & “Box of Rain” – the scene was set with the first set ending in pouring rain.

    Furthur-CMAC 7-19-13 (11)

    Second set began strong, the dancing contagious and the rain pouring down on those in the lawn; “Playing in the Band > Any Road” got everyone’s blood pumpin’ and wanting more. During “Mountains of the Moon” the sound of concertgoers  belting out the lyrics, “Hey Tom Banjo” got the vibe heading in the right direction and then fans were treated with a dance-evoking, “Caution”, after which Bob Weir delivered the announcement that the show was being ended at that time due to severe weather storms heading towards the venue. He tried to explain that it wasn’t the band but the venue who had made the decision, he explained – “If we keep playing they’ll just unplug us anyway guys, we’re really sorry.”

    Furthur-CMAC 7-19-13 (36)

    The crowd reluctantly retreated to their cars and the many in attendance were heard expressing their distaste for the early ending and few agreed that it was a necessary measure. followed the crowd out to the lots and ended the night with heavy hearts.

    In an effort to compensate concert goers CMAC has announced they will exchange any Furthur ticket stub, at any other show during the 2013 concert series at CMAC (except Kenny Chesney) for access to the Headliner Lounge, one complimentary drink, and access to private restrooms and a private bar. Your ticket stub does not grant you entrance to the show, you must purchase a ticket to the show of your choice and redeem your stub then. If you have any questions regarding this opportunity you can contact CMAC by calling 1-800-745-3000

    07/19/13 (Fri)  Constellation Brands-Marvin Sands Performing Arts Center – Canandaigua, NY

    Set 1: Jack Straw, Dupree’s Diamond Blues, My Brother Esau, Mason’s Children, Mission in the Rain (1), Box of Rain
    Set 2: Playing in the Band > Any Road, Mountains of the Moon, Caution (2)

    (1) last time played by Furthur: 10/05/12, Los Angeles
    (2) show stopped short by the venue due to incoming lightning storm

  • Good Music is Worth Gathering For – Gathering of the Vibes 2013, Part 2, Saturday and Sunday

    Saturday was another beautiful blue sky summer day at Gathering of the Vibes 2013, jam packed with a diverse lineup of legendary artists. The Funky Meters started their set on the Main stage with sound troubles during the first few songs but this didn’t deter them from laying down a funky set. Bassist George Porter, Jr. wore a bright smile as he dropped the heavy beats while dancing with the crowd and his bandmates. Another legend, famous at Vibes as The Master of Ceremonies is Wavy Gravy, who was on the scene, sporting a lot of tie dye, red clown nose and chicken hand bang.

    Mr. Gravy told stories from back in the glory days of Woodstock and gave advice to concert goers such as “balancing on a unicycle equals a balance life.”  Rock guitarist Steve Kimock was joined by Bernie Worrell and friends such as Bill Evans and George Porter Jr., making for a super killer set early in the day. The musicians covered The Beatles “Come Together” and an epic closer of Talking Heads “Take me to the River.” Kimock mentioned in an interview later in the day that it was his son’s idea for the collaboration with Worrell and it was easy to perform with friends when they are all here at Vibes, stating, “It’s all about circumstance and convenience.”

    Funky Meters
    Funky Meters

    The Roots, best known for playing as Jimmy Fallon’s Band on Late Night, proved to be a bunch of jazzy, energetic, jungle, hip-hop animals, covering a wide array of genres that kept the crowd on their dancing feet through the set. The Roots hip-hop-ifyed classic hits such as “Jungle Boogie”, Guns and Roses’ “Sweet Child of Mine” and Led Zeppelin’s “Immigrant Song.” The tunes went from spacey beeps and boops containing robust rap lyrics, only to go back into a full swinging cover of  Curtis Mayfield’s “Move on Up”. Keyboardist Kamal Gray went off on almost every song with hard hitting solos as the band members danced all over the stage. This was The Roots first performance at Vibes and hopefully not the last.

    The Roots
    The Roots

    Back by popular demand this year was the sensational Grace Potter and The Nocturnals. Grace took the stage, wearing a gorgeous white toga-like dress, showing off her womanly figure that was made for the spotlight.  “Medicine” opened the set, proving that Potter and The Nocturnals can cure anything that ails you. Grace serenades fans with a wide range of vocals that are sincere and slightly heartbreaking. Throughout the set, Potter reminisced about her first Vibes experience, a very rainy weekend when she was 15 years old, which made for incredible memories and has made her who she is today, saying “This is what inspires us.” Paying tribute to JJ Cale, who had passed away earlier that day, GPN performed “Can’t Look at the Stars” off their newest album, The Lion The Beast The Beat, a passionate song that brought everyone close to tears. Potter never missed a beat as she switched instruments from her electric and acoustic guitars to tambourine and electric piano making her the ultimate threat in today’s music industry. To the delight of the audience, Warren Haynes made a guest appearance and the set concluded with another tribute to the late JJ Cale with an authentic performance of Eric Clapton’s “Cocaine.”

    Grace Potter & The Nocturnals
    Grace Potter & The Nocturnals

    Before taking the stage with Gov’t Mule, Warren Haynes took some time to chat with the press in the media tent about Gathering of the Vibes, best described to him as a “family reunion”, where people take music very seriously and it’s a great opportunity to see everyone in one spot. Fans asked about the various groups and their setlists, which he responded, “In The Allman Brothers, and The Dead and Gov’t Mule, we don’t really worry about arrangements too much. A lot of times we are doing it on the fly and sometimes where the verse begins is where you want it to begin…it’s about trying to achieve balance between your band and your friend’s band.” When asked on his thoughts about the passing of JJ Cale, he said “It’s a huge loss. He’s an amazing writer and artist and for people that don’t know, he wrote so many amazing songs that you’ll probably hear a bunch of them over the course of tonight….and I’m really sad to see him go.” Unfortunately, the duo never had the chance to perform together despite Haynes being a big fan of Cale’s. Still shaking off the previous musicians, I asked him what it was like to perform with Grace Potter and The Nocturnals. “Grace and I always have fun playing together. She’s wonderful and we’ve played together dozens of times at this point. She’s one of the guest featured vocalists on the new Gov’t Mule bonus disc that’s coming out this September and we always look forward to playing together.” Feeling recharged after the interviews, Warren took the stage with Matt Abts on Drums, Danny Louis playing Keyboards and Bassist Jorgen Carlsson, to form the last minute addition to the GOTVs ineup, Gov’t Mule. It’s understandable why this band is in high demand for shows, given their hard rock performance with a dash of blues.  Not to anyone’s surprise but there were fantastic sit ins from George Porter, Jr., Bill Evans & John Scofield, individually as well as the powerhouse group encore of “After Midnight”, dedicated to JJ Cale.

    Gov't Mule
    Gov’t Mule

    It was an “all too familiar” feeling, waiting in the crowd for the second night of Phil Lesh & Friends final set of the Gathering of the Vibes weekend. Given the wide fields at the Main Stage, half the crowd has their own setup with families lingering towards the back with blankets and chairs, leaving plenty of dance room up front for the diehard fans. Whether hustling up close to the stage or being content with the two large TV screens,  concert goers were able to get an actual view of the chemistry that Phil shares with John Scofield, John Medeski, Joe Russo and John Kadlecik. Besides drifting in and out of their jams, the musicians are constantly watching each other perform for the “signals” and feeling for the vibes that they each are giving off. Bill Evans joined in on the fun during the entire second set with his saxophone and clarinet, particularly for “He’s Gone.” When asked how he felt the show went, Evans laughed, “Oh, I had no idea what was going on.” He was hearing all this music for the first time, so he had to take in the information quickly and just play, making for a fresh and innovative set, the way the Phil likes it.

    With the end of the festival just around the corner, Saturday night makes for the perfect excuse to let loose and rage hard. The Green Vibes Stage kept the party going with separate                DJ sets of Rob Garza from Thievery Corporation, James Murphy from LCD Soundsystem and jambanders Papadosio. Each act provided the dark dance jams that festival goers crave after midnight and still have you wanting more when you see the sun come up.

    Download these shows from Saturday via etree:

    The Funky Meters

    The Roots

    Gov’t Mule

    Twiddle

    Grace Potter and the Nocturnals

    Steve Kimock and Bernie Worrell

    Phil Lesh and Friends

    It seems that it’s over even before it started as Sunday arrived with no delay. Concert goers can be seen everywhere beginning to pack up their campsites and plan their remaining day at Gathering of the Vibes. Staying true to the old motto, “Never miss a Sunday show,” Vibes had saved for last. Blues Traveler made their debut at this year’s Vibes, showcasing their style of uncontrollable New Jersey rock. John Popper wasted no time blasting fans with his wide range of harmonica solos while Ben Wilson smoked the keys with fingers ablaze. Bassist Tad Kinchla and Brendan Hill kept a steady, light hearted rhythm of blues going with Chan Kinchla strumming solid 90’s guitar chords. Bill Evans joined Blues Traveler for a unique jazzy cover of Sublime’s “What I Got”. Blues Traveler pulled off a serious game changer when they performed a spin on the classic Charlie Daniels song “The Devil Went Down to Georgia”, by having Popper ferociously play the harmonica in place of the fiddle. The band was joined by guitarist Mihali Savoulidis from Twiddle for a ripping version of “Carolina Blues”.

    Max Creek
    Max Creek

    After the show, John Popper and a few other members of Blues Traveler met with the press backstage for a brief interview. John Popper discussed how with so much traveling, each show feels like a reunion when you have friends in every city, making every night of the week a party night. He spoke of his inspirations that originated from Paul Butler, Blues Brothers and Jimi Hendrix. “On the harp there is such low expectations. On the harp you cover what you like.” When asked about Bill Evans and Mihali Savoulidis sitting in, he said, “Yea, that was fun. It was awesome. There was no warning. I just wish we had more time because both of them wanted to stretch. You just feel it…let’s just take it to a second gear but we’re just trying to cram all our songs in.” Blues Traveler is well known for establishing the H.O.R.D.E. (Horizons Of Rock Developing Everywhere) touring music festivals from the early 90s. When asked about festivals, Popper stated, “I think they made it a lot smarter making them destination festivals. When you have a giant whale carved out of a redwood tree, everyone wants to come and see it. It’s beautiful. But when you gotta load it on flatbed truck and haul it everywhere, you’ve just quadruped your price for everything…when you have a place where you know it’s going to be, you can just park the whale and it’ll be there next year. You can have big things…but it was a lot of things like that. You had to bring your attractions with you.” Naturally money plays into a big factor of putting on festivals but Blues Traveler is looking for locations for next year. “It’s a game of patience.” He brought up how major jambands like Phish and Dave Matthews Band don’t have to play major festivals since they can afford not to.” Why bother when you can throw your own? Why not just go to Disneyland? Why not just hire Disneyland to come on the road with Phish? That would be fun.” Popper compares Lollapalooza and Bonnaroo to Vibes, saying he really “digs the scene” at Seaside Park and how crucial it is for festivals to have basic amenities, not just to be located in the middle of nowhere.

    Blues Traveler
    Blues Traveler

    The VibeTribe got a taste from Down Under as the John Butler Trio shook up the stage on Sunday with Guitarist John Butler, Drummer Nicky Bomba and Bassist Byron Luiters. The soft vocals and strumming from Butler gave way to a tribal beat from Bomba mixed with versatile notes from Luiters. JBT created a new sound of music with their Australian flair, somewhat like a Consider the Source vibes meets the Outback. They worked on their spacey build ups, holding them longer than anticipated with great intensity. As Butler thanked the colorful bunch, he said, “We’ll always come back if you’ll have us.” Hopefully the staff at the GOTV was listening. Last but not least, southern rock and roll legends The Black Crowes featuring Chris Robinson on lead vocals and harmonica, guitarist Rich Robinson, Steve Gorman on drums, Bassist Sven Pipien, Adam MacDougall on keyboards and newest member Jackie Greene on guitar, were greeted with a warm welcome after their recently ended two year hiatus. The Black Crowes have tremendous stage presence with multiple “off the wall” guitar solos, Chris Robinson’s vocals and groovy dance moves plus Gorman’s hard hitting rhythm. The band treated fans to songs from their newest album, Wiser for the Time, as well as remarkable such as The Rolling Stones “Jumping Jack Flash” and Joe Cocker’s “Feelin’ Alright.” Be sure to catch The Black Crowes in action on as the tour the country this fall.

    The Black Crowes
    The Black Crowes

    Gathering of the Vibes continues to share a collective spirit and positive energy by honoring the music of the Grateful Dead and Jerry Garcia and with new visitors and returning VibeTribe members of all ages each year. With over 20,000 attendees this summer, Vibes proves that good music and loved ones are always worth gathering for.

    Download these shows from Sunday via Etree:

    Max Creek

    Blues Traveler

    John Butler Trio

  • The All-Inclusive Preview of Equifunk: The All-Inclusive Music Festival Part 4

    equifunk Festival

    Equifunk: The All-Inclusive Music Festival is happening from August 16 to 18 this year and we are happy to announce a new series on that will bring you previews and interviews with bands that will be playing the festival.  The All-Inclusive Preview is happy to take a look at Marco Benevento to continue this series.

    Marco is no stranger to those in the Upstate region.  Living in Woodstock, he regularly visits Albany, Syracuse and Buffalo while out on tour.  His mastery of the keys along with his fun-filled jam-packed set always sets the floor into a dance party regardless of what venue he is playing.  Marco will be playing at least three times over the weekend with a solo set, a special late night camp fire set, and finally on Sunday he will playing with The M&M’s that also includes Maceo Parker, Stanton Moore, John Medeski, Robert Mercurio, and Papa Mali.  He is no stranger to the festival as this will be his 3rd appearance.

    Tickets are available now here.  Check out our full preview of the Equifunk festival here.

  • Dan Smalls Presents Announces Fall Lineup at The Haunt in Ithaca, NY

    Dan Smalls Presents recently announced the fall schedule for The Haunt, in Ithaca, NY. Known throughout the Upstate New York Region as the premier concert promoter, Dan Smalls Presents is bringing the hottest musical artists in the country to our neck of the woods. Their shows are well run and highly organized and we here at are proud to announce the artists coming this Fall.

    Tickets for these Dan Smalls Fall shows in Ithaca go on sale Friday 8/9/13 and can be purchased online or at the venue box office.

    October 10 – Brooklyn based funk all-stars Turkuaz will start off the season with their appearance at the Haunt. Doors open at 8:00PM and the show is at 9:00PM, Ages: 16+.

    October 18John Brown’s Body brings their Roots based Reggae to The Haunt. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

    October 27Tera Melos will introduce their punk/prog-rock tunes to Ithaca all the way from Sacramento, C.A.. Doors open at 8:00PM and show starts at 9:00PM, Ages: 16+.

    October 13 – Regulars to the Upstate scene Jimkata and their signature brand of song-oriented electro-rock, will be a rager for sure. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

    November 11Spiritual Rez will light up the dance floor at The Haunt. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

    December 13 – Bluegrass fans will be treated with the sounds of Driftwood and some good’old foot-stompin hootnany. Doors open at 8:00PM and the show starts at 9:00PM, Ages: 16+.

  • Good Music is Worth Gathering For – Gathering of the Vibes 2013, Thursday and Friday

    This is Part 1 of ‘s coverage of Gathering of the Vibes 2013. Check back tomorrow for a recap of Saturday and Sunday.

    Gathering of the Vibes celebrated its 18th year with its annual four day festival at Seaside Park in Bridgeport, Connecticut filled with a variety of music, food and art on July 25th-28th. Acting as one of the biggest playgrounds in the country, Vibes offers something for people of all ages with family camping, the School of Rock Teen Scene, a colorful Ferris Wheel and of course, music from every era and genre. Seaside Park was the ideal setting for the festival with its 375 acre lush greenery and endless blue shores.

    Original Strangefolk
    Original Strangefolk

    With so much planning or lack thereof that goes into preparing for festivals, the music can almost get forgotten. There is so much to do before you can actually breathe, sit back and enjoy yourself that the music takes you by surprise. One moment you’re buying tickets, the next you’re packing up the car and then suddenly find yourself in front of the Main Stage, feeding off the crowd’s anticipation for the start of the show. The weekend began with the original lineup of Strangefolk, one of the first bands to play at the first GOTV’s in 1996, making this set not worth missing with Jon Trafton, Reid Genauer, Erik Glockler and Luke Smith. Their upbeat melodies built up a great hope and reassurance that this weekend was going to be amazing as the set contained gems like “Reuben’s Place” with “Helpless” (Neil Young) vocals and guitarist Jon Trafton teasing Phish’s “Bathtub Gin” during “Paperback Book.”  Strangefolk was then joined onstage by Grateful Dead Hour host David Gans for the ultimate DeadHead party starter, “Shakedown Street”.

    Dark Star Orchestra headlined the Main Stage with the Grateful Dead performance from Andover, Maryland in September 1976. The evening took off with a rockin’ “Bertha” opener, a solid “Let it Grow” and darling “Sugaree” for the first set and an intense closing sequence of  “Scarlet Begonias>St. Stephen>Not Fade Away>Drums>St. Stephen.” The show featured Jim Allard on bass and Jeff Mattson capturing Jerry Garcia flawlessly. With a light drizzle throughout the night, it wasn’t enough to damper the crowd’s positive spirits and added for an extra entertaining factor for the light show.

    Kung Fu
    Kung Fu

    Thursday night ended with Kung Fu and The Dojo Allstars lighting up the night on the Green Vibes Stage. The Connecticut based band of Tim Palmieri (guitar), Robert Somerville (tenor sax) and Todd Stoops, (keyboards) were joined by talented musicians Chris DeAngelis (bass guitar) and Adrian Tramontano (drums/percussion), Nigel Hall (vocals/keys), Nick Biello (sax), Rob Volo (trombone), Cy Madan (keys), Ryan Cavanaugh (Banjo) and 13-year-old prodigy Bobby Paltauf (guitar). Needless to say, it was a funk face-melting over load.

    Download these shows from Thursday via Etree and Archive.org:
    Consider the Source
    Strangefolk
    Dark Star Orchestra 
    Kung Fu and The Dojo Allstars

    Friday morning brought even more people to the festival grounds. The perfect wake- up call was hearing the electronic rock music from Upstate New York’s Jimkata echoing off the Green Vibes Stage. Their light-hearted synthesizers loops mixed with indie guitar strumming was more than enough to get the crowd moving and ready for the rest of the day. Assembly of Dust eased into the Friday afternoon with an early 70s rock combined with a mellow country sound. Jason Crosby on the keys, held his notes strong especially during “Telling Sue”. Singer-songwriter Reid Genauer sang out with a true Americana charm and was joined by his four-year son for “Second Song.”

    The Revivalists
    The Revivalists

    One of the best things about Vibes is being introduced to new musicians that you don’t hear on the radio yet still have an incredible stage presence. Hailing from New Orleans, The Revivalists nearly tore down the Green Vibes Stage with their intense sound and energy. The musicians were literally climbing all over the stage and each other, charging the audience with a heavy dose of rock and roll mixed with southern soul. Dave Shaw screamed the lyrics with raw attitude, only to have the crowd screaming right back. Ed Williams shreds the pedal steel guitar apart and comes close to pushing it over onto the front row fans a few times. The Revivalists have made stops at more festivals this year than any other band (per Relix Magazine‘s festival guide) but what sets Vibes apart from the rest for the boys is the smell of the salt water on stage and having the longest set of almost 2 hours.

    Wavy Gravy
    Wavy Gravy

    Blue skies and sunshine greeted festival goers as the day continued, making for a terrific view, especially from a top the Wheel of Lights Ferris Wheel. The top cart was the best place to take in not only the beautiful venue of Seaside Park but for the Railroad Earth set on the Main Stage. The bluegrass jam band from New Jersey filled the air with a laid back summer time vibe with their blissful strumming and continuous flow. The crowd clapped along with the Carey Harmon steady rhythms and danced all over the field from Tim Carbone’s fiddle playing.

    Tedeschi Trucks Band
    Tedeschi Trucks Band

    Derek Trucks and Susan Tedeschi returned to Vibes this year with their 11-piece blues rock group, Tedeschi Trucks Band. Featuring Kofi Burbridge (keys, flute), Eric Krasno (from Lettuce, on bass), Tyler Greenwell (drums), J.J. Johnson (drums), Mike Mattison (harmony vocals), Mark Rivers (harmony vocals), Maurice Brown (trumpet), Kebbi Williams (sax) and Saunders Sermons (trombone), all of these artists make up a musical force to be reckoned with. Tedeschi’s strong female vocals can be heard across the festival alongside with blaring guitar riffs from Trucks. The surprise of the first set came from Bill Evans joining TTB with his saxophone, jazzing up the funky blues song “Love is Something Else.” The set continued with a gentle “Angel from Montgomery” only to flow beautifully into a bluegrassy version of the Grateful Dead’s “Sugaree.” Trucks and Tedeschi have both made strides with their separate solo careers but when performing all together, their family creates nonstop harmonies that help us appreciate the musical bonds we share, especially at Gathering of the Vibes.

    Phil Lesh & Friends
    Phil Lesh & Friends

    To celebrate the 18th year of Gathering of the Vibes, Grateful Dead former bassist, Phil Lesh was booked for both Friday and Saturday night, joined this year with his Friends: guitarist John Scofield, keyboardist John Medeski, Joe Russo on drums and John Kadlecik on guitar/vocals. The evening got underway with a graceful and groovy “Scarlet Begonias” straight into a rockin’ “Just Like Tom Thumb Blues”.  The night was filled with spacey, chaotic improvisational jams that swirled through the evening air. Each musician had their own sound going, making it difficult to focus on any singular part of it. Fans were left in awe as most of the songs were well over 10 minutes, each receiving a well-deserved jam with seemingly directionless patterns. Phil took a few minutes to thank the fans and festival for continuing to keep the Grateful Dead spirit alive and with tears in his eyes, he said, “It’s like coming home.” The highlight of the evening was pretty much the entire second set with “The Golden Road to Unlimited Devotion” opener into an almost 20-minute “Viola Lee Blues” and “Unbroken Chain.” The moon rose over the tie-dye covered field, which seemed to glow brighter when the band went into “Standing on the Moon” sending chills down my spine from the saltwater breeze and Medeski’s righteous lingering chords.  The set ended with the gentle lullaby of “Ripple” causing the audience to sing and sway off into the night.

    The late night party got started with Connecticut‘s own Deep Banana Blackout on the Green Vibes stage, delivering hot New Orleans inspired funk. DBB is no stranger to GOTVs as they have been invited back for the past few years now, serving up soulful contagious dance music complete with a full horn section. DBB shocked listeners, particularly Phish Phans, as they teased Phish’s “Wilson” chant, which was played that same night by Phish at The Gorge in WA, proving that good news and music travel fast.

    Silent Disco
    Silent Disco

    The Silent Disco was on the complete opposite side of the festival from the Main and Green Stage. It’s a long walk but definitely worth the trip. You walk up to the tent, where you are given a huge pair of headphones and given simple instructions for proper usage. As you look around, there are a few hundred people on the beach, all wearing the headphones, dancing their asses off and being surprisingly very quiet. There are two DJs that have two completely different sounds going that fans can choose to tune into. Friday night featured Conneticon and Sloedwn from 1am to 4:30am as well as Matt Haze, who sampled various European genres and beats while Saturday played host to Suspence and Cosmal. The clear crowd-pleaser was the artist MoPo, short for Motion Potion, also known as Robbie Kowal from California. He mixed 90’s jock jam with Phish with Talking Heads with Jay Z plus so much more. As the sun began to rise, creating dream like colors across the sky, MoPo remixed various Beatles covers such as, “Here Comes The Sun” and “Dear Prudence.” Silent Disco fans know how to party and with music from MoPo, it was easy to dance until dawn.

    Download these shows from Friday via Etree:
    Assembly of Dust 
    The Revivalists  
    Railroad Earth
    John Scofield Uberjam
    Tedeschi Trucks Band 
    Phil Lesh and Friends 

  • Flashback: A Phan Looks Back at Phish at Darien Lake, August 7, 1993

    I first heard of this band called Phish in the middle of my first year of college at SUNY Alfred from a fellow architecture student. He had a few tapes which he copied for me (which in turn I was able to trade for a box full which now resides in the “dusty memories” corner of my basement). This was back in the day where you couldn’t just turn on YouTube or cruise to the Phish spreadsheet to hear whatever show you wanted – you had to actually work for it! Despite my musical background, which was mostly metal and classic rock at that point, the band impressed me immediately. The juxtaposition of incredibly structured songs wrapped in periods of ‘anything goes’ was completely new to me and I became engrossed in learning about all things Phish.

    Phish Darien Lake

    It wasn’t until the summer of ‘93 that I finally had an opportunity to catch the band live, but by then I had heard dozens of tapes, knew the studio albums by heart, and was beyond psyched for my first experience. My friend Ron and I traveled up from Candor, NY, just south of Ithaca, up to Buffalo to meet some of his friends. As luck would have it, his friends parents were quite well-off and we spent the early afternoon in a gorgeous custom pool with attached hot tub before collecting everyone and heading towards Darien Lake. After a quick and delicious stop at Buffalo’s Mighty Taco we got to the venue a few hours before show time.

    After scoring my first ever lot grilled cheese and a nice fan-made “Gone Phishin’” t-shirt, we wandered in to find a good spot on the lawn. The weather was perfect and the shrieks of nearby tourists in the next door amusement park only added to the overall excitement in the air. I was immediately taken aback by the crowd, while it certainly reminded me of the two Grateful Dead experiences I had gone on, there was something different about it, almost intangible…

    The band wasted no time coming out of the gate with an especially “Taboot” version of “Llama”, arguably one of the greatest openers in the bands repertoire. While my ears remained transfixed to the auditory mastery unfolding before them, my eyes started to wander around the crowd around me, trying to quantify that intangible feeling I had noticed earlier. What I observed was astounding. Everyone stood, transfixed by the music. Chatting was minimal. The sea of people knew every word, every note, every nuance of the songs being performed. People danced to their own hearts, with no qualms of judgement. This was not a place to worry about mortgage statements, exes or bosses that make you work all weekend. This was a time to live in the moment and become immersed in the pureness of music mastery. The rest of the set was loaded with treats for new timers and seasoned veterans alike. From the simple recreation of “Bouncing around the Room” to the fierce peaks and improvisation in a “Reba>Maze” pairing, which remain as some of my favorite versions of those songs to this day.

    Then stuff got awesomely weird as the first notes of Colonel Forbin’s ascent rang out and the crowd collectively shit their tie-dyed britches. The Colonel went on quite the journey this sunny August day, as Trey’s narration appropriately took us through the “roller coaster of the mind” as unknowing park dwellers went on their own metal and wood coaster journey’s nearby. Eventually the Colonel found the Famous Mockingbird and the band closed the set with a spirited version of classic set closer “Cavern.”

    After far more than the 15 minutes Trey promised us, the band came back for the second set and launched into the familiar notes of Strauss’s “Also Spracht Zarathrusta”. More typical lengthwise to the 3.0 versions of this tune, it was a quick one and launched immediately into my very first experience with Mike’s Groove. Mike’s Groove has had a lot of variations throughout Phishtory, but the standard is the trio of “Mikes Song”, the segue instrumental “I am Hydrogen”, and the raging rock of “Weekapaug Groove” to close it.  This particular Mike’s would stray far from the standard. Two distinct jams in the Mike’s section, with the second being so atypical it is often marked on setlists as “Irish Diddy Jam”. Sandwiched in the middle of this monster was my first experience hearing (or knowing about) the Jon Fishman penned poem “Kung”. We stood up, we ran to the hills, we imagined 1000’s of stampeding golf carts hell-bent on stealing our rich minerals. I gave Ron the 10th of what would be dozens of “Did that just really happen?” looks that night.

    Little did I know, this Mike’s was just getting started. Instead of the typical segue into “I Am Hydrogen” the band went into yet another rarity, the beautiful and succinct Trey instrumental “The Man Who Saw Into Yesterday”. Continuing the groove madness, the Phish version of the Jewish prayer “Avenu Malkenu” came next. “Our Father, Our King, be gracious with us and answer us, even though we have no deeds; treat us with charity and kindness, and save us.” But who would save us? Instead of the typical “Weekapaug” exclamation point, “The Sloth” came down from the ghetto to slice our nipples. No one complained.  In fact we all felt like laughing. And we laughed and laughed until we fell apart during the ensuing “Sparkle” which was set on super-holy-phuck-turbo speed. No bathroom songs in this show. The set continued with a well executed version of THE original Gamehendge song,  “McGrupp and the Watchful Hosemasters” which segued into a hilarious take on Prince’s “Purple Rain” with the typical Phished up version of Argent’s “Hold Your Head Up” to follow. The set then closed with arguably Phish’s greatest show closing tune, a rip roaring, unrelenting “Run Like an Antelope” complete with fireworks and a laser light show from inside the theme park.

    Two decades later this show still resounds as one of the greatest experiences I’ve had. Five Gamehendge related songs, a Kung, audience signals, the most atypical Mike’s Groove I have seen to this day, and just the overall experience of euphoria and belonging in the air made it something I will never forget. It was truly a life changing experience and Phish has endured as a major portion of my being ever since. I wear a handcrafted gold Phish ring on my hand. My car is adorned with a PH1SH license plate. I saw my 3oth show on my 30th birthday. My son was conceived during Coventry weekend. Twenty years later, I’m still upside down.

    Setlist via Phish.net

    Set 1: Llama, Bouncing Around the Room > Poor Heart > Stash[1] -> Makisupa Policeman, Reba[2], Maze, Colonel Forbin’s Ascent > Fly Famous Mockingbird[3] > Cavern

    Set 2: Also Sprach Zarathustra > Mike’s Song[4] -> Kung -> Mike’s Song > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Sloth, Sparkle, My Friend, My Friend[5] > McGrupp and the Watchful Hosemasters -> Purple Rain > Hold Your Head Up, Run Like an Antelope

    Encore: Carolina, La Grange

    [1] Unfinished.
    [2] No whistling.
    [3] Narration dealt with the “Roller Coaster of the Mind.”
    [4] Aw Fuck! and Oom Pa Pa signals.
    [5] Beginning featured Trey on acoustic guitar.

  • Review: OTHERWISE Dominates the Stage at Bearfest

    IMG_4239The booming introductory music to Otherwise’s setlist filled the eager ears of the Wise Ones at Bearfest, all crowding in closer and closer to the barricade, animated cheers escaping from them as one by one each band member made their appearance, Corky Gainsford (drums), Vassilios “V” Metropoulos (bass), Andrew Pugh (guitar), Ryan Patrick (guitar), then finally, Adrian Patrick (vocals) emerged from behind the crates. His deep, powerful voice washed over the crowd as he began to sing “Die for You”, the fans shouted out the rest of the chorus as he held out the mic towards them. Next was “Lighthouse” which Adrian dedicated to all the “good girls”, followed by “the song that goes out to all the bad girls”, their party anthem, “Vegas Girl”. The number of fans increased every second, eager for more of Otherwise; however, they were just getting warmed up. The next to play was “Silence Reigns” followed by their single, “I Don’t Apologize”, the fans belting out the lyrics whole-heartedly, their eyes stared in wonder as Otherwise continued to unleash their unbelievable energy.

    IMG_4263The fun didn’t stop there; Adrian then encouraged the Wise Ones to raise their middle fingers as they began to chant, “fuck you” rapidly, starting up the next song, “Full Circle”. This was followed by “Scream Now” and from one of their earlier records, Some Kind of Alchemy, “Stop, Drop, and Roll”. The music changed abruptly to a familiar tune, “Killing in the Name Of” by Rage Against the Machine. Fans head-banged to the rhythm of the song, pumped fists and rocker horns in the air as well as mouthed the lyrics enthusiastically. To say the least, Otherwise did a killer cover. Of course, the band saved the best for last, the song that got their name out there, “Soldiers”. At the end of the song, Adrian jumped off the stage and ran towards the barricade, bringing the mic to the fans and having them harmonize with the band, and then he stood on top of the railing, one hell of a way to end an awesome setlist.

    As always, Otherwise brought their game to the stage. No matter the size of the crowd, they always have a way to connect with their ever-growing fan base.