Category: Regions

  • First Annual Woodstock Comedy Festival, Comedy for a Cause

    The first annual Woodstock Comedy Festival will open Friday night September 20th at the Woodstock Playhouse in Woodstock, NY. The festival will help to raise money for several charitable organizations. Ticket prices range from $10-$50 depending on the show, check out their website for full ticketing options. The festival will run September 20-22nd.

    Friday night’s lineup will feature improv and standup with, comedians Rick Overton and Eddie Brill.

    Saturday night’s benefits for Family of Woodstock and Polaris Project are a double feature. First, Stand Up and Sit Down: Comedy and Conversation from Dick Cavett and Bobcat Goldthwait, together on stage for the very first time. Hosted by Eddie Brill, show time is 7 pm at the Bearsville Theater.

    Closing out the weekend Sunday night is an all-star comedy lineup at the Colony Café featuring, Laughingstock: A Night of Local Stand-up Comedy, starring Verna Gillis, James Judd, Adam Mamawala and Audrey Rapoport, hosted by Rich Shultis.

    The first annual Woodstock Comedy Festival is a 501©(3) not-for-profit corporation with a mission: Comedy for a Cause. A weekend of laughter to benefit two charities that are no laughing matter: Family of Woodstock, for domestic violence and Polaris Project, for human trafficking. “All our net profits will be given to Polaris and Family,” said festival founder and executive director Chris Collins. . For tickets and more information, go to www.woodstockcomedyfestival.org

  • Old News Out of Albany #3: Biohazard, Sworn Enemy, Born Low and Peaks

    This one’s a bit more recent than my other  “Old News” postings, but as it’s reaching you over a month after the event occurred, I found it appropriate to lump it in that category.

    Anyway, without further ado…..

    Monday, June 17th: Biohazard, Sworn Enemy, Born Low and Peaks at Bogies

    By Jay Frost

    One of the things I love about Bogies is that there’s always something going on nearly EVERY day of the week. Whether you’re seeing Ringworm on a Monday, Soulfly on a Wednesday or Agnostic Front on a Thursday, Upstate Black ‘N’ Blue Productions is famous for pulling big-name weekday line-ups that would blow most other promoters’ weekend acts clear out of the water.  Monday, June 17th is a perfect example, as Albany was hit with a double dose of streetwise, metallic hardcore from the almighty Biohazard and Queens, New York’s Sworn Enemy.

    As always, the best of the local scene was represented by the openers – Before the Betrayer, Trife Life, Peaks and Born Low. Due to my late arrival, I only able to catch the latter two, but the energy and brilliance with which they performed affirmed to me the assertion I’ve been making for months now: that the Albany scene is indeed experiencing another “Golden Age” like that of the mid-nineties.

    Peaks took the stage at 8:30 that night. This four-piece does what so many in the genre have done; that is, they combine their own respective influences from the metal world (mostly grind and noise-core, from what I could hear) with the urgency and stripped-down punk-rock ethic that defines hardcore. Imagine Kiss it Goodbye and later Neurosis at twice the tempo and you have something close to Peaks.

    Peaks unique contribution to the hardcore sound is built on break-neck tempos that occasionally grind down to a crushing stomp beat. Guitar work is straight-forward, minimalist but profound as their sole axe-man lays down lightning-quick rhythms and chunky breakdowns. Peaks’ lead vocalist and the guitarist share the vox responsibility, and deliver an aural razor slash that is as relentless as a drove of killer wasps. Fans of Nails, Insect Warfare and early Pig Destroyer will dig the fuck out of Peaks’ destructive blitz, and those who prefer that old abrasive sound that characterized the early days of hardcore punk will appreciate their traditionalism.

    As is the custom during change-over, the considerable Monday night crowd dispersed, trading the heat and humidity of the dance floor for a cold one at the bar or the refreshing summer evening air outside. Typically, there is enough time between acts to cool off, grab a smoke or a slice from the corner pizza parlor. I did both, but was mindful of every minute for one reason in particular: Albany Hardcore heavyweights Born Low.

    This would be the second time seeing Born Low in less than a month, so I wanted to pay careful and close attention to their set tonight. From what I’ve gathered, Born Low has in recent years become one of the most successful hardcore acts to come out of Albany since Brick By Brick. Though I know very little about the band itself, I’ve certainly not been ignorant to their enormous presence in the scene – take a walk around Albany sometime…from the College Ghetto to the Greyhound Terminal, it’s nearly impossible NOT to find one of their stickers or a flier bearing their name plastered to a wall or the back of a street sign, and with good reason: these guys pound!

    Born Low keep it old-school and in your face, bringing to mind the likes of Sworn Enemy and Merauder. Each slab of brutality these guys put down is held together by intricate, menacing guitar riffs that would make Slayer proud. As unpredictable as a feral animal, Born Low will throw a breakdown at you when you least expect it. If you’re in the wrong place at the wrong time, either be prepared to join in on the mosh or take cover… you will get knocked!

    Born Low’s latest offering, Reincarnage, is available online from the Reaper Records merch store or at any show they play. If you love old-school, metallic, bone-crushing hardcore, DO NOT sleep on these guys!

    The excitement reached its peak when Queens powerhouse Sworn Enemy took the stage. Another frequent visitor to Bogies and constant touring partners with Brick By Brick, Sworn Enemy unleashed its brutality upon the world in 1997 under the name Mindset.  2001 saw them donning their present moniker and the release of their debut, Negative Outlook, through Jamey Jasta’s Stillborn label. An instant classic in both the hardcore and metal scenes, the band gained notoriety and name recognition, and in 2003 they released their second full-length, As Real as it Gets, on Elektra Records – a feat that has eluded many of their deserving peers. Along with the I.D.S. EP that fell between these two albums, Sworn Enemy has released five full-lengths to date, the last of which, Total World Domination saw the light of day in 2009 on Regain Records.

    The moments before the melee were like the proverbial calm before the storm: the band most certainly felt at home and were just as excited as their fans, who were now stacked five deep in front of the stage.  Kicking it off with “As Real As It Gets”, Sworn Enemy was in the zone. Through forty-five minutes of classic brutality, including gems like “One Way Trip”, “Sworn Enemy”, “I.D.S.” and their monster of a middle-finger to the face of Top Forty pop-metal,  “We Hate”, which they prefaced with the introductory riffs of Slayer’s “Raining Blood”. From beginning to end, the floor was a flurry of fists and feet.

    The evening ended with an absolutely incredible performance by the one and only Biohazard, the band that brought the gritty sounds of the streets of Brooklyn to the masses. With a sound that crosses a number of genre barriers without sounding contrived, it is hard to pigeonhole Biohazard. To those in attendance, this was inconsequential, and the pit raged on for yet another classic set. Excluding their latest single, “Vengeance is Mine”, Biohazard delighted Bogies with an eclectic mix of old favorites: “Shades of Grey”, “Urban Discipline”, “Five Blocks to the Subway”, “Retribution”,  “Punishment” and “Tales From the Hardside”, just to name a few. New bassist/vocalist Scott Roberts is a perfect addition to the otherwise-original line-up of Billy Graziadei, Bobby Hambel and Danny Schuler, so much so that it leaves you asking “Evan Who?” Grazaidei exemplifies what a frontman should be: humble and passionate. He even invited an inebriated fan who interrupted one of his pre-song monologues with chants of “Greatest Band Ever!!!” on stage for “Black and White and Red All Over”. Success has not changed him, nor has it turned him into an arrogant, self-absorbed rock star.

    As a band, Biohazard is wicked tight, and have no problem reproducing what you hear on studio releases in a live setting. Albany raged that night in the pit, and I sustained my standard head injury during their set – the true testament of a good show, as I am fond of saying. Wrapping the night up with “Hold My Own” , Biohazard killed it that night, and I hope they make it back to the 518 soon!

    Biohazard flier

  • Flashback: Phish in Lake Placid, December 1995, with New Audio Source

    Thinking about what I wanted to write about as Phish Summer Tour kicked off and SPAC, I pondered a few different things. I wanted to first off write about something I had in the pipelines of new seeds I was sharing with the etree community and I of course wanted something Phish, and maybe something that was not only good, but under appreciated. Lake Placid 1995 met all the criteria.

    Much has been documented about December 1995, a month many consider to be one of the top three if not single greatest months in the history of Phish. It’s a month filled with night after night of fiery, tight playing, ground break jams and multiple all around all-time great shows, one that was filled with very few dull moments. I happened upon four shows this month myself, which proved to be quite the challenge considering the weather we faced in the Northeast.

    Phish Lake Placid

    Blizzard like conditions from Albany to Lake Placid that final week of Phish tour made it extremely difficult to get around on the New York State Thruway. It became so much that when confronted with an opportunity after Binghamton to sell my Lake Placid tickets and head home to Buffalo, I did, which made collecting my thoughts on this two night run that ended this long and incredible tour somewhat bittersweet. One thing that has also gone a little unnoticed and less written about in recent years, particularly in the 3.0 era of Phish is the value of seeing Phish on their home turf. Not necessarily Vermont or New England, but Upstate New York, specifically, the North Country, the Adirondack region. When I think of Phish, I think of this region. When I visit this part of New York State, I want to listen to Phish and when I see Phish in this region, it brings back incredible memories. To me, there is nothing like an Upstate New York Phish show.

    Phish Lake Placid
    Phish lot shirt from 1995

    Seeing Phish at places like The Knickerbocker Arena or Saratoga Performing Arts Center, from The Clifford Ball in Plattsburgh to the ground breaking Halloween 1994 in Glens Falls and many more, Phish brings it on their adopted home turf. When the band grew out of Vermont, not only by touring around the country, but growing their fan base into larger venues in the early 90’s, it was Upstate New York that served as the new home turf. You can feel it when you’re there. Phish in Lake Placid ’95 was the perfect two-night conclusion to this great month. What more could you really expect from these guys at this point? A monster tour staring back in September and wrapping up nearly three months later. What started in Hershey, built upon in New Haven, collected at U-Mass, exploded in Niagara Falls and Albany, carried on in Maine, reached all new levels at Binghamton and set the table in Lake Placid for what many believe to be the greatest Phish show of all time on New Years Eve. These two shows contained all the tightness of three months on the road you would expect. A well oiled machine coming to a rest after a long work out. I don’t think the band’s lack of creativity or deeper exploration in these shows is worth worry.

    What you do get is air tight renditions, high energy improvisation like what is found in the “Mikes > Simple > Weekapaug” in night one, and the band ultimately capping the tour and setting the table for the New Years Eve run. While December ’95 is not known for its very best “Mike’s Grooves”, it is known for is all time “Tweezers”, and 12/17 deserves attention along with the others. There are times for me when it sometimes feels like not only musically, but on a decision making level, that you sense what the band has decided upon. It feels to me all these years of listening to these Lake Placid shows, that they deliberately knew where they were in the tour and what had gone down up to this point. They noticed that sometimes they need a creative reprieve and 12/16 was one of those moments. But by night two, we’re ready to bring it back for one last push down the home stretch and really see what this thing is made of, to see if they could milk this thing to the last drop, and that’s exactly what they did.

    phish lake placid
    photo by James Potvin

    What gets overshadowed from this month is the bulk of 12/17’s second set: “Free > Also Sprach Zarathustra > Harry Hood > Sparkle > Tweezer -> Tweezer Reprise”. A raunchy “Free”, a direct hit of “2001”, an extended “Hood” and one last gasp “Tweezer” really showcases the brilliance of what makes December ’95, and seeing Phish on their home turf of Upstate New York so special. That is energy, energy, energy. The band knows it. The crowd knows it. Say what you will about Great Woods, Merriweather, Deer Creek or Alpine, Hampton, Philly or Boston, but there is quite simply nothing like a Phish show in green country of Upstate New York.

    Download Lenny Stubbe’s new source to circulation of 12/16/95

    Download Lenny Stubbe’s new source to circulation of 12/17/95

  • Metal Done Right – Baroness at the Club at Water Street

    Savannah, Georgia’s Baroness brought their progressive “stoner” metal grooves to Rochester’s Club at Water Street Wednesday August 7th. Touring behind their newest album, Yellow and Green, the group was joined by label mates Royal Thunder. Royal Thunder is a three-piece progressive rock band from Atlanta. Their sound is a mix of the old and the new; imagine a mix of The Cult and Evanescence with a more hypnotic progressiveness. Featuring the vocals and impressive bass skills of MLny Parsonz, the trio impressed the small crowd that had made it in early during their 40 minute set.

    Baroness, by all accounts, appear to be on the cusp of success. While they still perform their own soundchecks and headline smaller venues, they are able to pull a close to capacity crowd for a decent ticket price  on a Wednesday despite the distance from their far away southern roots. Many attendees were adorned in black Baroness shirts and colorful tattoos and the beer was flowing at full blast as go-time approached.

    The glowing trademark on the band’s Bad Cat amplifier head beckoned the black fashioned masses closer. Blue oyster cult filled the pre-show music as the band took the stage to the muted sounds of “Highway Star”. The set started acoustically unassuming before a barrage of power chords enlightened the onlookers into a sea of metal signs.

    The band’s sound is a mix of unassuming melodic mellowness with brutal reminders gleefully tossed eloquently into the mix. Picture Mastodon meets early Clutch with a twist of classic rock ground in and the potential to surpass the sum of their influences.  The crowd chatted little, transfixed by the sonic spectacle on stage. Many songs had epic qualities, building, subsiding, peaking, running the gambit of emotions in one composition.

    http://youtu.be/3BM2ztLlhvo

    The show mostly showcased the band’s newest effort, but had enough older tracks to keep things interesting. Unlike most harder shows, the audience seemed content to stand and watch for most of the show, but in true metal fashion a decent mosh pit broke out during the encore. Pull your Sabbath tees out of the basement and go check out some Baroness!

    photos by Jacob Silco

  • Meet your NYS Music Staff: Writer Quinn Donnell

    Quinn Donnell started writing for in the fall of 2012 as a freshman at Syracuse University. Originally from Northwest Indiana, Quinn’s adjacency to the Chicago music scene allowed him to establish an appreciation for live music by exploring the city’s abundant venues and various festivals throughout his high school career. Quinn credits his dad for his early exposure to artists like Bob Dylan and The Beatles, who helped him develop a taste in current music that Editor Pete Mason warmly describes as “that hipster stuff.” (ed. note – I do call it that, but I enjoy it too)Quinn Donnell

    As a student at SU, Quinn studies in the Bandier Program for the Music and Entertainment Industries. With plans to pursue a career in the music industry after graduation, Quinn has also written for the Chicago-based music website windycityrock.net and interned for Miscreant Records and Chicago music venues Schubas and Lincoln Hall. He’s also involved in SU’s student-run radio station, WERW and works as a College Marketing Representative for Sony Music Entertainment.

    Quinn’s musical bucketlist includes Arcade Fire, The Flaming Lips, Wilco, and Paul McCartney. He also hopes to someday make it to Bonnaroo, Primavera Sound, Sasquatch, and Newport Folk music festivals.

  • XFACTOR1 Blows Bearfest Away

    The eager concert junkies let out the occasional yelps of excitement as the outdoor music melted into silence. It was time for Xfactor1 to rock the stage and blow everyone away with what they had in store for us. One by one, each band member appeared: Zack (drums), Jerry D (bass), CLok (guitar), Cody (guitar), and QBall Wolf (vocals). They were more than ready to get Bearfest started the right way with “Bring It On.” What they unleashed was something different. Something refreshing and new. In a way, very erratic, if you will. “An xfactor is an unpredictable intangible,” explained Wolf to Upstate Metal’s Kate Drexel. “Our name simply means we want to be the number one xfactor in all things and all situations.”

    Xfactor1 continued their set with “It’s My Life” and a cover of The Rolling Stones’ “Paint It Black,” followed by “Break You.”

    Xfactor1 song writing is a group effort,” Wolf said. “Usually I will come up with a melody theme, and the guys will run with it until we add our influences. I think that influences are more than just ‘how do you sound?’ It’s attitude, passion, and ideals about life and music. Because of that, Metallica, Pantera, Korn, and other ass kickers come to mind.” These influences can definitely be heard in QBall’s unique voice as they proceeded with “You Suck.” Fans began to wave their horns in the air to the beat of the song followed by head banging.

    “I’m a huge Deftones fan so that would be awesome,” said Wolf when asked if he had the opportunity to collaborate with another artist. “Five Finger Death Punch would be great as well.”

    Before finishing the set, QBall had the fans gather in closer so the band could take a picture with the crowd in the background making an X with their arms in the air, a very similar moment the band shared at this year’s Rock on the Range. “We absolutely love playing the Rock on the Range festival (twice, ’09 and ’13), because it’s held in our hometown of Columbus, OH at Crew Stadium, and it’s like a huge family reunion.” Xfactor1 finished their set with “Never” and “Live Another Day,” leaving the crowd feeling warmed up, yet they wanted more from this killer band. Xfactor1 left the stage to presumably “film porn, party, play Texas Hold ‘Em poker,” according to QBall when asked what they do during their downtime.

    All in all, this band was beyond words. Just an absolutely mind blowing performance filled with catchy songs, and they definitely set the mood right for the night. Be sure to check out the band on Facebook. Their record, Famous.Last.Words was release in June 2012.

    Xfactor1 can put on one hell of a show. One you will not want to miss.

  • Yonder Mountain String Band and Railroad Earth Fiddled Things Up at Saranac Brewery, August 3rd

    Fittingly, for one evening, a cluster of stars were hosted on the Saranac Brewery Summer Stage as two roots based bands Railroad Earth and Yonder Mountain String Band energized the overlooked town.

    Saranac, a name meaning “Cluster of Stars” is inspired by the Iroquois Indians, historically indigenous to the area now known as Utica and throughout Upstate NY).  Nestled in the foothills of the Adirondacks, in the middle of this run-down, old industrial stopover city – a place where the buildings are so worn the brick look windburn and the hollowed shells of factories whisper a forgotten town – sits the lively Saranac Brewery with a massive American flag soaring above.  Symbolic and geographically historic, the city-in-the-shadows reflects American folklore and does so in celebration with good brew and great music.

    IMG_2621

    Steeped in Americana, Railroad Earth warmed up the crowd with a tantalizingly ominous “Forecast” but fortunately, the weather cooperated as the venue is open-air.  “Stillwater Getaway” showcased instrumental mastery and perhaps served as a nod to Railroad Earth’s home base, engaging the crowd for an eight-minute dance around before slowing down in a soothing “A Day on the Sand.” Moving through a truncated but lovely set, the evening was beginning to take shape, the sun was setting, the temperature mirrored a typical August day in Upstate NY and the craft beer was joyously received and the songs unfolded.  Gratitude would be the only acceptable emotion and that sentiment was echoed in “Livin’ the Good Life.”  The segue that followed was a playful tease and a subtle hint at the soon-to-take off, cerebral jam, “Seven Story Mountain.”  Railroad Earth’s folk like lyrics and organic tones make for a synchronous match for such a location.

    Setlist: The Forecast > Stillwater Getaway, A Day On The Sand, Came Up Smilin, Saddle Of The Sun > Shockenaw Mountain Breakdown, Livin The Good Life > Seven Story Mountain, Hard Livin, Bringin My Baby Back Home

    Listen to Railroad Earth’s set

    After a rousing set by Railroad Earth, Yonder Mountain String Band kept the excitement high by launching right into “Ramblin in the Rambler” which easily transitioned into “Pretty Daughter” and just as cheers began hit right back into “Ramblin.” Stopping briefly to welcome the burgeoning crowd the band took little breathing room before launching into a more than 20 song set, stretching to the edges of their catalog, even including Frank Zappa’s “I am the Slime.” With the sun finally setting, the band welcomed to the stage Tim Carbone of Railroad Earth for “Funtime” a jammed out “Riverside” and closed the set with a tune many YMSB fans know far too well, “Two Hits and the Joint turned Brown.”

    Taking a short break, Yonder returned to the stage for their encore adding to their ranks John Skehan, Andy Goessling and Tim Carbone of Railroad Earth. The three talented musicians added to the already robust sound to help YMSB close with “If You’re Ever in Oklahoma > No Expectations >Oklahoma.” Yonder Mountain String Band, no strangers to Saranac Brewery were perfectly complimented by Railroad Earth, making it a strong night of bluegrass, beer and dancing.

    Listen to Yonder Mountain set

    Setlist: Tuning Up, Ramblin in the Rambler>Pretty Daughter>Ramblin in the Rambler, New Deal Train, Don’t You Lean On Me, I am the Slime>Northern Song, Just Like Old Times, Katy Daly, Finally Saw the Light, Pockets, Irondale, Death Trip > Boatman, Going to the Races, Funtime* >, Riverside*> Two Hits and the Joint Turned Brown*

    Encore: Oklahoma# > No Expectations# > Oklahoma#

    *with Tim Carbone on Violin
    #with Andy Goessling on Guitar and John Skehan on Mandolin and Tim Carbone on Violin

  • Conspirator Release Fall Tour Schedule with 3 Dates in Upstate New York

    It has been a while since we’ve seen Conspirator play the Upstate New York venues outside of a festival. After their January release of their highly anticipated new Album Unleashed, Conspirator has vastly expanded their fan base playing at many of the major festivals coast to coast. It is no surprise that there is a high level of excitement surrounding Conspirator’s fall tour, “Going Up.”

    Conspirator Fall tour includes stops on Friday October 11th, The Westcott Theater in Syracuse, NY. Doors open at 8:00PM, show starts at 9:00PM, this is an all ages show. You can grab your tickets online at The Westcott Theater Online Ticketing.

    Thursday October 17th, Putnam Den in Saratoga Springs, NY. Doors open at 8:00PM and show starts at 9:00PM, Ages: 18+ ($5 extra charge for under 21). Tickets are $15 in advance and $17 day of show. Purchase tickets online at www.putnamden.com.

    Friday October 18th, Water Street Music Hall in Rochester, NY. Doors open at 8:00PM, show starts at 9:00PM, Ages:16+. Get your tickets online at Frontgate Tickets. Tickets are $15.00-$20.00.

    You can also catch Conspirator at The Catskill Chill Festival.
    http://www.conspiratorband.com/

  • Halestorm’s Arejay Hale Talks to Upstate Metal

    Upstate Metal’s Kate Drexel had the lucky opportunity to do a phone interview with Grammy-winning band, Halestorm’s drummer, Arejay Hale. They talked about everything from the start of the band to discussing his crazy use of one of his favorite iPhone apps, Vine. But first, let’s go back to the birth of Halestorm.

    “Lzzy and I were on our way to our very first show,” Hale said. “We were playing the talent show contest in 1997, about 16 years ago this year, and we were driving to the venue in our parents’ car, and we were looking at each other like ‘you know, we can’t just go out there and say, ‘Hey, this is Lzzy and Arejay Hale’, you know? We actually have to have a band name that sounds bad-ass.

    “I recall being kind of teased in school, you know? You walk into class and it was like ‘Oh, here comes the Halestorm, and so on our way to our very first show, I was like ‘why don’t we just call each other Halestorm? What if we called ourselves Halestorm?’ She was like, ‘Yeah, that’ll work for now’, and sure enough, 16 years later, it’s still Halestorm!” explained Arejay in a very animated manner. “I guess we’re just influenced by Hanson maybe, I don’t know …It was like, ‘Hey! Their band name is their last name! Let’s do that too! We’ll add a twist to it; we’ll make fun of ourselves and call ourselves Halestorm!’ We don’t really take ourselves seriously.”

    As far as influences go, they range from John Bonham of Led Zeppelin and Keith Moon of The Who to jazz percussionists Buddy Rich and Chief Bey. However, for Halestorm’s latest record, Hale mentioned that he repeatedly listened to Black Stone Cherry’s album, and as a side note, revealed that the band did a studio session before Halestorm. “When we went into the studio to make the new record, we pretty much came right off tour. We really didn’t have a chance to take a break. We didn’t stop, and we just went into the studio. We finished up our last tour, and the next day we flew out to Los Angeles to start writing and recording the new record at the same time.

    “They wanted us to finish the record in two months, which ended up dragging out six months because we wanted to wait ‘til we were absolutely ready. But the first two months of recording were highly influenced by our fans, and the people we’ve met on tour, and the places we went to on tour. Songs like ‘Rock Show’ and ‘Freak Like Me’, those are all kind of just like anthems to the fans. Songs like ‘Love Bites’ and ‘I Miss the Misery’, and all the heavy stuff was really written in the very first two weeks of writing and recording the record. Just because we were still amped up from being on the road, we were still feeling the energy from playing live. When we went into the studio, we put a lot of live energy into the recording, so that was a big influence for us, the very first half.”

    And, of course, the band ran into a bit of an obstacle; they were asked to take a break before they could finish the record, something this very determined band was not willing to do. “Our producer went on vacation and we were like, ‘well, what are we gonna do?’ and they were like ‘go home’, and we were like ‘no, we don’t wanna go home, we wanna finish the record!’ So while everyone was on vacation, we went to our apartment on the beach and that’s when Lzzy started, you know, sitting and writing more of the intimate stuff, like songs like ‘Hate It When You See Me Cry’—It’s on our B Side of our new record—She was also writing stuff like ‘In Your Room’, the more softer side of the record.

    “So when we went back into recording after everyone took a break, Lzzy was kind of starting to get in touch with the softer side, I guess you can say. So, therefore, after listening to Lzzy kind of coming up with these more intimate lyrics and stuff like that, I started thinking more trimming down the music and chipping down everything, and I just wanted to write these more softer, intimate songs. So after that we came up with ‘Beautiful With You’, ‘Break In’, ‘Here’s to Us’, like these kind of like more intimate and about us, than just purely about us. So we went back into recording after that. We had all of these soft songs and we were like, ‘now we have all of these heavy songs and all of these soft songs, so how do we put these together?’ then we came up with the song called ‘Mz. Hyde’, and we were like ‘okay, I get it! We put it together!’ So another influence of the record was the story of Dr. Jekyll/Mr. Hyde, and that was a really cool concept for the album, and we thought, ‘okay, what if we just show the world both sides of Halestorm? The heavy side and the really intimate side, and we’ll do it on purpose and call it The Strange Case of Halestorm, which was inspired by The Strange Case of Dr. Jekyll/Mr. Hyde’.”

    Drexel then revealed that The Strange Case of Halestorm is her favorite record by them and truly loves the song ‘Mz. Hyde’. She also told Hale that she saw them at Carnival of Madness in Baltimore last summer with Evanescence and Chevelle, one of her favorite concerts, aside from seeing them kick ass at Rock on the Range.

    Soon enough, Drexel realized they were both deviating a bit from the interview, and then she proceeded to ask what Hale does on his downtime besides making hysterical Vines. A moment of silence took place before Arejay let out a hearty roar of laughter. “I am so glad my madness has an audience! I was introduced to that app while we were in Europe,” Hale said. “One of my bandmates showed me and started playing with it, and I started using it, and it is the most fun app I’ve ever used because it’s just the perfect amount of time to do something hilarious. Six seconds, then, when it’s done, you can edit it as much as you want, then it loops. It’s constantly on loop and repeat, and that just makes it hilarious. You watch something and you’re like ‘what?!’ then it plays again, and you’re like ‘oh my god!’ and then you play it again and you’re like ‘oh my god! That’s fucking hilarious!’”

    High recommendation from Drexel herself: if you have the Vine app on your smartphone, go follow Arejay. Vine name: Arejay Hale. “Besides that, I try to continue to write on the road,” Hale said. “It’s not easy ‘cause you’re constantly running around doing press, doing meet and greets, you know, try to get some catering whenever you can. My days are long on tour. Definitely on days off, if I do get downtime, I try to write; actually my favorite app in the world is Garage Band on the iPad. It’s great. It’s awesome ‘cause it’s got just the right amount of sound to be creative, but it’s still limited enough for when I’m sitting down and trying to write, I don’t concentrate on all the sounds when it comes to getting the musical idea out. So I like writing on my Garage Band app on my iPad. It’s really easy, it’s really convenient, and I just bought one of those Blue Snowballs, you know. I’ll just plug it in and lay down some vocals and try to put together some demos.

    “My problem is if I have downtime, I hate sitting around, I have to be doing something, and I have to be busy. Same thing when we’re off tour. I go home to L.A. and as soon as I get home, I can’t stand sitting around. I used to be on the go all the time, you know, on tour and constantly having to do something. So when I’m home, I do a lot of writing. I got a studio in my bedroom, my girlfriend, she works in the same studio, she’s got her own band, she does writing and recording and stuff like that, so the two of us will write together when I’m at home. It’s really great. Pretty much anywhere I go, I’m surrounded by talented writers and musicians, and I get to be creative whenever I can. So anytime I’m doing downtime, it involves something with music or something there.”

    Unfortunately, it was time to wrap up the interview with Drexel’s last question, what does music mean to you? “I don’t know any other way of life,” Hale said. “It’s been a part of my life since I was probably, like, five years old. [I] started jamming with my sister in the living room, and now it’s just become the only way of life right now. So for me, music is like air, it’s like just every element that I require to be alive and to be myself is what I think about music.

    “I think that without music, I don’t know where I would be or what I’d be doing. I’m just so lucky I caught the bug early and I was able to pursue my dream and my career at a young age to get me to this point at my age. I’m very, very lucky, so I think music just means everything to me. It’s my life, and I don’t know what else my life would be like without it. I just feel really lucky.”

    Halestorm continues to unleash their inner freak this Fall. Be sure to catch them while you can. They are one band you will not want to miss.

  • Chenango 21st Annual Blues Festival August 16th & 17th

    This year is the 21st annual Chenango Blues Festival draws thousands to a beautiful rural venue in Norwich, NY. This year’s festival will take place August 16th & 17th at the Chenango County Fairgrounds. Tent Camping space is still available and can be purchased in addition to your festival ticket for $35.00 for the weekend (Camping Guidelines). Tickets are $20.00 in advance and $30.00 the day of the show, Ticket sale locations can be found HERE.

    Photo Courtesy Of: http://www.chenangobluesfest.org/2012-photos.html
    Photo Courtesy Of chenango blues fest

    Friday, August 16, 2013
    Frontier Communications – Free Friday Night show!
    Chenango County Fairgrounds – Tent Stage

    6:00 – 6:45 p.m. – Pinecone Fletcher
    7:15 – 8:30 p.m. – Tinsley Ellis
    9:00 – 10:30 p.m. – Dwayne Dopsie and the Zydeco Hellraisers


    Saturday, August 17, 2013
    Chenango County Fairgrounds
    Sheffield Bio-Science Infield Stage

    Gates open at 11:00 a.m.

    12:00 – 1:00 p.m. – Chris O’Leary
    1:45 – 3:00 p.m. – California Honeydrops

    4:00 – 5:20 p.m. – Larry McCray Band
    6:30 – 8:00 p.m. – Shemekia Copeland
    9:15 – Royal Southern Brotherhood


    Nelson & Flanagan/Grouse Ridge Kennel Tent Stage

    1:00 – 1:45 p.m. – Tas Cru
    3:00 – 4:00 p.m. – Valerie June
    5:20 – 6:30 p.m.- Ben Prestage
    8:00 – 9:15 p.m. – Honey Island Swamp Band

     

    **Please be aware that no tickets for Saturday’s show will be sold at the Friday show this year. Will call only from 6:00 – 7:00 p.m.